An incredibly versatile system.

You can use six powerful DSP-based speaker modes to optimize the StageSource® output for a variety of performance scenarios. Onboard accelerometer and pole mount sensors automatically detect the speaker’s orientation and set the speaker mode accordingly.

Reference/PA mode is for live sound reinforcement and features a flat frequency response, a 2.2kHz crossover frequen- cy and maximum low-frequency extension. This mode is the optimal reference setting, whether your cabinet is mount- ed on a tripod, on stage or installed as part of a larger multi-component system. Reference mode is also ideal for FRFR applications—it reproduces your tone with tremendous bottom-end accuracy, mid-range clarity, and just the right amount of top-end edge. And if you have a POD® HD500X or POD HD Pro X, you’ll experience perfect tone reproduction when you plug directly into the L6 LINK™ input for digital integration and select “Studio Mode.”

Playback mode is optimized for pre-recorded music. Functionally, Playback mode is similar to P.A. mode but includes an EQ curve that emphasizes extreme low and high frequencies, making it well-suited for playing back music from a CD or MP3 player, or for DJ applications.

Floor Monitor mode is automatically activated when the onboard accelerometer detects the unit is in a horizontal position (you can also manually override this setting). This mode provides a slight reduction in low-frequency content to counteract coupling when the speaker is placed horizontally on the stage. StageSource loudspeakers offer two built-in solutions for 30- and 60-degree monitoring angles achieved via dual integrated kickstands and a robust, retractable handle. When the speaker is in use, the kickstands and handle lock into secure, rattle-free positions.

Keyboard Mode optimizes StageSource for use as a keyboard backline amplification system. This mode features a flat frequency response with a 3.5kHz crossover frequency, adding more relative energy to the cone and providing a warmer response that is pleasant for instruments. This mode also provides Virtual Tilt-back, which optimizes the speaker’s tuning to achieve an upward tilt to its main axis and aim the sound towards the performer.

Acoustic guitar mode is optimized to provide a warm and balanced full-range amplification experience for acoustic instruments. This mode also features a 3.5kHz crossover frequency, with a custom-tailored low-frequency response to minimize “boominess” than can occur when amplifying acoustic instruments. Acoustic Guitar mode provides Virtual Tilt-Back, which optimizes the speaker’s tuning to achieve an upward tilt to its main axis and aim the sound towards the performer.
StageSource offers another benefit for acoustic performers—acoustic guitar modeling. Most acoustic-electric guitars utilize a piezo pickup that captures string vibrations but typically doesn’t convey the resonance of the guitar’s body. The acoustic modeling feature, based on Line 6® Variax® technology, supplements the piezo signal with a physical model of an acoustic guitar’s natural body resonance. The combination of the 3-way loudspeaker, acoustic modeling and feedback suppression make StageSource a powerful live sound solution for acoustic musicians.

Electric Guitar Mode was designed to accommodate the modern guitarist who uses a multi-effects floorboard device such as the Line 6 POD, primarily running into a tube power amp using the “Power Amp” output mode. Rather than sending the signal from the guitarist’s floorboard to an amplifier and then mic’ing the amp, this mode features an overall frequency response that emulates the sound of a 212 combo amp. The dual 10” speakers play full range, with the horn adding only the smallest amount of sparkle to the sound. Users of the Line 6 POD HD500X or POD HD Pro X can plug directly into the L6 LINK input for digital integration. This mode also provides Virtual Tilt-Back, which optimizes the speaker’s tuning to achieve an upward tilt to its main axis and aim the sound towards the performer.


Advanced technology for optimized performance.

StageSource speakers use internal accelerometers, optical sensors and DSP to accelerate setup and optimize the sound of your system. Based on the information the system detects, it selects the right speaker mode for the application, and automatically adjusts its performance.

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When the unit is powered on in a horizontal position, it automatically selects Floor Monitor mode. This mode provides a slight reduction in low-frequency content to counteract coupling when placing the speaker on the floor. If any “backline” mode is chosen (Keyboard, Acoustic Guitar, Electric Guitar), the speaker then checks its orientation (via the accelerometer) and looks to see if it’s on a pole (via the pole sensor).


Clean and accurate sound reproduction.

The electro-acoustic configuration and powerful DSP implementation of StageSource loudspeakers make it possible to adapt to a variety of applications. When you choose a speaker mode, the system adjusts crossover points, component levels and dynamic control, ensuring that StageSource performs optimally in every scenario.

The two-way, bi-amplified design delivers exceptionally balanced, clean and articulate reproduction of live sources and pre-recorded material. A 1” exit high-frequency compression driver is matched to a precision-engineered, 100x50- degree, constant-directivity waveguide, which delivers consistent coverage to ensure everyone in the audience enjoys the same acoustic experience. The 100-degree horizontal dispersion is wide enough for solo use yet controlled enough for arrayed pairs. The 50-degree vertical coverage reduces acoustic smear from reflective sound surfaces, as minimal energy is reflected off of ceilings and floors.

In addition, at 132dBSPL (@ 1m measured), the carefully tuned, phase coherent L3 delivers incredible volume with excellent sonic clarity.