5431 tones found POD HD500 tones
||Plexi Lead pre||458838||156|
|Brazzy||I was playing around trying to learn and made this patch. Try it anyway you like. Maybe start out with all the effects off except the reverb then turn on FS1, then turn that off then turn on FS2, turning on the U-Vibe and Delay with each one. Then try all them on at the same time. FS1 turns on/off the first 2 effects at the same time, FS2 turns on/off the next 2 effects at the same time. FS3 turns on/off the U-Vibe & Delay at the same time. FS7 turns on/off the Reverb. Remember more than likely you'll have to tweak the controls. My rig constisted of an Ibanez AS Series AS73 Acoustic Electric Guitar into the HD500 set to Stack Front, PAD on, 1/4" lines out set to AMP with the Master at full open. The 1/4" left (Mono) out going into the Low Input on the front a DT50 Head. The DT50's Channel A was set to Drive, Bass,Mid,Treble and Volume were all at 12 O'clock. The Presence & Reverb were Off. Topology was set to I, Pentode, Class A, and the Master Volume was set to !2 O'clock in the 50 Watt Mode. The 16 Ohm out on the back of the DT50 is going into a Jet City JCA12S+ wich is open backed with a 100watt, 12", 16 Ohm Eminence speaker. Sounded good.||11/6/13|
||Olli Djent tone gated||Angel F-Ball||87|
||Ollie Djent Rhythm tone||Angel F-Ball||75|
||Ollie Djent Rhythm tone||Angel F-Ball||98|
||DAVES MAIN TONE||Treadplate / Treadplate||98|
||nansaba2||Angel F-Ball / Angel F-Ball||76|
||Filho Deus Vivo||Gospel||Nívea Soares||458849||Pop||92|
|herson||Amp Solo 100 Crunch||11/9/13|
||FBALL 5150 rhythm||Misha Mansoor Tosin Abasi Aaron Marshall||Periphery Intervals Between the buried and Me Animals As Leaders||458859 / Angel F-Ball Pre||450|
|manatopain||My personal take on the many Djent tones present here at Customtone. i rockon this tone is the most snappiest, and a little bit more mid-oriented than the other djent patches at Customtone||11/9/13|
||Brit lead||Tesseract The Safety Fire Intervals||458841||Progressive Metal Rock Hard Rock||145|
|manatopain||Lead tone suitable for soloing over clean parts. It has smoothed dynamics and is not too driven. Based on a marshall tone, but changed to suit the progressive style.||11/9/13|
||Octawesome||Acle Kahney||Tesseract Intervals Between the Buried and Me||Progressive metal||185|
|manatopain||Clean octave tone, representing 3 octaves. Useful for many progressive metal songs.||11/9/13|
Model Packs increase the number of Amp or FX Models of a GuitarPort, TonePort, PODxt, PODxt Live or PODxt Pro, for a wider variety of tone possibilities. When a particular tone in the library relies on a Model available in one of these packs, you'll see symbol(s) to indicate which Packs: MS (Metal Shop), CC (Classics Collection), FX (FX Junkie), and PP (Power Pack).
The models within the FX Junkie Model Pack are already included in PODxt Live, and offered for purchase to add-on to GuitarPort, TonePort, PODxt and PODxt Pro.
Variax is the uniquely flexibile guitar from Line 6. Our Vetta II amplifier includes a digital connection for the Variax that lets you store settings for both your amp and your guitar in the Vetta II so that when you call up a Vetta Channel Memory your amp and guitar can change sounds together. Vetta II Tones marked with this guitar symbol include this Variax data.
For each tone in the library, you'll see an icon for either a single coil or humbucker pickup. This tells you whether the tone is best for use with a single coil pickup or a humbucker, so you can select the appropriate pickup on your guitar when using this tone.
Attention POD 2.0, Flextone and HD147 owners... Your hardware doesn't do Stomp effects, so you'll hear something different than what was intended. Try increasing the Drive or choose a higher gain Amp Model to get the right sound. The other aspects of the sound should translate as expected, so you'll at least get a great starting place for tweaking.
Tones contributed by users to the Public Tone Exchange are made by individual users, who are in no way affiliated with Line 6. Any product name or trademarks used by the users to describe their Tones are the sole property of their respective owners. Any use of these product names or trademarks of other manufacturers should not be construed as an endorsement, association or affiliation with Line 6.