Mar 7, 2011 9:31 AM
HD Capability to send a signal to an amp and PA simultaneously
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Hi, I'm a long time user of Line 6 gear.
I'm a professional musicians and gig all year long.
I currently have a POD X3 live. It is one of my most important pieces of equipment, particularly when traveling.
I'm considering moving to a POD HD500. I always upgrade to the latest Line6 gear and so far, never been disappointed.
This time I'm reluctant. I've seen many users complaining about features taken out for the new HD series compared to the X3L series.
I don't usually dwell on forums, as you never know who's writing. I trust that a team of engineers designing such a thing will not design something worst than the last time.....
My only concern is that I read that the HD is unable to process a signal for both an amp and a PA at the same time. I usually play in large theaters in witch my amp is mainly for my reference and not the house sound.
Most times I play, I have my X3L setup to send the 1/4 inch jack to my amp with 1 channel of a preset panned L, and the XLR output to a PA panned R with the channel 2 of the same preset. In this way, I can individually tweak each sound, in the house and thru my reference amp. Also in this way if I'm playing a clean sound, I turn the amp simulation OFF in the channel 1 (thru the amp), letting the tube amp do its job, and keep the simulation ON on channel 2 mimicking the sound of my amp in the house.
THIS IS THE MOST USEFUL FEATURE IN MY POD. I want to know if the POD HD is able to do this.
Otherwise it seems like I'll be force to either feed a tube amp with the same AIR and CAB settings that I feed the PA, or feed the PA with the same raw sound (no mic/cab setting, useless for a straight PA connection) that I'll feed my tube amp.
Please any feedback, information or setup recommendations will be appreciated. I'll then look forward to purchase a new product or stick to the one that backed me up so faithfully.
Thanks so much.
Pablo Gadda
www.pablogadda.weebly.com
HD300 & HD400 have Dual Output Mode. HD500 does not at the moment...I know quite a few users have submitted that as a feature request for the HD500...If you haven't, visit the contact us page and submit product feedback if this concerns you about the HD500.
Another suggestion is to just use a monitor onstage being fed the signal from the PA. That way you are getting the best reference of your FOH sound. That is if you are able to part with an amp on stage.
In designing the HD, I think that Line6 decided to drop several of the less-critical (though many will disagree) X3 eatures that they felt were not worth it. This makes the HD a device that doesn't cover all the X3 ground, though it improves in many areas. The specific feature you mention, though, was probably overlooked rather than left out by design. The HD300 and 400 both have it, and it's kind of strange that the top of the line does not. Unless there's a hardware problem with putting that back, I would expect it to be reinstated at some point. I've seem many people complaining for this specific "missing" feature.
Correct me if I'm wrong, but I've been reading the manual over and over.
I haven't read the HD300/400 manuals yet, but supposedly, this two DO NOT HAVE DUAL AMP FEATURES RIGHT?
Now, according to the HD500, I could have 2 amps, each one with their own effects and settings right.
Can I then pan one amp (for example, a Fender Twin), totally left and then one pre amp totally right.
Then simply use the XLR RIGHT output to the PA and the 1/4 LEFT output to the AMP.
This is how I did it with the X3.
Would this work ?
Can any of you guys try it?
Hope I'm not missing something.
Pablo Gadda
I just looked at the HD300/400 manual. I see the DUAL OUTPUT FEATURE.
But it seems to me like a dangerous tool!!
Using the CLEAN (no amp) signal to my ampon a channel was useful when using clean sounds.
But if I pass to a distortion sound, I wanted all the flexibility/cabs/etc that I could use!
It seems to me that it would suck while having this setting on, that all of your presets will be forced then to lack mic/air sounds thru your amp regardless of your patch.
We must be missing something, I can't believe Line 6 overlooked this. Supposedly, the HD500 will give you all the flexibility, not take out options.
I really wish that one of the geniuses engineering the HD in line 6 could answer this post so I could decide to spend 500 dollars buying a product that may not satisfy me.
The output modes on the HD500 will not split like that on dual tones as my understanding is the output mode affects both sides...Nick had a cool work around using the FX Loop, but I think that stopped working with 1.20...
