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3470 Views 42 Replies Latest reply: Nov 27, 2010 11:42 PM by johnnyayyy RSS
mdmayfield Just Startin' 353 posts since
Feb 24, 2007
Currently Being Moderated

Mar 26, 2010 11:07 AM

Any practical "trickle-down" upgrades for older Variaxes?

Is there any word on a new piezo bridge (that reduces/eliminates "clang tone") or software upgrades for the Variax 300/500/600/700 series? I understand that the JTV has a more advanced processor, so any potential software update would be limited in scope. But a new piezo bridge would be really nice to get my old Variax sounding less plinky...

  • zakkyvenom Just Startin' 14 posts since
    Dec 28, 2008

    Hopefully this answers your question, but it seems as though the JTV's will be THE variax for at least a few years. i wouldnt expect any upgrades to the originals.

    • TheRealZap Expert Line 6 User 11,829 posts since
      Dec 22, 2006

      i think the gist of his question was can we use the new/upgraded parts on the old vax... ?

      i'd agree they wouldn't likely be interchangeable... doesn't mean it'd be impossible though either.

      • ParkerFlyMajik Just Startin' 67 posts since
        Apr 19, 2007

        I noticed in the videos posted that they are using the same powered AB box and the knobs look the same so at least the peripherals will be available.

        For the same reason they never offered a kit, retrofits would not benefit the company so you'll never see them (my prediction anyway).

         

        I think Line 6 was on the right track making the majority of their products capable of future upgrades.  I just don't think the market coupled with the rapid advancement of new technology can let that happen on the business side.  It's really not their fault they don't support their gear longer; there's just no money in it.

        • toasterdude Just Startin' 745 posts since
          Oct 23, 2006

          ParkerFlyMajik wrote:

           

          I noticed in the videos posted that they are using the same powered AB box and the knobs look the same so at least the peripherals will be available.

          For the same reason they never offered a kit, retrofits would not benefit the company so you'll never see them (my prediction anyway).

           

          I think Line 6 was on the right track making the majority of their products capable of future upgrades.  I just don't think the market coupled with the rapid advancement of new technology can let that happen on the business side.  It's really not their fault they don't support their gear longer; there's just no money in it.

          I will buy the korean guitars if I can rip the guts, battery, and maybe the bridge off to put in an xplant. That way line6 is happy and sell a guitar. . . .even if I never use it. . . lol ..

          • mykejb Just Startin' 50 posts since
            Sep 4, 2006

            Now I understand why they fitted mag pups as well as the Variax piezo/electronics.

             

            It's so when everyone has bought the Korean one and ripped out the Variax bits to do an xplant there's still a fully working guitar to sell

             

            Mike

            • toasterdude Just Startin' 745 posts since
              Oct 23, 2006

              mykejb wrote:

               

              Now I understand why they fitted mag pups as well as the Variax piezo/electronics.

               

              It's so when everyone has bought the Korean one and ripped out the Variax bits to do an xplant there's still a fully working guitar to sell

               

              Mike

              Lets hope that is possible. I already told my GF when I rip the guts out of a paulish korean model she can have it;-)

            • RichRenken Iknowathingortwo 1,917 posts since
              Apr 19, 2008

              mykejb wrote:

               

              Now I understand why they fitted mag pups as well as the Variax piezo/electronics.

               

              It's so when everyone has bought the Korean one and ripped out the Variax bits to do an xplant there's still a fully working guitar to sell

               

              Mike

               

              That is a great point. For guys doing transplants, they can put in the other tone and volume and get a few bucks for the guitar.   That said, it will be nowhere near everyone doing transplants. Judging from the show and other info, transplants will be less than 1%.

              • dspellman Just Startin' 40 posts since
                Jun 1, 2006

                Do we know if the form factor (shape and mounting points) for the new circuit board will be the same or similar (size, shape) to, say, that in the 500 series?  While we're at it, can the old circuit board use the "alternate tunings" knob as the new one is doing?

                • variaxlover Just Startin' 323 posts since
                  May 19, 2007

                  Yes, we know the answers to both your questions, but I have a feeling you won't like those answers.  The size of the new circuit board is totally different than the old one; it will not fit into the old bodies.  And its electronic design and feature set are also new.  The alternate tunings are attributable to the quadrupled processing power of brand new chips and circuitry and will not be available for any older Variaxes.  There is no way to transplant its knob OR features to an older model Variax.

                  • dspellman Just Startin' 40 posts since
                    Jun 1, 2006

                    "The size of the new circuit board is totally different than the old one;  it will not fit into the old bodies.  And its electronic design and  feature set are also new.  The alternate tunings are attributable to the  quadrupled processing power of brand new chips and circuitry and will  not be available for any older Variaxes.  There is no way to transplant  its knob OR features to an older model Variax."

                     

                    Honestly, I wasn't interested in transplanting anything to an older model Variax. I was mostly curious how different the two boards were in size and shape should I decide to upgrade a transplant at some point to the new components. Since I'm still in the beginning stages of putting the transplant together, it would be helpful to build the control cavity to accomodate both the current *and* the newer electronics.

                     

                    Unlike Line6, I have no plans to abandon the guitar merely because there's been change in the electronic components.

                     

                    Alternate tunings are currently available, of course, though I understand that in some instances they won't detract from the sound of the guitar model as they sometimes do in the current electronics. I also understand that Line6 has split out those alternate tunings (as they should have done in the first place) in the new versions; a good thing.

        • toasterdude Just Startin' 745 posts since
          Oct 23, 2006

          ParkerFlyMajik wrote:

           

          I noticed in the videos posted that they are using the same powered AB box and the knobs look the same so at least the peripherals will be available.

          For the same reason they never offered a kit, retrofits would not benefit the company so you'll never see them (my prediction anyway).

           

          I think Line 6 was on the right track making the majority of their products capable of future upgrades.  I just don't think the market coupled with the rapid advancement of new technology can let that happen on the business side.  It's really not their fault they don't support their gear longer; there's just no money in it.

          They better make variaxes upgradable from this point forward. If a guy buys a US JTV for 4 grand. . . . .and then Line6 comes out with better modeling . . . . .. and they are stuck using the old stuff? bad move. . . .. lol. . .

      • Vettaville-nl Just Startin' 1,583 posts since
        Jan 26, 2007

        The old Variaxes are not 'upgradable with the new processorcode, it just won't fit. Yes at the show they used the same A/B Box

         

        all info so far is gathered here

        http://www.vettaville.nl/page.php?id=141#1069

         

        and will be update there when new info becomes available.

         

        Hope it helps

        Kind Regards

        Hans

  • dharmafarmer Just Startin' 4 posts since
    Apr 19, 2008

    i asked this question, and the answer i got was thus:

     

    Palm muting. Guys, it is a piezo bridge. For now this is something you  have to check out on the new guitar for yourselves.

