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36 tones found

Tones by chrisjw5

Product   Tone Name Guitarist Song Band Amp Style Downloads  
 
  
Author   Comments Date Pickup Rating
 
POD HD500

ZZ Fender Billy Gibbons ZZ Top Blackface 'Lux / Blackface 'Lux 4881
chrisjw5 I was looking for a Billy tone that I could use for all of the ZZ periods, from La Grange to Afterburner. This isn't exact for any one album, but I modeled it after the Live in Texas DVD and the VH1 storytellers. Coupling a Fender Deluxe with a Jumbo Fuzz gave me a good "Billy Live" tone. Throaty enough for Tres Hombres but hot enough for Stages. Check out the FX to gunk it all up. Step on FS2 to toggle on both the Digital Delay and Dimension Chorus for some Rough Boy. 2/20/11
 
POD HD500

Randy Rhoads Randy Rhoads Crazy Train / Blizzard of Ozz Ozzy Osbourne Brit P-75 / Blackface Double Metal 3336
chrisjw5 This is about as close as I can get to Randy's tone on the new Blizzard re-release. On it's own, it's nasally... so was Randy's tone. Play it with a backing track or against the song and you'll see how close it is. Randy's was a bit smoother and if I can improve on it, I'll reload it here. I did this was a Carvin Contour 66 - a super Strat with a fairly hot bridge pickup. This tone runs at the edge of literally going off the rails. You may need to adjust the Master on the amp at louder volumes (I haven't tried it fully cranked). 6/7/11
 
POD HD500

LA Metal Mick Mick Mars, CC DeVille Girls, Girls, Girls; Talk Dirty To Me Motley Crue, Poison Brit P-75 80's Metal 2532
chrisjw5 I use this as a generic 80's Metal tone. Hair band purists will find it doesn't nail any one specific tone, but it does cover a wide variety. Use it for live covers of Motley or Poison or Warrant. I based it on CC's "Talk Dirty" tone and Mick Mars' "Girls" sound. You'll find a Screamer for solo boost at FS1, Phaser at FS2 and Flanger at FS3 -you can even knock out some DLR-era VH with these. Another choice is to pick which one you'll use least and sub it out for a longer delay to trigger at FS1 for a more "LA" solo. Your call. 2/26/11
 
POD HD500

Sabbath Tony Iommi Black Sabbath Divide 9/15 Metal 2488
chrisjw5 This isn't my tone. Pink Panther from The Gear Page posted his settings for the HD300. All I did was create a 500 patch and upload it. The tones are all his. 4/25/11
 
POD HD500

Another Brick David Gilmour Another Brick in the Wall Pink Floyd Hiway 100 2013
chrisjw5 Step on FS1 to engage the overdrive and turn off the chorus for the "All in all..." part. I use this to play the song live, as it's not nearly as dry as the album (which I think doesn't translate well on stage). 2/20/11
 
POD HD500

BLACKFACE Blackface 'Lux Nrm Rock 1970
chrisjw5 I've been using this for live work in a cover band. Try it. Cuts through really well for me with both singles and buckers. Set up a little dirty, it's my 'clean-ish' sound. Put a Screamer in front and it's my Crunch. Throw an OD and I can solo with it. I use it for everything from 867-5309 to Don't Stop Believing. Tom Petty, Bryan Adams, Sublime. It just worked. It cut through, it was articulate. It was great. If you're looking for a tone-for-tone cop of any of those songs, this isn't it. If you're looking for an articulate rock patch to cut through on stage, try it. I go with my HD500 right into a Tech 21 PE60 and adjust for the room with the PE60's EQ. 12/14/11
 
POD HD500

Purple Rain Prince Purple Rain Prince and the Revolution Blackface Double Funkytime 1949
chrisjw5 FS1 for solo boost, FS3 for Phaser to swirl that ending out. Hint 1: don't use the cowboy chords**. Hint 2: wear velvet. ** Bbsus x13311 G11 3x3311 F 133211 Eb xx134x F7 131211 3/23/11
 
POD HD500

+Fender Black Blackface 'Lux / Treadplate Pre 1406
chrisjw5 Dirtier than +Fender Deluxe, it gets into mid-gain rock territory. Think Mike Ness/Social Distortion, Neil Young/Crazy Horse. It's mid-gain Marshall with less flubbiness. I made these "+" patches so I'd have a set of default patches to use almost as a 4 channel amp. I set them up in Bank 1, channels 1-4 so I have a variety of go-to tones when I'm out. Each tone is set up with a distortion at FS1, delay at FS4 and various other FX at 2&3. Try 'em. I usually run Bank 1 as A) +Vox (or +Hiwatt) B) +Fender Deluxe, C) +Marshall D) +Mesa (or + Engl) 3/27/11
 
POD HD500

+Fender Deluxe Blackface 'Lux 1330
chrisjw5 I made these "+" patches so I'd have a set of default patches to use almost as a 4 channel amp. I set them up in Bank 1, channels 1-4 so I have a variety of go-to tones when I'm out. Each tone is set up with a distortion at FS1, delay at FS4 and various other FX at 2&3. Try 'em. I usually run Bank 1 as A) +Vox (or +Hiwatt) B) +Fender Deluxe, C) +Marshall D) +Mesa (or + Engl) 3/19/11
 
POD HD500

STP Dean DeLeo Stone Temple Pilots Angel F-Ball Rock 1308
chrisjw5 Use FS1 to add compression, FS2 for Screamer and FS3 for Flanger (Sex Type Thing, Army Ants) 2/26/11

Model Packs increase the number of Amp or FX Models of a GuitarPort, TonePort, PODxt, PODxt Live or PODxt Pro, for a wider variety of tone possibilities. When a particular tone in the library relies on a Model available in one of these packs, you'll see symbol(s) to indicate which Packs: MS (Metal Shop), CC (Classics Collection), FX (FX Junkie), and PP (Power Pack).

The models within the FX Junkie Model Pack are already included in PODxt Live, and offered for purchase to add-on to GuitarPort, TonePort, PODxt and PODxt Pro.

Variax is the uniquely flexibile guitar from Line 6. Our Vetta II amplifier includes a digital connection for the Variax that lets you store settings for both your amp and your guitar in the Vetta II so that when you call up a Vetta Channel Memory your amp and guitar can change sounds together. Vetta II Tones marked with this guitar symbol include this Variax data.

For each tone in the library, you'll see an icon for either a single coil or humbucker pickup. This tells you whether the tone is best for use with a single coil pickup or a humbucker, so you can select the appropriate pickup on your guitar when using this tone.

Attention POD 2.0, Flextone and HD147 owners... Your hardware doesn't do Stomp effects, so you'll hear something different than what was intended. Try increasing the Drive or choose a higher gain Amp Model to get the right sound. The other aspects of the sound should translate as expected, so you'll at least get a great starting place for tweaking.

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Tones contributed by users to the Public Tone Exchange are made by individual users, who are in no way affiliated with Line 6. Any product name or trademarks used by the users to describe their Tones are the sole property of their respective owners. Any use of these product names or trademarks of other manufacturers should not be construed as an endorsement, association or affiliation with Line 6.