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36 tones found

Tones by chrisjw5

Product   Tone Name Guitarist Song Band Amp Style Downloads  
 
  
Author   Comments Date Pickup Rating
 
PODxt Live stomp

 Oasis Marshall Noel Gallagher Acquiesce Oasis Brit J-2000 #2 Rock 423
chrisjw5 This really mimics Noel's live sound - the Les Paul + Marshall combination. 12/12/08 humbucker
 
POD HD500

LA Metal Phil Collen Photograph Def Leppard Treadplate Rock 860
chrisjw5 FS1 is Tube Driver for a bit of a boost. FS5 is the Screamer for more of a solo push. FS2 is Analog Chorus, FS3 is a Reverb (on), FS4 is a Delay (adjust to taste, I leave it mostly off). FS6 is the trick, it's the Mid Focus EQ that adds a midrange bump, think the Tom Scholz Rockman for that Boston sound. It can also make a good solo boost. This was dialed in using a Jimmy Page Les Paul with Duncans. Here are some suggestions, depending upon what tone you're trying to cop. Def Leppard (Photograph), use the distortions at FS1 and F5 for solo work, for most rhythm stuff, just the amp is fine. FS2 Chorus gives a nice shimmer to the chorus arpeggios Boston (Don't Look Back), use FS6, the mid-Focus EQ, and maybe the Tube Screamer if you're good with palm muting, because it can run away on you quickly (and Scholz didn't use that much gain). Most hair metal (Poison, Motley Crue), use the mid-focus for the earlier stuff (Talk Dirty), leave it off for later stuff (Kickstart, Ride the Wind) This is NOT an exact copy of anyones tones. But it should get you covers-close to a lot of stuff. Before you evaluate and rate, I'd suggest going to a site like guitarbackingtracks.com and playing the patch WITH the song. In many cases a patch will sound 'wrong' on it's own. But that's not the goal, it should sit in the mix well. Try it. 3/24/12
 
POD HD500

STP Dean DeLeo Stone Temple Pilots Angel F-Ball Rock 1308
chrisjw5 Use FS1 to add compression, FS2 for Screamer and FS3 for Flanger (Sex Type Thing, Army Ants) 2/26/11
 
POD HD500

PARK Joe Walsh - Billy Duffy - Billy Squier James Gang - The Cult - Free - Foghat Brit P-75 Brt Rock 815
chrisjw5 For Marshall tones, I can't get past the Park with the Tube Comp engaged full-time. I keep FS1 on 90% of the time and I can cover a TON of ground. Joe Walsh/James Gang? Check. Free, Foghat and other 70's rock? Check. 80's crunch pop like Billy Squier? Check. Hit FS2 for some Analog Flanger and I can do most Billy Duffy stuff from the Cult (try the She Sells Sanctuary, Sun King and Fire Woman riffs). FS4 is a delay and FS5 is the DOD yellow OD for solo work. Try it, as this is rapidly becoming one of my favorite patches. This and my Blackface patch will cover most of your live needs. I've been on a good run of 4 and 5 star rated patches and I'm hoping you all find this as useful. 8/16/12
 
POD HD500

Hiwatt Clean Hiway 100 Rock 863
chrisjw5 Shimmery (but not too much so) Hiwatt clean. Great for the intro to Stairway to Heaven all the way up to Far Behind by Candlebox. 2/20/11
 
POD HD500

-13 Crunch Divide 9/15 Rock 738
chrisjw5 You can use this for almost anything with moderate crunch. I play older ZZ Top on it, all the way up to Bryan Adams' Summer of '69. 2/20/11
 
POD HD500

Dave Navarro Dave Navarro Shocking/Habitual era Brit J-800 Pre Rock 561
chrisjw5 Done on a Strat with a double-blade bridge. FS1 engages the drive, FS2 engages the Comp. Both together make a great Stop! tone. Just the Comp (FS2 alone) with the amp is a dirty Been Caught Stealin' sound. Turn off both FS1 and 2 and hit FS3 and you have both a phaser and an analog chorus for that Classic Girl swirl, or the intro to Ocean Size. FS4 is a Bass Octaver if you want to do some One Hot Minute-era Chilis. 4/26/11
 
PODxt Live

Boston Acoustic Tom Scholz Peace Of Mind Bsoton Line 6 ACO 2 Rock 321
chrisjw5 11/9/09 humbucker
 
PODxt Live stomp

 Oasis Marshall Noel Gallagher Oasis Brit J-2000 #2 Rock 226
chrisjw5 4/9/09 humbucker
 
PODxt Live

KoL Orange 30 Matthew Followill Kings of Leon Citrus D-30 Rock 941
chrisjw5 4/9/09 humbucker

Model Packs increase the number of Amp or FX Models of a GuitarPort, TonePort, PODxt, PODxt Live or PODxt Pro, for a wider variety of tone possibilities. When a particular tone in the library relies on a Model available in one of these packs, you'll see symbol(s) to indicate which Packs: MS (Metal Shop), CC (Classics Collection), FX (FX Junkie), and PP (Power Pack).

The models within the FX Junkie Model Pack are already included in PODxt Live, and offered for purchase to add-on to GuitarPort, TonePort, PODxt and PODxt Pro.

Variax is the uniquely flexibile guitar from Line 6. Our Vetta II amplifier includes a digital connection for the Variax that lets you store settings for both your amp and your guitar in the Vetta II so that when you call up a Vetta Channel Memory your amp and guitar can change sounds together. Vetta II Tones marked with this guitar symbol include this Variax data.

For each tone in the library, you'll see an icon for either a single coil or humbucker pickup. This tells you whether the tone is best for use with a single coil pickup or a humbucker, so you can select the appropriate pickup on your guitar when using this tone.

Attention POD 2.0, Flextone and HD147 owners... Your hardware doesn't do Stomp effects, so you'll hear something different than what was intended. Try increasing the Drive or choose a higher gain Amp Model to get the right sound. The other aspects of the sound should translate as expected, so you'll at least get a great starting place for tweaking.

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Tones contributed by users to the Public Tone Exchange are made by individual users, who are in no way affiliated with Line 6. Any product name or trademarks used by the users to describe their Tones are the sole property of their respective owners. Any use of these product names or trademarks of other manufacturers should not be construed as an endorsement, association or affiliation with Line 6.