Jul 3, 2012 2:37 AM
Pod hd500 into PA system
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Hey guys ive had my pod for about 5 months now and im having trouble getting a good lead/distortion tone through a PA system. I travel and play at many different churches with different PA's. I take time and play around with each one tweaking eq's and stuff but i keep getting a terrible digital overdrive type sound. I set output mode Studio/Direct. And plug in using left unbalanced output to a standard mic jack. How can i fix this problem and get a killer tone? Thx alot!
Left balanced output i use (xlr). Not unbalanced, srry
what amp models and distortions are you using? and are they pre or post? i play in a church too and my tone is pretty good. except i use a pod hd400
Ive tried almost all the combonations with amps and distortions.. But what the difference between pre and post?
They sound real different,it jus depends on what you like.
pre is placed before the amp, like filters and distortions and certain mods sound better there, post is in the fx loop of the amp between the preamp and power amp sections, sounds better for delays, verbs, some mods.
I'm in a similar situation. I bought an HD500 because our church has gone to in ear monitors and no live sound on stage. LIke you, im running direct into PA I'm having a tough time getting the HD 500 dialed in despite lots of hours of effort. I would appreciate any words of wisdom.
I will say that my Les Paul with humbuckers does a better job of getting overdrive or crunch sounds than my Fender single coil models. But it's been tough to get a great clean sound with the humbuckers.
Overall, I've been disappointed with the "digital" nature of the sound and feel of the HD500. Unfortunately, despite all of the gushing online, it seems nowhere close to the more "organic" feel of a good tube amp. I've even tried some awesome analog pedals on the front end, but there's been virtually no improvement doing so. On the positive side, it's way more convenient to carry around and set up than an amp and pedalboard!
Other issues:
- VERY tough to get a feel for what a patch is going to sound like live vs when I'm sitting at home programming it!
- tough when searching online for patches to get sense of how they'll sound with humbuckers vs single coils.
- And (sorry to be ungreatful) most everything I've downloaded from the online forum sounds miserable in a live setting. I admit I'm picky, but I know what good tone is supposed to sound like.
Again, I'd appreciate any feedback or thoughts on how to make this work or some direction to good, practical online resources . I'm commited to making this "marriage" a success, but I feel like I've got a long way to go! I fully acknowledge that the problem may be mostly operator incompetence - but this operator needs some help!
Have you seen the threads for this guide? http://foobazaar.com/podhd/toneGuide/ It's a long read but L6 user MeAmBobbo put together everything you'd want to know about getting good tones with different setups.
I play direct into a PA at church. When I first started working with the HD 500 I had similar issues. I could get a great tone at home, then I'd go to rehersal, plug in and it was to harsh(treble/presence), too flat, etc. I read some posts about getting the right headphones as the impedence on the HD 500 is 150-600 ohms. I got a pair of Korg 4AATs for about $75 (compare to $100s for pro headphones). It made a big difference for me.
Based on your description using both humbuckers and single coils you may need to look at input tweaking. I'd try different impedence settings and check the input type (the guitar/variax/mic/aux stuff). Again from MeAmBobbo's guide, it's here http://foobazaar.com/podhd/toneGuide/setup#input
I also run in stereo so I use both xlr outs. I found this comment from the guide and it might help you out: "The 1/4" outputs will sum to mono if only one of the two outputs is being used. In contrast, the XLR outputs will never sum to mono." Many PAs are setup mono so I'd bet many people are using 1 XLR out. That statement makes me think you could lose a lot of tone, but it could be fixed by using an effect after the amp loop that sums to mono.
Just some thoughts, I hope it helps you!
I have the exact same problem and use one Xlr output. what effect sum to mono ?. I have heard that putting in chorus at then end set mix to zero helps. Is that what you are suggesting .
See 3.6 in the HD 500 Advanced User Guide. It discusses the effects and how putting a mono one after a stereo one will 'monoize' the signal. I am suggesting that based on the statement from MeAmBobbo's guide, the XLR output will only give you the right or the left and not sum to mono, so I'd try using a mono effect at the end of the signal path.
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