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Found 107 results

  1. Recently I hooked up the Helix to a DT25 amp using the L6 Link, and I've lost the ability to select topology in Channel A, thus rendering it useless. It currently has no topology light on it to select. No matter what preset I select on the Helix (template, factory or user), I can't get Channel A to activate. Any suggestions on how to recover?
  2. jegarcia

    DT25 Head - Replacing tubes

    Hi guys. How difficult is it to do this?. I just bought one of these units and I live in a country where there is no one that provides this kind of service. Shipping the head to the US for service would be extremely expensive both ways. I'm thinking that I should have bought something else. Your comments would be most welcomed JG
  3. jegarcia

    Air travel with the DT25 head

    I just bought one of these bad boys online and my dad is bringing it to me. I also bought the speaker cabinet. The cabinet will be checked in with the original packaging for protection. Not sure what to do about the head. Can some of you please chime in? Are the tubes easy to remove and put back in?. These are my options as I see it: 1 - We could take the head out of its box and put it in a carry on suitcase. 2 - Same as 1 but removing the tubes 3 - Check it in with the cabinet 4 - Same as 3 but removing the tubes Shipping the unit directly to me is not an option as I'm currently living overseas and the cost is enormous. Thanks everybody!
  4. jamesnlcc1

    Dual Amp mode (HD500) with DT-25

    OK, I'm new to using dual amps in the HD500 with a single DT-25. When I enable two amps, the tone of the first amp DRASTICALLY changes, even if I haven't even selected another amp yet (the bottom amp is darkened and reads "disabled"). What happened to my sweet tone?
  5. Hey friends! I've restarted that epic quest for the right tone. Previously I had loved the AC30, particularly for its wonderful overdrive (I'd use a boost/compressor for juice, no overdrive pedal needed), but its clean tone was not warm enough. So I experimented and fell in love with the BF-Double VIB(Fender twin reverb). Rich, warm tone yet with clarity, especially through the DT-25 amp! However, its overdrive is farty and bloated (name that quote). I started experimenting with overdrive pedals but nothing compares to the AC30's natural drive tone. Anyone have any suggestions? Alternative amp models with a warm, full clean and a warm but tight, crunchy overdrive? Distortion pedals that actually sound good (not fuzzy or farty)? Extra notes: For an overdrive, I hate it when notes seem to fight each other and it gets all buzz-sawey or farty / indistinct. My Rig: Fender Strat American Deluxe (with a Tele bridge pickup) HD500 DT-25 Amp
  6. Hey guys! I am contemplating selling my DT25 combo and HD500x for a Helix, thoughts? I also have a JTV 59, if that influences the decision.
  7. Seeking input from other Line 6 users. I bought a POD HD500X unit a few months ago and liked it so much that I went ahead and ordered a DT25 head with cabinet. Always wanted to own a tube amp. Do you all think that the current line of floor boards (helix for example) will offer the same level of functionality as the POD.? Again I know that only Line 6 people know the answer so I'm just looking for thoughts on this matter. I guess there is always MIDI but from what I read the L6 Link is much easier. If there is no additional functionality for the DTs to come for the new boards would you all be happy with your DT25...does it stand on its own as an amp without the L6 link stuff? Happy rockin' new year everybody.
  8. pol2711

