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Mike-GTR

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Posts posted by Mike-GTR

  1. I spent the day trying to program my  new HX stomp ready for rehearsals on Monday. I'll be going straight into a PA. Because I don't have any monitors in the house I used my Sennheiser Momentum headphones out of the stomp to get the tones dialled in. I literally went through every amp and cab combination, tweaked all of the advanced parameters  including the global EQ (even tried bypassing this) and EVERYTHING just sounded fizzy and processed. For the most part left the impedance level on auto but tweaking it didn't make a difference. I get that the Stomp is digital and will never be as good as a tube amp but it sounded really bad, almost like clipping with unpleasant high frequencies. The demos I've heard sound fantastic so i'm a little disappointed if this is as good as it gets.  Has anyone experienced the same results and also will the sound I'm hearing be the way its gonna sound through PA speakers? 

  2. Hi guys,

     

    I tried running my HX stomp from one of the outputs into my Apogee 96K interface going into my iMac>Garageband. I can get signal but no sound when using headphones out of my iMac. I'm trying it this way because i've lost all of my 1/4 inch headphone adapters so can't use the HX headphones out. Is there something obvious i'm missing or can I only monitor through the HX stomp?

     

    Thanks, 

    Mike

  3.  

    On 3/11/2019 at 10:15 AM, guitarbloke1980 said:

    So I bought a JBL PRX710 from work last week to try with the HX Stomp.  It was a silly price so I figured it’d be worth a gamble.

     

    On Friday night I fired it up at home, dialled in my favourite HX patch and cranked it to gig level (sorry neighbours!) - and WOW!

     

    It just sounds phenomenal!!  I would go as far as to say it sounds better (at certain things) than my Suhr Badger 35 and Zilla Fatboy 2x12. 

     

    I was concerned that the low end may not be represented as fully due to the 10” woofer, but it sounds tight and focused.  Everything sounds very articulate and clear – and most importantly, it sounds like a real amp and cab – not at all like a digital reproduction.

     

    I cannot wait to get this into a rehearsal with my band to try it out, as this may change once I’m in a room against a Dual Rectifier, bass drums and keyboards – but I’ve already been blown away by first impressions!

     

     

    Hi mate, 

     

    How did you get on using this in a live setting? I'm looking to to the same thing with my HX stomp as I'm having no luck running it through my amp (preamp models into amps FX return so only using the power amp section +cabinet). Thinking of ditching real amps altogether and using a FRFR speaker

     

    Cheers, Mike

  4. 23 hours ago, amsdenj said:

    Well, if the HRD sounds OK by itself, then it should sound pretty much the same replacing the HRD preamp with a similar model in HX Stomp. If not, then I’d suspect the main out is not set right to match the HRD return input.

     

     

    I've spent a few hours on this again today and I think its the HRD colouring the sound. After a bit of tweaking I can get the preamps to sound half decent but overall the 1x12 cab doesn't sound great, especially with higher gain settings. The whole thing sounds harsh

     

    Ive found a thread on Helix preamps through power amps (fx return) and there was a quote with similar results to mine:

     

    "I had the same experience with the Helix preamp model levels widely varying from preamp to preamp.  I too played with Helix pre's with a Mesa 2:90 and Recto 212 for a while.  I even used an RJM Amp Gizmo to switch Deep, Half Drive, and Modern on the 2:90.  I liked Modern the best for most Helix pre's.  But I found the 2:90 had way too much character that was diminishing the difference between Helix preamps.  I even bought a used Line 6 DT50 thinking that would be better.  That rig was just harsh and noisy to me. 

     

    IMO, the preamp models were frustrating to tweak and level out on both the 2:90 and DT50, and there was just too much lost from the Helix full amp models.  I moved back to Helix full amp models + neutral/flat tube power amp + 212 cab" 

     

    It seems as though a "clean" power amp is the way to go. I might just be better getting a Powercab or FRFR monitor

  5. 2 hours ago, amsdenj said:

    So you want to use your HRD as a stage amp and send another feed to FOH? And you want to use HX stomp preamp models in stead of the HRD preamp? If so, here’s what you would do using the picture above as a guide.

