• Relay G30, Guitar Buyer, October 2009 "the relay G30 performed brilliantly and without fuss in use and maintained a high level of tonal integrity."
    Guitar Buyer

  • Relay G30, Guitarist, October 2009 "among the best we have come across so far. Simple to use, and far more importantly, hardly the tone-killer that wirelesses are presumed to be"
    Simon Bradley, Guitarist

  • Spider IV 75, MusicRadar.com, October 2009 Great Tones. Authentic Feel. Light weight. Priced Right.
    Simon Bradley, MusicRadar.com

  • Relay G30, MusicTech, October 2009 "The Relay G30 is a great addition to any gigging guitarist's rig. The wireless system is incredibly easy to use even for the most technophobic of guitarists"
    Mike Hillier, MusicTech

  • DL4, EQ, September 2009 When it comes to guitar effects, [Hod] David would rather use pedals, amps and outboard gear rather than plug-ins. He often uses a Line 6 DL4 delay, which allows him to tap in the tempo and dial in...

  • Spider IV, Gearwire.com, August 2009 The people at Line 6 have made a name for themselves exhibiting products that feature amp modeling technology ranging from audio interfaces to hardware amplifiers. The successful line of Spider III...

  • Spider III, Vintage Guitar, July 2009 "...the Spider III 30 gives a fat clean tone, warmish reverb, and is portable enough to make load-out a breeze. Plus it has a pile of effects, proving this diminutive Line 6'er to be fun, versatile,...

  • ToneCore Roto-Machine, Keyboard, July 2009 "An ideal companion if you get your organ sounds from an all-purpose synth or older clonewheel and are out of love with the built-in rotary sim."
    Robbie Gennet, Keyboard

  • BackTrack, Acoustic Guitar, July 2009 "There are many handheld digital recorders on the market. Here are some of the most popular...Line 6 BackTrack."
    Mitch Gallagher, Acoustic Guitar, July 2009

  • POD X3 Pro, Sound on Sound, June 2009 "As a combined audio interface and guitar/bass/vocal processor it represents very good value, especially when the additional software is taken into account."
    Paul White, Sound on Sound

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