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Currently Being ModeratedRe: Pod HD High Gain Tone Guide
I'm using HTML 5 audio tags for the site audio. I put it together quickly so I didn't bother to try to make it super compatible. When I get more permanent tones I'll use yahoo music player and maybe YouTube vids as well
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Currently Being ModeratedRe: Pod HD High Gain Tone Guide
what versions of firefox/ie are you using - i thought the latest IE and FF should support audio tags...
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Currently Being ModeratedRe: Pod HD High Gain Tone Guide
glad you liked the rhodes tone. i actually have two now - one for the blizzard of oz and one for the diary of a madman tone. the diary tone is a bit more modern sounding, which i like more. i'll try to post them soon.
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Currently Being ModeratedRe: Pod HD High Gain Tone Guide
Yes the diary sound seems to have more high end mids and more "loud" like buzz saw gain then the more tamed rounded sounds from blizzard.
Its like he just turned the amp up louder and and added more front end push from the MXR and did some eq adjustments to sound brighter in the mix.
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Currently Being ModeratedRe: Pod HD High Gain Tone Guide
this thread should be made into a sticky. nice work meambobbo!!!
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Currently Being ModeratedRe: Pod HD High Gain Tone Guide
@ meambobbo...I'm running FF 8.01 and IE 8 which are the latest for XP
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Currently Being ModeratedRe: Pod HD High Gain Tone Guide
i have been checking the studio EQ out because a few people over at tgp said it isn't a shelf. reading the effects model gallery, it seems that the studio EQ is of a constant Q, so i reckon it can't be a shelf type of EQ. looks like the only shelfing EQs are the parametric and mid focus. can anyone confirm?
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Currently Being ModeratedRe: Pod HD High Gain Tone Guide
This is a nice tutorial if you want to EQ the sh*t out of stuff, but it would be better to have the actual amp modeled. Often times you can get lost eq'ing a Recto or an Uberschall when what you want is a Mesa Mark amp.
While I'm not convinced that the tones are accurate, I guess it's better than nothing.
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Currently Being ModeratedRe: Pod HD High Gain Tone Guide
I've read through the guide and his information is very thorough and correct to best of his knowledge. There are still alot of questions that Line 6 needs to answer and we have to just assume. (What cabinet model and microphone is the direct out of the DT-50 using?)
I think there is too much emphasis on EQ'ing also, but I like the amps the way they sound. Having said that, I do find that the cabinets color the sound of the amps too much, so for someone that does lots of recording, using EQ after the cabinet is a good solution. Everyone's uses are different.
In a real studio, micing a real cabinet is an artform and it is not easy to simulate that with just a few parameters. Just as an example, it's been noted that Eddie Van Halen actually walks around the room while playing to find a good spot to put additional microphones to try to pick up what he hears in that spot. Other engineers and guitarists do the same. This makes sense to me. Also, if the cabinet got moved or other objects are in the room, the sound of the room will change significantly. Reverb also changes tone a bit. I stopped using reverb altogether (except for clean sounds) because it can muddy things up easily.
Bottom line is that the amps in the POD are modeled the best they can and they are very, very accurate. If you need more "realistic" recorded guitar sounds then you would probably want to use the DT-50 or another amp and use several expensive microphones and mix them together.
If you still need something in one package that will do what you want, get the Axe-FX for $2000 and the controlling pedalboard for $750. Let's see.... $2750 vs $500. I'm sure the Axe-FX is awesome but I can't afford that and most normal musicians can't.
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Currently Being ModeratedRe: Pod HD High Gain Tone Guide
Yeah there's an awful lot of talk over on TGP about the EQs offered in the HD500. It has suggested that the cab sims are just too bassy and the EQs available just can't cut it when it comes to cleaning up the bottom end. A couple of the EQs can be used as a sort of HI/LO shelf, but they still don't do a proper job.
I believe the general concensus is that one decent EQ would solve most/all the complaints and in fact one of L6s own has suggested that a global EQ is VERY high on the aganda for a future update.
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Currently Being ModeratedRe: Pod HD High Gain Tone Guide
One suggestion only about the delivery of the info. You should put the doc on google docs so that people don't have to keep downloading a new version or worry about if they have MS Word installed. You can edit it right on google and anyone can read it there.
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Currently Being ModeratedRe: Pod HD High Gain Tone Guide
maybe it has something to do with xp then? i'll do an update that should be more compatible in a month or two. thanks for letting me know.
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Currently Being ModeratedRe: Pod HD High Gain Tone Guide
the studio EQ is supposed to be a shelving EQ, and from what I can tell it behaves as such. It does have a constant Q, and i'm not sure exactly how it is set but it seems "medium" (seems neither steep nor gradual but in between).
I definitely don't think it acts like a hump or valley - like it would if it was a fixed Q parametric EQ.
See this (http://en.wikipedia.org/wiki/File:Shelving-eq.svg). The shevles diverge from the baseline on curves, and the frequency range it takes to get from the baseline to target output level is determined by the Q.
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Currently Being ModeratedRe: Pod HD High Gain Tone Guide
I gravitate heavily towards the Treadplate (Recto) V30 4x12 when I'm running "direct". It's the only cab I think is without all that bass. The XXL V30 4x12 is pretty much unusable, even with heavy EQ'ing.
I find there's often a big bass spike right around 120-140HZ. With the parametric EQ set to 13% and Q to 90% and gain to about 10% you can get rid of it. However, my monitors (M Audio BX8) naturally have that same spike - on the low B on a 6 string. So I had to use my headphones to figure out if the bass spike was coming from my monitors or the Pod. A lot of the bass I originally attributed to the Pod was actually the monitors' fault.
I'll also use the studio EQ with the low freq at 75HZ and low gain at like -2db for a more general very low end cut.
A global EQ would mainly be useful to help adapt all your tones for a room or particular external gear or soundman. As for getting the best sound out of each patch, it'd be nicer to have better EQ effects - more parameters and such. Visulazation in Edit would be great too.
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Currently Being ModeratedRe: Pod HD High Gain Tone Guide
good call - will do on next revision
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