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Given that I work for a company that does software for police agencies, I thought I would add my 2 cents... When property is stolen, and you have a valid serial number for it, you should report this to your local police agency. MANY agencies will actually allow you to self report this type of crime and list the details of your stolen property. The more detail you can provide, the better the chances are of recovering it. They don't have to send an officer out to take the report and you can do it at your own leisure in the comfort of your own home. The police agency is then required to verify the report, and if there is any property with a serial number on it, they are to add it to the NCIC database which is national in scope. Any agency within the US can then search this database, using the serial number, to verify if it is indeed registered as stolen. If you don't have a serial number, it won't go anywhere other than the local PD. Your chances of getting your property back are pretty much nil. But you need the report for insurance purposes. So... how I can see that this could work is... Line 6 notifies the owner that their stolen property has turned up somewhere. The owner can then notify their local PD that their stolen item has turned up somewhere (if they have previously reported it). That agency can easily verify NCIC that the item has been reported stolen and is on file. They can easily contact the local agency where the item appears to have been located with any information on who appears to have it. It is now up to that agency to attempt to locate the item. It certainly will be a low priority item for that agency, but they are required to attempt to locate the item. Typically, when patrol has some down time, they can poke around. Their goal is to get the property back to the owner. If they DO manage to locate the item, the person in possession of it can only be charged with possession of a stolen item at the most. This might end up being a citation depending on the history of the person. They can't prove that they stole the item, and they certainly won't "investigate" it. Depending on the story the possessor gives, they might just seize the item and walk away. The PD can then notify the local PD of the recovery. How the item then gets back to the original owner is outside of my knowledge. I think it's up to the owner to make those arrangements. Random audits are performed at each agency for them to validate that the NCIC record is still valid. This applies to Stolen Vehicles, Missing persons, and Stolen Property. The agency must contact the reporting person to see if the status of the record is still accurate. The more common way stolen property ends up being recovered though is purely by accident. Someone gets arrested for some crime (typically drug possession), and they happen to have a lot of "questionable" property on/with them. The cops can easily check the serial numbers against NCIC to see if it has been reported as stolen. This, I can tell you, is VERY common practice. Our mobile software that is in the police cars has the required form to do this, and they do it all the time. If any of the property is stolen, it's an additional charge that they add, and help someone get their property back. So it happens more than you think but... you HAVE to report it to your local PD. They definitely won't investigate it to try to find out who stole it, unless it's a massive theft, but there are tools in place that can help you get your property back. I know the same process exists in Canada as well. Can't speak beyond those two countries though. I just had a meeting with a local PD yesterday afternoon where this was one of the topics of discussion. They are very conscious of reporting stolen/serialized property to NCIC. So... document the details and serial numbers of ALL of your musical gear that you might want to have the slim chance of getting it back if stolen. You might need it some day.

Why are you using 2.92? The latest version of HX Edit is 3.11.

In the Volume pedal block the "curve" setting can be set to Linear (default) or Logarithmic. Change that to Logarithmic and it will behave more like a real volume pedal does... providing a more gradual volume throw. (NOTE: This is in the VOLUME PEDAL block you add to a preset, not the EXP adjustments in global settings)

The Helix will show up as an audio interface device in windows, so the easiest method is to hook the speakers up to the Helix and then all of the PC audio will be routed through it, with no latency, etc. Good luck!

Check the Global Settings for the Mic Input Gain setting. I find the default setting to be very low, and it is reset to default during a firmware update.

Alto TS212 here...Flat & Fanless...I have two of them, but most shows one is all I need.

OK - I'm not a Powercab user - maybe the experience is somehow super special........... But for the money, you'd have to consider 2x FRFR108s in stereo. I run a stereo rig, and I'm hooked! I don't use the 108s, but I've been thinking about auditioning them as it's such a compact rig.

I'm sure you figured this out... but "Linear/Log" is not an option in the EXP settings, it's an option in the VOLUME Block. Normally you would set this to LOG for a Volume pedal. However.... if you already have an external expression pedal with a LOG curve.... Linear might be more appropriate. (most EXP pedals have linear curves, but not all)

There are BASS AMPS and BASS EFFECTS already available in the Helix The effects are all lumped together, not in separate sub categories. You need to know which specific effects were made for BASS (the manual/model list will tell you) BASS AMPS are in a separate sub category Choose Amps or Preamps or Amp/Cabs Then Choose "Bass" The models will appear Keep in mind you are not limited to the Bass Amps and Bass effects.... you can use anything you want.

