Harikiri231998 Posted December 15, 2016 Share Posted December 15, 2016 This topic has probably been covered before, but I can't find anyone describing patch creation for use with a physical amp. Also new to the forum and as such have no idea on guidelines and the like. I'm using an ibanez RGDIX 7 string with passive pickups into the pod HD, into the power amp of my spidervalve hd100 mki via 4 cable method, if that helps anyone. Any help appreciated as I have literally no idea where to begin with setting this thing up for high gain tones Quote Link to comment Share on other sites More sharing options...
J_V_RO Posted December 15, 2016 Share Posted December 15, 2016 It's hard to tell how to achieve a good tone because everyone has a different taste/gear, that is why custom tone isn't useful!... but anyway... if you are using the 4 cable method it is expected that you will use the preamp of your physical amp instead of the AMP SIM and probably add only some coloration using other effects (like a screamer, compressor, etc) however, since nothing is written in stone... using the 4CM I do the following to create my tones: 1) Set the output mode to "Combo/Stack PWRAMP" 2) Add the FX LOOP Block and place it after the MIXER (switched on) 3) Start with an AMP, I recommend the TREADPLATE (to mention one) and adjust the controls as you wish, 4) If I find too much noise, I place a GATE as the first effect in my chain, 5) after that, I usually add a Screamer (for solos or coloration) or a Compressor, all of this BEFORE the AMP & the FX LOOP Block. 6) Delays & reverbs: I place them after the FX LOOP BLOCK. You can start with that, of course there is a lot more... check this guide: http://foobazaar.com/podhd/toneGuide/ Quote Link to comment Share on other sites More sharing options...
Harikiri231998 Posted December 16, 2016 Author Share Posted December 16, 2016 Right, so 4CM is best used when using the pod for effects only? In that case, how would you recommend connecting the pod to my amp if I was planning on using the pods amp models? Also, I found the guide informative, but it was a little hard to follow for someone with only basic knowledge of sound engineering Cheers for the quick reply tho Quote Link to comment Share on other sites More sharing options...
BillBee Posted December 16, 2016 Share Posted December 16, 2016 I have a SVMKI too and TBH run the HD into the FX loop and skip the SV's preamp section altogether. You have nothing to gain going 4CM with the SV. HD output => studio direct sounds great to me but feel free to jump around and hear what the differences are. TBH though the SV is pretty f-ing sweet on its own. Quote Link to comment Share on other sites More sharing options...
BillBee Posted December 16, 2016 Share Posted December 16, 2016 BTW the "only" reason I suggested you might want to go FX return only is that the SV is using the Pod 2.0 models. While I like them and as a whole the SV is worthy the 4CM IMO is for using the pre-amp stage of say a Marshall. Quote Link to comment Share on other sites More sharing options...
Harikiri231998 Posted December 16, 2016 Author Share Posted December 16, 2016 Srsly helpful advice guys, I'm finding using the stack front option is yielding decent results but I'll experiment with other options. Although it's probably worth noting that I am using a physical head and cab setup and am intending on using this setup live +1 on the spidervalve being a great amp on its own, destroys the Marshall DSL head my college has IMO, for high gain at least I found it disappointing sounding to start with, but it definitely came into its own once you get the master volume past 4 Quote Link to comment Share on other sites More sharing options...
Harikiri231998 Posted December 16, 2016 Author Share Posted December 16, 2016 So I should use studio/direct or stack power amp instead? How should I go about creating modern high gain patches for this setup? Quote Link to comment Share on other sites More sharing options...
cruisinon2 Posted December 16, 2016 Share Posted December 16, 2016 So I should use studio/direct or stack power amp instead? How should I go about creating modern high gain patches for this setup? You should throw out any notions of the "right" way to do things, because there aren't any. The various output modes are nothing more that EQ curves, theoretically optimized for a particular type of set-up. However, the "one-size-fits-all" approach has a nasty way of not working out from one player to the next. Experiment with the various options, and let your ears tell you if it works or not. If it sounds good, then that's the "right" way to set it up. Quote Link to comment Share on other sites More sharing options...
