I thought the addition of the Blackstar Series One 200 WITH ISF CONTROL was a great idea too.

Wouldn't that be a model of a modeling amp, essentially? I mean that's what the ISF control does. It changes the character of the amp from something more Marshall or British-like to something more Mesa or American-like.

Why not model the dt50 - that way you can take advantage of all the control featured too within the pod unit

It would be cool to have an ENGL Savage and/or Powerball II amp model. I know we have the FBALL (Fireball model) but I think the Savage is used more for melodic and power metal, and melodic death metal. It has a ton of distortion yet very clean distortion; the notes are extremely distinguishable where as many high gain amps can sound muddy.

As many have stated, the 5150 would be awesome to have as well.

I'd love to see a Marshall Bluesbreaker or 1974x combo.

make the plexis fatter, like the oness on the spidervalve, but more depth.Give me a Carvin Legacy model, some Laney's, Blackstar, A marshall JMP, a late one. and increase the quality of the amps, they are good but certain models like the 1959 plexi, ok I used this on the spidervalve when I used the spidervalve, a lot for my distorted feedbacking Hendrix sounds, For me the JTM45 had the bottom end, but didnt have the gain of the the JTM100 1959 Plexi on the SV, in the JTM 100 in the POD HD, you got the classic marshall gain, but no bottom end, or a least a believable bottom end, if they can stop the DSP over then thatd be just great, other than that its a fantastic unit

Marshall JCM2000 (plus the DSL100 variant if possible)

Roland Jazz Chorus!!!

Mesa/Boogie Mk V

I've been kind of able to replicate those Marshall 80's metal tones (more specifically Judas Priest and Iron Maiden) like this:

Judas Priest:

Brit J-800, Drive at 80%, Master vol at 30%, high mids and low highs on the amp EQ, through the 4x12 T-75 cab with 121 Ribbon, and on the cab DEPs I have Res at 75% and Thump at 30%. I use just that for the older Priest rhythm tones, then I kick in an Overdrive at 95% Drive and 20% Output for solos or for "later" Priest.

Iron Maiden:

Brit P-75 Nrm, Drive at 100%, Master at 100%, high bass and low highs on the amp EQ, through the 4x12 Blackback cab with 409 Dynamic, and I just have Res at 60%. Before the amp there's a Screamer with 70% Tone, 32% Treble, 75% Drive, 100% Output. Post-amp I have a Tube Comp at 80% Thresh and 2% Level (just to very lightly compress the tone) and for the "chorusy" Somewhere In Time songs, right after the Tube Comp I have a Dimension with SW1 On and everything else off, and Mix is at 25%. Kick in a louder Tube Comp, higher mix Dimension, and Stereo Delay for some sweet solos.

Both of those tones also have a post-amp Studio EQ cutting -8 dB at 500 Hz (removes mud) and -1 dB at 3000 Hz (to give room for vocals intelligibility).

But yeah, it would be amazing to just load up a JCM2000 model and not have to do this much tweaking to hit the 80s metal tones .

Mesa Boogie Mark IV or V