    form dt25 to the l2m

    took the plunge and bought a L2M today. Together with a good 110 ohm XLR cable. Connected the Helix via the Line 6 link and am very dissapointed. I must be doing something wrong. The digital clipping is back on the mandarin and brittish amps. All the others are sounding harsh and far away from all the sounds I am hearing from other Helix users. Bought the Glenn delaunne patches and only the 5150 patch is comming a bit nearer but is still souding like a cheap transistor amp My POD 500x and the DT25 amp sounding much better. This combination helix/l2m should at a minimum sound the same So, what am I doing wrong? (FW loaded again, stock patches via the headphone OK, NOK with the lm2) Someone having an idea? I am running out....
  9. Hi Guys, I wrote hoping someone can answer my question. I have a DT25 combo that i bought 2nd hand, I had to replace the stock power tubes and put a pair of JJ. I don't remember how it was before because there was a considerable amount since I played on that amp... Well, Class A mode sound louder (huge difference) than Class A/B (and it supposed that A/B are 25 watts and A 10). Anyone as any idea that what could happened? Class A/B mode sounds loud as I remember class A/B mode, but brighter... and class A/B almost a 1/3 lower than A at the same volume... I think that is not right... but I don't remember which mode sounded louder before... Suggestions? Sorry if I wrote something wrong, English isn´t my primary language. I'm from Chile. Thanks!
  10. I saw some older posts talking about various cables for the Line 6 link. I was wondering if there was any newer info on this. I am currently using a cheap Hosa EBU-010 AES/EBU Digital Audio Cable. I don't have any problems with it, but every time I look at how thin it is, I wonder if using something higher end, such as Mogami Gold AES would work better. Anyone try some of the various higher end cables? Thanks.
  11. So I've noticed over the past year or two companies like Mesa boogie and Rivera are making load boxes/attenuators with cab simulators so you can use a non-digital amp, and record direct. Some of the recordings are ok, and some are pretty bad from what I've heard. I pretty much do the same thing with my DT25 and sounds pretty great imho. I have the non cab sim version of the RockCrusher. I squash the signal to my cab all the way down to nothing so I don't annoy my neighbors, and this way I can use the tubes on my DT25 to record direct using the direct out on my head. I don't have any clips just yet to upload, but I feel that it really gives it that extra crispness and punch that you don't quite get in Standby mode where it bypasses the tubes. It really makes a big difference! Hope to have some examples in the next few weeks if I don't get too busy at work. So my question for you all is, do you think Line6 would ever make an attenuator/load box with just cab sims? I mean they have way more extensive knowledge on creating them over these other companies so I'm sure they could do a much much better job, or do you think the market just isn't big enough for it yet? I honestly think more and more people will be using them in the future, because after experimenting with it myself I think a hybrid digit/tube setup for direct recording is pretty damn great!
  12. shawngs

    Update DT25 from Pod HD Pro?

    Is it possible to update the firmware on the DT25 by using the Pod HD Pro via MIDI cables? I don't see the Pod in my computer MIDI devices...
  13. shawngs

    Update DT25 from Pod HD Pro?

    Is it possible to update the firmware on the DT25 by using the Pod HD Pro via MIDI cables? I don't see the Pod in my computer MIDI devices...
  14. hi, I've just bought a DT25 and an HD500X. Both things are amazing, but I absolutely love the "Voicing IV modern high-gain" that comes with my DT25. However, I haven't been able to get the same sound when I plug the HD500X into my DT25. In other words, the amp by itself seems to sound better than the HD500X + the amp. Which is the amp that this Voicing IV on my DT25 is based on? I've been able to replicate the other 3 voicings (so, the HD500X + DT25 sounds almost identical to the DT25 sounds), but I can't find anything similar to Voicing IV (Bogner Uber pre is the most similar thing I've found, but I still prefer the DT25 original voicing). I'm using the HD500X Line6 link with an XLR AES/EBU (as recommended). All the amps in the HD500X are in "PRE" position, too. Can anybody help me, pls? Thanks
  15. I'm very pleased to announce that I was able to snag a DT25 head, open box (level 1-mint) from MF yesterday for the stupidly fantastic price of $396. Now that I've basically learned how to get what I want from my DT50 and HD500, I can't wait for the DT25. I know it's got less noise floor, which is important to me as I practice in my basement, and the lower power will help with that too. I'm thinking I've totally got the best of both dreamworlds now, cuz the DT25 will handle most situations but I'll still have the big guy when I need him. It's crazy what good deals can be had right now on the DT's. I've been checking the internet furiously ever since the selloff began, and FINALLY got the best I could hope for! As I understand it, the DT25 will come back from hiatus but not the DT50. A year's time from now, even 6 months from now, you won't find a lot of people willing to give up any DT model not in production. And if Helix is any indication, any new amps would be solid state or VERY SPENDY or both. Rock on DT25! Rock on DT50!
  16. thomaswhudson

    Wow the DT25 combo is loud!

