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Press and hold the Channel button (A or B) where you wish to SAVE the preset. When the LEDs start blinking you can release the button. I don't think you can manually SAVE an existing preset to a different Bank.

Quick question. Can you save presets by just using the amp or do you need to do it using the software? Thanks.

Could this be the correct user manual for your amp? I did not do a slow, thorough examination. I just skimmed it quickly. It seems to indicate the levels for the loop range from -20 dB to 0 dB. -20 is a lot of dB. I didn't see any info on how those levels are decided or changed/adjusted. It's your amp. Read your manual. Spend some time getting to know it. https://www.engl-amps.com/wp-content/uploads/2021/12/e633-om-1.pdf If the manual is of no help to you then you will need to contact Engl customer service for more clarification. This does not appear to be a Line 6 issue. The users who come here can often be of much help for Line 6 matters but not so much when it comes to Engl matters.

Thank you!

Thanks Schmalle for your reply. Looks like I bought the wrong controller...

Here's the difference! I have my volume knob on both set to control the headphones and line outs. When line outs are excluded from being controlled by the volume knob they default to max. I'll need to check in Ableton, but I'm guessing I'll see similar volume output levels that you're seeing.

Bom dia a todos. Estou com um problema. Se alguem ja passou por isso e puder me dar uma dica. Tenho uma Pedaleira Firehawk, porem não consigo instalar no meu celular, Sansung S22 Android atualizado. Alguem sabe se tem alguma maneira?

What version is the driver you’re using? Did your download the Windows 8 compatible version?

Hi ! After updating to PG Edit 2.0 I could not connect to my account via the program whereas I could access my account directly on Line6 website. So, I could not update firmwares properly. I recently got a laptop with Windows 10/11. My regular machine is running Windows 7 pro. I installed PG Edit on the new laptop and it logs in to my account without any problem. Don't know if the problem is Windows-version related or if it's just how my Windows-Seven computer is set up, but if You are getting the same problem with older OSs it might be the reason. I also have a computer running W8.1 and it seems to work. The rest of PG Edit functions works without any problem. Bye. Jay

No, the Engl Z12 can only send MIDI PC (program change) messages - you can use it switch select presets. It can't send CC messages which are required to do the stuff you asked for.

Had mine for about 9 months and I've basically now settled on a single patch for guitar, with 4 snapshot variations within it. To my mind, the appeal of the Pod Go (and probably all modellers) is that it's an all-under-one-roof solution that plumbs straight in the PA, with no humping heavy gear around up and down flights of stairs. Sound guys love it. It's quick, efficient and sounds more than good enough. It really comes into its own when playing bass as there's nothing more disruptive to a good onstage sound than a thundering great bass rig pounding away. So yeah - for me the depth of the menu is great, but once you've found your sound, lock it in and forget about it :-)

Hi everyone, the Engl Z12 midi controller has 10 switches, which I would like to use to switch between snapshots, turn blocks (e.g. effects) on/off... Has anybody here used this controller (or another Engl midi footcontroller) with the HX Stomp ?! Thanks Vincent

Amp effects loops are notoriously variable. Some pre-amps output a reasonable level to their power amps, and other pre-amps have a very high output, which their power amps expect as an input for them to work effectively. This is particularly so with amps that have cascading gain stages. Some are known to pump out 30 volts from pre-amps, and this will be what they output from their Send. Obviously, their power amps are expecting a similar level to their Return, to match what they would get direct from the pre-amp without the effects loop, but no digital modeller is going to deliver that sort of level. If you have one of these amps, all you can do is to max out everything short of digital clipping as advised by Schmalle. You could try using an "always on" conventional boost pedal between the HX Stomp output and the amp Return.

FX Loop ON (Edit App>Settings) MFX w/Amp sim (Cat as powered speaker): Output from the MFX(LINE LEVEL)>Cat60 Return Mode Switch=Power Amp In MFX w/Cat Amps/FX: Output from the MFX(INSTRUMENT LEVEL)>Cat60 Input Mode Switch=FX LOOP MFX 4cm (Cat Amps): MFX Send (INSTRUMENT LEVEL)>Cat Input>Cat Send>MFX Return)>MFX Output>Cat Return WITH Cat POST FX>Mode Switch=FX LOOP WITHOUT Cat POST FX>Mode Switch=Power Amp In

android v.14 abandoned? no more version update or fix?

