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481 Views 12 Replies Latest reply: Oct 18, 2012 3:03 AM by Stueyd RSS
Stueyd Just Startin' 50 posts since
Feb 5, 2009
Currently Being Moderated

Oct 10, 2012 7:00 AM

Cobblers. Is it worth moving from a HD400 to a HD500 ?

Firstly I bought a DT25 which I think is just amazing.

Then I thought "ooh wouldn't it be useful if I could control it from the Pod" and bought a HD400. I looked at the 500 but as it had less amp models and lots more knobs, I was afraid of option paralysis and went for the cheaper option as I thought "I won't be using this with a Variax anyway".

So roll on a few weeks, i'm pretty happy I can drive the HD400 and know what i'm doing and the 500 doesn't seem so daunting and I got the opportunity of a good deal on a JTV-59 which i've fallen in love with.

Damn.

Now i've re-read what I can do with the HD500 and Variax and i'm thinking "i've messed up here...".

 

I'm thinking how useful it would be to have the required guitar already stored with the amp sounds.

 

Anyone else gone from the 300 or 400 to the 500.

 

Do you existing HD500 owners use your extra options like Variax connectivity

 

Should I bite the bullet and replace the HD400 with a 500?

  • Octo777 Iknowathingortwo 851 posts since
    Feb 23, 2008

    In my opinion, you should definitely have went with the 500 off the bat.

     

    Yeah, it sounds like a bum deal that the 500 currently has less amps than the 3/400 models, but they will be available on the 500 eventually, just a bit of patience required there.

     

    I use my 500 with a Variax Acoustic 700 and the VDI cable for exactly what you want to use it for Gutiar and Amp  sounds (or effects in my case) being selected simultaneously and it's become an invaluable part of my rig.

     

    I say, if you have the means, definitely upgrade.

  • TheRealZap Expert Line 6 User 11,829 posts since
    Dec 22, 2006

    I have the 300, 500, and the bean... of those 500 eaily wins... love the variax input and the L6LINK (have the dream rig)

    want to pick up a pro primarily for studio use... maybe one day....

  • silverhead Expert Line 6 User 9,592 posts since
    Apr 1, 2009

    I have both HD400 and HD500. I also have a JTV-59. I use my HD500 almost exclusively because of its flexibility in FX assignment (no FX1, FX2, FX3 constraints in selection and placement of FX) and also because of its JTV control features.

     

    The main advantage of the HD400 (for me) is its ease of use. It's simpler to dial in a good-sounding tone using the knobs, and there's no chance of DSP Overload. The HD500 has many more features and options, but you need to be comfortable with a steeper learning curve and you need to like tweaking.

     

    Another advantage of the HD400 is its dual-output option. You can send a STUDIO tone (with cab/mic simulations) to a mixer/PA while also sending a Live tone (no cab/mic) to an amp. You can't do this with the HD500.

     

    But overall, especially with a Variax, the HD500 is my choice.

    • CairnsFella Just Startin' 205 posts since
      Sep 16, 2012

      I guess I should double check, but I am sure I commented on having read there was some way in which the 300 or 400 could provide a wet tone for monitoring whilst also providing a dry tone in a less contrived way than has been documented for the 500. And I am equally sure that it was yourself, silverhead, that told me that this was not possible.

       

      I have a feeling I suggested the dry was through USB - so I guess I WAS innacurrate, but the principle was a wet/dry option that the 300 or 400 had over the 500, so I believe you could have corrected the details of my understanding rather than simply dismiss it.

       

      In fact, now I recall, it was in the context of what the 500 could 'not' do in relation to the lesser models, so yes, I definately feel correction would have been more appropriatte, as it is exactly the fact that the 500 cant do this that you have stated here.

      • silverhead Expert Line 6 User 9,592 posts since
        Apr 1, 2009

        I'm sorry if my response in another thread offended you - it certainly wasn't intended to. And if I recall it properly, I did just offer a correction. The information you had provided, as I interpreted it, was incorrect so I simply wanted the community to have the correct information. I certainly wasn't trying to be (nor was I, I believe) dismissive. I do recall that the context of the thread in which I made my post was rather heated - and I said I didn't want to engage in any debate or difference of opinion - and I didn't - I simply stated a fact. Is it possible that you misinterpreted me in the heat of the rest of the thread?

         

        I don't believe I said anything wasn't possible - I just pointed out that the HD Pro, alone among the HD models, provides a Dry Out feature directly. The other dual-path models (HD500 and Desktop) do have a contrived way of doing this, as you say.

