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  1. Hey guys, noob question. I've been playing guitar for a few years as a hobby, but I've been using a Line 6 Pod XT Live multi effects pedal. I recently started experimenting with my Line 6 Spider III which has built in distortion settings, and I prefer it's sound over my effects pedal. I have been looking into buying individual pedals, but I have a few questions regarding which pedals to buy. Most of the articles I've read say that an Overdrive, Distortion, and Fuzz pedal are necessary for a good distorted sound, but I am happy with the Clean, Crunch, Metal, and Insane channels on the amp. If anything, I would buy a fuzz pedal, but do you guys think an overdrive and distortion would be necessary? Also, my amp has delay, reverb, phaser, tremolo, and some flanger effects, which are activated using the knob. Is it worth it to buy effects pedals for each of these effects? I know it's more convenient, but is it necessary? If you guys have any tips on which pedals are most important to buy that would really help. Thanks
  2. Hello everyone! I have this problem: I want to use the effects of my POD HD 500 and the distortion of my Fender Roc Pro 100 Head (with 1/4 footswitch). Whats the best solution to trigger and change the channels (clean, drive, boost, reverb) of my Fender amp through my POD and also activate POD FX? I saw some options, like MIDI RESOLUTION RELAY CONTROLLER or AMP GIZMO. Which is the best option? Someone has experience with this? How do you set up to configure POD + MIDI + AMP HEAD? Thanks a lot! Emi
  3. Hey Guys First my gear : Line6 POD xt Pro, Laney Ironheart Irt 60 I want to connect my Podxt with my Amp. So how do i do that ? The POD should be used as a effect processor in Distortion Channel of the Amp But as a clean sound i want to use my POD settings and only use the amp as an poweramp for the xt. So anyone out there who knows what i have to do ?
  4. I have a Spider IV 75 and FBV Express MkII that is about 1.5 years old. I didn't use it a lot (maybe 20 times in the first year) but when I did use it, it worked fine. A few months ago the amp no longer made any sound, the tuner did not recognize my input, but all the channels can switch just fine. This happened just after my warranty expired and the nearest service center is extremely inconvenient. I took it to another shop to help diagnose the issue and the tech said all the components seem fine (speaker works, input jack seems fine), but he thinks there could be a problem with the motherboard/processor. The estimate to fix it is almost the same price as the amp! How am I supposed to proceed? If I need to replace the motherboard is this something Line 6 could send me and I could try to fix myself? I've bought line 6 products before and have always been satisfied but I'm really upset that I spent money on an amp that broke right after the warrant ended, and getting to the authorized service center would require me to take time off of work. Not sure I'd buy another amp at this point but if repairing my amp costs nearly the same as a new amp, what are my options?
  5. nicman

    HD500 questions

    Alright so Ive had my 500 for a while and I hear so many recordings that sound great with it. Now Im pretty good with equalizing and balancing the lows, mids, and highs. The thing is though, I can't make a great sound like those in the recordings, I mean I've tweaked but its so far out there I know there isn't going to be some magic spot where it comes alive. Point is it sounds like a solid-state not even tube like which I hear in many other videos. Ive even downloaded the tones that I thought were amazing from custom tone and still sounds like a transistor! So is it in the mixing of the recording? If so then how do they have such a realistic live sound? if you can create a great sound with this, whether you know how you came up with it or not I just ask for every little detail you use when making the tone the recording or playing live, thanks.