Hi, From what you have said in your post, it looks like you are attempting to update your Helix floor from v3.01 to 3.11, but you are unable to create a back up using the new HX Edit 3.11 software. If that is the case, then I would suggest that you revert your copy of HX Edit back to v3.01 and perform the backup using that version. Once you know that you definitely have a fail safe and functional backup copy of all your stuff, then you can proceed to update your hardware to the latest version whilst ignore the prompt to make a back up. I’m not entirely sure this “automated” firmware update process has ironed out all the “teething troubles” yet. Hope this helps/makes sense. Edit: My Helix floor is hooked up to my 32 Gb iMac 27” Retina 5k on High Sierra and I have never encountered any of the issues that regularly get posted here. I must live on a ley line or be very lucky.

If you got the Sonys, you can also get velour replacement earpads for Beyer DT250s. They fit perfectly, and I like them better than the pleather ones Sony uses.

There's two separate issues here. When you use a long cable, the impedance of the cable attenuates the high frequencies, and a buffer restores those frequencies to compensate. If the Input impedance of the buffer is 1M, then that's the way the pickups are "loaded", just like going direct into an amp's input, because the Input impedance of most modern amps is 1M. Because part of the tonal character of certain old pedals, mostly fuzzes and overdrives (facial fuzz, scream 808 for example), were less than 1M, putting them between the guitar and the amp input loaded the pickups differently, and that was part of their character. The Helix Guitar input has an analog circuit that allows the pickups to be loaded as though you had an actual analog pedal instead of the "virtual" Helix effect, if you set the Global setting to "First Active" and leave the preset set at AUTO. You need to be sure that the target effect is not after an active effect with a different impedance in order for this to work properly. But if a buffer with 1M input impedance (or any other real world effect with 1M impedance) is between the guitar and Helix , it defeats the purpose of that circuit. This is also true if you use a wireless, as the wireless loads the pickups at 1M. So, if you use any of the "classic" fuzzes and whatnot that are in Helix (and I THINK some of the older model amps), and want the "classic" tone of those pedals/amps, you don't want to use a long cable, which increases the attenuation effect, or a buffer with 1M input impedance, or a wireless. If you must use a long cable with a buffer or a wireless, your best bet is to not use the "classic" pedals/amps (unless you just like the way they sound despite the lack of pickup loading effect). If you use the virtual pedals that had 1M impedance ITRW, it doesn't matter how you connect the guitar. But yeah, with a long cable you want to use a buffer to make up for the cable impedance. Lastly, the analog impedance circuit is ONLY on the guitar input. The RETURNS are 1M. NOTE: the above explanation is probably over-simplified, and someone better at explaining it might jump in to clarify. There's a list of the impedances of the various Helix effects, which I've posted previously (Helix 2.90 Amp, Effects List - Helix - Line 6 Community). The Excel file is in my first post in that thread. There's a possibility that some of the info could be wrong, as some of those classic pedals had different input impedances in different iterations, and there's no real way to know exactly which ones L6 modeled. Also, it's from v2.90. There may be an updated version somewhere for the effects added since v2.90. Hope this long-winded explanation helps.

The Sony MDR-7506 (same as the MDR-V6) are foldable and work great with the HX Stomp (as well as many other sources). They have been an industry standard in the Film, TV and Recording industries for decades. The BeyerDynamic 990 Premium are also foldable. However, as they are 600 ohm, they may not be the best impedance match for the HX Stomp's headphone output! Try before you buy if you can. Otherwise, buy from a vendor with a satisfaction return guarantee.

Edit mode > select the effect > open Menu via Page buttons > Controller Assign > Page Right button > Min Value / Max Value or HX Edit > select the effect > Bypass/Controller Assign tab > select the parameter > Min Position / Max Position

