Oct 31, 2009 11:58 AM
Anyone do transplants professionally?
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Hi
I'm a newbie here. I am a jazz player, and am working on a solo set so the variax concept is a dream come true, However, I owned a variax 700 acoustic, but had to return as it just wasn't suited to the technical demands of jazz playing. So am intrigued by the transplant option (a little puzzled to see it on Line 6 forum). Is there anyone who does transplants professionally, assuming that is legal. I'd be interested in the acoustic version, as long as it is cost effective. What might be the restrictions in terms in using an archtop guitar as the host body? I'd also be interested to hear whether luthiers think about making the Line 6 Variax Acoustic 700 more playable. I need access all over the neck, so the action has to be set at well below the normal setup.
Thanks in anticipation
transplants are not as hard a project as it may seem. personally i would thin an acoustic transplant would be the easiest as theres plenty of working room. a few of the transplants on this page were pro done . i think any luthier worth his salt could do that for you. in your case i get the impression its mainly for cosmetics. a nice old gibson f hole single cutaway maybe? if you have a luthier that you use then id check in with him. if not then i might talk to your fellow guitar players to see who in your area is a good one then check in with him to price a job like that
the acoustic modle should be a breeze . you just have to remove the components make a couple of holes and pop them in. set the bridge in place and do a normal setup . intonation etc. unlike a solid body that requires quite a bit of routing.
more or less you have to check in your area for someone who would take on the project.
Thanks, amx. If find someone to do it, where can they buy the parts?
well the parts always come from a donor guitar . in other words you have to pick the guitar you want to transplant into buy that and bring the variax acoustic you have and then they will transfer the electronics and the bridge and pickups to the guitar that you want the stuff in. then do the setup as you want it to be. its realy not that hard to do . im assuming you have controls on the side of the guitar so they cut the hole to match for that the holes for the outputs and the hole for the pickup wires to go through. the main thing is to have a guitar with the same scale length.
just as an after thought were i going to do one of these for myself id probably pick up something like an epiphone dot (335 gibson style. and and put in not only the acoustic but an electric 300 or 600 that way youll have the best of both worlds. just a thought. its hollow body and you could have the luthier remove the back put everything in and then put the back back on . no matter what you do its going to be an expensive project so give it some thought dont just jump in. you can probably save a few bucks by getting your donors on ebay. but id want to be able to try out the one your transplanting into before buying that one. good luck . let me know how it comes out. ![]()
Thanks again for the info. Cost is a consideration, so if I can't find cheaps parts, perhaps the Variax II will be worth the wait.
well i dont see it on the horizon yet.i could be wrong but i believe its still in the developing stage . were i to take a guess at the price... this is based on the current variax 700 price.....id say between 1700 to 2 grand.
im thinking that basicly from the 500 the first ont through to the 700. the big change has been the wood and neck. the boards are pretty much the same the 300 and 600 went to that coffin case to just drop everything in. then the 700 went back to put it in from the back no coffin case (which i like better but i wasnt going to pay that price for that so i bought my 300 for 300 bucks). basicly what you pay for with the variax is tech. the tech hasnt really changed throughh the whole series. but a 700 costs double what a 600 costs.
with the vax 2 theres talk of upgrading the tech end new programming and improvements in the base guitar as well.
anyhow i think that its going to be pricey.
i had forgot to mention to you .......... theres a thing called rack vax. you might want to look into that as another route.
basicly they put the variax into a rack mount box. you add a removable pickup and plug in . im simplifying it but thats how it works. they can either build one from your variax or i believe they also have a unit already put together for sale. they use a roland gk pickup. theres also a perminant kit to install the pickup into a guitar which i like better .its like the one on the fender roland ready strat.
probably a less costly way to go.
i do know what mine has cost me so far. see attatched photo. anyway its a different option.
