Acoustic

2006 Tacoma RM6C Roadking

Electric's

1999 Ernie Ball Axis

1996 Fender Strat Ultra

I also have a 2006 MIM Strat I rewired with SCN pickups and a LR Baggs bridge for any tunes when,

I need to switch from Acoustic to Electric tones mid song.

Pod X3 Live running direct to the house

When I am out of Church I run the X3 into a Crate powerblock through the effect return, bypassing the preamp.

Maximum power with ultra portability

American Standard Strat w/t Warmoth neck

Nashville Power Telecaster

Homemade Solid body guitar with Humbuckers- GR33 Synth Pickup and Warmoth neck. (attached a picture)

Takamine EAN40c (My Favorite Acoustic)

Takamine Santa Fe

Taylor 312

Fender 5 string Jazz Bass

Marshall MG50FX

Fender Acoustisonic Jr. (Best amp money that I ever spent)

Fender Bassman 100

Pod X3 Live

Pod XT Live

Boss ME50 (This sits on my desk at work w/t headphones for woodshedding at lunch)

I am using my Telecaster, X3 and Marshall as my mainstay rig.

I also have an MSA 10 string pedal steel guitar and a Michael Kelly square neck resophonic guitar (Dobro). I don't play these too much anymore.

Blessings

Martin HD28

LR Baggs Pickup

LR Baggs Paracoustic DI

Telecaster  USA Custom Body & Neck

DiMarzio Virtual T Pickups

X3 Live

Roland KC-100 amp

I use an Epiphone Semi Hollow Les Paul style guitar running into a Boss Blues Driver (not a huge fan), into an MXR Distortion III, into a Crybaby (not always plugged in) into an M13 where I split the effects loop and have the mods and delay go into the amp's effects loop and the previously mentioned pedals go into the front of the amp.

I recently just upgraded my amp and use a Vox AC30 CC2, previous to this I was using a Peavey Classic 30 with a Celestion G12H speaker replacing the stock one.

Looking forward to the Vox this Sunday though.

Guitars

Warmoth hollow bodyTele with Fralin pickups

Santa Cruz VJ with Fishman Rare Earth blend pickup

Amps

Pod X3 Live

Yamaha mini-PA floor monitor

The X3 goes straight to house PA via XLR, the Yamaha monitor gives me some stage volume but our church PA has got good monitors anyway.

I have a Parker Fly Classic up for sale as I plan on getting a Variax 700 - I can then retire the Santa Cruz (or sell it as I have another Santa Cruz I use for home playing, this one's an OM). I hope the Variax/X3L will give me the ultimate church rig - anyone else use a Variax/X3L in a church setting? I'd love to hear your thoughts!

Blessings

My set up seems to pale in comparison to some of you guys.

Guitars:

Parker P10e

Gibson Chet Atkins 2001

Variax ACoustic 700

Variax 500

AMP:

None at the moment I just run right into the house. I if I want more sound I will grab the Churches Traynor or Marshall acoustic

Pedal:

Pod X3Live

I use the normal set up from the X3L xlr out into the PA. Our sound guy puts me in a monitor bubble if you will so I'm not stuck with anything right dead in front of me but allows me to hear everything some what clear. We just have more people that we do monitors.

Guitars=

------------

MIM Strat,modded(Vin Noiseless pu's,treble bleed,mid boost circuit,graph tech saddles,I can't leave things alone!)

Strat style Variax transplant with lace single coils and carvin hum in bridge

Ovation acoustic

Sigma Acoustic

Effects

-------------

Ts9 with mods

Crybaby q535

Danelectro Delay

Ernie Ball Volume

True Bypass Loop

Amp

----------------

Duoverb head strt to Mixer

Carvin In Ear

Next Purchase?====M13!!!

I love to tinker,build and mod almost as much as playing so most equipment I own or get usually gets upgraded or added to.I think I have some kind of disease that will not let me be satisfied with my setup,I think it is called being a guitarist but i'm not sure.Usually only use one of the two strats on any given worship setting with everything else listed.Rock on...........till he calls us home.

