Skip navigation
526 Views 9 Replies Latest reply: Feb 3, 2012 12:59 PM by markcockerill RSS
markcockerill Just Startin' 246 posts since
Dec 7, 2007
Currently Being Moderated

Jan 30, 2012 2:28 PM

Dual amp model in HD500 to DT50 amp via link. What does the amp control on the HD500?

The manual explains well enough what to do when you have a HD500 connected to several physical DT-50s. I have a top quality DMX cable for the Link from HD500 to DT-50 head which I am currently not using..

 

But before I start messing big time with what I have already set up, I was thinking of using my current dual tone patches in the HD500 with just 1 DT-50 head and cab.

 

Question 1

If I were to want to alter the tone of the pre amp and adjust the physical knobs on the DT-50 channel A, am I right in thinking this will only adjust the tone of amp 1 model and not both amp models in the HD500 or can amp model 2  be controlled with preamp B on the amp? If it could then this would be the way to help create the perfect blend of 2 HD500 pre amp models working simulutaneously into a mono amp.

 

Question 2

If I were to assign a footswitch to effectively switch between amp model A and amp model B on the same patch, which channel does the DT-50 controls alter? or does it control which ever is engaged?

 

 

Question 3

How does the DT-50 react in the switching of it's relays to having two very different  pre amp models in dual mode? I can't get my head around this at all.

 

I would be very grateful if any of you nice chaps can lend a hand on this one. I have the dream rig but I just can't make it work. So until then I will continue to gig every week like I do with my Mesa stereo tube head and stereo 4x12 cab. I really want to use the DT-50 and I have become very used to having dual pre amp tone nicely blended.

 

There is no fun in having a thousand pound amp in the garage unused.

 

Many thanks in advance.

  • Iknowathingortwo 1,667 posts since
    Jul 17, 2007

    markcockerill wrote:

     

    The manual explains well enough what to do when you have a HD500 connected to several physical DT-50s. I have a top quality DMX cable for the Link from HD500 to DT-50 head which I am currently not using..

     

    But before I start messing big time with what I have already set up, I was thinking of using my current dual tone patches in the HD500 with just 1 DT-50 head and cab.

     

    Question 1

    If I were to want to alter the tone of the pre amp and adjust the physical knobs on the DT-50 channel A, am I right in thinking this will only adjust the tone of amp 1 model and not both amp models in the HD500 or can amp model 2  be controlled with preamp B on the amp? If it could then this would be the way to help create the perfect blend of 2 HD500 pre amp models working simulutaneously into a mono amp.
    **** Yes - this will only change amp 1 on the POD HD.

     

    Question 2

    If I were to assign a footswitch to effectively switch between amp model A and amp model B on the same patch, which channel does the DT-50 controls alter? or does it control which ever is engaged?

    **** Channel 1 only.  That seems to happen whether you have one or more than one DT head connected.  All patches created are routed through channel 1 on each amp.  If there is an exception, I've not found it.
    **** It does this with a DUAL AMP PATCH...It goes to channel ONE if ONLY amp 1 is turned off in either BYPASS or NO AMP If you have a DUAL amp with TWO or more DTs hooked up - amp 2 goes to channel B and whatever is physically set there.
    **** If a dual amp patch is connected to only ONE DT amp, then in a dual amp patch, the amp disabled in the patch DOES NOT affect the channel 1 of the DT head and simply just does not get heard.  BOTH amps would have to be off or bypassed to access channel B on a single DT head in a dual amp patch.

    Whew - I hope all this makes sense to those reading it. 

     

    Question 3

    How does the DT-50 react in the switching of it's relays to having two very different  pre amp models in dual mode? I can't get my head around this at all.
    **** Dual amp patches with only one DT will act as described above.  It doesn't matter what the second amp is set to since the first amp takes priority and channel 1.

    I hope these bits of info help.

     

    Take care,

    Neal

      • Iknowathingortwo 1,667 posts since
        Jul 17, 2007

        I hope you are only kidding about selling your DT50 head.  I'd rather see you do your own experimentation and see if it can work well for you in your situation.

         

        What pops into my mind is that when building dual amp patches as I've been doing since my first Vetta combo...would be to put the amp and the effects you plan to access during your performance and use the second amp for doubling your amp sound without much FX added. Or use it as a complimentary sound that you can ADD any type of tone from something subtle to something drastic mixed together.

         

        If you play very heavy tones, you can get that from just one amp, BUT if you use a common "trick" in this style of music, add a second amp that is pretty clean with tons of punch and clarity.  This way your very heavy sound still cuts through and actually gives it more balls than just a full blown pair or single high gain amp can do.  This cleaner sound is usually not loud enough ot be perceived as a different sound, but just enough to do what I wrote to the big heavy main amp sound.

         

        I've written my own Start-Up Guide which is posted in my forums as well as featured in the main POD HD forum by L6Tony.  Perhaps that might help, or you can always download some of my patches or any others from CUSTOMTONE for free.  LOTS of ways to get to the sounds and functions you are looking for.  I strongly suggest exhausting all options before giving up.  This gear is NOT one dimentional and there are so many possible ways to get YOUR sound.

         

        And of course there are many others on this site who may have more or even better suggestions for you and your original question.

         

        All the best and take care,

        Neal

          • Iknowathingortwo 1,667 posts since
            Jul 17, 2007

            Glad to read all that and we are both from the same background in the Line 6 world.  We also see things in the company in a similar way.

             

            However, I'm very glad you were just kidding about selling.  I'm also glad that you know it can take quite a bit of time and work to get what you want form these more "complicated" units Line 6 offers.  But I hope for you like I've found, you will be hapy with the end result.

             

            I look forward to reading your results after you play with your new single amp settings.

             

            All the best and take care,

            Neal

                • Iknowathingortwo 1,667 posts since
                  Jul 17, 2007

                  Hi Mark - I'm glad anything I've written may have been of help to you working with your Line 6 gear.

                   

                  For two of my acoustic patches or any of my JTV guitar patches as well as my POD HD500 patches, please just go to http://line6.com/customtone/profile/MerlinFL/  and there you'll find all my patches I've posted that I thought would be the most useful or the most unique since there are so many excellent patch makers already.  I tried to post what seemed to be needed and others I'm just plain very proud of.

                   

                  The acoustic patches for the POD HD500 WILL set up your DT head as long as you have the most up to date firmware in the amps as well as the POD HD500.

                   

                  PLEASE remember to reset the HD500 output to STUDIO/DIRECT.  I also have my switch set to LINE in case you choose to plug the HD500 into a PA mixer or other amp's FX return jack.

                   

                  Also DO NOT use the Master volume knob pulled OUT.  You should be able to achieve a nice warm tone with PLENTY of volume with ALL DT500 head knobs set to the 12 o'clock position...EXCEPT the Reverb & Master Volume set to the 9 o'clock position.  You can SWAP the 9 o'clock position from the Master to the Channel volume if you feel that gives you a better end result.  They should be fairly close, but there IS a difference and a matter of personal taste.

                   

                  I hope you'll give them a try and please write back what you think.  Good or bad - I'd appreciate the feedback.

                   

                  Take care,

                  Neal

More Like This

  • Retrieving data ...

Bookmarked By (0)

Legend

  • Correct Answers - 5 points
  • Helpful Answers - 3 points