     

    this sounds to me as though it's pretty much more of the same, as far as getting those clunking sounds when you try to do any palm muting type playing. i love my Variax 500, but this problem definitely limits what styles of music you can play on it. i find it funny that they are billing one of the new Variax guitars as a 'shredder's' model, but you wouldn't be able to do any palm muting techniques on it, unless you use the magnetic pickups, which i can do on any one of my other guitars, so why would i grab the Variax, right? how's that for a run on sentence?

     

    the above gripe being said, i do find some of the new functions welcome, such as the lithium ion battery and the ability to be able to change tuning in any model on the fly. it's a great guitar for gigging, as long as you aren't doing any 'shredding'.

    • toasterdude Just Startin' 745 posts since
      Oct 23, 2006

      dharmafarmer wrote:

       

      i asked this question, and the answer i got was thus:

       

      Palm muting. Guys, it is a piezo bridge. For now this is something you  have to check out on the new guitar for yourselves.

       

      this sounds to me as though it's pretty much more of the same, as far as getting those clunking sounds when you try to do any palm muting type playing. i love my Variax 500, but this problem definitely limits what styles of music you can play on it. i find it funny that they are billing one of the new Variax guitars as a 'shredder's' model, but you wouldn't be able to do any palm muting techniques on it, unless you use the magnetic pickups, which i can do on any one of my other guitars, so why would i grab the Variax, right? how's that for a run on sentence?

       

      the above gripe being said, i do find some of the new functions welcome, such as the lithium ion battery and the ability to be able to change tuning in any model on the fly. it's a great guitar for gigging, as long as you aren't doing any 'shredding'.

      I don't get the shredder guitar either. Maybe if a shredder wants to use acoustics in a tune? Alt tuning as well but if you can't palm mute, and would have to switch to mags. . . . why not use their "real guitar"?

       

      The only guitar that makes total sense to me is the paulish one as the player could replace the pickups with his fave humbuckers or maybe will love the oem ones. Most strat players I know do not like a humbucker in their strats and only do so to get a more humbucker tone but that seems pointless if you have modeled humbuckers. If they built a guitar that looked like a real strat with real strat pickups I could see strat guys buying them to have a "strat" that can also get all these other sounds.

       

      clapton

      beck

      SRV

      eric johnson

      blackmore

      hendrix

      ed king

      yngwie

      buddy guy

      henry garza

      mark knopfler

       

       

       

      I think most of those guys didn't have a humbucker in their "strat". . . . . lol

      • RichRenken Iknowathingortwo 1,917 posts since
        Apr 19, 2008

        toasterdude wrote:

         

        dharmafarmer wrote:

         

        i asked this question, and the answer i got was thus:

         

        Palm muting. Guys, it is a piezo bridge. For now this is something you  have to check out on the new guitar for yourselves.

         

        this sounds to me as though it's pretty much more of the same, as far as getting those clunking sounds when you try to do any palm muting type playing. i love my Variax 500, but this problem definitely limits what styles of music you can play on it. i find it funny that they are billing one of the new Variax guitars as a 'shredder's' model, but you wouldn't be able to do any palm muting techniques on it, unless you use the magnetic pickups, which i can do on any one of my other guitars, so why would i grab the Variax, right? how's that for a run on sentence?

         

        the above gripe being said, i do find some of the new functions welcome, such as the lithium ion battery and the ability to be able to change tuning in any model on the fly. it's a great guitar for gigging, as long as you aren't doing any 'shredding'.

        I don't get the shredder guitar either. Maybe if a shredder wants to use acoustics in a tune? Alt tuning as well but if you can't palm mute, and would have to switch to mags. . . . why not use their "real guitar"?

         

        The only guitar that makes total sense to me is the paulish one as the player could replace the pickups with his fave humbuckers or maybe will love the oem ones. Most strat players I know do not like a humbucker in their strats and only do so to get a more humbucker tone but that seems pointless if you have modeled humbuckers. If they built a guitar that looked like a real strat with real strat pickups I could see strat guys buying them to have a "strat" that can also get all these other sounds.

         

        clapton

        beck

        SRV

        eric johnson

        blackmore

        hendrix

        ed king

        yngwie

        buddy guy

        henry garza

        mark knopfler

         

         

         

        I think most of those guys didn't have a humbucker in their "strat". . . . . lol

         

        How about you guys wait until you try the new improved guitar before announcing that you can't palm mute? We way improved it and at the Musikmesse guys could tell and we are not done working on it. Also, metal in Europe is huge and the shred guitar was by far the most touched guitar of the three.  J As far as your no humbucker on a strat, there are many hum, single, single guitars out there, including HSS strats. Plus that is what Tyler wants and does on 90% of his guitars based on 35 years of working with some of the world's best most recorded guitarists. Plus it is all part of the look.   The headstock is vaguely in the same ballpark as an rg. Next to each other, not even close. Plus, look at how the pickguard flows into the headstock. I love it and so do a bunch of pro cats that are lining up to buy the USA version.

        • Iknowathingortwo 1,667 posts since
          Jul 17, 2007

          Line6Renken wrote:

           

          toasterdude wrote:

           

          dharmafarmer wrote:

           

          i asked this question, and the answer i got was thus:

           

          Palm muting. Guys, it is a piezo bridge. For now this is something you  have to check out on the new guitar for yourselves.

           

          this sounds to me as though it's pretty much more of the same, as far as getting those clunking sounds when you try to do any palm muting type playing. i love my Variax 500, but this problem definitely limits what styles of music you can play on it. i find it funny that they are billing one of the new Variax guitars as a 'shredder's' model, but you wouldn't be able to do any palm muting techniques on it, unless you use the magnetic pickups, which i can do on any one of my other guitars, so why would i grab the Variax, right? how's that for a run on sentence?

           

          the above gripe being said, i do find some of the new functions welcome, such as the lithium ion battery and the ability to be able to change tuning in any model on the fly. it's a great guitar for gigging, as long as you aren't doing any 'shredding'.

          I don't get the shredder guitar either. Maybe if a shredder wants to use acoustics in a tune? Alt tuning as well but if you can't palm mute, and would have to switch to mags. . . . why not use their "real guitar"?

           

          The only guitar that makes total sense to me is the paulish one as the player could replace the pickups with his fave humbuckers or maybe will love the oem ones. Most strat players I know do not like a humbucker in their strats and only do so to get a more humbucker tone but that seems pointless if you have modeled humbuckers. If they built a guitar that looked like a real strat with real strat pickups I could see strat guys buying them to have a "strat" that can also get all these other sounds.

