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Kilrahi

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Everything posted by Kilrahi

  1. Well, as said above, to do two amps you need to do parallel paths. Basically when you select a new block if you look at the screen one of the knob options lets you choose if you want it on path A or path B. You simply twist the knob and select your path. The default is path A. You can then either have the two paths recombine, or output to entirely different places. It can get a bit more complex than that, but I'd recommend reading the guide on signal paths.
  2. In terms of question 2, what is it you're trying to do? You want to use two amps in conjunction with two IRs? Or do you mean run two amps with no IRs? Also, are you wanting the amp signals split or blended?
  3. I caught the Goo Goo Dolls "Dizzy Up the Girl" 20th anniversary show at the Paramount theater in Seattle on Saturday. Their lead guitarist, Brad Fernquist, appeared to be using some sort of multi effects processor on the ground. I was unfortunately too far back to confirm if it was a Helix, but it does look like they've used Line 6 before in some way. https://line6.com/news/artist/1198/ This is kind of a challenging question though, because on one hand . . . I mean should we care? I don't mean that to attack the question because the original poster long ago admitted that wasn't the end all be all. Hell, I ask the question too. We naturally want to appeal to authority figures, and besides that, as more use it, it allows Line 6 to expand what they can offer. Ultimately though, if Helix is awesome (and it is) and powerful (which it is) and sounds good (which it does) and I'm the only person on the planet who "gets it," I mean, I should still be proud of using it.
  4. Fair enough, and that's a good point. Just to clarify, I ask more to make sure I understand the problem and learn from it BEFORE I'm ever in that situation. Better for me to get the limitation now than through the hard way.
  5. There's nothing wrong with it as long as you like the sound of those effects prior to an amp. I did that just the other day with a distortion pedal and a freeze pedal. The HX Stomp signal chain attempts (and in my opinion brilliantly succeeds) to mimic a real signal chain, so if you can picture those things being placed before a traditional amp and it working just fine, then it typically works here too before the HX Stomp's simulated amp.
  6. The complaint kind of confuses me. Yeah, it's three snapshots per preset, but there's no reason why preset 1A can't be nearly identical, or in fact identical, to preset 1B, which then has an additional three snapshots which you can tweak. Does anyone really use all of their individual presets for completely unique and disparate settings? Because that's a lot of presets. I'd recommend having preset 1A, 1B, and 1C be virtually identical and then think of your snapshots - which are a total of 9 in that preset section, being how you jump around. Surely 9 variations of a theme could cover most situations.
  7. I'm basically just repeating what others said here, but it would be helpful to know just how much you're saving vs. a new one. Is the sales price $600 for a very well cared for unit? Well holy crap man jump on that. A Helix appears to be very reliable, and even if it did break, the odds of it being a $900 repair are very low. Is the sales price $1300? Ummm . . . are you sure you wouldn't rather just drop the extra $200 for piece of mind? There are other considerations too. When Line 6 had their big Firehawk 1500 sale in July ($799 vs. $999) the "open box" versions cost $700. Now, $100 is not a huge savings, but the place I was ordering from guaranteed the open box was like new. I added a three year accidental damage warranty (because I knew the thing was like hauling around a small building) for $130. My end cost was $30 more than new, but I actually had more solid piece of mind. Plus, when the unit arrived it was exactly as promised - I tried to find the evidence that it had been opened before and I couldn't. It was that nice. Why the long story? Because your decision is two parts. There's the math part, and the subjective part. To some, my story of the warranty is a complete waste of money. To me, it was very solid piece of mind. By the way, I bought the HX Stomp new with no additional warranty because I feel Line 6's 2 years is enough. However, I would not feel safe buying a used HX Stomp without a warranty at this point because it's a device yet to be proven. So there's a lot to think about.
  8. That's exactly what I have! There's a number of cool well thought out ones that can both be useful, or just show you what the unit can do. I hope they work out for you and provide a great starting point. They sure did for me.
  9. Try following this thread to restore them:
  10. Well, I mean yeah. You're missing all the other ones you listed. So are they just blank? What does it say for preset 1? What numbers are the DIR presets?
  11. WOW! That's pretty amazing . . . I mean, yeah, if you can do that that's a clear win. Was this purchased new from a music store? Or was there something unique about who you were buying it from?
  12. That's a good point. I've never run into one like that, but that doesn't mean they're not out here. Further, even if it does color it in some way, if you're still happy with it more power to you.
  13. Kilrahi