'08 Stock AmStd Strat

'04 Gibson ES-137

1976 Martin D-35

X3L

Bad Monkey (haven't tried w/the X3L yet)

Peterson Strobo stomp, however for live use the X3L tuner works just fine

Blues Jr.

The X3L learning curve is straight up for me, haven't run direct into the board (sound guy can't meet me to preset yet), so I'm not really happy with my church tone yet. I understand the Fletcher-Munson curve, & realize that no matter what it sounds like at home church will be different.

The best thing I've found so far is Lincoln Brewster's 18D patch, but it sounds kinda mushy. When I can go into the board I think things will improve dramatically.

Take care,

Pat

Hello All,

  I currently play:

'88 ESP Mirage Custom.

'04 Ibanez Prestige 2570 VSL - Vital Silver

'05 Ibanez Prestige 2550 GK - Galaxy Black

Jackson Performer (not sure of the year) that I've tricked out. - Black

Line 6

HD100W Spider Valve/Bogner Head

4x12 Slant front cabinet w Vintage Celestion 30's

FBV Shortboard MKII

M9

Guitar Port with Riff Tracker and Gearbox

and last but not least....Morley Wah

For services i use a variax with the variax digital cable going to a pod x3 live going direct to the system.  i have my x3l also feeding a marshal mg 100 hdfx half-stack for stage volume although i would love to switch to a silent stage instead.  this setup is simple but great for me because i'm usually leading the singing as well and not having to switch guitars between electric and acoustic songs really helps the flow of the service.  somebody had me in mind when they created the variax x3l combo.

I play for between 4 and 6 hours every weekend for a worship team.  It took me nearly 15 years to get to this point with my equipment, and I get the most compliments about my tone, my overall sound and the fullness of the band with this configuration.

Primary guitar:

PRS Paul Allender SE (green) with Tremol-No installed to lock the bridge (I play a lot of 2-string bends)

Backup guitars:

Epiphone Prophecy EX w/ EMG 81/85's and 18v mod

Epiphone Les Paul Standard

Schecter C-1 Classic

Wireless unit (I do not like a leash, so I can actually walk around and interact with people as I play)

Digital Reference DR-3500 system

Amp:

Fender Hot Rod Deluxe (1x12 all-tube amp) - great for low stage volume but sounds great mic'd

Mic used to capture amp sound:

Sennheiser e609

Effects:

Line 6 M13 (using 4-cable method)

Two BOSS FV500H pedals (one as expression pedal and one as volume pedal just after wireless receiver)

DigiTech X-series tuner

Studio gear/Backup live system:

POD X3 Pro w/ FBV Longboard (in its own portable rack case)

---

M13 setup:

I use all 12 scenes with various default stomp boxes enabled so that I can perform some quicker jumps than having to rapidly make between 2 and 4 stompbox changes in and out of a solo.

FX1-A: Vetta Wah

FX1-B: Octave (1 octave down to simulate/demo bass parts)

FX1-C: Compressor (almost never used)

FX2-A: Tube overdrive, very minimal levels (match clean output level)

FX2-B: Tube overdrive, 50% drive (match clean output level)

FX3-C: Tube overdrive, 100% drive, slight output boost for solos

FX3-A: Analog Chorus (set up to almost sound like a flanger)

FX3-B: Uni-vibe (dotted 1/8 note)

FX3-C: Tremolo (1/8 note)

<External effects loop between FX3 and FX4>

FX4-A: Digital Delay (1/8 note)

FX4-B: Digital Delay (dotted 1/8 note)

FX4-C: Digital Delay (1/2 note)

---

Scene setup:

Scene 1 (Fx1-A): Chorus only

Scene 2 (FX2-A): Slight overdrive

Scene 3 (FX3-A): Moderate overdrive

Scene 4 (FX4-A): Heavy overdrive

Scene 5 (FX1-B): Chorus + dotted 1/8th note delay

Scene 6 (FX2-B): Slight overdrive + dotted 1/8th note delay

Scene 7 (FX3-B): Moderate overdrive + dotted 1/8th note delay

Scene 8 (FX4-B): Heavy overdrive + dotted 1/8th note delay

Scene 9 (FX1-C): Uni-vibe only

Scene 10 (FX2-C): Slight overdrive + 1/2 note delay

Scene 11 (FX3-C): Moderate overdrive + 1/2 note delay

Scene 12 (FX4-C): Heavy overdrive + 1/2 note delay

In all cases, besides scenes 1 and 9, the chorus effect adds level and depth to the tone so I use that to punch my solos through the mix if needed rather than wasting an FX spot on a boost, though I could easily do that with FX1-C).

