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Showing content with the highest reputation on 08/11/2023 in all areas

  1. This is the wildest thing I've ever seen. Looks like hardware failure. I suggest opening a ticket, sending to Line 6 for repair.
    1 point
  2. Possibly about the same amount of time he takes to respond. :)
    1 point
  3. I have had a situation where I have a footswitch assigned to multiple parameters of an amp. for example, on will increase the master and lower the drive and the bass, off will reverse these. In playing around with this, sometimes the light for on/off gets switched. Which is what I think you want. When this happens, I found that if I just tap the footswitch (not press all the way down) it will cycle the light on or off. So if the footswitch is On, tap it and the light goes off. Save the preset. This seems to let me do what you are trying to do. So pullup your preset. Step on the footswitch to go to drive (light should be off). Just tap the footswitch, the light should go on. Save the preset. You should be good to go. If that doesn't work, play around with the Global parameter for selecting the footswitch and then try my suggestion again. Good luck.
    1 point
  4. Additional information needed - what is "that quick volume spike when changing snapshots?" I have had one instance of a weird volume spike in snapshots in 150+ maintained patches each with 4 snapshots. Some back and forth with L6 determined that Snapshots change parameters in the order thay are set in a serial, though very fast, manner. Not in parellel. In the case of my problematic pact/snapshot it had been developed/played with over a period of time and one of the stroed changes caused an issue with volume. Tracking it down wasn't feasible, and even if I could, it could not be remediated. So I rebuilt the patch from scratch with only the required changes. If you mean something more systemic, eg all your snapshots have volume changes, you need to reconsider what youu're changing and what you're not. Its unlikely to be a snapshot issue per se, more something to do with not ensuring correct volume levels at for each snapshot by adjusting the various parameters available to you. For example, you can't expect to push the gain of an amp without an associated volume change and a need for a channel volume adjustment. Thinking about the changes for each block and whether the change needs some compensation within the block or elsewhere will help.
    1 point
  5. Well, installing drivers from third parties (Line6) is exactly the situation where you would like Memory Integrity to be enabled. It is a feature which allows the operating system to defend itself against untrusted third parties. Like line6. And any other driver which might be used in your DAW. Please, Line6, don't force us to choose, just update your drivers.
    1 point
  6. I have had that popping sound in one of my presets with a regular electric guitar. In my case it was the the acoustic sim on the HELIX itself that made the popping sound. I opened a ticket and got a response with an attached fixed preset: ... I can hear the sound glitch you reported. I think the AC-2 is one of those effects that needs to go near or at the very beginning in the signal chain. Another thing that I've seen makes the popping sound worse in my case was the volume pedal that I used to cut the input volume. It made the popping sound a lot worse.
    1 point
  7. There are probably a couple dozen ways to do this without creating a pop sound during snapshot change. Rather than shutting off an amp and turning one on, think volume instead and you will have a smooth transition. Some examples: Use volume or gain blocks in front of the amps you wish to switch between. distortion snapshot input 1 = pedal gain [0] ---- brit plexi --- output input 2 = pedal gain [-120] ---- jazz rivet --- output clean snapshot input 1 = pedal gain [-120] ---- brit plexi --- output input 2 = pedal gain [0] ---- jazz rivet --- output or change the output levels distortion snapshot input 1 = brit plexi --- output [0] input 2 = jazz rivet --- output [-120] clean snapshot input 1 = brit plexi --- output [-120] input 2 = jazz rivet --- output [0] change a split from 100% A to the the distorted amp to 100& B to the clean amp Hope this helps. btw. I am away from my helix so the values may be wonky...
    1 point
  8. Of course I can’t hear exactly the sound you describe, but I can say that it’s not unusual to have strange sound artifacts when switching snapshots. One of the key benefits of snapshots is that there is no audio gap when switching. The downside of that is that a drastic change in the sound of the snapshots is instantaneous and audible. Seems to me that an instantaneous change from an acoustic guitar to a driven electric guitar might be drastic enough to result in an audible POP. Many users here have described other artifacts like warbling or phasing if different snapshots have different time settings on certain FX between snapshots. If the POP is being caused by this situation there is really little you can do about it; Helix and Variax are accurately modeling pretty much the same sound that would happen in the analog world if it were possible to make such dramatic instantaneous changes. One thing you could do to test this is to set up two different presets rather than using snapshots. Have each preset match exactly the two snapshots. Then experiment with changing between the presets. My guess is that the POP will disappear, but of course you will hear a gap in the audio as the presets are switched in and out of the Helix working memory. The POP is what you hear when the switch is instantaneous due to the memory not being swapped.
    1 point
  9. I know there is a general topic for tones and what not. These really aren't tones. In fact they are a lack thereof. These is ideal for those who want to start from scratch or a basic starting point to craft their own sound, or are just too easily distracted by what you get packaged in the amp. Consider them blank canvases. Installation is simple. Just download them to your PC, If you have any tones currently loaded into your Amp, be sure to back them up. And then click "restore," and load the downloaded svl6a file. This will wipe everything saved on your amp, so be sure to back up your tones or banks if you wish to use them later. After you do this, the only way to recover will be to restore a backed up bank, or reset the Spider V back to factory settings, which will restore the factory tones only. I will be adding variations to this idea as time goes on. Here I've taken the liberty of replacing all the tones with the default settings for the USER tones. Basically it's an empty tone bank as the name implies. Spider V Blank Tone Bank.svl6a On this one I've basically emptied out the tone bank and placed all the amps in their own slots for quick navigation. I have done nothing to the settings for the amps themselves, these are the stock settings for them on the Spider V. Another nice starting point to get familiar with what is available on the Spider V. Surf through them easily, pick one and build your sound from there. Spider V Amp Starter Bank.svl6a This idea for this is basically the same as the Amp Starter, only this time we start with the Cabinets. It seemed kind of silly to just use up only 25 slots in the bank so I have included the four mic settings for each Amp. I know that for many it doesn't make much of a difference what mic you use, but they are in there for giggles. I think you need to have your cab Modeling switch to "On" in order for this to be of any use. Spider V Cab Starter Bank.svl6a
    1 point
  10. I've finally finished my Full Metal Preset Pack for all your Helix Metalheads. 13 Presets with stock dual cabs, snapshots, and EQs to cut fizz and flub. You get Crunchy, Tight, Scooped, and Lead sounds for your tapping and chugging pleasure. 100% Free!! http://bit.ly/FullMetalPack Enjoy!
    1 point
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