    Freeze Paddle

    A freeze pedal? Like the Electro Harmonix Freeze pedal or the Gamechanger Audio Plus Pedal? I would love this and it certainly seems like there'd be no hardware/software issue other than design, but considering the Freeze pedal first came out around 2010 and there has yet to be any version of this I personally gave up holding my breath and dropped the $130 or less to buy the Electro Harmonix freeze pedal last month. In fact, it's the only "real" pedal I currently use. Everything else is done through the HX Stomp. Still, if they ever do add one, I'll be thrilled.
  14. Lots of good advice here, but Spikey is correct that the big thing is the amp needs an FX loop. I'd seriously consider what Shanecgriffo said. If you look at it and the cost of an amp you like for that cab is about equal, or heaven forbid more, to a flat response fr/fr speaker you're probably better off bailing on the cab and getting the fr/fr speaker.
  15. Did you buy it new? My first impression is you bought a lemon. If it's new, I'd try to get whatever company sold it to you to swap it out, or go through Line 6 customer support.
  16. I tested some of this tonight. First off, without shows it's nearly impossible to do them both at the same time (not that most of us would ever do that in a gig setting - but just a friendly FYI). Otherwise with shoes on I'd say it's not a big deal OTHER than it is one of those things you'd need to practice, but you'd get the hang of it rather quickly. Within a few minutes I was banging away at it just fine. Now, there does not appear to be anyway to switch between Stomp Mode, Scroll Mode, Preset Mode, and Snapshot mode without first bending down and hitting the "page" button. Not that that is a huge ordeal, but if you want to switch between those you have to hit page. As to jumping around within the view, I think if you're a person who wanted to really use HX Stomp presets to its most powerful, you would want to be in snapshots mode. From there you can hit either FS1 + FS2 to scroll to previous presets, or FS2 + FS3 to advance forward, and from there easily stomp on FS1, 2, or 3 to choose the preset you want, and from there select the snapshot you want. I'm actually glad you asked this question because my natural tendency is to ignore the whole snapshot or preset way of doing things because I just don't usually get that crazy (I am the type of guy looking to replace a single pedal board, not create 3 billion pedal boards). However, after trying to answer your questions I'm blown away by just how powerful you can get with this little thing. Honestly, the three footswitches can seem really limiting, but if you were okay programming things really thoroughly you could easily make whatever you wanted happen using the snapshots mode and only three switches.
  17. So tonight I messed around with another goal. I decided to use the Variax with the battery, and my goal was to connect the Variax to the stomp (running off battery) and then using a variation of the four cable method connect to the Firehawk. My primary goals, though, were I wanted I setup that didn't require I utilize any of the Firehawk's effects, whether they be for amp or effects. I COULD use the effects (or amp) if I really wanted to, but I wanted to have the option to completely ignore them. So here were my two main goals: 1. Use the HX Stomp as the primary for amp/effects. 2. Retain the Firehawk 1500's wet/dry/wet configuration using all speakers. It took a bit of testing but I really think I managed to make it work. Perhaps others who are interested can test further and see how well it really did, but it sounded gorgeous to me. So here's the setup: 1. Variax into HX Stomp's left mono input. 2. Cable out of HX Stomp's left mono output to Firehawk 1500's guitar in. 3. Firehawk's FX block activated and after the deactivated amp model. 4. All other Firehawk 1500 blocks deactivated. 5. Dual cables coming out of Firehawk FX Send into HX Stomp left & right aux in. 6. Stereo Y cable coming out of HX Stomp's FX Stereo send into Firehawk 1500's FX left & right FX return. From there I had to design the HX Stomp block chain, and it looked like this: 1. Overdrive block. 2. Dual amp block. 3. Signal path split with NO merge. Signal Path A: 1. Compressor of choice 2. Outputting to left/right main outs on HX stomp. Signal Path B 1. FX block 2. Delay block of choice. 3. Modulation model of choice. 4. Reverb model of choice. 5. Output set to HX Stomp stereo send. Because the Firehawk still had the ability to check the tuning of the guitar, and because most of the time the metronome setting isn't as useful to me, I set the 3rd switch to control a block instead. So here's what I set them to though you can do whatever: Overdrive: FS1 Delay: FS2 Modulation: FS3 There you have it. It seemed to work perfectly and hit both of my goals. Something to think about.
  18. Those are excellent well thought out suggestions. There's another one though that I think should be on the list. The Variax, at least if it's the alternate tunings you most love, tends to only feel powerful when it's used in conjunction with a HELIX or some other VIDI machine. What about when that isn't an option though? Especially if you like changing tunings on the fly? The method for doing it with just the Variax itself is pretty archaic. So allow future Variaxes to connect with a phone app. In this app you could change the tuning on the fly, change the guitar models, change the location of pickups . . . all the junk that you have to hook up to a PC for now you could do in just a few seconds through the app. I mean, everyone has different things that are important to them, but to me that's by far the most important improvement possible.
  19. Strike the above, based on page 10 of the manual you can do exactly that. Check out the description of preset mode on page 10 of the manual. HX Stomp Manual - English .pdf.pdf-compressed.pdf
  20. My understanding is no. You would first have to bend over and click one button to change from snapshot mode to preset mode, but I'll mess with it today and let you know if I find out you really can.
  21. Kilrahi

    Boot time?

    As a guy who regularly goes to shows, I have to say even 30 seconds doesn't matter at all. If you're a reasonably skilled performer/lead singer you ought to be able to keep the audience entertained for well over that just by interacting with the audience. I get it feels like an eternity, but that probably has way more to do with internal nervousness than an audience who is actually running out of patience. Edit: And to the guy above, I mean, I'm sure it was an accident, but some of that fault seems to be on your band members for not making sure everyone is ready.
  22. If it doesn't work, come back and explain what it was missing/couldn't do if you can. I'm always interested in learning more about what people are creating, how, etc. To me a 16 stage phaser like the deluxe has is mind boggling. I couldn't even figure out why I'd want so many choices or what choices might be missing, but to others that's preschool.
  23. I'll admit I'm not a huge phaser fanatic. Most of the stuff I play only requires the MXR 90 at the most and that was always more than satisfying. Before I suggested it I fiddled around with the Deluxe Phaser and it seemed to allow for a lot of unusual solid sounds, but again, where I'm not a phaser nut I wouldn't claim to be the best judge of sound here. Certainly ideascale is always a great starting point. I did a quick search and it looks like you're not the first to wish for this. The more who request it I suppose the more likely it happens.
  24. I noticed the difference in tone, but I guess as proof that sound is subjective I actually didn't mind it at all. With all guitars I'm constantly twisting the tone knob depending on what I'm doing and that's all I did in this case. I do wonder what could be done to change that.
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