           

          clapton

          beck

          SRV

          eric johnson

          blackmore

          hendrix

          ed king

          yngwie

          buddy guy

          henry garza

          mark knopfler

           

           

           

          I think most of those guys didn't have a humbucker in their "strat". . . . . lol

           

          How about you guys wait until you try the new improved guitar before announcing that you can't palm mute? We way improved it and at the Musikmesse guys could tell and we are not done working on it. Also, metal in Europe is huge and the shred guitar was by far the most touched guitar of the three.  J As far as your no humbucker on a strat, there are many hum, single, single guitars out there, including HSS strats. Plus that is what Tyler wants and does on 90% of his guitars based on 35 years of working with some of the world's best most recorded guitarists. Plus it is all part of the look.   The headstock is vaguely in the same ballpark as an rg. Next to each other, not even close. Plus, look at how the pickguard flows into the headstock. I love it and so do a bunch of pro cats that are lining up to buy the USA version.

           

          Rich - I'll apologize first before I continue to write....

           

          Maybe there are a few others out there that think and or know what I'm about to write.

           

          Why can't anyone but ME palm mute a Vax 700?  Why can't anyone but ME play shred style music, palm mute, not clang, plink or any of the other complaints I've been reading since last year when the first Vax forum by Rich R. started up.  I PROVED that MY Vax's DO NOT Clang, Plink and CAN be palm muted with 98% of the same bit of sound as you get from a conventional guitar!!!  I posted it on YouTube many months ago showing an unedited side by side comparison of one of my V700's vs. my $3,000.00 1996 Custom Shop Les Paul Classic with a gorgeous Tiger Maple Flame Top, 60's Slim Taper neck, all standard equipped from pick-ups to tuning pegs (which I hate but left for the collectibility due to the rarity of the Japanese Tiger Maple they only used for the custom shop years 1994 thru 1996.)

           

          So any of you players who are complaining about not being able to palm mute the current Variax, PLEASE just write here what specifically you are doing that is not getting the result you want.  I would like the opportunity to either prove or disprove that you CAN palm mute just as well with the same sound & feel as on any other guitar.  This is not bragging or being an ego-maniac.  I seriously want to work this problem out as I believe it is possible.  I know what I can do with my two Vax 700's, using Workbench, and running through my Vetta combo.  At this point in time, I've had about 7 years of experience with my Vetta and about 5 years with my 700's & Workbench.  this cobination of hardware and software is quite amazing and the new JTV guitars will make the first step towards and even wider and more in depth variety of possibilities.

           

          So if anyone wants to give me something more specific like a song, a band, etc.  I'd love the chance to see if I can get the sound and feel "you" are obviously upset about.  Preferrably something "live" since studio tricks are exactly that - studio tricks.  I know tons of those, but that is not the question here.  Perhaps I CAN find a solution?  Perhaps I CAN be of HELP?  So there it is...my offer to TRY.  Once I know what "you" all are upset about in this matter, I will endeavor to work it out and then post a video on YouTube if I solve the problem.  Or I'll post my results here if I can not manage to work out what's got so many players upset about palm muting, clanging, plinking, or any other characteristic in the current models I own.

           

          I think if I CAN do what I've read these complaints about on the current models I own, then logic says that these new JTV's (any model) will be even BETTER and improve dramatically on what the Vax's can do well now...even shred as one model is nick-named.  Fair enough?

           

          I look forward to hearing back from anyone with any of the listed problems and hope to help solve as many as I can.

          • namratiugsisats Just Startin' 5 posts since
            Jan 30, 2008

            MerlinFL, thank you.  Finally someone with some sense.  I have a Variax 500 and I play palm muted stuff all the time.  I too get a clanking sound. However, this is only if I play exaclty like I do on my ESP.  But if I move my hand down slightly closer to the bridge it's gone, tough adjustment I know...right.  I don't see how these guys can carry on about this problem when fixing it is so easy with a simple change it technique.  Everyone just likes to complain I suppose.  I use my Variax all of the time as my main guitar at gigs.  I also used the Variax exclusively on my bands last album, and it sounds so good it's incredible to me that it's not the real thing.  Certainly, even though I think the guitar is great, obviously there are improvements to be made.  And now here comes the new Variax with all of these improvements in tow, and people still complain.  Everyone is anouncing that they're upset that the guts are the same and don't know about the battery, cost, build, etc.  If they would go on youtube and type in JTV, they'd see lots of vids from musik messe showing off the upgraded DSP, the new lithium battery, the addition of the tuning knob, and all kinds of stuff.  I say stop complaining if you don't even have the correct info.  If you don't like the guitar still, go get something compairable and buy 20 plus expensive guitars, cart them around in a giant ATA case in a giant trailor, tune them all to you hearts content and shut up.  Sorry for that little outburst, but seriously, I came here to read about any hypothetical updates on the old versions and just saw a bunch of complaining about stuff that people couldn't even know yet since they don't have the guitar as it hasn't been released.  It's amazing how a company that constantly upgrades for free, and investigates what everyone wants, and provides it for all intents and purposes, still gets crapped on by people left and right.  I love complaints about the Spider Amps.  Ha, go back to using the little Fender Bullets and Peavey practice amps from 15 years ago and tell me how bad the Spiders are.  At least they don't sound like a chainsaw plus feedback like those amps did.  Another thing, sure there's going to be some that buy faulty gear, it happens. But Line 6 is hardly the only company that has this problem.  My Vox Tonelab SE with only one working expression pedal, dead Boss GT8, and unresponsive Peavey JSX are all testiments to this.  Ironically, my POD X3 live is still alive and kickin', while granted it might break down eventually. But I gaurantee I won't start blasting it on here as much as I can if it does, I'll go get it fixed/replaced, hell it's not that much money considering how much gear it replaces (like thousands of dollars worth).  Ok enough of that.  Moving on, I'm totally going to buy the new Variax.  I'm probably going to get the Korean version unless I run into a lot of cash somehow.  It's set to sell for $1,100 BTW. (For the complainers, that's less than the 700 model is now for a better guitar, keep that in mind).  I can't wait, and the only thing I'm going to complain about is that I wish the release date was sooner.  But I know they have to test it out and stuff first so I'll wait.  OH, I attached the intro from my album with the "horrible" palm muting sound if anyone doesn't believe me.  Enjoy.

            Attachments:
            • Iknowathingortwo 1,667 posts since
              Jul 17, 2007

              I will save the quoting since it should speak for itself.

               

              However, I oly thought regarding your post right above this one is..... YEAH!!!!  Someone FINALLY GETS IT!!!!  Finally comprehension about the things I've "ranted " about have reached a mind that understands.

               

              Sadly - I do't know if this is a good thing or a bad thing for my friend.  But I appreciate no longer being alone.

