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Found 65 results

  1. Hey guys, Not sure if anyone has experienced this , but every time I have the Helix LT plugged into my computer (USB is plugged in order to use the HX editor, but device is actually running into my Daw through my saffire sound card) the Helix screen freezes and I have to restart it. It is rather annoying and it has meant that I have been unable to use the Helix to record (or just about anything) so any help would be appreciated. Cheers
  2. I have been using my Pod to record in Reaper, but I realized that until now I had been using WASAPI drivers instead of ASIO. My setup is as follows: Guitar into the Guitar In on the Pod, USB on the Pod into the USB on my computer, and headphones into the audio jack of my computer. I am essentially using the Pod as a DI box and reamping with VSTs in Reaper, as such, I don't want the sound of the Pod monitored, but the processed Reaper signal. When I attempt to use the Line 6 ASIO drivers, I cannot figure out how to send the output to my headphones. I have tried ASIO4All as well, and it shows the Pod as unavailable. Is there anything I can do with this setup, or would I need an additional piece of equipment in order to achieve this? Thanks in advance!
  3. I'm having trouble recording using the Firehawk...I've tried both using the direct connection through USB and using the balanced outputs to a recording interface. I'm using Windows 10 with Ableton software. Ableton recognizes the Firehawk and can configure either as an MME/Direct input or ASIO. The problem I have is that the signal coming out from the Firehawk is WAY too loud. It comes in pretty much clipping even when I'm not playing loudly or when the master volume is low. I use a looper so as I add layers it starts to clip and distort and it just sounds awful. What comes out of the speakers sounds great, so it's nothing to do with the processing on the front end...I just can't figure out how to turn down the signal on the USB or direct outs. I should mention that when I run the direct outs, I have tried turning down the output volume on the interface, so the "volume" coming into Ableton is lower but the actual signal is still clipped. Similarly, I can turn down the individual track volume within Ableton but it doesn't make a difference...it's the original signal that is messed up.
  4. Cakewalk By BandLab is here. Free. Available for Windows now. [4/4/2018] You can read about it here. Cakewalk By BandLab Announcement Not sure how many folks used Sonar, but if people are looking for a power DAW to use Native, Cakewalk (now by Bandlab) is free. I don't know what their future plans are as they have to make money somehow, but for those of us that have been using Cakewalk for 25+ years, this is great news. I just wanted to share that Native works well in this new version of Cakewalk.. really well. at least for me. Also, this is NOT a stripped down version. This is the full-blown, top-o-line Platinum version they have released.
  5. I am using the Helix as an Audio Interface after my 'trusty'!!! A & H Firewire desk no longer wanted to communicate with my DAW. Firstly I cant seem to record from the pc or Internet directly into my daw for some reason,any ideas why?(eg you tube to Cakewalk). Secondly am I able to record from an cassette player (2 ins r and l) as my dad recently passed and im trying to record onto pc his live recordings? Many Thanks.
  6. Does anyone know how the USB works if at all for direct recording from the amp using the USB connection? I am using the Presonus Audio box II and it is connected to my PC win 10, and I have downloaded the updater driver and can see my Firehawk 1500 on the pc in the LINE 6 updater window. However, there is no driver or updates that I know of for the interface so that the amp can communicate with the DAW. Usually, you hook up the amp to the pc or the audio interface, and it will recognize the amp and you are on your way. What am I missing here. I had some other users state that MONKEY line 6 can do this, but it doesn't list firehawk 1500 as a part of its support. Someone please confirm if this is doable or am I wasting my time? All of the other modeling amps can do this, and the amplifi can as well, PLEASE help, thanks! Roland
  7. Hi there, I'm a proud Helix user since a week and after playing an ENGL e606 Ironball head for a long time, I must admit that this awesome piece of a modeler is now a serious competitor... love it! I just wanted to ask if there is a way of signal routing which allows me to: 1. record a rythm loop 2. solo over it and then record both on seperate tracks in my DAW (Logic Pro X / Mixcraft 8). So I want the recorded looper playback on track #1 and my lead playing on track #2. Is that possible? Many thanks in advance :)
  8. Hello, When I launch my Cubase 5 on my mac with El Capitan, I have no audio input or output working with the Helix as usb interface. SInce Helix kinda works with Garage Band (with the beta for developpers 10.11.2 (Build 15C48a)), and since I can use Cubase 5 with a Roland Capture Duo EX USB interface (with and only with the same new 10.11.2 build), I suspect that my issue comes from Cubase 5 or Apple El Capitan which for some reason cannot interface well with Line 6 Helix. So I have 2 questions: @Line 6 : do you have any information regarding using Helix with Cubase on the latest Mac El Capitan OS? @Forum : Are there other people here who manage to use any version of Cubase (say 5 to 8) with the Helix on Mac OSX ? Thanks to all, Regards
  9. Note: I have noticed the CV jack... but no mention of CV DC Coulpled (OR rather the-AC Coupled) in any document that I have seen. I saw this Modular Synthesizer(I am a (5)Synthesizer owner, myself) Demo, to do with/ their audio interface using Bitwig on their ipad Is there a future Model that will (continue/)be everyone's feature rich, guitar effects processor /and Audio Interface in 1. Molten Modular 09 DC Coupling, CV and DAW control with bitwig 2.1 Good question or not? OR maybe I may be(have missed) missing something here? thanks very much :)
  10. Will "Hardware Monitor Level" setting be ever supported by Spider V ? It was extremely handy to turn "hardware" sound off while using DAW for POD HD 500. Right now I'm unable to turn the cab off on Spider and use IRs in DAW instead.