  6. I am fairly new HD500 user and this may have already been covered. Here's my situation.... POD HD500 with Marshall ma100 h (tube) + Marshall Cab. GUITARS...LES PAUL< STRAT styles. I would like to use the the marshall's master control...ie Volume to control sound levels. I enjoy using the amps within the POD SETTINGS as well. How can I have the best of both worlds?? In POD EDIT where should the loop go and how to ajust the settings so the amp and pod work together?? Thanks for any advice!! :)
  7. Hi, I'm having a few problems with connecting these two devices. I've set the UX2 up to recognize the mic so I'm getting signal and can hear it but I have to crank the input gain to about 9 to get anything decent out of it! And I'm using the word "decent" very lightly. The resulting sound is full of reverb and noise. I'm wondering if this is a general problem when using a UX2 and a condenser mic. I've borrowed this mic off a friend who uses it with a Sapphire Pro 14 and he gets beautiful recordings. Clear and crisp. Do I need to amp the signal before it reaches the UX2 preamp? Any help is greatly appreciated Thanks Patrick
  8. Ok, This is noob question but I have seen some very detailed setups for pod hd connections for Amps. What I usually do is connect guitar to guitar input Connect output left (mono) to the guitar in on amp. Change the setting to live on back of pod. Change the setting to stack front or combo amp front (depending on what rehearsal room I am in ) Sometimes it sounds good , sometimes it doesn't . What is the reason for the 3 cable and 4 cable methods of connecting to an amp? If it can give me a better sound I am all for it but unsure of why people are doing this. Please forgive my lack of knowledge in guitar amps .
  9. I need help in knowing how to connect my guitar, Floor Por Plus pedal and my amp. My amp has the SEND/RECIEVE inputs and I want to use the amp presets inside the Flood Pod Plus as well as distortion and other effects. Thanks.
  10. I've got a Peavey 6505+ and I'm wanting to know if I can run my Pod hd pro before and after the actual amp, like I'll explain what I want to do: I want to run the pods effects like comp, gate and things like that before my peaveys pre amp and then run things like delay reverb and eq's n what not after my peaveys pre amp and before the peaveys power amp section So sort of like: Guitar-> pod guitar input (run some fxs)-> Peavey guitar input-> get peavey distortion -> fx loop send of peavey to pod-> pod fx-> pod out to peavey fx loop return-> Power amp output to actual cab. So I won't need to run a amp and cab simulator in the chain on the pod obviously. Anyone able to let me know if I can do this and if so how I would arrange for the pod to put the delay on the fx loop send and returns instead of through the guitar input at the start before the pre amp Thanks in advance!
  11. Hello, I would like to ask the question. Is it possible to connect my guitar amp Roland Cube XL20 (AUX IN) into the Line6 UX2? Somewhere I read that it is not recommended to conect amp via phones output so I have decided to use left and right analog outs on UX2 and connect it into AUX IN in my Roland Amp (by using a cable like that in the file attached). Is it a good idea? Or, do you recommend another solution? Thanks a lot for your answers. JiR
  12. Is there a way to restore the factory model settings to their original values and without affecting the currently saved presets under the A, B, C, D buttons? For the most part, all but one of the amp/cab models is fine. However, there's just no way the Blackface Lux can be right. It's very thin and the level is much lower than other similar amp/cab settings. I suspect that the previous owner had somehow modified and saved this... if that's possible. Hope that's the case and that I can get it back to something more reasonable.
  13. Hi, (First of all sorry for my bad english) I've just got my POD X3 Live and have some doubts... My AMP is a Bugera v22. For now, i'm using the POD as an usual Stomp box, Guitar -> Guitar In -> Left out -> AMP Input and then configure the patches to act as a stomp box. Ex: Screamer or RAT + Delay. The fact is that i'm not fully happy with the result. Someone have some tip? I'm thinking about to use the amp only as a Cabinet through the effects loop. Anyone use the POD with a tube amp too? Thanks
  14. I have a mesa boogie stereo amp setup and i love the sound of it and dont want to color the sound using my hd400 which i also love but how can i make a preset that does not effect my normal amp tones no change at all to my amp tone i want to be able to create patches that start with my clean tone (boogie) be able to use a patch (hd400) then go back to the clean boogie n use my seperate boogie footswitch for overdrive using the amp only as well as be able to switch back and forth between hd400 patches at will. When i use the fx mode (hd400) and i bank up or down it doesnt go back to fx only it stays in bank up or down mode only any help would be greatly apprecc thanks this has really limited my use of the hd 400 ron garf
  15. I have the hd500. Heard good things about both the DT25 & L2t. What have others purchased? Would like to get other users thoughts on this
  16. Hi, I've had my spider III, 75watt for a few years now. It's been fine apart from the plastic nut that holds the MP3 line in comes off regularly. however I've made sure it's been locked in fine recently. However after what I can assume to be a power cut a couple of weeks ago, the MP3-in/ Line-in, instead of playing the input aloud it simply sends out a full volume buzzing feedback noise as soon as the jack is in. It doesn't matter if the volume on the input is mute or if the guitar jack is in also, when in only guitar mode it amps it the guitar fine, full range treble to bass. I'm thinking there may be a separate fuse for the MP3-in line, which has now blown maybe? Just wondering if anyone else has had this problem and managed to sort it, i'm thinking it's gunna be a take apart job? Any help would be Great! Thanks a lot.