               

              My offer to recreate any of the sounds that are claimed NOT to be able to be done.  I'm FAR from perforect, but I do know this current hardware & software inside and out.

               

              Happy Easter to those who celebrate it!!

              Neal

               

              PS - it sure sounds like PALM MUTING being done on your .mp3 to my ears.

              • RichRenken Iknowathingortwo 1,917 posts since
                Apr 19, 2008

                MerlinFL wrote:

                 

                I will save the quoting since it should speak for itself.

                 

                However, I oly thought regarding your post right above this one is..... YEAH!!!!  Someone FINALLY GETS IT!!!!  Finally comprehension about the things I've "ranted " about have reached a mind that understands.

                 

                Sadly - I do't know if this is a good thing or a bad thing for my friend.  But I appreciate no longer being alone.

                 

                My offer to recreate any of the sounds that are claimed NOT to be able to be done.  I'm FAR from perforect, but I do know this current hardware & software inside and out.

                 

                Happy Easter to those who celebrate it!!

                Neal

                 

                PS - it sure sounds like PALM MUTING being done on your .mp3 to my ears.

                 

                Good work Neal.

                 

                 

                I would love for you to recreate two song pieces that I have heard guys state they couldn't get with Vax I because of palm muting.

                 

                Eye of the Tiger by Survivor and Another Brick in the Wall by Pink Floyd

                • Iknowathingortwo 1,667 posts since
                  Jul 17, 2007

                  Line6Renken wrote:

                   

                  MerlinFL wrote:

                   

                  I will save the quoting since it should speak for itself.

                   

                  However, I oly thought regarding your post right above this one is..... YEAH!!!!  Someone FINALLY GETS IT!!!!  Finally comprehension about the things I've "ranted " about have reached a mind that understands.

                   

                  Sadly - I do't know if this is a good thing or a bad thing for my friend.  But I appreciate no longer being alone.

                   

                  My offer to recreate any of the sounds that are claimed NOT to be able to be done.  I'm FAR from perforect, but I do know this current hardware & software inside and out.

                   

                  Happy Easter to those who celebrate it!!

                  Neal

                   

                  PS - it sure sounds like PALM MUTING being done on your .mp3 to my ears.

                   

                  Good work Neal.

                   

                   

                  I would love for you to recreate two song pieces that I have heard guys state they couldn't get with Vax I because of palm muting.

                   

                  Eye of the Tiger by Survivor and Another Brick in the Wall by Pink Floyd

                  Eye of the Tiger???  Who the heck plays that one hit wonder by "Survivor"??

                   

                  YO ADRIAN - I DID IT!!    I PALM MUTED ON THE HIGH GAIN VARIAX!!!  LOL

                   

                  I'll certainly do my best to learn it and play it and demonstrate what I've been talking about.  Another Brick in the Wall - that would be my pleasure!!  Would it be alright if I chose something like Sad But Reue by Metallica for examples of some pretty heavy palm muting in addition to your requests??

                   

                  Give me at least until the end of the week as I'm playing later today and I've been dealing with mixing my Virtual Kansas Tribute Band's latest song, and having serious bouts of insomnia over the past couple of weeks.

                  • RichRenken Iknowathingortwo 1,917 posts since
                    Apr 19, 2008

                    MerlinFL wrote:

                     

                    Line6Renken wrote:

                     

                    MerlinFL wrote:

                     

                    I will save the quoting since it should speak for itself.

                     

                    However, I oly thought regarding your post right above this one is..... YEAH!!!!  Someone FINALLY GETS IT!!!!  Finally comprehension about the things I've "ranted " about have reached a mind that understands.

                     

                    Sadly - I do't know if this is a good thing or a bad thing for my friend.  But I appreciate no longer being alone.

                     

                    My offer to recreate any of the sounds that are claimed NOT to be able to be done.  I'm FAR from perforect, but I do know this current hardware & software inside and out.

                     

                    Happy Easter to those who celebrate it!!

                    Neal

                     

                    PS - it sure sounds like PALM MUTING being done on your .mp3 to my ears.

                     

                    Good work Neal.

                     

                     

                    I would love for you to recreate two song pieces that I have heard guys state they couldn't get with Vax I because of palm muting.

                     

                    Eye of the Tiger by Survivor and Another Brick in the Wall by Pink Floyd

                    Eye of the Tiger???  Who the heck plays that one hit wonder by "Survivor"??

                     

                    YO ADRIAN - I DID IT!!    I PALM MUTED ON THE HIGH GAIN VARIAX!!!  LOL

                     

                    I'll certainly do my best to learn it and play it and demonstrate what I've been talking about.  Another Brick in the Wall - that would be my pleasure!!  Would it be alright if I chose something like Sad But Reue by Metallica for examples of some pretty heavy palm muting in addition to your requests??

                     

                    Give me at least until the end of the week as I'm playing later today and I've been dealing with mixing my Virtual Kansas Tribute Band's latest song, and having serious bouts of insomnia over the past couple of weeks.

                    Nice, great play on words there. LOL.

                     

                    Yes, by all means, add Sad but True.

                     

                    Take your time, no hurry.

                • Iknowathingortwo 1,667 posts since
                  Jul 17, 2007

                  Line6Renken wrote:

                   

                  MerlinFL wrote:

                   

                  I will save the quoting since it should speak for itself.

                   

                  However, I oly thought regarding your post right above this one is..... YEAH!!!!  Someone FINALLY GETS IT!!!!  Finally comprehension about the things I've "ranted " about have reached a mind that understands.

                   

                  Sadly - I do't know if this is a good thing or a bad thing for my friend.  But I appreciate no longer being alone.

                   

                  My offer to recreate any of the sounds that are claimed NOT to be able to be done.  I'm FAR from perforect, but I do know this current hardware & software inside and out.

                   

                  Happy Easter to those who celebrate it!!

                  Neal

                   

                  PS - it sure sounds like PALM MUTING being done on your .mp3 to my ears.

                   

                  Good work Neal.

                   

                   

                  I would love for you to recreate two song pieces that I have heard guys state they couldn't get with Vax I because of palm muting.

                   

                  Eye of the Tiger by Survivor and Another Brick in the Wall by Pink Floyd

                  Rich....I certainly WILL do that!!  I will just have to take a few minutes to download and learn Eye Of The Tiger and make sure I've got all the parts correctly for Another Brick In The Wall (Pt.1   I presume - yes?)  Interesting song choices for palm muting.  I would have chosen something by Judas Priest, etc., but Survivor will be more than adequate for this demo.

                   

                  Do you want a video on YouTube or just the audio posted here?

                  • RichRenken Iknowathingortwo 1,917 posts since
                    Apr 19, 2008

                    Either or both, that is up to you.

                     

                    Yes, Part 1. Also, Eye is a good example because it is cleanish on the A string.

