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  1. Hello, I've had the Pod HD500X for a few months now and I'm still not sure whether I'm using it properly. I'm finding that I'm getting quite a bit of feedback out of my amp at a high volume in band rehearsal and live settings. I should say that I'm a very plug-and-play kind of guy. The Pod HD500X is the most complicated piece of equipment that I've ever had to work with and I'm fairly undemanding, so I'm probably making some very elementary mistakes in terms of getting the right balance. A bit more about my set up: Guitar (LTD MH417, EMG 81-7 in the bridge) -> POD HD500X -> Carvin TS100 (tube power amp) -> Line6 4x12 (not sure of the model, I bought it with a Flextone head about 10 years ago, has a tweed front). I've attached my main setting here (we play thrash/death metal), but I have some questions about the switches and outputs. Currently, I have my output set to "Studio/Direct" and my quarter out to "Line". This seems to fly in the face of everything I'm reading, but it seems to be the setting that puts out the most volume and the heaviest sound. Could this be causing a feedback problem? Is it simply too much for the amp to handle? If I should move my output to "Stack Pwr Amp" and my quarter out to "Amp", how difficult would it be to achieve the same sound and volume? If you open the file, you'll notice I have two preamps running with an overdrive. The gain/drive on all three doesn't exceed 40% and I try to keep my treble settings reasonably low enough. There are some extra effects at the end of the chain that I almost always never use except for the reverb. While I'm pretty happy with the sound I'm getting at bedroom volume, if I crank the Carvin to about 1:00 with the band, I start to get feedback. So what exactly is the best balance of settings, gain and volume to avoid feedback at high volumes when playing this kind of metal with the Pod HD500x? Please let me know if the file doesn't work or if I've attached it incorrectly. Many thanks in advance!
  2. I had some people ask me on YouTube to make a tutorial or to share my patches for my POD HD Bass tones, so after like a year I finally got around to it. :P Tutorial Video on YouTube https://www.youtube.com/watch?v=Mwv23DkmBMU And here's links to my tone patches on CustomTone Blank Template http://line6.com/customtone/tone/456806/ Gritty http://line6.com/customtone/tone/456807/ Heavily Distorted http://line6.com/customtone/tone/456808/ There's also links to the tones in the Video Description that are hosted on my website, if for whatever reason CustomTone is being weird.
  3. I've spent a couple of days trying to create a decent djent tone through my headphones that'll be good for recording with minimal need to master it. Hpwever I'm having serious problems trying to get the results I want. My current signal chain is: Noise Gate - Red Comp - Screamer - Noise Gate - Parametric EQ - Engl Fireball with XXL V-30 (Mic is 409 Dyn) - Noise Gate. The problem I've got is while the noise gates are cutting in fine, the sound is too full of treble and I've done my best to remove that but the sound then lacks any sort of power in it. Any help would be greatly appreciated.
  4. Ok so a lot of people may be going "derp what an idiot" but i am really clueless with this right now! (bare in mind i use the POD HD PRO rack unit and don't have a pedal board/controller) Does anybody here know how to get cubase 5 to midi control the POD HD PRO tone channels so when I hit play on Cubase it automates the guitar tones to change on the POD HD PRO unit e.g....(Bar 1 - 17 clean tone) then when it hits bar 17 the tone changes to "overdrive" for example. I assume that it's done using a midi channel on cubase and using the key editor to punch it in but i'm pretty lost with it, so any information would be great! (step by step process and equipment needed would be ideal) CHEEERS!
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