The HD300/400 are specifically designed to do this...When they are set to Dual Output Mode, the Left side is for the Amp and the Right is for the House PA...It works very nicely too...
Allright.
Let's put this hypothetical situacion:
Set up a dual channel.
Put two amps, same amp, same settings.
Turn one amp off.
Pan on amp RIGHT and send to PA thru XLR R
Pan off amp LEFT and send to AMP thru 1/4 L
Would this not work?
Also: Can you individually edit cab/mic settings on or off in any given amp?
Thanks guys, just trying to figure this out, do't want to spend 500 bucks in something that won't please.
Yes that would work. The question is if any effects after the stereo chain will make the signal mono again. I know some won't but do others?
Well, that's good to know. Ultimately, unless you are recording straight to the computer/studio, all that stereo thing is crap, PA and AMPS are always mono.
I'll see if I can find something about the effects online. However, not having the device is not helpful.
Can you try something out on yours and give us feedback?
This is ultimately much better than the option in HD 300/400 of making ALL of your patches lack or have the AIR settings......
I think you have a misconception about how the HD300/400 works...When you are in Live (or Dual) there is no AIR (mic modeling is bypassed) on the Left channel and the cab model that was there in studio direct is replaced with the Live version of the cab model...On the right channel, it is studio direct goodness...In Live mode, the POD is configured to connect to a guitar amp...While there are cab models in that mode, they are not the same as in studio direct...
The studio direct patches actually translate quite well between the output modes on the more than several amplifiers I have tried them on...In some cases, combo power amp worked better...In others, stack power amp seems to be the trick...
spaceatl wrote:
The output modes on the HD500 will not split like that on dual tones as my understanding is the output mode affects both sides...Nick had a cool work around using the FX Loop, but I think that stopped working with 1.20...
The HD300/400 are specifically designed to do this...When they are set to Dual Output Mode, the Left side is for the Amp and the Right is for the House PA...It works very nicely too...
Yes - the workaround seemed to work on the HD500.
Essentially what I did was to include an FX loop effect at the end of the HD500 signal chain and just turn the mix level to zero. Then if I set the HD500 output mode to say Combo Pwr Amp, the idea was to get a good stage sound into say a Spider Valve combo power amp input and because the FX Loop was before the final output EQ 'shaping' for the combo, the theory was that the FX Send was actually going to output the equivalent of Studio/Direct. I promise this appeared to work perfectly under f/w 1.1 but my tests couldn't have been comprehensive enough ![]()
With cab modelling enabled in the patches as per default settings, listening to the sound from the normal outputs whilst changing Output Modes the sound changes noticeably as you'd expect, but unfortunately so does the sound that comes out of the FX Loop Send.
With cab modelling turned off in the patches, the sound coming out of the normal outputs still changes as you'd expect when you change the output mode, BUT the sound coming out of the FX Loop Send does not change.
I have Space to thank for the next part of the workaround. My on-stage sound is sorted as I can use the power amp and speaker of my valve combo - and I can let the real speaker work for me. My sound into the PA is not yet sorted as I need speaker modelling enabled. Space suggested a decent workaround for this might exist in the form of a DI box - not just any DI box, but in the form of a Behringer Ultra DI GI-100 which in addition to being able to function just like any other DI box, has an option of speaker modelling included. OK, you only get one speaker model. These units are not expensive, but I found it hard to track any down with UK suppliers who had any in stock. I struck lucky with Thomman and bought two a couple of weeks ago at about £22 GBP each. The speaker emulation does work more than acceptably well and will give a good sound through the PA, but the speaker emulation is not going to be 100% the same as the cab emulation in the HD500 - but it would do the job pretty well regardless of that and it's not mega bucks. I needed a couple more DI boxes anyway.
The reality for me as I have a DT50 anyway, is that I would use the HD500 direct to the DT50 via L6 Link and then I'd simply use the DI output on the DT50, but if I didn't have the DT50 or if I needed to use a different amp, in the absence of the HD500 being able to currently supply two separately 'voiced output modes simultaneously, the GI-100 does provide a realistic and very usable option. Your mileage may vary of course.