                  • johnnyayyy Iknowathingortwo 1,170 posts since
                    Feb 24, 2010

                    MerlinFL wrote:

                     

                    Line6Renken wrote:

                     

                    MerlinFL wrote:


                    My offer to recreate any of the sounds that are claimed NOT to be able to be done.  I'm FAR from perforect, but I do know this current hardware & software inside and out.


                     

                    PS - it sure sounds like PALM MUTING being done on your .mp3 to my ears.

                     

                    Good work Neal.

                     

                     

                    I would love for you to recreate two song pieces that I have heard guys state they couldn't get with Vax I because of palm muting.

                     

                    Eye of the Tiger by Survivor and Another Brick in the Wall by Pink Floyd

                    Rich....I certainly WILL do that!!  I will just have to take a few minutes to download and learn Eye Of The Tiger and make sure I've got all the parts correctly for Another Brick In The Wall (Pt.1   I presume - yes?)  Interesting song choices for palm muting.  I would have chosen something by Judas Priest, etc., but Survivor will be more than adequate for this demo.

                     

                    Do you want a video on YouTube or just the audio posted here?

                     

                    Were these clips/vids ever posted?  I have been thinking about the Vax palm muting problem all day today and would love to hear/see them.

            • dbagchee Just Startin' 235 posts since
              Apr 12, 2007

              For the record, I wasn't complaining about it, just didn't have much luck with my Vax 300 and palm muting. The actual up and down strokes are one thing but the woomph bass note that you can get with slow aggressive palm muting wasn't there for me unless I cranked the gain higher than I like. I'm really looking forward to the new Variax because I will get the tonal options but still use use the mags when I need to.   The other reason I got rid of the 300 was the microphonic feedback at stage volume. I know there was a modification to the bridge that was supposed to help but couldn't invest anymore at the time.

            • RichRenken Iknowathingortwo 1,917 posts since
              Apr 19, 2008

              namratiugsisats wrote:

               

              MerlinFL, thank you.  Finally someone with some sense.  I have a Variax 500 and I play palm muted stuff all the time.  I too get a clanking sound. However, this is only if I play exaclty like I do on my ESP.  But if I move my hand down slightly closer to the bridge it's gone, tough adjustment I know...right.  I don't see how these guys can carry on about this problem when fixing it is so easy with a simple change it technique.  Everyone just likes to complain I suppose.  I use my Variax all of the time as my main guitar at gigs.  I also used the Variax exclusively on my bands last album, and it sounds so good it's incredible to me that it's not the real thing.  Certainly, even though I think the guitar is great, obviously there are improvements to be made.  And now here comes the new Variax with all of these improvements in tow, and people still complain.  Everyone is anouncing that they're upset that the guts are the same and don't know about the battery, cost, build, etc.  If they would go on youtube and type in JTV, they'd see lots of vids from musik messe showing off the upgraded DSP, the new lithium battery, the addition of the tuning knob, and all kinds of stuff.  I say stop complaining if you don't even have the correct info.  If you don't like the guitar still, go get something compairable and buy 20 plus expensive guitars, cart them around in a giant ATA case in a giant trailor, tune them all to you hearts content and shut up.  Sorry for that little outburst, but seriously, I came here to read about any hypothetical updates on the old versions and just saw a bunch of complaining about stuff that people couldn't even know yet since they don't have the guitar as it hasn't been released.  It's amazing how a company that constantly upgrades for free, and investigates what everyone wants, and provides it for all intents and purposes, still gets crapped on by people left and right.  I love complaints about the Spider Amps.  Ha, go back to using the little Fender Bullets and Peavey practice amps from 15 years ago and tell me how bad the Spiders are.  At least they don't sound like a chainsaw plus feedback like those amps did.  Another thing, sure there's going to be some that buy faulty gear, it happens. But Line 6 is hardly the only company that has this problem.  My Vox Tonelab SE with only one working expression pedal, dead Boss GT8, and unresponsive Peavey JSX are all testiments to this.  Ironically, my POD X3 live is still alive and kickin', while granted it might break down eventually. But I gaurantee I won't start blasting it on here as much as I can if it does, I'll go get it fixed/replaced, hell it's not that much money considering how much gear it replaces (like thousands of dollars worth).  Ok enough of that.  Moving on, I'm totally going to buy the new Variax.  I'm probably going to get the Korean version unless I run into a lot of cash somehow.  It's set to sell for $1,100 BTW. (For the complainers, that's less than the 700 model is now for a better guitar, keep that in mind).  I can't wait, and the only thing I'm going to complain about is that I wish the release date was sooner.  But I know they have to test it out and stuff first so I'll wait.  OH, I attached the intro from my album with the "horrible" palm muting sound if anyone doesn't believe me.  Enjoy.

               

              Thank you. It is all just tools to get a job done.

          • frenchfries Just Startin' 71 posts since
            Jan 28, 2007

            MerlinFL,

            I thank you for your offer but our Variax'es appear to be quite different...

            I have no problem with palm muting: I can change my way to "palm mute" in order to suppress the "plink" noise if I want.

            But ...

            - while a palm muted regular axe does a "TACK TACK" noise, my Variax 500 does a sound like "CLOUCK CLOUCK"... Ever heard a sound from under the water? The muted attacks of my Variax sound exactly like that. As if I was always playing an hollow body. It's always there, with any of the electric models and whatever is the position of my right hand;

            - each time I do a dead note somewhere around the 5th or 7th fret, I'm afraid because it can always change itself in a "plink" 10db louder than the notes themselves. It's often the case, with any of the electric models and whatever is the  position of my right hand (bis);

            I've tried the guitar with something like 20 or 30 picks and a load of gear (I have 6 amps here to plug it and 8 other guitars to compare with). I've worked on my playing, varying the position and angle of my right arm, as well as my way to hold the plectrum and to attack the strings. Nothing has solved the two problems described above, that I have only with my Variax.

            Last but not least, since the beginning, my Variax sounds to my ears as if it was an hybrid: once I plug in one of my tube amps, I clearly notice the piezo character and the layer of "processed tone" above.

            I do NOT write this message to criticize Line6: I've their guitar since 2003 and it proves that I appreciate it, I guess. I have just tried to explain honestly the experience which has led me to use only the Acoustic, Reso and Hollow body models of my Variax...

            So I'd also appreciate " Any practical "trickle-down" upgrades for older Variaxes".

            Thx to have read me and sorry for my possibly bad English.

