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4cm: 1) Guitar>HXSXL Input This is where you put the FX you want BEFORE the Mesa Preamp After those FX you place the FX Loop L Block HXSXL SEND (TS cable = Left Send)>Mesa Input Mesa FX Loop Send>HXSXL L/Mono Return This will return the Mesa's Preamp (with the FX assigned before the HXSXL FX Loop Block) to the FX Loop Block After the FX Loop Block is where you put FX like Delay/Reverb that you want between the Mesa Preamp and Poweramp HXSXL L/Mono MAIN Output>Mesa FX Loop Return 2) if you want a CLEAN boost to the overall volume, you can either place a GAIN Block at the END of the chain (before the Output block) or, to conserve a Block, assign a FS to the Output Block Level and set the MIN (Bypass/Controller Assign in HX Edit) to 0db and the MAX to whatever you want (I use +4db). 3) Only if you want to replace the Mesa Preamp with a Helix Amp/Preamp, in which case you place the Helix Amp Block next to the FX Loop Block, assign both to the same FS, and SAVE the preset with the FX Loop ON (the default for the Preset) and the Helix Amp OFF. This will Toggle the FX Loop (ON = Mesa Preamp, Helix Amp=OFF) and the Helix Amp (FX Loop =OFF, Helix Amp=ON).
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Thanks silverhead, yea I use the Princeton and the Amp off options. It's mainly to use the express as an interface for the acoustic. The problem is the volume level. Ive use multiple acoustics and the volume is considerably lower than an electric. I was wondering if there was a setting in the express to raise the line level or something like that for acoustics.
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He’s using the POD Express, not POD Go. It does not have the Clarion model (at least not yet?).
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Quote the section that you are referring to.
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If the Sunset is in an FX Loop and all you want to do is Bypass it without using the Sunset's internal Bypass functions just Toggle the FX Loop ON/OFF. Maybe we're not clear on exactly what you want to do?
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Sounds fine to me with no jumping through hoops. Maybe you just don't like this amp?
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Yes i should have stated it better. I'm going guitar>Helix > Laptop/mixer. I am monitoring directly off the Helix via the Headphones jack. I have the windows/Helix output selected and its at 100, usually this is fine and then adjust my headphones output to where i want my guitar to be in my ears and then use the spotify volume setting to adjust the 'mix' of the song vs preset volumes. i dont know if something changed or what, but my spotify and windows volumes are maxed and my preset is overpowering the music. ok. i've never had to adjust this so i'm not sure what changed. I'll try this, thank you
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I have several questions all related to each other. I have a stomp XL and am using the 4 cable method of connecting to my Mesa head. I want to use the original amp sound as I like it and just use the effects part of the stomp(distortion, Wah(I have an expression pedal) delay, chorus are the main ones. 1. How do I chain these in HX edit using the 4CM so I still have the Mesa sound but just with those effects? Where do I put the effects loop in the chain? I see L and R outs as well so I'm just confused on how to chain it together. It seems that when I have the stomp connected through the 4CM it colors the amps sound and I don't get the true amp sound. I do not have any amp or cab models in the chain. 2. If I just want to use the Mesa amp for my distortion and do a lead boost what would be the best stomp pedal for that? 3. Once I have the chain in HX Edit with effects loop in there, DO i need to turn the effects loop on and off and assign it to a switch? If so what does that do exactly?
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Don't know if the pod go has the new Clarion amp, but I use that with my helix for my Acoustic guitar. The Clarion if very clean and has a ton of gain but keeps it clean.
