197 tones found
Tones by TomaszM
| Product | Tone Name | Guitarist | Song | Band | Amp | Style | Downloads | ||
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Triple Rectifer | No Amp | Metal Shred | 182 |
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| TomaszM | Very good Gain for Metallica or Heavy Metal. | 1/17/07 |
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NORMAL | Double Verb | Rock- Bluez | 143 |
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| TomaszM | Combo Front. Lows Flat . 900Hz Focus. -25 Highs. Pad Normal. Select Amp. Input Level 75. Works infront of every Amp I have tried it on from a Marshall Jubilee,Mesa LoneStar Special,Ampeg Super Jet,Fender HR Deluxe,Fender Bassman.If too Trebley kick in EQ to smooth things out.Works with every guitar Ive plugged into and with any type pickup selected Single or HB. | 1/17/07 | |||||||
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SuperLead Chorus | Phil collen | Women | Def Leppard | Brit JM Pre | Rock | 116 |
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| TomaszM | Very close, although they used Randall RG-100 amps on the record. | 1/17/07 |
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xxx on prozac | DREAD | ISLE OF DREAD | Brit J-800 | Metal Shred | 145 |
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| TomaszM | another high gain head. this one similar to my xxx head 'cept this has a little more girth in the mid lows. On my xxx i ran integrated quads (el346l6) and a low gain 12dw7 in the pre-stage, cuz the gain was just insane. This is pretty close to that tone. peavey triple xxx "crunch" chnl | 1/17/07 |
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Mike's MoFoNo | Mark Knofler | Money for Nothing | Dire Straits | Solo 100 | Rock | 75 |
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| TomaszM | This one uses a Soldano head rather than the JCM800 in the factory patch. I used lace sensor golds. Wish the wah wasn't quite so strong ... | 1/17/07 |
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charger soldano | charger | Solo 100 | Rock | 103 |
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| TomaszM | Multipurpose. Thick rhythm tone. Hit the stomp for a juicier lead. Hit the comp for 2dB of boost to cut through. Throw on the delay for more solo joy. Mod is a slow phaser. For less bass, turn down the bass, or switch to the 4x12 Green 25 cab. | 1/17/07 |
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Believer | Dann Huff | Im A Believer | Giant | Solo 100 | Metal Shred | 194 |
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| TomaszM | The Great Guitar Intro played by Dann Huff at The Song "Im A Believer" Im pretty sure that he used a Soldano Amp on this Tune with a Stratstyle Guitar. Play it Loud!!! | 1/17/07 | |||||||
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Brian May's creamy vox lead | Brian May | Any really... | Queen | Class A-30 TB | Rock | 88 |
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| TomaszM | I've been toying around with his tone for along time, but have found that it is almost unobtainable without a boost. If you have an overdrive give the amp a slight gain boost and this tone will cut through and sing. I didn't really bother to edit the effects other than to just point the user of this tone in the right direction. Brian May's tone is actually quite a bit more like single coil tone when in a live setting, but for the sake of dl'ers I did this with a humbucker to avoid the hassle of having to use an outboard eq to take out the initial thunder of a single coil. Brian also used very little verb so take it easy on that setting as well. For the brighton rock solo use tap temp to set up the delay and adjust the knob to taste, but for the record it was a ping pong delay, that being triplets in stereo. The 4x12 helps account for the amount of amplifiers he runs on stage. However, we're still short 8 speakers, as he runs 6 vox ac-30's at live venues. | 1/17/07 |
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Brian May's creamy vox lead | Brian May | Any really... | Queen | Class A-30 TB | Rock | 99 |
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| TomaszM | I've been toying around with his tone for along time, but have found that it is almost unobtainable without a boost. If you have an overdrive give the amp a slight gain boost and this tone will cut through and sing. I didn't really bother to edit the effects other than to just point the user of this tone in the right direction. Brian May's tone is actually quite a bit more like single coil tone when in a live setting, but for the sake of dl'ers I did this with a humbucker to avoid the hassle of having to use an outboard eq to take out the initial thunder of a single coil. Brian also used very little verb so take it easy on that setting as well. For the brighton rock solo use tap temp to set up the delay and adjust the knob to taste, but for the record it was a ping pong delay, that being triplets in stereo. The 4x12 helps account for the amount of amplifiers he runs on stage. However, we're still short 8 speakers, as he runs 6 vox ac-30's at live venues. | 1/17/07 |
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5150 Head sound | EVH | Panama | VanHalen | Treadplate Dual | Rock | 149 |
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| TomaszM | With Presonus Tubepre loaded in front, drive 30 and 75 works for me!!!!!!! | 1/17/07 |
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Model Packs increase the number of Amp or FX Models of a GuitarPort, TonePort, PODxt, PODxt Live or PODxt Pro, for a wider variety of tone possibilities. When a particular tone in the library relies on a Model available in one of these packs, you'll see symbol(s) to indicate which Packs: MS (Metal Shop), CC (Classics Collection), FX (FX Junkie), and PP (Power Pack).
The models within the FX Junkie Model Pack are already included in PODxt Live, and offered for purchase to add-on to GuitarPort, TonePort, PODxt and PODxt Pro.
Variax is the uniquely flexibile guitar from Line 6. Our Vetta II amplifier includes a digital connection for the Variax that lets you store settings for both your amp and your guitar in the Vetta II so that when you call up a Vetta Channel Memory your amp and guitar can change sounds together. Vetta II Tones marked with this guitar symbol include this Variax data.
For each tone in the library, you'll see an icon for either a single coil or humbucker pickup. This tells you whether the tone is best for use with a single coil pickup or a humbucker, so you can select the appropriate pickup on your guitar when using this tone.
Attention POD 2.0, Flextone and HD147 owners... Your hardware doesn't do Stomp effects, so you'll hear something different than what was intended. Try increasing the Drive or choose a higher gain Amp Model to get the right sound. The other aspects of the sound should translate as expected, so you'll at least get a great starting place for tweaking.
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