            • Iknowathingortwo 1,667 posts since
              Jul 17, 2007

              @Frenchfries:  Thanks for taking the time to read and perhaps view my demos on this specific portion of my different experiences with my Vax 700s.  I'm truly sorry that you have done so much in the attempts of getting the Vax model you have to work in the way you want and need.  All the trying says to me that you are a true musician who is not willing take another's word for anything regarding equipment of any kind without trying as many possible combinations you have at your disposal.  I wish more of the people who have had less than excellent experiences would try as hard as you have to make it work for them.

               

              I'm grateful also that you took the time to write out your personal expereinces plus all the various things that make up a playing style from the plectrums to your hand position and even comparing it with a large amount of equipment you are fortunate enough to have.  Obviously not everyone has access like you or I do to many amps and other guitar not of the Variax variety to try different things.  But I really like your very thorough and detailed explanation why your Vax 500 will simply never do what you are able to get from your other non-Vax guitars.  However, unlike many you still have found a use for it's modelling capabilities even if it's not to it's full potential.  The only thing you did not mention in your posting was if you have Workbench and tried making model adjustments using Workbench to try to compensate for your style of playing in order to get better results.  If you have used Workbench, no need to say anything more.  If you do not have Workbench, I strongly recommend spending the few extra dollars to get it and if you do, please PM me for some patches I've created that work very well for me on my Vax 700s.

               

              This part is not just for Frenchfries only - I strongly suggest anyone owning a current Vax or planning to buy a Vax of any model for the first time to really pay attention to this next bit of information I have personally confirmed as 100% accurate.....

               

              Windows Vista and more importantly, WINDOWS 7 (either 64 bit or 32 bit version) DOES NOT work with WORKBENCH, EDIT, POD FARM, and many other Line 6 software performance and editing programs.  However, I did some serious digging and found that all of the above has a third party patch/program to allow these programs to work in Windows 7.  I found a link to a patch/program designed by "JBuster".  This WILL allow any user of the above mentioned programs to use them without any fuss in Windows 7 or even the latest MAC OS.

               

              HOWEVER, this DOES NOT include the USB INTERFACE required by anyone NOT using new model POD pedalboard as the interface to your computer.  For whatever the reason the Variax USB interface WILL NOT WORK in Windows 7.  There have been dozens of postings here on the Line 6 website asking, begging, pleading, and some not very polite asking why Line 6 has not done anything to resolve this problem.  I've written to Rich Renken directly asking why this has not been dealt with, but he must be quite busy as I have not gotten any response to my question.  In fact, I only discovered this problem myself when I bought a new PC running Windows 7.  This is what led me to all the info I am sharing here.  I'm fortunate that I have other PC's that are running XP and will always run XP so I can have my USB interface work.  I just can't move any of my Workbench files onto my new PC if I wish to work with Workbench.  It DOES recognize the UNO MIDI interface in Windows 7 which allows me to use EDIT on my Vetta.  POD Farm works, the interface of my Toneport UX8 works as well now.  This only leaves the Workbench progam which DOES work using the 3rd party patch, but USELESS if you do not have a new model POD pedalboard as your Variax computer interface and _like me_NEED to use the USB interface.

               

              All new JTV Variax guitars are being sold WITH the Workbench software and over the past year we all were told that it would be seamless to transfer old Variax files into any new JTV, but not once in all this time has it been mentioned that those of us using the USB interface will NOT be able to transfer our custom patches saved on our computers into the new JTV's due to this ongoing USB interface problem.  I can only hope that for the sake of the company and it's customers this situation is resolved by the time the new JTV's are hitting the retail stores.

              • frenchfries Just Startin' 71 posts since
                Jan 28, 2007

                Hi MerlinFL,

                Thx a lot for your detailed and kind answer: I REALLY appreciate it!

                Yes, I have a Workbench. Every model in my Variax has been tweaked to some extent. I've tried normal or stacked pickups, in series and parallel with any pot and cap value offered. :-) I have even created a Custom model to duplicate the tones of my old Charvel.

                Conversely, I've worked on cable capacitance in order to "match" the sound of my real axes with those of my Variax. It has worked like a charm, minus the two issues mentioned in my last post.

                That said, I'd be glad to try your patches and I thank you again for this offer.

                Gratefully,

                FF

                 

                As a footnote: whatever are my little issues, sincere kudos to Line6 for their innovative products.

        • toasterdude Just Startin' 745 posts since
          Oct 23, 2006

          Line6Renken wrote:

           

          toasterdude wrote:

           

          dharmafarmer wrote:

           

          i asked this question, and the answer i got was thus:

           

          Palm muting. Guys, it is a piezo bridge. For now this is something you  have to check out on the new guitar for yourselves.

           

          this sounds to me as though it's pretty much more of the same, as far as getting those clunking sounds when you try to do any palm muting type playing. i love my Variax 500, but this problem definitely limits what styles of music you can play on it. i find it funny that they are billing one of the new Variax guitars as a 'shredder's' model, but you wouldn't be able to do any palm muting techniques on it, unless you use the magnetic pickups, which i can do on any one of my other guitars, so why would i grab the Variax, right? how's that for a run on sentence?

           

          the above gripe being said, i do find some of the new functions welcome, such as the lithium ion battery and the ability to be able to change tuning in any model on the fly. it's a great guitar for gigging, as long as you aren't doing any 'shredding'.

          I don't get the shredder guitar either. Maybe if a shredder wants to use acoustics in a tune? Alt tuning as well but if you can't palm mute, and would have to switch to mags. . . . why not use their "real guitar"?

           

          The only guitar that makes total sense to me is the paulish one as the player could replace the pickups with his fave humbuckers or maybe will love the oem ones. Most strat players I know do not like a humbucker in their strats and only do so to get a more humbucker tone but that seems pointless if you have modeled humbuckers. If they built a guitar that looked like a real strat with real strat pickups I could see strat guys buying them to have a "strat" that can also get all these other sounds.

           

          clapton

          beck

          SRV

          eric johnson

          blackmore

          hendrix

          ed king

          yngwie

          buddy guy

          henry garza

          mark knopfler

           

           

           

          I think most of those guys didn't have a humbucker in their "strat". . . . . lol

           

          How about you guys wait until you try the new improved guitar before announcing that you can't palm mute? We way improved it and at the Musikmesse guys could tell and we are not done working on it. Also, metal in Europe is huge and the shred guitar was by far the most touched guitar of the three.  J As far as your no humbucker on a strat, there are many hum, single, single guitars out there, including HSS strats. Plus that is what Tyler wants and does on 90% of his guitars based on 35 years of working with some of the world's best most recorded guitarists. Plus it is all part of the look.   The headstock is vaguely in the same ballpark as an rg. Next to each other, not even close. Plus, look at how the pickguard flows into the headstock. I love it and so do a bunch of pro cats that are lining up to buy the USA version.

          I have no problem doing the palm muting I need on my current VAX. The shredders and metal guys are the guys that do not seem happy with palm muting and I can see why.