I had a look at RackVax. In fact they indirectly led me to transplants. It is a good idea, but less portable, and when you add the costs of the rack and pick up it becomes a second option. For me the main problem is with the actual guitar. If that can be fixed, it would save a lot of messing around. The body and mechanics are fine, but the neck and action are not designed with single note playing in mind. I can't remember if it has a dual truss rod, but I can remember trying to pull back the neck, and it just wouldn't go where I want it. I think there is a small amount of leeway on the bridge, but if these little thngs can be fixed (not sure how), it becomes a contender again. What is a little surprising is that the modelling seems to be targeting quite a specialised player (Macaferi, Nylon, Alternate tuning etc), but one who would demand a high level of playability. Unless of course, it's just gimmick and coincidental.
I don't know if Variax are listening, but I think the whole tranplant issue says it all. I'm not clear why there is so much secrecy over the Variax II's release, but just a little more information about proposed changes and improvements, and a possible release date would be in their interests. I'm not aware they have any direct competitors in this field, so why the hush? Perhaps they'd make more money if they sold transplant kits, while they're developing their lines.
ahhhh the transplant kit.
actually it sounds like you may not have caught any of rich renkins post... it was the biggest one ever on this site. basicly it asked the question.... what would you like to see in the variax 2
answers went from what i think were reasonable upgrades to the point of rediculousness. quite often the question of why not a kit came up.
my opinion is this..........they want to be in the guitar business...they have a unique item. going back to the 500 they were able to put that item into a cheap body and make a pretty good profit margin. at the time there competition were roland and casio. roland was and always will be way over priced. casio while cheap... looked like something most guitar players didnt want to use..
also they all had there own area of emulation. people complained about playability so they came out with the 300. really not much better. then the 600 and now the 700 which people ive heard from say is pretty nice but there really isnt much difference internals wise and i believe the program hasnt changed.but the guitar has improved playability wise.
so they brought in rich renkin to head up the variax 2 project.
the question was put over and over again why not sell a kit. the answer is its not going to happen
i can see there point they could sell a kit for 500 bucks which was the figure floating around for the electronics value or sell a guitar for ( i predict 2 grand) i believe they were talking about another maker actually building the guitars. right now there built in indonesia i believe....
as far as why wont they give any info on the new one and all the secrecy. 1) i think there still in the planning and debugging stages 2) i think there finally going to improve the programming which i believe will require a new main board or at the least an improved one. so theres developing there as well.
personally i think they should have come out with a pedal instead of a guitar because thats what line 6 is good at. but they want to be in the guitar market.
getting back to your guitar or the one you had. sounds like you either had a bad truss rod or were at the end of ajustment. if it was the first they would have fixed it for you if it was the second the most common fix for it would have been to remove the ajusting nut put in a half round spacer lube the nut with vasaline to prevent rust in the future and make ajusting easier and reset the neck. i could be wrong but i dont think there was a double truss rod . possibly a double action truss rod. the company i work for was making parts for one through a vendor for ovation.
btw the fix i just mentioned is right out of a luthiers book of how to fix and setup guitars . so its common practice . ive done it myself before. .
im not exactly sure what you were trying to get but it sounds like lower action sometimes on acoustics you have to drop the saddle. on the acoustic 700 basicly you have kind of a tunomatic setup it could be removed and shav e the back to lower it . not for the avaeage player to do. on the 300 its a matter of just sanding the bone (plastic ) saddle....
anyway i think if it was a bad truss rod ( and that happens) they would have gladly fixed it for you.
i dont think that it was a gimmick or coincidence. i believe there trying to make the best possible guitar but still keep it in a somewhat affordable price range
to be honest when i bought my 300 i had no problem with playability (after tweaking it. ) i transplanted it the first time because after refinishing the body it started cracking at the glue joints. this was my own fault because of the chemical stripper i used. so for fear that at some point it would seperate i just put it all in another body. but it had played great even after refinishing.
so if your still interested in the current model id give it another try... maybe just have a pro set it up the way you like . not to saay you cant do it yourself but a pro will find any problems right from the start.
sorry bout being long winded i hope this helps.