  17. I have the Spider IV 30 -- the old model, with just four presets. When I change from one preset channel to another, on some channels I get hum/buzz/static, which disappears when I fiddle with the channel volume/drive knobs. Is this just one of those things that everyone experiences or can I adjust something to eliminate/minimize that? I also noticed that the volume differs from preset channel to channel -- goes way up or down as I switch. Any way to standardize the volume so that it remains the same as I change channels?
  18. Hi, all, when I got my Spider IV 30, I messed around with the original presets -- now I'd like to get them back. I have an amp with only four presets, not the newer one with many more. Any suggestions?
  19. I'm playing at home, so trying to keep things relatively quiet, but I'd like to get the best sound possible from the various Spider setting options (I'm all over the map, jazz, rock, blues, country). Am I going to get better sound quality if I turn the channel volume up on the amp and down on the guitar, or down on the amp and up on my guitar. I've been messing around and amp down/guitar up sometimes seems better, but I'm not sure. And if that's the way to go, how far down on the amp should I turn the volume? So, simply put: which guitar volume and amp drive, channel volume, and bass/mid-range/treble settings will give me the best sound quality at low volume?
  20. Hey what's up guys. A new user to the forum, but I've been using line 6 products for quite some time. Do a lot of mixing/AE work and looking to get better. That's besides the point :P So, I just picked up a PODHD500X and this thing is pretty amazing thus far. Have gotten some really great tones out of it already with the many custom amp/cab tweaks you can make. - We want to run this in a live application for gigs, however going into a cab does not give enough output volume to even be mic'd + the guitarist would like to hear what he's playing. - We have run this direct -in, however the monitor feedback gets a bit 'whiny' when standing too close to the monitors and is not a preferred method of running the pod. (Unless we go in-ears, but that's dropping a bit of cash) I've gone over the pedal settings a lot and as far as I know, I have all the volume settings adjusted at max, but it's still not cutting it. TL;DR- Running this into a cab, how do you maximize sound output? Cheers!
  21. I just recently updated my Spider IV 150 to current specs and am exploring the new Gain effects. One thing that has always bothered me with modeling amps is the slight delay when switching amp models or channels (from A to B etc.) It occurred to me that with the new Gain effects, you don't have to switch channels to switch to your dirty sound. It's almost like the difference between switching channels and stepping on a distortion pedal (which I assume is what Line 6 was going for). My only issue is that the Gain stomps just don't quite have the same feeling as the amp models with drive cranked up. I've found that Tube Driver gets pretty close for a good rock to metal sounds, when compared to the cranked Class A Red or Insane Red. The Screamer is nice too but, I don't know how to describe it... I suppose what I kept running into is two conflicting EQs between the amp model and the stomp model (which just took time to find a good balance or just pick a new FX1 option) and a difference in output level, the cleans always seem to be more full and a little louder then when I kick in the Stomp effect. In the end I guess what I'm asking is if other people run into this to, how they deal with it, how they use the Gain effects, if anybody has some tips how to apply those effects along with channel volume, gain, drive etc. and lastly do people prefer to switch from A to B for clean/dirty or use the effects? Thanks!!!!
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