          I am sure that palm muting may be better than on vax1 and maybe even good enough for metal guys. The only thing that made me think it won't be was when you said "guys, it is a piezo bridge", which sort of sounded like a piezo could never be as good as mags for intense palm muting.

           

          On the humbucker on a strat I understand james digs the config, but if you are trying to conquer the world. . . . I think more guys play "real strats" vs tyler strats. I am sure you can name some high profile tyler cats, but I think I can name 2-3 that play standard config strats for each of them;-)

           

          I would have bought a stratish JTV to go with the 2 59s I will xplant, but am not digging the look. It may grow on me but the model knob placement takes away from the strat look as does the H-S-S to me personally. . . .don't love the pick guard but could live with it.

          • RichRenken Iknowathingortwo 1,917 posts since
            Apr 19, 2008

            toasterdude wrote:

             

            Line6Renken wrote:

             

            toasterdude wrote:

             

            dharmafarmer wrote:

             

            i asked this question, and the answer i got was thus:

             

            Palm muting. Guys, it is a piezo bridge. For now this is something you  have to check out on the new guitar for yourselves.

             

            this sounds to me as though it's pretty much more of the same, as far as getting those clunking sounds when you try to do any palm muting type playing. i love my Variax 500, but this problem definitely limits what styles of music you can play on it. i find it funny that they are billing one of the new Variax guitars as a 'shredder's' model, but you wouldn't be able to do any palm muting techniques on it, unless you use the magnetic pickups, which i can do on any one of my other guitars, so why would i grab the Variax, right? how's that for a run on sentence?

             

            the above gripe being said, i do find some of the new functions welcome, such as the lithium ion battery and the ability to be able to change tuning in any model on the fly. it's a great guitar for gigging, as long as you aren't doing any 'shredding'.

            I don't get the shredder guitar either. Maybe if a shredder wants to use acoustics in a tune? Alt tuning as well but if you can't palm mute, and would have to switch to mags. . . . why not use their "real guitar"?

             

            The only guitar that makes total sense to me is the paulish one as the player could replace the pickups with his fave humbuckers or maybe will love the oem ones. Most strat players I know do not like a humbucker in their strats and only do so to get a more humbucker tone but that seems pointless if you have modeled humbuckers. If they built a guitar that looked like a real strat with real strat pickups I could see strat guys buying them to have a "strat" that can also get all these other sounds.

             

            clapton

            beck

            SRV

            eric johnson

            blackmore

            hendrix

            ed king

            yngwie

            buddy guy

            henry garza

            mark knopfler

             

             

             

            I think most of those guys didn't have a humbucker in their "strat". . . . . lol

             

            How about you guys wait until you try the new improved guitar before announcing that you can't palm mute? We way improved it and at the Musikmesse guys could tell and we are not done working on it. Also, metal in Europe is huge and the shred guitar was by far the most touched guitar of the three.  J As far as your no humbucker on a strat, there are many hum, single, single guitars out there, including HSS strats. Plus that is what Tyler wants and does on 90% of his guitars based on 35 years of working with some of the world's best most recorded guitarists. Plus it is all part of the look.   The headstock is vaguely in the same ballpark as an rg. Next to each other, not even close. Plus, look at how the pickguard flows into the headstock. I love it and so do a bunch of pro cats that are lining up to buy the USA version.

            I have no problem doing the palm muting I need on my current VAX. The shredders and metal guys are the guys that do not seem happy with palm muting and I can see why.

            I am sure that palm muting may be better than on vax1 and maybe even good enough for metal guys. The only thing that made me think it won't be was when you said "guys, it is a piezo bridge", which sort of sounded like a piezo could never be as good as mags for intense palm muting.

             

            On the humbucker on a strat I understand james digs the config, but if you are trying to conquer the world. . . . I think more guys play "real strats" vs tyler strats. I am sure you can name some high profile tyler cats, but I think I can name 2-3 that play standard config strats for each of them;-)

             

            I would have bought a stratish JTV to go with the 2 59s I will xplant, but am not digging the look. It may grow on me but the model knob placement takes away from the strat look as does the H-S-S to me personally. . . .don't love the pick guard but could live with it.

             

            Yes, that is true. I said better. Guys will have to get out and try it. Plus, we are still working on stuff, so I don't even know when this will end. Our genius software guy came up with a way to have zero latency pitch shifting. Yup, he did that, so who knows.

             

            What? There are great players that play "real strats"? Of course there are, but will those cats playing their "real strats" be able to switch to a humbucker at the bridge sound or a dobro or a ric? NO. I win. HSS is a great combo and if you want a "real strat" there are a few ways to get that as well as customize your own "real strat" sounds. (btw, I play a Lakland Jazz on purpose because I don't want to own a "real jazz")

             

            Oh, one other thing, the JTV-69US is not a strat and we didn't want it to be. I have to tell you that you confuse me. On one hand you lament the fact that we put pickups on the new Variax and that takes away from the "what is that" factor and yet you want the JTV-69 to just look like a strat. ? ?

    • toasterdude Just Startin' 745 posts since
      Oct 23, 2006

      mdmayfield wrote:

       

      Listening to this video:

       

      http://www.youtube.com/watch?v=q6QVr_3Z9ZE

       

      I'm much less confident that the "clang tone" or "plink" has been eliminated. Listen at 2:00 - I believe those are the magnetic pickups. The transients are smooth and the palm muting is clear. But then at 2:20, listen to the attacks on the low E string (detuned to D). Plink plink plink, there goes the same harshness in the 2-3kHz area as on my Variax 500 and transplanted 300.

      Yeah. . . .you can hear the difference but it also sounds like maybe he wasn't on a humbucker sound? Maybe a p90 or single coil and maybe that added to the plink. I sure hope so.

      Interesting marketing approach. . . .sort of like admitting modeling doesn't sound as good. . . .. so we give you mag pick ups as well?

      • RichRenken Iknowathingortwo 1,917 posts since
        Apr 19, 2008

        toasterdude wrote:

         

        mdmayfield wrote:

         

        Listening to this video:

         

        http://www.youtube.com/watch?v=q6QVr_3Z9ZE

         

        I'm much less confident that the "clang tone" or "plink" has been eliminated. Listen at 2:00 - I believe those are the magnetic pickups. The transients are smooth and the palm muting is clear. But then at 2:20, listen to the attacks on the low E string (detuned to D). Plink plink plink, there goes the same harshness in the 2-3kHz area as on my Variax 500 and transplanted 300.

        Yeah. . . .you can hear the difference but it also sounds like maybe he wasn't on a humbucker sound? Maybe a p90 or single coil and maybe that added to the plink. I sure hope so.

        Interesting marketing approach. . . .sort of like admitting modeling doesn't sound as good. . . .. so we give you mag pick ups as well?

