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Showing content with the highest reputation on 09/02/2018 in all areas

  1. 2 points
    --- [1] ----- [a] In this past mid-April 2018, I saw Little River Band at L'Auberge Casino, Baton Rouge, La. I got to the concert early & entered the venue when the doors were opened about an hour or so before the concert. ----- {b} ------- {i} Quickly being bored in my seat & with about 45 minutes to go before the concert, I went to the stage & see LRB's set up, which was complete. While at the stage, I saw that at both of LRB's guitar players' (Rich Herring (lead) & Colin Whinnery (co-lead, rhythm)) stations were Helix Floors. I struck up a conversation with one of the near roadies (quite probably the guitar roadie). The roadie said up until this tour, LRB had used rented AC30 amps. However, on this tour, both guitar players were using Helixes. The roadie said that the guitarists loved their Helixes. Further, he said that the Helixes simplified & expedited setup & made the house mix much easier to perfect. ------- [ii] After the concert in the venue's lobby, at the LRB meet & greet the crowd get together, I asked Whinnery about the Helix. He said that he loved the Helix, & that he was going to purchase another one for his home. ------- [iii] Also & quite expectedly, LRB sounded great vocally (lush multi-2, 3, & 4-part vocals; all five members sing), instrumentally, & twin-guitar wise. They sounded like LRB, & they are LRB. Further, there was no way that anyone could tell if the LRB guitarists were using real amps & stomp-boxes or Helix, which sounded. ------- [iv] Point of note: In LRB's songs, "Help Is On Its Way" (2-part harmony guitar phrase, followed by a 3-part harmony guitar phrase) & "Night Owls" (3-part harmony guitar phrases), 3-part guitar harmony phrases were performed by the two guitarists. One might logically conclude that one of the guitar players, probably Whinnery), kicked in harmony-mode on his Helix to enable the 3-part guitar harmonies to be properly & exactly replicated. --- [2] Doobie Brothers lead guitarist, John McFee, uses Helix, a Variax Standard, & Line 6 Acoustic. In their YouTube vid, "Rig Rundown - The Doobie Brothers", 14:09-25:11, McFee explains his Variax Standard & Helix Floor (16:44) rig set up. He also explains his Line 6 Acoustic guitar (22:40). Listen to McFee's 11-minute portion of the vid, & McFee sets forth his case. https://www.youtube.com/watch?v=nMPK8XTVFWc&t=1523s ----- {b} On May 22, 2018, I saw the Doobs along with Steeley Dan at the Smoothie Center, New Orleans. The Doobs were their expected & normal great selves. In addition, that night in "Listen To The Music", you could hear McFee's banjo part in the song's live version. When you see the vid, you will understand. ----- [c] Indeed, Line 6 should pay some small gratuity to John for his fine recommendations. Richard :)
  2. 1 point
    hideout, a short & simple response - Yes !!!! You are completely correct, especially for your formerly aching, but now happy back. :)
  3. 1 point
    Or why producers and sound techs don't like guitar players - LOL!
  4. 1 point
    Hi Iamgeorge. I have to agree with most of the comments so far. Although I’ve been recording on and off for 50 years now, I’ve not done much reamping but with the Helix it looks to be super easy to do. Jason Sadites does a great video on Youtube about setting this up in one of his “getting great tone” efforts. He also goes into a lot of detail about how he gets the tones he likes from the Helix ... ie. getting the sound right at the source. I like to try to get it right at recording time rather than in post processing. Just seems to sound better to my ears.
  5. 1 point
    Haven't actually listened to it (sorry!) but based on what you are describing, you probably want to look at a hi-cut (alternatively called a low pass filter). I usually set mine on the Helix cab blocks and generally I have it cut starting at about 7.5k. At first you will probably think this sounds dull and lacking in presence, but it gets rid of a lot of the nastiness of distorted tones and you will find that you don't miss the treble once you hear it in the mix. If you want to bring back a little of the presence, you could try boosting via EQ at around 3k. You can do all of this in Reaper or on the Helix, mind you. I just happen to like to get it right at the source so that live engineers aren't mucking up my tone at shows (based on the principle that if it sounds good to start with then they will leave it alone).
  6. 1 point
    NO, it's there. Go to the downloads page, http://line6.com/software/index.html , and select "Helix" "All Software" "Windows 10" and it's the second item down.
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