I find this setup covers about 95% of what I would use during a service, and if I need to deviate, I use scene #9 (FX1-C) as my deviation setup for something more unique for that week.

Feel free to ask questions, it's taken me a VERY long time to get this gear set up (by what I've been told by the sound tech as well as listeners) very successfully.

Main guitar on Sunday - 70's Reissue Fender Highway One Stratocaster - I actually just got this last week.. traded my telecaster for it.. best move EVER

Back up guitar - Takimine Acoustic/Electric.. nothing fancy.. a $1500 guitar..

Line 6 Pod X3 Live

Boss Blues Driver

Sennheiser FreePort (wireless guitar system.. don't leave home without it... I hate wires)

For IEM I use a Behringer HA4700 Headphone Amplifier (plugged into the Monitor out) and I use Shure SE115 earbuds

1985 schecter strat hss                                                                                                                                                                                                                          1986 fender '57 reissue strat                                                                                                                                                                                 1987 hamer chapparel custom                                                                                                                                                                           2007gibson custom shop1960 reissue les paul (traded a 50 watt marshall jubilee for)

pod x3 live with boss ac-3 in effects loop

I have shared once already but since have changed my setup."93 Mexi strat with GFS pu's,Variax strat conversion,Ernie Ball volume>TS9 modded>Blues Driver modded>Pod HD400>xlr to mixer(left output),right output to small 2 channel Behringer monitor box(Pod output and main monitor mix into this for my mix)>Carvin inear.

This setup works very well for me since I play with different song leaders all the time with all very different styles(folk to metal and everything in between).Blues driver is on almost all the time(drive"0",gain"from 75% to 100%,tone"75% to 100%),ts9 only when I need a little xtra oomph.

I pretty much only use a few patches.Dr.Z clean,Hiwatt clean,Fenderish clean,all with tube drive for thick OD and I found the colorsound OD is very transparent(liking it more and more).Particle and octo verb patches for pad and volume swells when needed also.I find most of the models I don't use.I tried to find the few that are really full sounding when clean and stick to those,seems to make it easier to tweak when needed.The HD is awesome and sounds great.I have owned the Pod 2.0,xtlive and back to the 2.0 then the HD.Been a Line6 fan awhile.Peace!!

X3 Live and one of the following guitars:

* Les Paul

* Stratocaster (Tex-Mex Pickups)

* Stratocaster (EMG David Gilmour pickup set)

* American Deluxe Telecaster

Awesome stuff guys! I'm glad this forum is on here! I play for San Joachim church in Miami, Fl. My style ranges from Flamenco to Santana. I would love to put a Latin Rock worship group together, but only time will tell 

I use:

-97 Fender American Strat ( thinking about buying a Duncan lil 59'er and putting it in the bridge. We'll see.  )

-Ibanez G200ECent Electric-Acoustic Classical guitar

-Bugera V5 5 watt tube amp   ( replaced stock tubes with JJ's, and replaced stock speaker with Jensen C8R )

-Marshall VS65 amp  ( now mainly used at home, it's too much of a pain lugging it around. )

-Pocket Pod with various presets for our music. It can be a pain having to switch mid-song, but I get by. This solution will have to do until the Lord blesses me with a HD300! lol

-MXR Carbon Copy Delay

-Boss Super Overdrive ( saving up to have it modded by Analogman. It sounds good, but just not there yet. )

-Morley Bad Horsie Wah

and arriving in the mail....Line 6 XDS95!! Woohoo, I'm going wireless, baby!!  lol

I play straight to my amp, no PA. I like having my amp as my sound source and monitor. But I'm thinking of getting an A/B switch and routing to both amp and PA. Now that I'm getting the wireless, I'll be able to judge music better by walking out and hearing how things sound from a distance. Decisions, Decisions! 