Nick
Hey that's cool Nick...I remember that discussion, I didn't realize you picked them up...
Something I have been meaning to run by you and I think it applies here and wonder if you have tried it...
If we ran our Combo Power Amp Mode HD POD into our SV MK2 and set the XLR mode in the MK2 to Live, would we get output tranny love on the XLR out? I have been emaning to hook that up and try it out but things have just been too busy lately...thoughts?
spaceatl wrote:
Hey that's cool Nick...I remember that discussion, I didn't realize you picked them up...
Something I have been meaning to run by you and I think it applies here and wonder if you have tried it...
If we ran our Combo Power Amp Mode HD POD into our SV MK2 and set the XLR mode in the MK2 to Live, would we get output tranny love on the XLR out? I have been emaning to hook that up and try it out but things have just been too busy lately...thoughts?
Yeah - that should work - I tried it ISTR - I tried loads of stuff LOL
The other way around this would be to boot the SV with the DSP section disabled by powering on with the TAP button held down and that way you can put the HD into the front input - works on the Spider IV series too, but with the SV MkII you have the DI output option. I haven't tried this with my older Spider Valve MkI or my Spider III, but I guess it might work too
no... doesnt work?
Of course you can do this. I used my 1/4 mono output into my combo amp and used the XLR output into the P.A. System at the same time for quite awhile before I got the DT50. You just get everything sounding right into the P.A. first then setup your amp to as clean as you can get it then set it's volume so it's a basically a stage monitor. ery clean
Not sure I quite get what you are doing.
Are you using no amp simulation into your amp for clean amp sounding and using the amp sim into the PA?
That's what I need, I don't want to put an amp simulator before a Fender Twin pre-amp, it is ridiculous, the Fender is a great sounding clean amp, no need to daisy chain pres. Were you then panning one side with no amp sim to your amp?
Thanks for your time!
Been a X3L user for years and I drive my setup much the same way Pablo does
Unbalanced L & R Ouput to Mesa 50/50 x 2 212 cabs OnStage
Balance Outpus L&R feed the Main and Mon. Boards for FOH and Stage Monitors
This is a MAJOR Feature in the X3L !!
I could have sworn I read in the HD Literature that signal can drive Bal. and UnBal. outputs simultaneously.
IE. No matter how you process the Stereo L/R signal prior to the output stage, the signal is present on the L&R 1/4 and XLR Outs.
With all the marketing hype (BS) about advanced signal routing features of the HD500,
this should be a very simple patch for engineering to programm.
I have a HD500 arriving today. If I can't get the HD500 function in this manner.
Line 6 will have just lost a sale...
Cheers,
MK
Well - yes it is perfectly true that you can run balanced and unblanced outputs simultaneously, It works, but what you can't do is to assign the balanced XLR outputs to Studio/Direct mode and assign the unbalanced 1/4" outputs to Combo Pwr Amp at the same time.
The only way I've found of doing something closely approaching that is to:
Plug the guitar into the HD500 Guitar input
Place an FX loop effect switched on and with its mix level set to zero right at the end of the FX chain in the HD500
Set the HD500 Output mode to Combo Pwr Amp/Combo Front/Stack Front/Stack Pwr Amp depending on the guitar amp you want to use
Connect a single 1/4" output on the HD500 to the Power Amp Input on my Spider Valve combo or whatever amp I choose to use
Turn Speaker Cab modelling Off in the HD500 to prevent speaker cab modelling affecting what comes out of the HD500 FX Send
Connect the HD500 FX Send to the input of a Behringer Ultra DI GI-100 and turn cabinet emulation on on the Behringer
Connect the output of thge GI-100 to the PA mixing desk
If you are monitoring on stage using a FRFR system or a powered monitor, then the Output Mode you need for PA and your on-stage monitor will be Studio/Direct in both cases so you don't need to worry about what I've explained above as that applies to using a PA and an on-stage guitar amp.
This is a workaround and it works pretty well if you need to connect in this way, but you'd have to try it to see whether it meets your particular requirements
Nick
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