  11. Hello, Is it possible to control a knob(i.e. Volume) in Cubase using a footswitch (eg Midi CC, Prg Change Increment / Decrement, Bank change Increment / DEcrement)? Like that: push-buttons with minus assignment: e.g. Volume down, push button with increment assignment: Volume louder? Or using default cubase Gitar AMPlifier VST - cycling through Amp Types - QuickControls - Footswitch would scroll through AMpTypes I tried and failed to get it working in Cubase with my new line6 FBV Express. Thank you for any tips (even if the same was achieved with other DAW)
  12. 1. Launch Garage Band, and create an audio track. 2. Go to View -> Open Smart Control Click on the "i" icon on the smart control top bar, then drag the scroll bar to find Audio FX slots. Click on the Audio FX Slot and find Helix Native from Audio Units -> Line 6 -> Helix Native
  13. So I am further down the rabbit hole with the Firehawk FX. Truth be told, I have been following alot of the Pod HD500x and Helix training videos on youtube due to the massive lack of presence the Firehawk seems to have out there in the wild. There is really nothing available on it compared to these other device. One helix video I came across was normalizing patch volumes using your computer DAW/interface. I found it very valuable. You can see that video here: Reading up around the Helix forums as well lead me to realize alot of people use their computer DAW to set patch volumes. The general consensus is, because this is a DIGITAL device (I still have a hard time realizing I have to treat this thing differently than a standard amp, because of digital clipping) is that your patch volumes should hit about -12DB on your input meter with your most authoritative strum - when you whack at your strings the hardest it should peak about -12 db. I run my Firehawk into my Yorkville YX10P with the following consistencies: Output volume (main red rings) = 50% Guitar volume (white red rings) = 54% (or the exact middle of the dial) This seems to be a common practise to keep things consistent across the board. With my guitar input volume right in the middle at 54%, I noticed that basically all my patches as they are currently set were clipping HARD. Amps' that I had set for Channel volume slider at 70% or sometimes 50% had to be brought down generally into the 20-25% channel volume range for the signal to hit that -12DB marker on my DAW. Theoretically then...with alot of the amp volumes down much lower, I can push my Firehawk master output volume (red ring) higher, which from what I am reading online would give me a better signal to noise ratio overall. So that leads me to the following questions regarding 'digital guitar' rigs. Is this normal? For whatever reason it seems like the channel volumes are SO low in this configuration. However there is an interplay here between the guitar input volume (white ring) and the channel volume. If I decrease the guitar input volume, then naturally there is less signal to the Firehawk and therefore the channel volumes would like come up higher to compensate. Would both of these situations sound the same ultimately? Is one better than the other? I assume that having the volumes lower like this WILL reduce digital clipping and probably make my guitar sound better overall. Also, with a much more higher powered FRFR like the Stagesource L2M or something, I would be able to push a louder cleaner signal into it by having the ability to run the overall master volume (red ring) higher. Anybody have any feedback on this? I am new to digital guitar rigs so please bare with me as I try to sort this out with a little help from my friends! Thanks crew :D
  14. Attempting to record some voice-over work with my Helix. Aston Origin/48v. Don't have access to my other audio interfaces as I'm on the road. During recording everything sounds fine(great in fact), but when I playback there are a substantial amount of clicks and pops. Specs: Acer VX-15 i7 7700 16gb RAM Studio One V3 Professional(v3.5) Helix(2.21) Line 6 1.86 Drivers Running Helix into USB3.0 16bit/44.1 Have adjusted buffer from 128-2048 with no difference. Again, during recording the clicks and pops aren't present. Just during playback. I've used this setup with my home desktop with no issues, checked the USB cable and its all good. Am I missing something?? Thanks,