I'm still trying to figure out the "proper" setup. Any help is always appreciated! 

David

haha^^

I only have this

st blues guitar and a line 6 pod hd 500^^

BASS

Fender Jazz Bass w/Badass II Bridge

Ibanez SR500

AMP

Peavey Mark IV series 400 Bass Head w/ Model 1810 Cabinet

Ampeg PF-350 w/PF210HE Cabinet

Hand Crafted 112 Cabinet

Line 6 Lowdown 110 Amp

EFFECTS

LINE 6 Bass PODxt  LIVE w/ Mission EP1-L6 Pedal

Digitech BP200 Effects Pedal

Digitech Jam Man Solo Pedal

Guitars:

Alvarez Acoustic

Fender Acoustic

Fender MIM Strat (forget the year)

Amps:

Epiphone Valve Junior head

Home built cab with a 16 ohm Jensen 12 (forget the watts right now)

Effects:

POD XT Live and POD HD500

Danelectro Trans OD and OD

Danelectro Delay

As an update to a revitalized thread.

I play 2-3 time a month at Cross Connection Escondido,CA

95 American Standard Strat with Warmoth neck, loaded with Seymour Duncan split rails.

MIM 70's re-issue sunburst Strat loaded with Duncan "Everything Axe" (dual coil in a single slot).

MIM 70's re-issue Telecaster Deluxe stock Fender Humbuckers.

Takamine Santa Fe acoustic

Takamine EAN40C acoustic

Taylor 312 acoustic

Homemade Telly with Washburn Tommy Iommi Pickups, and GR 33 synth access pickup.

Fender 5 string Jazz Bass.

HD500 (more user tones that I can describe. The User 1 bank is full and I am using User 2 as a "swap file" location)

Pod X3 Live back up.

Roland GR-33 Synth

Marshall 50 watt solid state combo w/ `12" Celestion Green Back. HD500 -1/4's to Marshall (personal stage monitor) with line out to board

List for this week.

Everlasting God

O This God (M Redman)

Holy (M Redman)

How Great Is Our God

God Of Wonders

Current Rig:

2010 Deluxe Stratocaster with custom 920D Lincoln Brewster Loaded Dimarzio 61, 58, 58 pickguard

Gretsch Stumpomatic G5135PS

OLP Axis Dimarzio Tone zone bridge, and PAF neck

Jackson DK2M  JB bridge , and 58 neck

Line 6 HD500

B52 half stack 4x12  400 watt cab.

Backup:

Vox Tonelab LE..

Ibanez TBX65R 1X12 60watt

Most of the time I use the Ibanez as a monitor on stage....The Half stack is cumbersome but sounds great with the HD500..

My current rig 2012

Fender telecaster John 5 Mexican one

line 6 Pod hd500

Pedalboard case from RondoMusic.com

Marshall mg100dfx and Roland KC300(on the way)

Monster and Mogami cables

Fender lock strap (guitar was falling all the time)

Gbu everyone

Guitars:

Mexico Fender Strat

Taylor Acoustic

Effects:

- POD X3 LIVE straight to PA System

At home:

- POD X3 Live through computer to computer speakers.  Looking at getting better speakers for playing where there is no PA system.

I'm still figuring out tones for the Pod.  I just use Lincoln Brewsters effects right now.

Godin Black Freeway SA w/ rosewood board and maple neck

  5 way super switch and acoustiphonic ghost acoustic module upgrade installed, setup and tweaked by Steve Finlay

Epiphone Prophesy II in Blue with Maple Neck N rosewood finger board

Yamaha SLG 110S - http://ca.yamaha.com/en/products/musical-instruments/guitars-basses/silentguitars/

Statocaster Squier Strat in white (Chinese version) awesome quality.

Spider IV 150w head and Line 6 Celestion 4x12 Cabinetv

Spider II 75 w combo

Block Rocker portable battery/AC powered amp

Roland GR-30 to connect to the Godan Synth Access port.

Behringer FCB 1010 Midi board to control the GR-30

Line 6 JM4 looper

Mikes, stands, and other various gizmos..