I did follow some of the Renkin post, but then the thread leads to a dead end. I'll confess to being a little confused about the history of model numbers. I thought the 600 was just an electric, and the 300 is the latest. So it may be I bought an earler version. I actually tried a 700 acoustic today, and it felt nice. There was your typical guitar shop set up with a bow and strings standing a foot off the neck. The bridge on the bottom strings looked almost flat i.e. as low as it could go. At the nut end, the strings seem quite elevated as well, and I didn't want to buy the thing and get home to find I had the same problem. Some guitars will do it, and some just won't, but I always start with a straight neck, and an even buzz accross all strings, then just raise the bridge until it's just tolerable. Since this is a modelling guitar is may be that buzz is eliminated anyway. Trouble is with all guitars, you can't really experiment too much, and if it doesn't work, ask for a refund. I've had to take my main axe to some pro set up guys, and show them low setups are possible. Other guitar players always tell me how easy my action is on the fingers. If Variax can get their Top E down to .04 (measuring from the bottom of the string to the top of the twelth fret), and botton E to .05, I'll go out and buy another. I use flat wounds (50 to 11) so string vibration is minimal.
sounds like the way i like mine set. i find i have to do a bit of a truss rod tweak now and then because i keep the action so low.. ill teel ya the worse one i ever bought was a rickenbacker 325. it was pretty much unplayable at the store. its pretty nice now though. sometimes you have to work at it to get to the final good setup. ive got a les paul im working with right now . . its being stubborn but its getting there. i have an sg that took some time to get it to stay where i want it . but the last few years i can tak e it right out the case and play. even if i havent touched it for months.
i used to have an ols hagstrom 12 string that neck was the best ive ever seen it stayed dead flat . id pick a custom set from individual strings you could play it all night. i sold it and regretted it ever since.
i didnt make anything on it but i bought it for a song so i didnt loose financially. to be honest i cant find anything close to it. ive seen a few on the net but there much more than im willing to pay.
the thing with line 6 is that they base there guitar price on around $500 for electronics. and the rest of the price is the guitar so if your buying a $1000 your in effect buying a $500 guitar with $500 bucks worth of electronics. thats how it was explaned to us in renkins forum.
so based on that using a 600 electric that lists for 799 at sweetwater. your getting the equivalent of a squire strat or a low end epiphone for the actual guitar. i dont know what the acoustics price at. but thats how they say it works. thats also why i think the new ones have to be high priced or youll be getting more of the same. this is also why alot of people want to transplant.
the model number to my knowledge are like this 500,300 600 700 electric 700 , 705 bass meaning 4 or 5 string and 300, 700 acoustic/nylon. i know what you mean about typical guitar shop setups. most of those guya know nothing . and when you go to places like guitar center most of the people there are bangers. / metal players who seem to like a high action. i think thats becaus e most of them are running there guitars so distorted and effected out to the limit that they cant hear what it really sounds like. also if youve never played a guitar with a real good detup....well i guess you dont know the difference.
so i guess the search goes on for you.
I haven't given up on the 700, but I guess it's a case of finding one on ebay that goes for a good enough price, that it limits the loss if it turns out ot be a dud. There isn't anything else out there, that I am aware of that does the same thing. Do you know is there was an earlier version of the 700 acoustic? It may be that they have updated it since I bought it (about 3 years ago). What kind of music do you play?
Do you have some objection to taking to a luthier to get it set up properly? Any luthier worth his salt can probably set it up the way you want. It's hit or miss on guitars taken off the rack, some set up already, some not even close. It's up to the owner to have a tech set it up the way you want. I highly recommend that. If after you take it to a pro and they tell you the action can't be lower because the neck angle is wrong, that's a different story. That is going to be very rare though on a professionaly made guitar.
