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 From dirty stompbox distortion to studio-quality reverb lushness, all the effects models you’ll ever need are built right in. Vetta™ II gives you the ability to have ALL of these effects on at the same time: Any three of 53 stompbox models, a wah pedal, a volume pedal, a noise gate, a studio-grade compressor, two types of tremolo, graphic or parametric post EQ, a choice of 21 modulation effects, a choice of 14 delay effects, and any one of 16 different reverb types.
But, what fun are a bunch of effects if you can’t hook them up in strange ways? Well, Vetta II has more routing options than even we can keep track of. You can even LOCK all of the Vetta II modulation and delay effects to the Tap Tempo function. Now you can change the tempo of multiple delays, plus chorus and tremolo speeds all with a single FBV footswitch. But that’s not all.
Here’s a quick start guide to some of the Vetta II routing capabilities.
Vetta II gives you any three of 53 stompbox models to go mad with at once. They can all be different, they can all be the same, and they can be “wired” in any configuration you please, into either or both amps. What if you put a delay into a flanger and then into a fuzz? How about three different kinds of delay? Be different. Sound different.
The Tremolo, Gate, Comp(ressor) and EQ buttons make up the In-Line effects group. Gate comes before all of the stompboxes while the rest come right after the amp/cab.
 
The Loop, Pitch Shift, Mod, Delay, and Reverb are all part of the post studio-type effects. Just like the stompboxes always stay before the amp, these effects are always after the amp/cab. You can change the order of the post effects, the signal flow (series, parallel or chain) and even their physical output assignment. If this is the stuff you crave, the Vetta II manual is practically a history lesson on how effects routing works. You can download the manual here.
| Distortion Stompboxes |
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Display Name:
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Effect Models based on*:
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Facial Fuzz |
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Arbiter Fuzz Face® |
| Tube Drive |
Chandler Tube Drive® |
| Fuzz Pi |
Electro-Harmonix® Big Muff Pi® |
| Screamer |
Ibanez® TS-808 Tube Screamer® |
| Octave Fuzz |
Tycobrahe® Octavia® |
| Classic Dist |
ProCo Rat |
| Metal Z |
Boss® MT-2 Metal Zone® |
| L6 Boost + EQ |
Line 6® Gain Boost |
| Modulation Stompboxes |
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Display Name:
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Effect Models based on*:
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Jet Flanger |
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A/DA Flanger |
| Analog Chorus |
Boss® CE-1 Chorus Ensemble |
| Phaser |
MXR® Phase 90 |
| U-Vibe |
Univox Uni-Vibe® |
| Lumpy Phase |
Line 6® lumpy phase |
| Sine Chorus |
Line 6® Sine Chorus |
| Square Chorus |
Line 6® Square Chorus |
| Expo Flange |
Line 6® Exponential Flange |
| Random Chorus |
Line 6® Random Chorus |
| Analog Square |
Square CE-1 Chorus |
| POD Purple X |
POD® Purple X |
| Random S&H |
Line 6® Sample and Hold |
| Tape Eater |
Line 6® Tape Eater |
| Opto Trem |
Fender® '65 Twin Tremolo |
| Bias Trem |
Vox® '67 AC-30 Tremolo |
| Dynamic Stompboxes |
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Display Name:
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Effect Models based on*:
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Blue Comp |
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Boss® CS-1 Compression Sustainer |
| Blue Comp Treb |
Boss® CS-1 w/ treble switch on |
| Red Comp |
MXR® Dynacomp |
| Vetta Comp |
Vetta Comp |
| Vetta Juice |
Vetta Juice |
| Auto Swell |
Line 6® Auto Swell |
| Synth/Filter Stompboxes |
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Display Name:
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Effect Models based on*:
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Synth Lead |
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Moog® Lead |
| Synth String |
ARP/Solina Strings |
| Synth Analog |
Moog® and ARP |
| Synth FX |
Line 6® Synth FX |
| Buzz Wave |
Line 6® Buzz Wave |
| Rez Synth |
Line 6® Rez Synth |
| Saturn 5 Ring M |
Line 6® Ring Modulator |
| Double Bass |
Line 6® Double Bass |
| Synth Harmony |
Line 6® Synth Harmony |
| Auto Wah |
Mu-tron® III Up |
| Dingo-Tron |
Mu-tron® III Down |
| Sparkle Sweep |
Line 6® Filter Sweep |
| Tremolo Post Effect Models |
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Display Name:
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Effect Models based on*:
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Opto Trem |
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Fender® '65 Twin Tremolo |
| Blas Trem |
Vox® '67 AC-30 Tremolo |
| Gate/Post Compressor Effect Models |
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Display Name:
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Effect Models based on*:
