I then purchased the L2. The rest is history........
Anyone have any opinions on the difference between the L2T and the L2M?
Down the road, I would really like to invest in something like the StageScape mixer, and a few of these L2 speakers for mains / monitors. It's also cool that you can also use it as a guitar amp / stage rig, for going full-on 'Studio/Direct' out of the HD500.
It's tricky for me- as much as I like the HD modelling, (and having upgraded to the HD500 from an X3L back in 2010, it definitely holds up in terms of tone); I really do like the way the HD500 interacts with the Bogner DT25. I'd call it an L6 DT25, but the bits I like the best about the HD+DT interaction, has to do with the Bogner portion of the gear.
I would really like to hear the DT direct out into an L2 speaker enclosure. In terms of using the L6Link from a DT to an L2, are there any issues with the tone? Not sure how it handles that, since the DT is L6Linked to the HD500, it sets itself to 'combo/poweramp', which is not a pleasant sound direct.
In terms of simplicity, I can definitely appreciate the HD500 + L2, as far as, being able to use the acoustic models on the Variax, and having the versatility of the full range / flat response sound system to amp the HD500. First, I have to pay off the JTV59, the hard case, and the DT25. Then, I will definitely be taking a closer look at the L2's!