Nov 1, 2010 7:58 AM
Noise Gate and the Spider Valve
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This discussion [from my experience] is specific to "tube amps" and not just the Spider Valve, but since I'm running a Spider Valve it applies...
Here's the situation:
I play an ESP EC-1000 with active EMG pickups into a Spider Valve MK1 on the high gain "Chuggasaurus" amp tone through a Randall 4x12 cab in a small [aren't they all] practice space. The band is a 5 piece, the drummer is LOUD, which means the guitars and everything else are LOUD.
The built in noise gate is always on. I always check. But none the less, no matter where I stand, no matter what I do, the amp feeds back like crazy. In fact, every single tube amp in this room has done this.
So I get a noise gate. I tried several and eventually returned them all only to keep the rack mount Rocktron Hush Super C.
And here's my discussion:
I have always found I plug the rack mount noise gate into the effects loop with minimal success. I eventually get frustrated, run my guitar directly into the NG, and then out to the front of the amp. This doesn't seem right to me on a piece of rackmount equipment. And it looks retarded. Furthermore I actually looked up the Rocktron Hush Super C manual. It's very well written with a big section where each page is a diagram of how you could hook it up. Several pages later you get to the simple "guitar+amp scenario". And sure enough they show the NG in the effects loop. They never suggest to run it up front like I am doing, and have always done. At this time I'll add that the NG is VERY effective at the front of the signal chain. At the risk of killing all sustain.
My question:
Does anyone else play high gain tones at high volume (I'm talking LOUD drums dictating your volume) and run a noise gate? If so,
1. What brand
2. What model
3. What basic settings
4. What is the signal chain
5. What is your experience
6. Any other helpful tricks to keeping a high gain tube amp clean but not dead
The following has been tested and shown to make no improvement:
1. Stand somewhere else
2. Get a different power source or a power conditioner
The following is not an option:
1. Turn the volume down (drums are effing loud, mmmkay)
Thank you for your help. This is my biggest gripe leaving the world of classic Line 6 (HD147 & Vetta 2) and going back to tube amps.
J
Hey man, we I 1st got my SV MkI HD100 I had simular problems. I use alot of gain gain and it was feedbacking like crazy. I bought a Rocktron Hush pedal for. What I found worked for me best was having the crappy built in NG on as well as the Rocktron in the effects loop of the SV. I don't remember setting because it was a while ago and I don't go that route anymore. The NG in the M13 that I use w/the SV now works perfectly. Good Luck
Sofnwhat,
Are you using an M13 and a Line 6 amp? Isn't that redundant?
I should clarify that my built in SV noisegate is ALWAYS on in addition to a Hush Super C 1U in front of the signal chain. The problem is that it seems to only have one setting (is this true of the SV onboard noisegate?). At least with a Vetta or HD147 you could get a MIDI-USB cable, hop on my laptop and dial in some serious noisegate settings if needed (which I always seem to need).
I can't stress enough how much I wish I would have read the SV MK1 manual before I bought it. I didn't realize it wasn't Line 6 Edit (or similar) compatible.
Yeah there is no to adjust the built in nose gate on the SV MKI. It is what it is. How is using the M13 with the SV redundant? The the effects in the M13 are awesome, alot better in quality than what's in the SV or pre HD PODs. There is 100+ effects to choose from, instead of a small handful. Plus and can adjust the effects as much as I want, which the SV MKI only real downfall.
I'm using an MXR Smart Gate through SV MK1 212 and a Ibanez 7321 with SD Blackouts and Schecter Blackjack with passive pups. Both guitars require the gate at high volume with high gain. Yes, the gate sucks the tone from the amp but it still sounds pretty good. Not Dead. I try to use the gate for rhythm only and turn it off for lead work. I find it's difficult to get a natural response through the amp with the gate on. With the gate off i have to roll back the volume on the axe a little and it helps. Damn drummers, the guy i jam with pounds on the skins with sledge hammers lol, or so it seems. Do you have access to a PA system? Maybe if your mic'd going through the PA you could roll back the volume on the amp?
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