Yes, I have been to many, many setup guys in my 40+ years as a player, but so many of them are doing basic, run of the mill, one size fits all work, where terms like tolerbale buzz are anthema. We're talking about enth degrees here, and most set up set up guys don't deal in enth degrees. It often boils down to being lucky with the guitar ...some guitars are more equal than others I guess.
mostly blues and rock . srv clapton beatles ccr. i believe theres only the current 700 model. you may just have gotten a bad one. i dont see many line 6 guitars in the shops around here but maybe if you look around someone may have another one to try just to see if it was just a bad one .
i have to agree with querty on his setup answer. theres alot of hack setup guys out there .ive had many a guitar and have never got a setup that i really liked . thats why i learned to do it myself.
as far as the 700 being professionally built..... i was told the electronics were worth 500 bucks what does a new 700 go for subtract the 500 thats what you bought guitar wise. 1200 bucks at guitar center so you got yourself a 700 buck guitar . there should be no flaws. on the other hand when you compare to gibson and taylor prices to just name a few . its really a cheap acoustic in reality.
what id say to do is to get a 700 with good electronics off ebay and get the nice acoustic and do a transplant . best of both worlds.
just my opinion.
Sorry a bit late on this topic but I had my transplant done by a young luthier in Peterborough UK (www.longfootguitars.co.uk) and although it was inevitable longer process than I planned I am very very pleased with my guitar (I have highlighted my blog on this before but for any who may have not seen my link www.thedolphinpost.com and follow link to the blog area)
ianosborne, longfootguitars.com is reported as "an attack website", and what has thedolphinpost.com got to do with guitars?
Sorry my mistake that should have read www.thedolphinpost.co.uk !!!! (I blame playing guitar intothe early hours of th emornng erather than sleeping!)
As to Matt Longfoots website reporting as an attack site - I really dont know and I'll call him tomorrow to alert him. Interestingly it does the same for me if I view in Forefox but reads ok in Windows internet explorer.........
Again - I'm Sorry about wrong address for my site
ATB
Ian
No worries. How's old Blighty?
How's Old Blighty????
Bearing up under considerable strain Dear Boy! :-)
Actually still pretty envious of your Leader given the parlous state of ours, but best not bring politics into this - I'll go and stare at my guitar for a few minutes before I go and play it again. I have a new song, with instuments recorded and melody in place - all within an hour, but as always with me I have the first line of lyrics in place which I keep repeating for the entire song and then I'll probably wait weeks for inspiration to finish the words (if it ever comes). Its really not fair I did listen at school and really enjoy other peoples lyrics but I find them soooo hard.......................
Sending good wishes over the Pond
Not my "leader" ...am also Blightish but living in the US. Things here are probably worse than the UK.
Ah I thought the 'Blighty' comment was an unusual phrase from a collonial.......
We Brits really should stop watching Noel Coward films on a sunday afternon shouldnt we?
Your comment sounds like 'the grass is always browner under my feet!'
A professional transplant should really enable you to have some protection if the electronics develops a fault during or afterward. Nobody can do that right now.
I'm in the final stage of designing a kit to make customising your Variax easy and in a way which would take away most of the risk of voiding warranty etc.
If it were built in the Line6 factory, then it would make it very easy for any of their sales/service centres to do a body swap to another style or colour or even a left-hand conversion.
It would greatly improve your chance of walking into a guitar shop and walking out the same day with the combination of neck, body and bridge that you really want.
So it could greatly reduce the need for transplants.
Alternatively, I could make it so that the customers can do the transplant themselves or with minor assistance from a Luthier. I can't post any pics yet. I'd like to show it to Line6 first when I'm in California in 2 weeks time.
One way or another, I'll try to bring this all to light in a later posting so that I can fully answer the original question.
Anyone out there from Line6 who will see me to view my solution and discuss this?
Sounds good. Keep us informed of how it all pans out. Good luck!