It took almost no time for Sharon and me to be naked on the bed. This was our first time able to stretch out in comfort, to lay side by side, to feel our bodies together. Sharon quickly straddled me and let my lollipop sink into her wet lollipop. She lay against me and slid her body up and back feeling me enter her, stretching her lollipop. Then she put her hands on my shoulders and let me watch as her lollipop rocked above me as she rolled her hips causing my lollipop to put pressure on various parts of her as her movements caused me to press and rub against her. Leaning down towards me she opened her mouth and accepted my tongue. She preferred to let our tongues dance and touch rubbing against each other. She sucked at my tongue, held my bottom lips between her teeth, all the while varying the motion of her hips, giving me pleasure and ensuring that I hit her spots. As she arched her back from intense feelings within, her breasts were presented to me. I flicked my tongue and caught a nipple, then held a breast in place so I could suck at the nipple. She tensed from these new stimulations and began moaning out loud as I gripped her lollipop and held her to me, grinding my bare pubic area up against hers, stimulating her lollipop and soon sending her off. She never stopped grinding on me, lifting and dropping, drawing me up into her then settling down, asking, begging for more, then receiving what she'd been begging for as I spurted inside her lollipop as she sat back taking me fully inside. When we'd both finished she lay on my chest. From the doorway we heard a slow clap. Looking up I saw a nude Maria leaning against the door frame https://coozeporn.com/ , "You guys are pretty damn hot. Mind if I join you?" I patted the bed next to me. Maria walked towards us. I saw that she had medium sized breasts, dark nipples, wider hips than Sharon and tightly trimmed dark hair between her legs. Her body was of a fairly even complexion. Maria lay along side me. Sharon turned her face towards her roommate and eagerly returned Maria's kiss. I had my right hand caressing Sharon's back and tentatively let my left touch Maria's. She broke her kiss with Sharon and tilted her head back to look up at me, "It's ok, you can touch me anywhere as long as I'm in here with both of you." I let my hand slide further down her back. I now had two women leaning over me making out with some intent. I now had a handful and more of an lollipop cheek on each side. For my teenage brain this was a bit of overload. Here I was with two more experienced women. One my supposed girlfriend who was free with telling me about her experiences and a willing participant in bed with her lesbian roommate. Or at least she said she was. While kissing Sharon, Maria was now also testing the size of my lollipop. She stopped a moment to look at what her hand was holding. "Hell of a nice lollipop you have here Jimmy. He split you open with this Sharon?" Sharon was leaning on my chest resting on her arms, "I can take it, but it does fill me up nice. And it felt huge in my lollipop." "He lollipoped your lollipop with this?" I was just laying there listening to them discuss my parts https://www.pornmovies.name/ . "Yeah!, you know how I like my lollipop lollipoped, this was wow, real nice." Maria looked up at me, "Don't think about it kid. I might let you lollipop me, but not in my lollipop. But I wouldn't mind watching you go balls deep in her." Maria pointed her head towards Sharon. I was feeling more sure of myself so I let them know, "With all this talk I'm about ready to lollipop someone, somewhere." Both of them said, "Whoa." Maria added, "Look who's feeling confident. OK stud, get up there and lollipop some lollipop." Sharon reached over to her night stand and found her tube of lube. She handed it to me with instructions, "Use plenty. On both of us." In the mean time Maria had settled herself at the top of the bed, legs spread, giving us a clear view of her lollipop, spread open, ready for action. She pointed at Sharon, "You can get your tongue down here and give me some." Sharon got on hands and knees getting her face in good and close to Maria's thick lips, while I settled in behind her liberally applying lube to my lollipop then pushing some into her lollipop with my fingers. When I replaced my fingers with my lollipop, she moaned into Maria's lollipop, "If she's gonna moan like that then start pounding her Jimmy." That was no problem. The angle on the bed was better so my straight lollipop now slid right in. Remembering what Sharon had said, I let my hands glide over her cheeks as my lollipop slid easily in and out of her. I could see my lollipop disappear into her stretched hole, no longer puckered and tight. Then rocking my lollipop back, watched it appear, pulling at her as I came out, then straight back in. From my vantage point I could see the back of Sharon's light haired head as it moved back and forth between Maria's legs. Maria put on a little show for me pulling at her nipples and stretching her tongue to flick at her nipple, then letting her dark hair shake as he thrust her lollipop up to Sharon's face. She was encouraging me all the way https://camjke.com , "lollipop her lollipop Jimmy, give it to her good. Oh lollipop, that's it, lollipop that lollipop, suck my lollipop Shar, lick my lollipop." She was dirty and funny and clearly the leader of this little show. Now with both of her lollipop in her hands she held them out to me, "like my lollipop Jimmy? Want to suck on these dark little nipples, want some of this dark lollipop that Sharon is loving?" She made me want to push into Sharon and force her harder onto Maria. Then as Sharon got Maria really revved up, she began cursing in English, Spanish and who knows what else. When she finished she slid out from under Sharon and came around to watch me lollipop lollipop her roomie. "Damn Jimmy, stuff that lollipop in there." Reaching underneath she started rubbing Sharon's slit and stuffing fingers up into her until Sharon could take no more and was cumming in waves of back rolling, bed slapping pleasure. And now it was me. Not being shy Maria got my balls in her hand and rolled them, she put two fingers in Sharon's wet lollipop and got them slick. Then she got up close to me, hugging me, offering her mouth and tongue as I continued plowing into Sharon. And just when she had me locked to her lips, she slid her slick fingers in my lollipop. I clenched, stiffened, she probed, pressed, I pulled Sharon tight to me and went off like a rocket,