Harikiri231998 Posted December 17, 2016 Author Share Posted December 17, 2016 I get it now, thanks One thing I am finding is that there's a lot of excess low end and excess digital fizz when using the treadplate model with the xxl v30 cab impulse, regardless of output mode. Is there a certain way to eq this out to make the patch sound a lil more analogue. I find that even the preamp models on the spidervalve don't have this excess boom and fizz Either way, the information on here is really helping a first time pod user! Quote Link to comment Share on other sites More sharing options...
joel_brown Posted December 17, 2016 Share Posted December 17, 2016 Reducing Res Level can help get rid of fizz. Also the Low Cut works well for reducing bass. These are under the Carb Parameters in the Amp Section. Quote Link to comment Share on other sites More sharing options...
Harikiri231998 Posted December 17, 2016 Author Share Posted December 17, 2016 The mid focus eq and Rez control definitely helps, but there's still this cold almost muffled tone and I know the pod can be made to sound much better than that Which frequencies should I cut or boost to get rid of that? Quote Link to comment Share on other sites More sharing options...
BBD_123 Posted December 17, 2016 Share Posted December 17, 2016 The mid focus eq and Rez control definitely helps, but there's still this cold almost muffled tone and I know the pod can be made to sound much better than that Which frequencies should I cut or boost to get rid of that? What Hurghanico and Joel Brown said. There are some tips on dialling in the Mesa / Treadplate model here which may help. Note the cab choice. Quote Link to comment Share on other sites More sharing options...
cruisinon2 Posted December 17, 2016 Share Posted December 17, 2016 Which frequencies should I cut or boost to get rid of that? Any number that someone might throw at you would only be a guess...it's dependent mostly on what you're listening through, and the environment you're in. Every set of headphones, studio monitors, or other speakers are all gonna be different. All you can do is sweep through various frequencies until you find the irritating ones that are cluttering up your tone. Quote Link to comment Share on other sites More sharing options...
joel_brown Posted December 18, 2016 Share Posted December 18, 2016 The above post is extremely important. All of us have gone through this and it's Step 1 in creating a patch. Quote Link to comment Share on other sites More sharing options...
Harikiri231998 Posted December 18, 2016 Author Share Posted December 18, 2016 I'd already found that post and made sure I had input 2 set to variax, other tips were helpful though Maybe it's just a matter of getting to learn the ins and outs of this thing and learning to eq properly Quote Link to comment Share on other sites More sharing options...
BBD_123 Posted December 18, 2016 Share Posted December 18, 2016 I'd already found that post and made sure I had input 2 set to variax, other tips were helpful though Maybe it's just a matter of getting to learn the ins and outs of this thing and learning to eq properly Another thing to watch out for is your CHANNEL VOLUME. This is often best set at around 45% on high gain models or it will cause effects blocks placed after the amp to clip. Quote Link to comment Share on other sites More sharing options...
Smashcraaft Posted December 18, 2016 Share Posted December 18, 2016 Do you know the Peter Hammer Videos about dialing out fizz using the PEQ? Quote Link to comment Share on other sites More sharing options...
BillBee Posted December 19, 2016 Share Posted December 19, 2016 Look into the use of the Para EQ - IIRC Meambobbo's guide right it uses a high and low pass filter for its mid boost. As you probably found out by now the fizz is up ~ 7-8 k (80%?) and the bottom end flub start around 100k and move a narrow band Q to find it. The % really is a bugger for Eqs so use a fresh pair of ears when dialing it in. Quote Link to comment Share on other sites More sharing options...
Harikiri231998 Posted December 21, 2016 Author Share Posted December 21, 2016 Really helpful tips guys, I'm getting this thing to sound slowly better each time I use it Maybe it does just take time and effort rather than quick workarounds Quote Link to comment Share on other sites More sharing options...
joel_brown Posted December 21, 2016 Share Posted December 21, 2016 Lots of time and effort. Damn near returned the PODHD the first week. By the first month I was close. Took me about a year before I was finally happy. Ask questions. People here are very knowledgable and helpful. 1 Quote Link to comment Share on other sites More sharing options...
BillBee Posted December 21, 2016 Share Posted December 21, 2016 I had a bit of a love/hate during the honeymoon - but the damn thing does have the tones in it. :) Quote Link to comment Share on other sites More sharing options...
Harikiri231998 Posted December 22, 2016 Author Share Posted December 22, 2016 Yeah, I know the pod can get some extremely good tones. I've heard demos that sound easily as good as real amps (although some of them are likely using post-processing) But getting those tones is a royal pain in the lollipop as a new user. Definitely sounding better each time I tweak it though Quote Link to comment Share on other sites More sharing options...
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