    For those of you who are/were worried that the dt25 would not be enough for practice or shows.. Do not fear. I had it just under half way and it cut through everything. The tone is great and it has plenty of umph. I probably will still get a cab for it. Oh and also its still pretty heavy to lug around. i will either put casters on it or i will just carry my portable hand truck with me. Just wanted to throw that out there.
  17. So i have been trying to decide on the dt25 combo or head with a cab. I think i have decided to go with the combo. Should i just get the 1x12 ext. cab or is there something else people are using that are really happy with? I read something about a 2x12 marshall cab but not sure i want to pay that much for the cab. I was thinking the combo with the 1x12 ext cab, but unsure.
  18. I currently own a DT25 combo and a Pod HD500X which I have connected via the Line6 Link cable. I am thinking of recording some music but the Dt25 is way too loud for my bedroom therefore I cannot mic it in high volume. Of course, if I do not crank it up, I would not get the sound I would want. The LVM is not enough for quality sound since it eliminates the power amp section of the amp. I was thinking of investing on an audio interface like the UX2 to record my music. My plan is to connect my amp to the audio interface through the Direct Out of the amp. If I follow this approach, I could disconnect the amp's connection with its cabinet so I wouldn't get any sound from the amp itself but I would get my sound from the monitors connected to the UX2. So if I have the amp's master volume amp cranked all the way up, I could adjust the volume from on my UX2 according to how I want but my recordings should sound as if it's coming from a cranked tube amp. Essentially, I would like to get the sound of a cranked tube amp sound in my recordings without disturbing my neighbors. Do you think this is a viable approach?
  19. thomaswhudson

    Back at it again DT25 vs DT50

    Ok so basically i think i have decided to not pick up a DT50 even though i have found a few used ones for really good prices. The weight of the thing is basically whats making me shy away. I am not a pro and i will probably not make much money if any playing around. So with that being said i am thinking that the DT25 combo and a ext cab should be enough for practice, playing at home, and small venues. Thoughts? Also i should not even consider an Amplifi right?
  20. thomaswhudson

    Newb question about DT25 and HD500x

    I am thinking about getting back into the gigging business, playing around with people and doing a few shows here and there. Is the dt25 for me? Also right now i have a Marshall JCM900 i think i am going to sale it in order to fund my dt25 venture. Thoughts? Also combo vs head. My thought are i can get the combo which is cheaper currently and add another cabinet if i need to. I was thinking about keep my Marshall 4x12 for this purpose. Is the DT25 a) going to be loud enough or should i go with the head?
  21. Before I describe my problem, I want to point out that I have read about latency and popping on the DT50 when changing topologies. I think my problem is more severe than normal, and I have done my best to describe the issue and how to reproduce it clearly below. Products involved: POD HD500 w/Firmware 2.1 connected to DT50 1x12 Combo w/Firmware 2.0 via L6 Link. The POD and DT50 were both set to factory settings and presets. I recently purchased a used DT50 and connected it to my HD500 that I purchased new years ago after I update the firmware on both. When changing presets on my HD500, I hear significant, sometimes severe, pops on the DT50. If anyone would like to attempt to reproduce my problem and give me feedback on their results, it would be a huge help. Specifically, when I change from the factory preset of 6A - Mysterious Wei under the Songs / Style bank to 6B - Plugged In Baby under the Songs / Style bank, the amp makes one loud pop and a second smaller pop and the sound cuts out for a second or more. This problem is extremely noticeable because of the loud pops combined with no guitar sound. I know part of this is from a topology change and a class A to AB change, but this is far more severe than anything I would expect from reading the forums previously. My questions for the forums regarding this issue: Can anyone reproduce this problem with a DT50 known to be in good working order with good tubes and an HD500 connected using the same preset change I mentioned above? Any suggestions to minimize this issue? Is there a problem with my DT50? Is this a sign of worn tubes that need replaced? Is this considered normal operation for the DT50, or does it need looked at by a technician? Finally, if anyone out there has a DT25, would you mind trying to reproduce this on your DT25 and reporting your experience? I have read that the DT25 is much better with switching than the DT50. I greatly appreciate assistance. If needed, I will try to post a sound clip of the problem, but I will not be able to do that until Friday or Saturday. This is my first tube amp I've ever owned after many years of playing guitar. I enjoy the sound so much that I hope I can find a solution to minimize this issue. Thanks, Baoh
  22. Has anyone experienced this issue? I have a HD500X patch using one Bomber Uber preamp with no cab and a few effects. Sometimes, after playing for a few minutes, the sound from my DT amps get extremely muffled and extremely quiet only when using this specific patch. The following behavior seems odd: If I switch to a different patch that uses a different amp model, the rig sounds 100% normal. Then... when I switch back to the "problem" patch it also sounds 100% normal... for a while until the problem happens again IF the problem happens again. The problem sometimes appears, sometimes not, it's not consistent. My setup: Variax or regular guitar - HD500X - L6 link - DT25 combo #1 - L6 link - DT25 combo #2, both amps running in low volume mode. If I plug directly into either combo amp and disregard the HD500X entirely, the amps work A-OK and sound great. Just curious if anyone else has stumbled across this, perhaps on other amp (or preamp) models? I don't have my rig nearby right now, but the one thing I remember changing in the patch that might affect the DT25's was that I selected Topology IV instead of the Uber's default Topology III. I don't think that should matter, just thought that info might help. Thanks!
  23. glass_guitar