  15. I have owned a Pod XT since shortly after it first became available, It has served me very well, but I know that just like all digital based hardware, its days are limited. Either through hardware failure, or through obsolescence it will at some point be of no use to me. I have honed my tones stored on the XT to match my playing styles and compliment my modest collection of guitars.I am afraid that if I dont take preventative measures, all could be lost. My biggest obstacles are a severely limited budget, and limited space, and that's why the XT was such a good match for me. At first glance, the POD HD500X is the closest relative to the XT, but I do not have the floor space for it. I love how compact the XT is. I can use it on my Desktop through a DAW, take it out to the patio and jam through headphones on nice days, and it even sounds great when I play through a clean amp with the Amp's EQ dialed flat. My main question is, what is the current Tech available through line6 that is the closest to the XT? Anything that bypasses the hardware issue completely? what has changed since the rise of tablet PCs and smartphones that I could use to an advantage? Related Tech question: I play strictly for my own enjoyment. I like to record only when I am 'In the zone' or breaking new ground creatively. Can someone recommend the tools necessary that would provide the quickest/shortest/straightest line from the output jack on my guitar to to a hard disk or recording device? My current recording setup is a nightmare. The inspiration is often long gone by the time I get the cables connected, make sure the Sd cards have room etc.
  16. I cant get a USB-connection going in my DAW when I connect my amplifi tt to my computer via. USB. Thats my problem. It doesn't appear as a device in Reaper at all.. When I plug in my amplifi to my computer via. usb it tells me it fails to install unit drivers? I've had a lot of trouble updating my Amplifi to latest patch and Im not even sure it's done correctly. I tried locating amplifi drivers and updates on my PC, in the hope that I could do it manually, but nope. Line 6 dont have any software for amplifi products available for downloading I guess. Im very frustrated, please help
  17. Hi, does anyone know how to setup cubase so that it changes snapshots? I tried to load a song into cubase and then send a midi command to change the snapshot or activate a footswitch but didn't have any success. When I dial the bank and program manually it changes setlist and patches but couldn't figure out how to automate it. Any hint? Thanks
  18. I have the rack, and controller, and I am still putting it through the courses. I haven't played any guitar through it yet, I am still getting it integrated with my studio. Its looking good so far. But I seem to be running into a brick wall on something. I am wanting to control (automate) from within my DAW (FL Studio) on my pc, some parameters insind the Helix. Specifically I am wanting to control things like Wah position, and amp gain with automation clips from on my PC. I am not able to find which midi CC this would be on in the manual. If anyone can point me in the right direction I would be grateful.
  19. Maybe a silly question and personal preference but I'm curious what most people are using for patch settings when recording into your DAW. I am running a pair of Yamaha HS7 reference monitors. When setting up patches i've been toggling between using an amp or a preamp, obviously 2 different sounds. Any suggestions on best practice for creating patches for recording purposes? I'm on information overload since I received the Helix rack yesterday. I did hook it up at a rehearsal last night to a small practice amp and copied some presets and changed from "amp" to "preamp" and chose the same model. It's just when I get home to record where I wasnt sure the best method.
  20. Good afternoon, I just recently purchased a used FBV MkII Express and am a bit lost on how to proceed. I've looked at manuals and even tried to watch a tutorial on youtube and I have no idea what I'm doing. Here's what I am currently using: Pod Farm 2 (as a VST) Presonus Studio One What I am trying to do is get the pedal to work as a foot switch. Either to change between tones, or to turn on the tuner, the wah/volume, etc. I have downloaded Monkey as well as Line 6 FBV Control. FBV Control does in fact see the pedal and the volume light turns on. When I tap the A/B/C/D pedals they blink as well. When going into FBV Control, I have no idea what to set. Basically I have a rig set up in Pod Farm 2 (VST) with a foot switch, one for clean, one for distortion. All I *really* need at this point is the ability to go from clean to distortion and back again if need be. I'm sorry if this sounds like a really noobish question (Im sure it is) but I just have no idea when people mention "CC21" and whatnot. To clarify, I DO NOT have an actual POD device. Im using an M-Audio recording interface to get guitars/bass/banjo recorded with Pod Farm 2. The least I would like to do is test functionality. I want to make sure the pedal is working, otherwise I'll need to return it to the pawn shop.