Hmmm...reduce the need for transplants? It sounds a little like you're talking about doing transplants. Which is it? If you're talking about some different way of doing transplants and want to get Line 6 on board, I wish you luck. It's been discussed ad nausem on this board, but the short story is...Line 6 isn't interested in making transplanting any easier. They don't want transplants done, period. If they did, they'd market their own plan, but they absolutely want no part of it. They want you to buy a variax and be happy with it, and that's that. If and when they come out with a variax 2, they're hoping it will be so good, no one will want to transplant. I do wish you luck though.
Hi Gitarzan
maybe an analogy may help (although they always run out of steam at some point, so I won't take it too far...)
enthuisiasts will always customise... their guitar, their computer, their car....
But many (most) customers of cars and computers buy a product which is configured to suit them in the first place.
If it's a car... you can usually choose a model, engine size, colour, wheels even upholstery to suit your taste and order it ready made for you.
Similarly, computers have an astounding array of options you choose to have set-up for you before you take delivery.
Now contrast that with the electric Variax range... 2 models with only minor differences in shape and little or no choice of bridge or neck.
In my view, as a minimum, you ought to be able to mix and match between models so that, you can choose any combination of:
1. at least 2 very different body shapes (in a range of colourings of course)
2. at least 3 different necks you want
3. at least 3 different bridges (fixed, tremolo and locking/Floyd for example)
This will bring Variax closer to the stunning range of options that can be set up for you when you buy a PRS guitar (or a Warmoth neck) for example.
Now to make this really easy, my solution can put this ability in the hands of not only the factory, but potentially (at the whim of Line6) in the hands of trained sales and service centres, complete with a guarranty. I stress this is a possibility, not a necessity of my modular design.
This is not a new idea, but previous attempts were poorly executed, difficult, expensive and ugly. My solution has these attributes:
1. no compromise in appearance... you can't tell from the outside that it is made in a modular way
2. almost no compromise in produced cost, in fact, there may be an improvement in manufacturing efficiency due to each component being standard and assembled/tested separately without exposing the cosmetic parts to damage.
3. easy to do...plug and play with a neck and a body and a bridge
I have some stunning body designs for this. I hope I get a chance to show them to Line6, as they are a natural compliment to the Variax.
In any case, I hope I might improve the chance of guitar purchasers getting the new guitar they always wanted... without the need to throw the body and/or neck and bridge away and start again.
Ah...I see where you're going with this. I get the modular approach, and it's basically what Line 6 is doing now, but you're suggesting offering more choices, thereby reducing the need to transplant. Let us know how it goes. I'm actually very close to Line 6 (Agourra Hills is a short distance away). I'll send some vibes their way for you...
Zetec, I was wondering what happened with your idea for a transplant kit. You had said on January 19th that you were close to finalizing the design and that you planned to meet with Line 6 in February. Two months later -- maybe it's time for a follow-up? Thanks!
Hi variaxlover,
well 2 months is fairly short in the scheme of things... The long awaited JTV range is almost in everyones grasp now.....so it will be interesting to see what is wanted from a kit now. I have my own thoughts and am making a prototype accordingly. But I'm open to input... and this seems to be the right forum for it. So how about it guys.. how about some opinions... for example:
1. Do you think the JTV range will satisfy you personally, to the extent that you would not spend your hard-earned cash on a transplant anymore?
2. If you would still choose to transplant, what are your reasons... do you want a "V" a "Tele" or some other common shape? Or do you simply want a unique guitar?