         

        As for the HD300/400  I was actually hoping you could find the reference you were looking for and let me know how to do it. Note that the above dual-output mode does not do it - both signals are wet (one wetter than the other) but they can be delivered to different outboard equipment.

         

        On thinking about this further, the HD400 has an FX Loop that can be positioned PRE-amp, and the documentation says this is after FX1 and before FX2. So you could experiment with a preset that uses FX Loop in PRE, FX1 in POST (or not at all), and connect the HD400 FX Send to your DAW to recxord a 'dry' signal.It would still have undergone a A/D and subsequent D/A conversion, so some might not consider that truly dry. You might also have to place a dummy plug in the HD400 FX Return to activate the loop. But this setup might in fact do what you suggest.

         

        However, it still does not meet the spirit of your original post because this can also be done with the HD500. The original discussion was, I believe,talking aboyut things the lesser HD models can do that the higher models can't.

         

        Peace.

        • CairnsFella Just Startin' 205 posts since
          Sep 16, 2012

          Silverhead,

           

          I believe the dry / wet scenario I had intended to allude to (which I have already accepted above is clearly NOT via USB) is the very one you listed in your previous post. I can only assume that having read references prior to owning the device, I had 'reinterpreted' the functionality im my head from being no cab/amp, to no processing at all. Having said all that, your point (and likely the functionality that I had originally noticed) still identifies a function that the 500 cannnot do, which at that point had not been listed in the thread:

           

          Another advantage of the HD400 is its dual-output option. You can send a STUDIO tone (with cab/mic simulations) to a mixer/PA while also sending a Live tone (no cab/mic) to an amp. You can't do this with the HD500.

           

          I too hope to track down the original references in case I am once again mistaken, and that in fact there was more to it, but

           

          1. I feel it is likely the point you made does cover the issue, and

          2. It takes me enough time to keep up with 'new' posts and info, let alone searching back through the old posts. However, I will persevere.

          • silverhead Expert Line 6 User 9,592 posts since
            Apr 1, 2009

            CairnsFella wrote:

             

            ....... Having said all that, your point (and likely the functionality that I had originally noticed) still identifies a function that the 500 cannnot do, which at that point had not been listed in the thread:

             

             

            Another advantage of the HD400 is its dual-output option. You can send a STUDIO tone (with cab/mic simulations) to a mixer/PA while also sending a Live tone (no cab/mic) to an amp. You can't do this with the HD500.

             

            ...

            Very true. That is a big oversight with the dual-path Pod HDs (500/Desktop/Pro) in my opinion and that of many others. It has been talked about since the initial release and has been on the wishlist forever. Since it's not here yet, and there clearly is a user demand, I assume that there's some hardware restriction that makes it unlikely that it will ever be added as a new feature/function. But I hope I'm wrong about that.

  • DeanDinosaur Iknowathingortwo 443 posts since
    Jul 30, 2009
    Currently Being Moderated
    Oct 10, 2012 12:15 PM (in response to Stueyd)
    Re: Cobblers. Is it worth moving from a HD400 to a HD500 ?

    I had the HD300 for a while and updated to the HD500. Couldn't be happier, the internal routing flexibility of using dual two or three modulation, DRIVEs EQs etc alone was worth it. Also you can't forget the HD500 has input impedence matching (hardware and software feature that I find really usefull in getting more authentic and better tones). I say go for it.

  • spaceatl Expert Line 6 User 4,456 posts since
    Jan 24, 2007

    Hmmm....I have an HD400 and an HD Bean. I am not a Vax user...I do like the HD400 and love using it with my DT25...However, I totally dig the HD Bean too...It is much like the HD500 and the control and chaining is on a completely different level from the HD400. I tend to think that if I were to move to using a Vax that I would jump to using an HDPro...I am a bit more of a fan of the shortboards than the all in one units...Mainly because I still have quite a few Line 6 amplifiers that support them...

  • guitarplayer0376 Just Startin' 15 posts since
    Nov 25, 2011

    Yes, it is worth it. I went from a 300 to the 500, big difference. Now I am not stuck with 4 effects blocks only, of which those are just the groups.............you have to choose between a comp/dirt box and an EQ???? That is crazy and nonsense. Also, the DEP for the actual Cabinets is a big help as well.

     

    If you have the funds to upgrade to a Kemper or an AXE II, (whichever one would suit you best), I would do that over the upgrade to teh HD500. I just happened to buy another guitar at the spur of the moment, a 2012 special edition available for only a limited time, so my big effects budget was limited, otherwise I would have gotten a Kemper.

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