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If You Were Going To Use The Hd500x Effects Loop, What Pedals Would You Add?


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#1 boyce89976

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Posted 09 February 2014 - 04:15 PM

There are a couple of reasons why you might want to do this... a better sounding pedal than the modeled one, or to maximize DSP.  So what would you add to the effects loop, or replace in HD500x, using outboard pedals?  

 

To start, I'm thinking maybe an outboard delay (Eventide or similar), or a better chorus pedal.  


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#2 silverhead

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Posted 09 February 2014 - 05:17 PM

If your want to offload DSP from the HD500, I would use outboard reverb and delay pedals. They are quite expensive in terms of DSP in the HD500.
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Life is what happens to you while you're busy making other plans.
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#3 cruisinon2

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Posted 09 February 2014 - 05:17 PM

Fulltone Clyde Deluxe...best wah in the universe.
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#4 aggravation

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Posted 09 February 2014 - 08:46 PM

I use a Torpedo CAB in the loop for speaker cabinet, mic and power amp modeling.

I could stick my Eventide H9 after it but don't see the need, the L6 effects cover my needs so the H9 lives in my traditional pedal board for other amps.
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#5 toneo2001

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Posted 09 February 2014 - 09:22 PM

For me it would have to be a good equalizer pedal ,  I love the delays and echos  and being able to stack them, for me this is definitely a strong point, The EQ's are the weakest link imho...


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#6 tim1953

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Posted 09 February 2014 - 09:42 PM

I use The El Capistan delay pedal with the HD 500 but it is between the guitar and HD 500.

I like to have my hands on the delay's controls and none of the delay's in the HD 500 can touch it.

I use a TECH 21 British pedal in the effects loop because it has a better Marshall sound than the HD 500.

To be honest I don't really care much for any of the effects in the HD 500.

Maybe because I have a lot of really nice pedals and I'm just use to their sound.


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#7 ts020572

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Posted 09 February 2014 - 11:59 PM

I added a Mooer Hustle Drive. The modelled amplifiers react good with the volume pot from the guitar, but the modelled drive pedals don't. The Hustle Drive gives me that, with added gain and thickness. And it is so small that it fits in my POD case.


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#8 GTLazer

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Posted 10 February 2014 - 02:39 AM

I've been thinking about putting a G System in the loop. Means I can double-up the DSP-heavy amps, like the Bogner, and still have so much delay and reverb it sounds like I'm playing 300 guitars in Durham Cathedral.

 

It's either that or sell the Pod and turn to the dark side.


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#9 boyce89976

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Posted 10 February 2014 - 08:56 AM

Thank guys. I'm building a lot of Coldplay type patches for worship and have to stack delays, use dual amps, etc... And I'm hitting some Dsp limits... Keep the ideas coming.
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#10 tcastudios

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Posted 10 February 2014 - 01:30 PM

For my acoustic patches I inserted a parametric EQ for hands on adjustments.

The EQ is then the same for all patches.

 

Cheers

Lennart

 

ps, my bandmate insets a EHX SuperEgo for supercool Drone / string fx's ds


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#11 arislaf

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Posted 10 February 2014 - 02:42 PM

Pocket pod


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#12 bjnette

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Posted 10 February 2014 - 05:02 PM

When I first saw the post I thought none.

After reading the posts;

 

You got me thinking.

 

Maybe a better looper.


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#13 scottyo78

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Posted 10 February 2014 - 05:16 PM

I use a BBE Sonic Stomp.

I have an older full rack model in my studio rack... which used to used when I played in clubs.

Stand about 5 - 7 feet in front of your amp and you can plainly hear the clarity it introduces when engaged. ;)


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#14 LutherDeLorme

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Posted 10 February 2014 - 07:56 PM

I would try not pedals, but some effects I already have in the Auria app on my iPad: I have MicroWarmer, and from FabFilter Timeless 2, Saturn and Pro-Q. I don't know if it is possible to use Effects Loop for iPad, I have Sonic Port with audio in and out, must try it some day. I expect some latency, hate that, but its worth a try.
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#15 radatats

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Posted 10 February 2014 - 08:35 PM

TheRealZap, on 10 Feb 2014 - 12:27 PM, said:snapback.png

I've added an M5 in the loop of my 500 midi connected... and it works flawlessly with NO configuration whatsoever... sure the m9 would be the same... all you have to do is change the pod to the tone you want and then change the M pedal to the preset you want...save the tone on the pod... next time you select the tone on the pod the M pedal will switch automatically.

we talked about this on another thread today and this is a great idea with the M5 and midi so it saves with the patch... brilliant...


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#16 bvaladez74

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Posted 10 February 2014 - 11:51 PM

I've used it in different ways.  Currently, I always keep an mxr 10 band on flat at all times (doesn't alter the tone)....and instead of adjusting POD patches on the fly for different rooms, where you need, less bottom, more bottom, more highs, less highs...like you would adjust on a regular amp for different rooms.....I use the MXR for it.  Leaving my presets in tact.  There's nothing worse than soundchecking for a gig....and the sound guy goes "Hey can you pull down the low end a little...or give me some highs"...and you gotta get on the ground and go through every patch you're using and adjust the eq.  HELL NO.  

 

I've also used the effects loop with a simple patch cable jumper between the fx send and return...no pedal...and strictly use the loop for solo boosts.  It's the best, cleanest way to boost for solos.  

 

I've noticed some pedals don't play well in the POD HD loop.  Some chorus's and analog delays...seem to darken things sometimes...or really alter the tone.  Some pedals play nice with it though.  

 

Another trick is...between the 1/4 out and your power amp's in or amp you're using....pedals can be places there....sort of a "line level" type of out.  I have a carbon copy delay placed between the 1/4 out and my matrix power amp...and it sounds and behaves exactly like an effects loop scenario.  


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#17 boyce89976

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Posted 12 February 2014 - 06:01 AM

I've used it in different ways.  Currently, I always keep an mxr 10 band on flat at all times (doesn't alter the tone)....and instead of adjusting POD patches on the fly for different rooms, where you need, less bottom, more bottom, more highs, less highs...like you would adjust on a regular amp for different rooms.....I use the MXR for it.  Leaving my presets in tact.  There's nothing worse than soundchecking for a gig....and the sound guy goes "Hey can you pull down the low end a little...or give me some highs"...and you gotta get on the ground and go through every patch you're using and adjust the eq.  HELL NO.  
 
I've also used the effects loop with a simple patch cable jumper between the fx send and return...no pedal...and strictly use the loop for solo boosts.  It's the best, cleanest way to boost for solos.  
 


^ Genius!
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