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|Brit Hi Gain||Metal Shred||
|ripper||Suggested EQ settings 12db1250Hz Q7 If you want more bite 4db7200Hz Q4||12/14/03|
|Modern Hi Gain||Rock||
|kvines||An auto volume pedal swell to give a violin or cello like effect||12/13/03|
|Hangar 18||Rectified||Metal Shred||
|Megadeth or any Metal||Fro Mustaine|
|Rick Bales||Nice clean sound with a doubler reverb and chorus I use it with my Ibanez George Benson model on the neck pickup||12/12/03|
|Most U2||The edge|
|Declan Clarke||Suits most U2 songs mainly where the streets have no name||12/9/03|
|Dream Theater||Cali Crunch 1||Metal Shred||
|Lifting Shadows Off A Dream||John Peter Petrucci|
|Pekka Leppaluoto httpkotimbnetfileppaluo||Delay setting for the song Lifting Shadows Off A Dream off the 1994 album Awake Select your favorite JP clean sound and youre ready to go Be careful with the tempo the delay setting here works with a moderate rock tempo quarter note 108 You might want to add a bit of palm mute or staccato feel when the verse riff starts to prevent a cacophonous outcome||12/7/03|
|Steve Vai||Line 6 Insane||Rock||
|For the love of god||Steve Vai|
|Hans Fuhrmann||Heres a POD 20 version similiar to Hanbans Vaipatch For the love of god Thanx to Hanban for inspiration and Id welcome any comments Hahefuaolcom||12/7/03|
|Lynerd Skynerd||Brit Class A||Rock||
|Sweet Home Alabama|
|Dr HansWilli Schroiff||developed on a Fender Texas Strat with the bridgemiddle pickup this is the sound if the 1st guitar I guess it is close enough have fun||12/7/03|
|Comments||Suggested EQ settings 12db1250Hz Q7 If you want more bite 4db7200Hz Q4|
|Comments||An auto volume pedal swell to give a violin or cello like effect|
|Song||Megadeth or any Metal|
|Comments||Nice clean sound with a doubler reverb and chorus I use it with my Ibanez George Benson model on the neck pickup|
|Comments||Suits most U2 songs mainly where the streets have no name|
|Guitarist||John Peter Petrucci|
|Song||Lifting Shadows Off A Dream|
|Comments||Delay setting for the song Lifting Shadows Off A Dream off the 1994 album Awake Select your favorite JP clean sound and youre ready to go Be careful with the tempo the delay setting here works with a moderate rock tempo quarter note 108 You might want to add a bit of palm mute or staccato feel when the verse riff starts to prevent a cacophonous outcome|
|User||Pekka Leppaluoto httpkotimbnetfileppaluo|
|Song||For the love of god|
|Comments||Heres a POD 20 version similiar to Hanbans Vaipatch For the love of god Thanx to Hanban for inspiration and Id welcome any comments Hahefuaolcom|
Model Packs increase the number of Amp or FX Models of a GuitarPort, TonePort, PODxt, PODxt Live or PODxt Pro, for a wider variety of tone possibilities. When a particular tone in the library relies on a Model available in one of these packs, you'll see symbol(s) to indicate which Packs: MS (Metal Shop), CC (Classics Collection), FX (FX Junkie), and PP (Power Pack).
The models within the FX Junkie Model Pack are already included in PODxt Live, and offered for purchase to add-on to GuitarPort, TonePort, PODxt and PODxt Pro.
Variax is the uniquely flexibile guitar from Line 6. Our Vetta II amplifier includes a digital connection for the Variax that lets you store settings for both your amp and your guitar in the Vetta II so that when you call up a Vetta Channel Memory your amp and guitar can change sounds together. Vetta II Tones marked with this guitar symbol include this Variax data.
For each tone in the library, you'll see an icon for either a single coil or humbucker pickup. This tells you whether the tone is best for use with a single coil pickup or a humbucker, so you can select the appropriate pickup on your guitar when using this tone.
Attention POD 2.0, Flextone and HD147 owners... Your hardware doesn't do Stomp effects, so you'll hear something different than what was intended. Try increasing the Drive or choose a higher gain Amp Model to get the right sound. The other aspects of the sound should translate as expected, so you'll at least get a great starting place for tweaking.
Tones contributed by users to the Public Tone Exchange are made by individual users, who are in no way affiliated with Line 6. Any product name or trademarks used by the users to describe their Tones are the sole property of their respective owners. Any use of these product names or trademarks of other manufacturers should not be construed as an endorsement, association or affiliation with Line 6.