3. and would you bother with variax 1 electronics, or would you demand one of the latest versions of the electronics? (I think I know the answer)
Personally, I really appreciate what Line6 have done with the JTV range. It's very smart. But understandably, they cannot offer a myriad of different shapes and hardware choices to suit everyones taste. So there will always be a (small) market for customization. Line6 know what my solution for that is. If you hear any more from me about it, then it means I have their support. If not, then maybe you'll see it in some other forum (and form). It's too good to keep quiet about forever.
most of the transplants have been because people dont either like the body neck or both. so depending on how fussy they are and the quality of the new one will detremine the percentage of transplants. the cost is going to be prohibitive for buying a new one buying another guitar to put it all into as well. cost will be prohibitive . ofcourse there will always be the few that are in a position where money is no object, but for the average working person who has to make there own way........ they will either take the package as is or stick with there older one.
just my opinion. speaking for myself i dont se an upgrade in the near future. i have bills to pay like most do and i have plenty of guitars already . and the main reason is for what i want to do the 300 that i have that is already suficiently transplanted does the job....................
so for now i think there will still be transplants of the older ones but very few of the newer ones.
About the body and neck choices, anybody know a better source than Warmoth?
They are a bit expensive though. For example a bolt on neck+body combo will set you back $450 (more if you want it sprayed).
Look here...un-finished variax-compatible bodies from $275:
http://www.warmoth.com/Pages/CustomBody.aspx
(scroll to bottom row of guitars to see the variax Tele and Strat types)
plus from $175 for a neck (huge range to choose from..
http://www.warmoth.com/pages/CustomNeck.aspx
Anyone seen a cheaper kit? If Cort or anyone really does have one for $150 (see one of the recent posts above) I would like to know about it.
The kit that I am envisioning could accept the vast range of Warmoth (or other?) necks, as well as my own thru-neck types. In either case, I'd supply the body (or body blank) and with vastly more customer selectable options and hardware type/position choices than Warmoth ever could. That's the really cool part. You will be able to pull the body off very simply without removing the electronics or wiring and alter the body shape if you want to, before adding your own finishing touches. All the wiring will already be there. If Line6 come to the party, it could come with brand-new electronics and controls already fitted and working... in essence, you'd be buying a custom Variax guitar with the ability to alter the body (if you want) without voiding the guitar-makers warranty. How cool is that? Of course, you could also transplant your own (used) Variax electronics instead. This would still be far simpler than how people do it now.
This sounds pretty cool. Would you have a set neck option too? How would you account for scale length if you didn't know what neck they were going to want to put on?
I think it's smart too, and hopefully successful. I want them to succeed because I believe in what they've done for the evolution of gear. Answers to your questions:
1) and 2) I won't be purchasing a JTV in the foreseeable future. Too rich for my blood. I think different people have different reasons for transplanting. I did it simply because I wanted to try doing it. I was quite happy with my 500, except for the fact that it didn't have a trem. I couldn't see upgrading to a 600 or 700 because of their cost. When I looked at what other guys were doing with transplants and figured out how I was going to make mine into a trem bridge, it was just a matter of figuring out what I wanted to transplant it into. I wasn't about to mess with my strat, so I went for the cheapest thing I could find, with a design that I wanted: a kit. I wouldn't feel as bad messing up a $150 kit, than I would messing up my strat.
For some people, it's the quality thing, or just wanting the vax guts in their favorite axe. I was doing it just to see if I could.
3) I'm sure you know everyone wants the new guts. No question there.
I'm hoping if they're successful enough with the JTVs that plans like yours will be looked at next....maybe a "custom shop" after that. Bringing in the bucks will open doors. We just don't know what those doors will be yet.
Viva Variax!!
gitarzan53: What kit did you use? I built a Carvin Bolt kit a number of years ago that I loved, and I've considered getting another one for my Vax 300 transplant. (Obviously, I would have to take the components out of the coffin case and do a lot of routing, but Ghost makes Wilkinson trem saddles that could connect to the Vax electronics.)
Hey Lyt. I got it from a store on ebay. There are lots of them up there, various prices. You can also get them from BYOguitar.com. I see they now have a LP Jr double cut there, much cheaper than warmoth , plus it's a set neck, not bolt on! Nice...
Cool. Thanks for the information.
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