It's a great tune to evaluate the software. Great demo tune. Cleanly played, a chord that will break up with distoshun and a lead run. I didn't hear any harshness in the tone at all. Very natural sounding. I thought AC/DC. SG/Marshall. It was a little too far out front. Like it was made for evaluating that particular tone. It needs another big meaty track to go with it. And a thumpin bass guitar. Then, all you need are some sophomoric lyrics and a good looking drunken singer with ********* the size of raisins and you're in business. Come to think of it, all you really need is the good looking drunken singer with the aforementioned testicular deformity.

With Sonar, you can automate Pod Farm/Guitar Rig/Amplitube/Whatever in real time. As the track is playing. You can adjust most of the parameters on the fly. Change amp models, delay values, pop a compressor on for just a few seconds.  And once its drawn on the track you just grab nodules to fine tune. Mind boggling. You can also add other effects and automate them in real time. When you get an automation you like, you can render that to audio and thus, release the load on your computer. Crusty's dry track can be manipulated in an almost unlimited way.

And with a track like this, you have time to really change things up between chords. You could speed up/down the tremolo. It would be impressive to go from a surfy-type vibe into a country feel and then progress to the rockin AC/DC without recording anything new. And, if you made a similar simple type lead on top, you could really genre-hop. Something simple with a few bends and sustained notes, some funky rythyms.

I'd take a crack at it.

Oh yea, we have Outback Steakhouse here and the commercials have a guy with the thickest accent I've ever heard. It's loik, crikey! Auootbaack Staikhowse! Like his nose is stopped up. As a Minnesota resident offended by the dialect in "Fargo", I thought I'd make you aware.