    DT25 w POD HD300

    Hey there. About to buy a used DT25, but not sure about the control POD. Like to use all this for practice and hopefully on stage once I'm familiar w it. Currently I use a VETTA HD. I also do not know much about MIDI. So please apologize any stupid kind of questions. ;.-)) 1. Most tutorials talk about a setup w the HD500 only - but this is too expensive for me. I understand you can control the amp in the same way w an HD300 ? Just w less memory resp. channels/presets for storing ? Or would there anything not available w HD300 vs. HD500 ? 2. Can I use only the effects of the HD300 w the pure sound of the amp ? 3. Dto. w no cabinet modelling ? 4. Is there a control over the effect routing ? Meaning Delay, Reverb, Modulation in serial/parallel effects loop between pre- and power-tube amp. But the boosters in front of the pre-amp ? 6. Dto. reg. the volume pedal ? Before pre-amp (for overdrive control) vs. after pre-amp for master resp. channel volume control ? 5. The HD300 is also able to control two DT amps like the HD500 ? 6. Read a lot about software verions upgrades to 2.x What would be the benefit ? 7. How can it be upgraded ? Via Windows PC ? And you would need a MIDI interface at the PC ? 8. Is it possible to have the same amp controls w a std. MIDI pedal where you can save settings and recall them ? Lots of questions. Sorry. ;-)) If I completely miss or mix the principals of the amp, I'm sorry, but let me know then as well. Many THX and Cheers from Munich, Germany. Gerhard.
  24. Hello, Has anyone already setup the DT25 to sound correctly with the Acoustic sounds of the Variax, through a POD HD500 ? Simple question though complicated to get it working coorectly for me. I own L2M's & L3M's but they are used by the band for the overall set, therefore, I am eager to get this set working with my Amp only. Easier to carry also during rehearsals... Thanks for the help, Alain
  25. I just got my DT25 head today. I have already flashed it to 2.0 and started editing using the DTEdit. Cool! Right now, I'm running the DT head alone (no pod hd) into a 1x12 cabinet with a Scumback M75 speaker. This speaker is really special! Think of the best high powered old school greenback... So, I'm finding that, when editing the different cab models, they do add their own bit of flavor to the tone. But, since I'm not using the proprietary DT25 112 cab with the G12H90 speaker, I'm wondering if I should turn the cabs all off and use my speaker or add some flavor? What have been your experiences using different speakers and the cab modeling options on the DT25?
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