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3 Posts tagged with the tips tag

Busy New York guitarist Teddy Kumpel has a lot of tone tricks up his sleeves. He shares a few favorites from his M13 Stompbox Modeler.


By Teddy Kumpel


M13 Stompbox Modeler is a device that can be used so many different ways I can't imagine a player who it wouldn't suit.

I use it as a freak-out sound design box when I play with my trio. I do a lot of live looping and M13 gives me the variety of sounds I need to create myriad textures quickly.


I have one scene programmed for effects I use individually. Effects like Reverse Delay with an expression pedal controlling the mix. It's not only great for that super-trippy backwards lead guitar sound, it also works great just for a little moment in a rhythm part where you want to hear something backwards. Just set the delay time to whole-notes and enjoy...


Really hard and intense Opto Trem with the pedal controlling speed is a fun trick. I'll play a chord with the speed as fast as it will go and slowly use the pedal to slow it down, like skimming a stone across water.


Tape Echo with the pedal controlling delay time and feedback level is awesome for dub delays. Just turn them on while you're skanking for a second at the end of a phrase, move the pedal around and you're in Jamaica in 1970. The synth sounds are raw, freaky, retro, and really exactly what I would want in a guitar synth, without the hassle of having a whole cumbersome guitar synth setup.


To be continued…


Read about Teddy recording with POD® X3 Live.

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By Travis Harrison

 

 

Stop the insanity! Engineer and recording studio owner Travis Harrison constantly sees bands sabotaging themselves in the studio. Want to make better recordings? Know the secrets.

 

1. IF YOU'RE ON A BUDGET, DON'T BE TOO AMBITIOUS

 

The majority of the bands I work with are on a limited budget. If you can only afford two days of studio time, it probably isn't in your best interests to attempt to record and mix your entire 45-minute live set.

 

Speak frankly with the engineers and producers you are working with. Make a realistic plan. Focus on fewer songs and get them right. I'm all for moving quickly and efficiently. But maybe it isn't wise to lay down seven basic tracks when you can only afford to complete three.

 

2. PRE-PRODUCTION

 

Schedule some rehearsal time specifically focused on preparing your music for the recording studio. Perhaps your producer or collaborator will be at the rehearsal. Record these rehearsals. The most primitive recording apparatus usually works fine. Listen back together.

 

  • Is the singer out of tune? Try the song in a different key.

  • Is the intro too long or are the transitions between sections clumsy? Tighten, expand or polish your arrangements.

  • Is the drummer slowing down? Use a metronome to pick and practice a definitive tempo that works.

  • Does the song sound cluttered? Everyone doesn't always have to be playing all the time. Maybe the second guitar player should lay out in the verses.

  • Does the track need something else? Plan your overdubs.


The more you can prepare before you enter the studio and the clock starts running, the smoother and more fun the sessions will be.

 

3. DON'T PLAY/SING STUFF THAT YOU CAN'T PLAY/SING

 

If there's a guitar lick, vocal riff or drum fill that feels way too difficult, that probably means that it sounds way too difficult. Have the good sense and humility to edit your parts and performances before you enter the studio, waste precious time and money, and attempt many many takes of something that is unrealistic.


Keep it simple. Sometimes the problem is fundamental. Often songwriters will write songs that are difficult for them to sing. Embrace your limitations as well as your strengths, and choose or write material that will showcase how awesome you are.

 

4. DON'T SHORTCHANGE MIXING

 

Often bands will spend a lot of time tracking, then get hung up when it comes time to mix. They either try to jam pack a half-dozen mixes in one day, or get obsessed with one mix at the expense of others.


Know what you want, communicate clearly with your engineer about how best to accomplish this. Maintain focus without developing tunnel vision. Keep an open mind. Talking, laughing, eating and constant commentary from the peanut gallery can often distract your engineer's ears and detract from the efficiency of your session. And time is money.


P.S. It may not be in the best interests of your recording to have the entire band attend the mixing sessions.

 

5. DON'T SHORTCHANGE MASTERING

 

Don't underestimate the power of a top-notch mastering job. I've seen bands release unmastered mixes on MySpace, CDRs, even manufactured CDs or iTunes. BIG MISTAKE. No matter how sweet the final mix sounds, compare it to other mastered records. It should compete, it should sound good on a mix tape next to your favorite stuff, it needs to be mastered. Budget it in from the beginning.

 

 

Can you suggest any secrets that would help bands in the studio?

 

 

Travis Harrison owns and operates Serious Business Music, a bustling New York City recording studio, production facility, and record label.

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Line 6 is constantly looking for new ways of making its users’ lives easier and more musical.

 

The new Line 6 blog will offer our users (and all musicians) a sprawling online destination loaded with a variety of interesting content. As the blog grows, features will include helpful Line 6 gear tips, sanity-saving recording advice, geek-inducing pedal board setups, eye-opening artist tour diaries, and much more.

 

Right now, armies of touring artists, studio musicians, recording engineers, and in-house Line 6ers are firing up their laptops and pouring their hearts, minds and professional experiences into an expanding collection of indispensible information for musicians.

 

As always, user comments are encouraged. Please let us know if you find the blog posts helpful or interesting. And feel free to suggest topics that you’d like to read about.

 

If you enjoy our MySpace blog, don’t worry, it’s not going anywhere. Music-related news, opinions and deep-reaching questions will still have a home there. And, of course, we’re all over Facebook, Twitter, YouTube, and Flickr.

 

Thanks,

Line 6

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