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n/a |
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Noise Gate |
| n/a |
Studio Compressor per amp |
| Post EQ Effect Models |
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Display Name:
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Effect Models based on*:
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Graphic EQ |
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4 Band Graphic EQ/Amp |
| 4 Band EQ |
4 Band Parametric EQ/Amp |
| Pitch Shift Modulation Post Effect Models |
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Display Name:
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Effect Models based on*:
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n/a |
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Dual Voice Pitch Shifter |
| Jet Flanger |
A/DA Flanger |
| Analog Chorus |
Boss® CE-1 Chorus Ensemble |
| Phaser |
MXR® Phase 90 |
| U-Vibe |
Univox Uni-Vibe® |
| Lumpy Phase |
Line 6® lumpy phase |
| Sine Chorus |
Line 6® Sine Chorus |
| Square Chorus |
Line 6® Square Chorus |
| Expo Flange |
Line 6® Exponential Flange |
| Random Chorus |
Line 6® Random Chorus |
| Analog Square |
Square CE-1 Chorus |
| POD Purple X |
POD® Purple X |
| Random S&H |
Line 6® Sample and Hold |
| Tape Eater |
Line 6® Tape Eater |
| RotaryDrum + Horn |
Leslie® 145 Rotary Speaker |
| RotaryDrum |
Fender® Vibratone |
| Stereo Chorus |
Line 6® Stereo Chorus |
| Stereo Flange |
Line 6® Stereo Flange |
| Hi-Talk |
Line 6® Hi Talk |
| L6 Sweeper |
Line 6® Sweeper |
| Warble-Matic |
Line 6® Warble-Matic |
| Auto Pan |
Line 6® Auto Panner |
| Delay Post Effect Models |
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Display Name:
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Effect Models based on*:
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Analog Echo |
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Boss® DM-2 Analog Delay |
| Analog w/Mod |
Electro-Harmonix® Deluxe Memory Man |
| Tube Echo |
Maestro® EP-1 Echoplex |
| Tape Echo |
Maestro® EP-3 Echoplex |
| Multi-head |
Roland® RE-101 Space Echo |
| Echo Platter |
Binson EchoRec |
| Digital |
Line 6® Digital Delay |
| Reverse Delay |
Line 6® Reverse Delay |
| Low Rez |
Line 6® Low Rez Delay |
| Phaze Eko |
Line 6® Phaze Eko |
| Sweep Echo |
Line 6® Sweep echo |
| Bubble Echo |
Line 6® Bubble Echo |
| Ping Pong Delay |
Line 6® Ping Pong Delay |
| Stereo Delay |
Line 6® Stereo Delay |
 Ducking Delay |
T.C. Electronic® 2290 |
| Reverb Post Effect Models |
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Display Name:
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Effect Models based on*:
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Lux Spring |
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Fender® '64 Deluxe Spring |
| Std Spring |
Fender '65 Twin Reverb® Spring |
| King Spring |
Line 6® Spring |
| Small Room |
Line 6® Small Room |
| Large Room |
Line 6® Large Room |
| Studio 6 |
Line 6® Studio |
| Tiled Room |
Line 6® Tiled Room |
| Memphis Plate |
Line 6® Memphis Plate |
| Foil Plate |
Line 6® Foil Plate |
| Blue Plate |
Line 6® Blue Plate |
| Bingo Hall |
Line 6® Bingo Hall |
| Concert Hall |
Line 6® Concert Hall |
| War Memorial |
Line 6® War Memorial |
| Hangar 18 |
Line 6® Hangar 18 |
| Propellerverb |
Line 6® Propellerverb |
| Radioverb |
Line 6® Radioverb |
| Wah Effect Models |
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Display Name:
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Effect Models based on*:
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Chrome |
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Vox® V846 |
| Chrome Custom |
Vox® Clyde McCoy(Fassel Inductor) |
| Conductor |
Maestro® Boomerang |
| Weeper |
Arbiter Crybaby |
| Custom |
Line 6® Original |
| Colorful |
Colorsound® Wah-Fuzz |
| Bones |
TMC Real McCoy |
| Other Effect Models |
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Display Name:
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Effect Models based on*:
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Foot Controlled Pitch Shift |
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Digitech® Whammy® |
 
While we’ve tried to anticipate all of your effects needs, you may still want to use other effects with Vetta II. Just like any normal guitar amp, you can run your old trusty stompboxes right in front of Vetta II. If you’ve got rack gear, you can use the analog (1/4-inch TRS) or digital (S/PDIF or AES/EBU) connections on the Vetta II back panel. The Effects Loop is switchable (from the front panel or the FBV™ controller), the on/off state is remembered in each preset, and you can even route the loop in series or parallel.
* All product names used in this webpage are trademarks of their respective owners, which are in no way associated or affiliated with Line 6. These trademarks of other manufacturers are used solely to identify the products of those manufacturers whose tones and sounds were studied during Line 6’s sound model development.
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