         

        Mags aren't there because they sound better, for sure. Quite the contrary. We have no problem letting people switch back and forth. We did a lot of a/b'ing at the show and guys could hear how great the models sound. Also, a real neck single coil won't sound like a humbucker neck position on a 335, the neck P90 on a Paul junior or the neck pickup in a ric. So you comment is not well thought out.

        • toasterdude Just Startin' 745 posts since
          Oct 23, 2006

          Line6Renken wrote:

           

          toasterdude wrote:

           

          mdmayfield wrote:

           

          Listening to this video:

           

          http://www.youtube.com/watch?v=q6QVr_3Z9ZE

           

          I'm much less confident that the "clang tone" or "plink" has been eliminated. Listen at 2:00 - I believe those are the magnetic pickups. The transients are smooth and the palm muting is clear. But then at 2:20, listen to the attacks on the low E string (detuned to D). Plink plink plink, there goes the same harshness in the 2-3kHz area as on my Variax 500 and transplanted 300.

          Yeah. . . .you can hear the difference but it also sounds like maybe he wasn't on a humbucker sound? Maybe a p90 or single coil and maybe that added to the plink. I sure hope so.

          Interesting marketing approach. . . .sort of like admitting modeling doesn't sound as good. . . .. so we give you mag pick ups as well?

           

          Mags aren't there because they sound better, for sure. Quite the contrary. We have no problem letting people switch back and forth. We did a lot of a/b'ing at the show and guys could hear how great the models sound. Also, a real neck single coil won't sound like a humbucker neck position on a 335, the neck P90 on a Paul junior or the neck pickup in a ric. So you comment is not well thought out.

          I have read in the other thread that the new piezos were not in the guitars and that may very well mean no more clang tone and better palm muting etc. I am pretty darn happy with how my vax 1 sounds and am sure will be even happier with JTV.

           

          I am also happy about there being mags and will be adding mags to my current xplant. However the only advantage I see with the mags is doing dual guitars into dual amps via Pod X3 or vetta. I am going to put duncan prails into my xplant and future xplants. They can sound like neck pick up on 335, neck p 90 etc etc etc or pretty darn close.

          In fact thos p rails can get so many different tones, I have no doubt my vax xplant will garner way less "what the eff is that" looks.

           

          If I have a cool tele shaped xplant with prails and nobody knew it had vax guts. . . . .many people would not even blink if I was getting a wide variety of tones. The only thing that would turn heads would be alt tunings and acoustic sounds. Right now if I am playing my xplant with no pickups. . . . .I ALWAYS get players asking me how I can get all those sounds and what the eff kind of guitar I am playing.

           

          So in some ways I think having mags takes away a bit of the natural marketing effect of a guitar with no pickups. Of course if you guys realize this and compensate by doing killer videos showing off dual guitars into dual amps. . . . .you may have the "next big thing" guitar wise.

           

          Heck I have 2 exact copies of my rig. x2 wireless, GCX, POD X3 Pro, Peavey Classic 50/50 into avatar 2x12 stereo cab. One rig is in santo domingo where I live and the other in san antonio texas where headquarters is. I am toying with moving to san antonio in 2 years or so, once I get married etc. The idea of using both rigs together as a super rig is so damn cool.

           

          Imagine vax into one X3 Pro with dual amp sounds, while mags go to other x3 Pro with dual amps. Run second pod 10ms or so delayed, add in the 4 effects chains and an Adrenalin III in the loop of each POD and I can hear the wall of sound now. Now if the M13 had VDI and I could put one of those puppies in stereo feeding each POD. . . . . .yikes. . . .

    • RichRenken Iknowathingortwo 1,917 posts since
      Apr 19, 2008

      mdmayfield wrote:

       

      Listening to this video:

       

      http://www.youtube.com/watch?v=q6QVr_3Z9ZE

       

      I'm much less confident that the "clang tone" or "plink" has been eliminated. Listen at 2:00 - I believe those are the magnetic pickups. The transients are smooth and the palm muting is clear. But then at 2:20, listen to the attacks on the low E string (detuned to D). Plink plink plink, there goes the same harshness in the 2-3kHz area as on my Variax 500 and transplanted 300.

       

      We didn't have the new piezo working at the show. We are still finalizing the new piezo. The whole reason for the completely new design by L.R. Baggs and us is to get rid of clang tone as well as improve palm muting.   So, again, get out and check it out when it hits stores.

  • Fanpire Just Startin' 2 posts since
    Apr 17, 2010

    Hi

     

    Will my Line 6 POD XT Live work with the new variax??

    Thanks

     

    Fan

  • Iknowathingortwo 1,667 posts since
    Jul 17, 2007

    Wow - do I feel VERY stupid as someone who until this moment has felt that I was on top of how all the Line 6 hardware and software I own works!!

     

    I had it brought to my attention by one of the previous posts after my long post discussing compatibility problems I thought I was 100% correct about.  Well, as far as the USB Vax interface, I am 100% correct.

     

    HOWEVER, I had no idea in all the years I've owned a Vetta combo and Variax guitars that you CAN use the Vetta UNO 1 MIDI interface to access the Variax guitar in Workbench.  I've never tried running my Variax in this manner, but now many other things I thought were strange about Line 6 also make sense.  I could never understand why the Workbench software is free to registered users, but you had to buy the USB interface which comes with the Workbench software.  I never wrote anything negative about this, but I'll apologize for even thinking this was weird.

     

    So in correcting my information I've posted, I now can 100% confidently add to my personal knowledgebase...that the Workbench software CAN be accessed by simply plugging in my Vax using the VDI cable into the Vetta.  When Monkey starts, it "sees" that both the Vetta AND the Variax are connected via the Uno 1 MIDI cable connected to the Vetta.  And from that point, just sect either EDIT or Workbench and you have access to both pieces of gear and the software for each run independently so if needed BOTH EDIT & WORKBENCH can be running at the same time.

     

    Now setting up live I have a choice (because my laptop has XP) to use the USB Vax interface OR just use the UNO 1 MIDI interface plugged into the Vetta and have less cables to bring to each show plus ONE STEP TOTAL FUNCTIONALITY.

     

    Whether there be a new patch from Line 6 that allows these programs besides Monkey which has already been made compatible with Windows 7, EDIT & WORKBENCH will work as any Variax guitar can be accessed by using any other piece of gear like the new POD floorboards or in my case a Vetta & the VDI cable. Now I do not need to use the A/B box for power, while connecting the separate USB Vax interface on any of my computers since the VDI Cable connected to my Vetta supplies the power as well as the two way communication.

     

     

    I most humbly apologize to anyone who might have read my previous remarks and gotten incorrect or incomplete information.

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