     

    Your guitar goes into HX stomp L input. You would put any front of the amp effects in the first few blocks, then a preamp model (not an amp model - you don’t want a cabinet model here). Then add any after the amp effects you want (e.g., delay, reverb, etc.) This would go to the Main L output, set to Inst level, into the effects return of your HRD. This is your stage amp setting. The HX Stomp Volume will control the volume into the HRD effects return. Make sure to gain stage everything so that when the HX Stomp volume is up pretty high, you’re not getting any distortion from the HRD. All your distortion is coming from HX Stomp, run the HRD as clean as possible.

     

    The last thing in your signal path would be a cab model or IR. Move this to path B and set the path B output to Send L/R. Configure Send L/R for Line output and make sure you’re going into a line input on your FOH PA. 

     

    This approach will use HX stomp to control all the tone. HRD is your stage amp and is seeing the output of the preamp model, its effectively an external power amp and cab. Path B has the cab model or IR going to FOH. Both the HRD and the cab model should be seeing the same input. 

     

    You don’t need 4CM for this setup, and you don’t need to waste a block using a send block.  It should work great if you have all the outputs at the right level and everything gain staged properly. 

     

    Thanks very much for the reply. Thats exactly what I was looking for. I've got the FOH part sorted but still having problems with the amp.  I just tried that method going into the return of the HRD and kept the patch really simple:

     

    Guitar - L input HX stomp (preamp block-reverb block) Main L output-  FX return of HRD. 

     

    I went through all of the preamp models and experimented with EQ/gain but didn't dig too deep with the advanced parameters (i.e sag - hum etc).  All of the preamps lacked any sort of character and sounded rather uninspiring - really plain and boring. The louder I turned up the fizzier/buzzier it sounded, was also very harsh and direct. All volume and tone as you said is now coming from the stomp. The HRD's volume and EQ is disabled and I made sure the amps reverb and presence were off. Additionally I also bypassed the stomps global EQ settings. With this in mind my only conclusion is that the speaker cabinet in the HRD is the cause. It is a lollipop cheap one that came stock with the HRDiii

     

    Could there be anything else i'm missing?

  6. Hi guys,

     

    Been trying to set the stomp up for the last couple of days. Through headphones, monitors, speakers it sounds great but i CANNOT get it to work through my Hod Rod Deluxe. I've read the manual and watched countless videos on 4CM method but i'm obviously doing something wrong.

     

    I've set up 4CM as per the manual - added a preamp block, managed to get sound but it was awful - tried changing line/instrument levels but still sounded bad. Also the manual says if you don't set up 4CM correctly you'll get no sound... but this isn't true as i pulled out 1 of the 4 cables and still managed to get sound through the amp. This also leads me to another issue... do you NEED 4 cables?

     

    Ive screen shot below a section from the Line 6 stomp vid they did with Andertons tv. They go into the amps return (using preamp sounds from HX stomp) then direct to the FOH (in this case a DAW) simultaneously but don't explain  how its done. This set up is exactly how I want to use my stomp as the HRD is bollocks and i want to use the stomps preamp models for me onstage - then use an amp model/IR going out to the PA.

     

    If you look at the screen shot there are only 4 cables being used aside from the TRS out for exp pedal:

     

    Guitar - input to stomp

    Return out from stomp being sent somewhere

    L/R outs going somewhere. 

     

    Can anyone decipher  how this is being done? It seems to be a lot simpler than the manual illustrates

     

    Thanks, Mike

    Screenshot 2019-05-27 at 17.17.19.png

  7. Hi 

     

    First time posting here, been lurking for a while reading up all I can about the HX Stomp. I'm a complete noob when it comes to digital effects. I'm gonna take the plunge and get one but wanted to check a few things before i do.

     

    The main way i'm hoping to use it is with a preamp block with various effects into the power amp section of my Fender HRD amp for onstage monitoring, with a mix going out to the PA. With this in mind:

     

    1. Does this option mean all the volume for my amp will be controlled from the stomp and will this be loud enough (the amp is 40 watts but I'm not sure if this is determined by the preamp or power amp stage)? Will I get significant volume loss?

     

    2. Has anyone tried this option using real OD/boost pedals in front of the stomp and does it sound good with preamp blocks?

     

    3. Will I have to set up separate amp/cab (or IR blocks) for the split path going to the PA or can i just use a single IR block using the same preamp block that's going to the HRD?

     

    4. I'm not the most tech savvy player and i'm a little put off by all the global options (i.e impedance input level etc). Has anybody found these options to be overwhelming? I'm hoping to just be able to plug in and play for the most part.

     

    Many thanks,

     

    Mike

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