  21. Hello and happy 2016 everybody! I have used my HD500x for USB recording for a year now but always in mono. So today I switched to stereo and noticed that the right channel is always much louder than left channel. This applies to all patches, including those which shipped with the product. But if I listen with headphones from device's headphone jack, everything is in balance. Any idea of why I'm having the issue with USB to DAW? Thanks in advance! PS: I'm on El Capitan, latest drivers and firmwares
  22. Don't know if it's ok to post in two threads (moderators, sorry), but will try my luck. Hello everyone, I'm quite new to the MIDI thing. Say we have two PODs (X3 Pro and HD Pro) in a band and we want the DAW to change programs/presets automatically on both units. From what I've learned I need two midi tracks in my DAW. One set to Channel 1 (X3 Pro), one set to Channel 2 (HD Pro). Corresponding channels are set in the System settings of both PODs. The routing is the following: DAW (Logic Pro X) --> USB to midi cable --> X3 Pro midi in --> X3 Pro midi out --> HD Pro midi in. Problem Markers in midi track 1 (X3 Pro) do make changes on Pod X3, but markers in track 2 (HD Pro) do nothing. The only way it works is setting HD Pro to Channel 1 as well, but then changes are made simultaneously to the same preset (1A on both with program value set to 0, for instance), which is not quite usable. Any ideas?
  23. Hello everyone, I'm quite new to the MIDI thing. Say we have two PODs (X3 Pro and HD Pro) in a band and we want the DAW to change programs/presets automatically on both units. From what I've learned I need two midi tracks in my DAW. One set to Channel 1 (X3 Pro), one set to Channel 2 (HD Pro). Corresponding channels are set in the System settings of both PODs. The routing is the following: DAW (Logic Pro X) --> USB to midi cable --> X3 Pro midi in --> X3 Pro midi out --> HD Pro midi in. Problem Markers in midi track 1 (X3 Pro) do make changes on Pod X3, but markers in track 2 (HD Pro) do nothing. The only way it works is setting HD Pro to Channel 1 as well, but then changes are made simultaneously to the same preset (1A on both with program value set to 0, for instance), which is not quite usable. Any ideas?
  24. Hi guys! I'd like to know if someone had some experience about this configuration with Helix: -----------------<----- DAW (via USB) for reamping + Backing track | ^ | | | | | Path 1 A in from Guitar ------> FX 1, 2, … ------------> (stereo) 1/4†and XLR output | | B in from Guitar ------- > FX 1, 2, ... ------------> (stereo) 1/4†and XLR output | | Path 2 A in from AUX ------ > FX 1,2, ... ------------> (stereo) 1/4†and XLR output | | B in from USB x/y (DAW) ------------------------> (stereo) 1/4†and XLR output | | |____________> | I read the the manual and It seems possible but I'd like to receive some comment or suggestions. Thank you Mark
  25. First of all, I have posted the following problem in the Reaper and IK Multimedia forums, but haven't got a real answer. Secondly, My set-up: Me -> Godin Session -> Evidence cable -> Sonic Port VX -> Win7, 64bit, i7, 8GB Ram -> Reaper/standalone programs. The headphones are my AKG K518 and K77. When I'm using my guitar with the sonic port into Amplitube 3 or Pod Farm (either in stand alone or VST) I get a really fizzy sound with overdrive/distortion. Also, in amplitube the difference in volume between clean setting and dirty (especially with an overdrive pedal) is HUGE. In the amplitube manual it says the following: "Tip: if while browsing AmpliTube 3 presets you find that all clean sounds are too quiet and all lead sounds are too high, this means that you’re using a too low input gain on your audio interface.". Now, I can't change the input level, and even after playing with all the input knobs I still get the same results. Has something like this happend to some one else? Any help would be much appreciated.
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