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peeweejd started following POD Go on pealboard
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I did something cool and thought I would share. There was not a lot of info floating around because who take an all-in-one kinda thing and puts it on a pedalboard? The pedalboard i bought is a Gator Cases large aluminum pedalboard. The pedalboard is really nice quality, has a made in the US sticker on it. It comes with a decent soft case that has a lid with some stiff material that will provide some protection to the top knobs/buttons. THe pedalboard has rubber feet that are raised up a bit and can have a power cable sneak out underneath the board. There is a clamp on the bottom to mount a power supply and my small one fit with plenty of room. If I could, I would change the holes to be larger or differenter because it was hard to get things lined up and still have the connectors go down into the holes. The power supply I have is made from Sweet Foot Pedals (look at my post history for the exact model). It has an output for the POD GO/HX and 3 "normal" outputs for more pedals. The power supply has worked good for me so far and eliminates the stupid wall warts. I made an input/output box with 3 pairs of jacks wired together. I used some special switchcraft washers to isolate the grounds for each jack so no ground loops will appear. I wired the left side of the box to the input side of my Drop pedal, and POD Go amp and main out. WHen I set up, I just plug guitar and amp/pa into the glittery silver box. The box is a plain aluminum pedal case with holes drilled in it and then sprayed with home depot glitter paint and a ton of clear coat. I'll prolly make some cooler labels for it. I used Ernie Ball ribbon style patch cables for most of the wiring. They have real small heads on them that worked nice with the pedals and pedalboard. I also tried some of those diy patch cables with "pancake" heads and they did not work with my drop pedals because the slots on the pedalboard are weird/small/angled. The POD Go and pedals are attached with the velcro material that came with the pedalboard. I'll see how it works out. I needed to remove the rubber feet from the POD Go to get it low enough. Another alternative would be to add a 1/8" thick plywood bottom to POD go (without the feet) and attach it with screws into the rubber feet. Then use bolts/wingnuts to attach the plywood to pedalboard. Pedalboard https://gatorco.com/product/large-pedal-board-w-carry-bag-gpb-bak-gr/ Power supply https://sweetfootpedals-com.3dcartstores.com/HX-Mini-Totally-Isolated-Power-Supply--APPROVED-BY-LINE-6--Handmade-USA-_p_569.html Cables - I used 12" and 24" https://www.ernieball.com/guitar-accessories/instrument-cables/patch-ribbon-cables
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Have you tried turning down the Gain/Drive on the Princeton? Or increasing the Bias setting?
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guitarboy_02451 started following HX Stomp: Digital Clipping on the Princeton
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Hi All, I'm getting some digital clipping when using the Princeton Model. I've tried turning down the Master and CH Vol and still get some clipping. My signal is Guitar straight into HX, and L/R out via Line signal to my interface. Interface is set to line, gain is at zero on the interface. I have to volume knob turned all the way up on the HX. I could try throwing a compressor in front of the signal and see if that helps, but I'm open to suggestions. Again, only seems to be on the Princeton amp model.
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Are you talking about an actual pitch glide, or are you just referring to artifacts that are introduced with a tempo change? If the latter, that’s a natural effect that occurs in the analog world as well when you instantaneously change the delay tempo. I’m not sure how to counter that, but I don’t have any experience with the DL4 MKII. There is a Global Setting that specifies whether tempo is associated with presets or is handled globally. Try setting this to Global and see if the artifacts disappear. Not ideal because then you would need to change tempo manually every time you want a change.
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Markieman336 started following Looking for some Black Keys presets for my Pod GO
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Hey hey! I was looking through some presets for my Pod GO here, but I saw that it didn't really have any Black Keys stuff, except Lonely Boy. If you have some good setup or preset, mind telling under here Thx!
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Markieman336 started following POD Go
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Hi, I'm just about getting to grips with this pedal and it's enormous creative potential but in order for this to become my 'go-to' Delay I require the pitch glide is turned off! skipping from one tempo to another on each respective delay, creates all these pitchy artefacts that make using it as an 'all purpose' delay useless. I can't see anything in the global settings to address this issue at all? Any help would be appreciated.
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Hi, Global Settings > In/Out - USB Trim 1/2 - Sets the level of incoming audio from USB 1/2, which bypasses all Helix processing. Normally, this should be left at 0.0dB. (Adjustable from -60dB to +18dB) Hope this helps/makes sense.
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Which device, Helix or Behringer, do you have (want to have) your speakers/momitors connected to? Specify that device in your Windows Audio settings and adjust your PC (not Helix) audio levels accordingly. Edit: I removed the question re: OS. I noticed you specified Windows.
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The proper method is the one described in the update’s Release Notes. In general, Line 6 Updater should only be used as a recovery procedure in the event of an update failure. Since Line 6 Central is recent there have been no updates whose Release Notes would specify its use. All update so far specify using HX Edit. So I guess the answer to your question will be known when a new update is released that specifies using Line 6 Central.
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That will work but it brings up what, for me, would be a more troublesome issue: maintenance. When you tweak the preset over time (and you know you will!) you will have to repeat those tweaks in each copy of the preset. Also, you will likely want some sort of preset naming convention to distinguish among them in your preset name display and backups; you don’t want all copies to use the same preset name. Personally I would find it easier to press two footswitches - one to select the preset (with the default snapshot active) and then immediately a second footswitch to activate the desired snapshot. If practical you could use the Stomp/Preset display so the snapshot change is always available at your feet.