Using FS4: You can use a GAIN Block at the end of the signal chain. If you're using a compressor at the end ala Jason Sadites you can use its level. An EQ at the end use its level. A cab at the end use its level. You get the idea.

I'm experimenting with hooking my Stomp up to a Midi Maestro. I've dedicated one page on the Maestro to three functions of the Stomp Looper (top row) and then assigning three Snapshots of the Presets to the bottom three buttons. I've got a Mission Engineering dual switch set as FS 4 and 5 on the Stomp. Four is a boost that's been set in the Output block of all my Presets. Five toggles between the different Modes. Problem: When I kick in the FS4 boost to solo over a loop I've set on the Maestro; the entire track gets boosted along with the solo. So the solo doesn't cut through. Any way I can get around this or am I stuck with having to set a lead Snapshot to make it work? Or a stand alone boost pedal attached to the Stomp (?).

How do I use the Catalyst as a powered speaker? I have a multi effects pedal that I would like to try using. Thanks for any help.

I never use the HPs on either unit, they're normally in different locations (office/studio) and connect to mixers to combine other audio sources. I'm pretty sure that they are known to use different HP amps and that there IS a difference.

Thank you for spending time replying then :) The issue for me is twofold - first, the LT set the expectation for what the volume level should be, which was let down by what the XL volume is. It made me wonder if there was something wrong with the unit itself, or the expected behavior of the 'little brother' unit. I was looking for other's experience with both units to confirm that. Second, since I usually have my LT set at 50% volume to my FRFR and DI to house, there was some comfort in knowing that I had quite a bit of headroom left. There are times when I might bring the volume up to maybe 65 or 70% for example. But on the stomp XL, there's not a lot of headroom left in the same situation. Thanks @rd2rk for the test, it makes me think something is not right with my XL for there to be so little difference between your floor and stomp. Do you ever plug headphones direct in to your floor and stomp? Is there a similar negligible difference in volume output there?

I tested my Helix Floor vs my HX Stomp. Identical presets - just the Whowatt+Cab at default settings. With the Input Pad on the Floor OFF and the HXS Input at Instrument Level, 1/4" Outputs of both set to LINE. Guitar connected to ABY Box via G10. 1/4" outs from each to Channels 1 and 2 of my Scarlett 18i20. All identical cables. Ableton LIVE 12 with IK TR5 db/LUFS meter on both Channels. The difference? <>1db. The Floor was <>1db louder. Until I swapped the cables 1-2/2-1. Then the HXS was 1db louder. I got identical results with the Outputs set to Instrument. IDK if it's the cables (Identical GC Live Wires) or the ABY Box (GC Live Wires), but either way, <>1db is NOT a big difference. I'd call it statistically insignificant. Beats me why you guys are getting radical differences. I suppose you could speculate that the LT/HXSXL pairing is different than the Floor/HXS pairing, but I doubt it.

Preamps in the Helix are quiet: they are turned down by 24dB because some of them are so loud in the real world that they would clip during the output DA conversion. I'd do the following: Set input, send/return and output level to Inst, max out the VOLUME knob. This way there should be unity gain, meaning a vanilla 4CM patch should have the same level as the pure (no 4CM) amp has. Verify that this is the case. Set the patch's output level to +20dB, set the fx loop block's return level to -20dB. Now the preamps are usable without struggling with their level. Hope that helps!

It could perhaps be a hardware problem in the input stage on the motherboard, for example one or more damaged capacitors that need to be replaced. Check also the mic input, if it works well it means that the problem is only on the guitar input which is equipped with an analog circuit with variable impedance (try changing the impedance value via the input setting). You can also try reinstalling the firmware and then doing a global reset (but first save your presets on the computer), I don't think it will help in this case but you never know. Electronics skills are probably necessary to resolve the problem. _______________________________________________________________________________________________________________________________________________________________________ All about POD HD500/X help and useful tips

Sorry. I may be naive about it but not being facetious. I just don’t see the problem. A curiosity, yes. Just not something I would be inclined to spend time on. I’d just twist a VOL knob and be done with it.

C'mon now, I think you are being facetious and are aware that the question is: why are products based on the same architecture notably different in volume levels at the same (alleged! I haven't verified my settings yet) volume settings with a patch simply shared between the devices. It's not a "problem" per se, merely an odd characteristic. Could simply be an input/output setting change, or it could be because the Helix/LT is twice as POWERFUL, so it must be twice as LOUD. I dunno. I'll update with my findings when I'm home.