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  1. Can a "Bass Emulator tone" be build with the AMPLIFi? Like in the POD HD Desktop, there are a few good ones in the cloud for PODs (I'm not bass player, and don't wanna buy a bass-guitar)
  2. Hello, fellow M20d users :) I was just thinking on how I can achieve a short "effect shot" on the M20d without having a sound guy turning the effect on and off or switching Scenes during a song. I´m trying to do the following: For one song I need a long reverb on my percussion kit, just for 3-4 strokes on the intro, then I want to return to "normal operations" or better said my normal global settings for the groove of the song. I don´t have anybody who could turn the reverb on during the gig with the IPad, nor do I want to Switch Scens during the running song. My thought was that I maybe can "route" the reverb to an empty Encoder/channel and then just unmute this channel for the intro and mute it afterwards. Is there a way I can achive this with the M20d somehow? Yeah, I know I can turn on and off the effect on the channel myself, but I don´t want to switch away from the perform screen. So, I need to find a way to push just a button or encoder on the perform screen to turn on or off the reverb for the percussion kit.
  3. I got a Spider IV 15W amplifier that is pretty nice piece of hardware, but recently it has developed an issue where chorus/flanger gets turned on by itself. For example I have a clean tone without any effects enabled. For some reason chorus or flanger gets turned on even when no one is touching the amp. I did factory reset (hold Clean for 5-8secs while turning on the amp) and I've tried to rotate effect knobs from 0% to 100% and back to 0% for some time if it's defective knob but this isn't really helping. Any of you guys have any suggestions I could try to troubleshoot this problem?
  4. Hi, I have a podUX1 with PODFARM2, I designed a preset for a cool VanHalen tone with soldano, compressor, tubescreamer, chorus, plate and short delay. I wonder if a solution exists to bring the preset onstage (in an hardware pedal for example). I don't care of the amp simulation, I would like to have the chorus, plate and delay only in the same pedal and not necessary change the settings of each effect. To summarize, the pedal with only a footswitch which has the settings predefined (for the VH tone I love :D). An analogic solution will not be very accurate and programm a DSP for a numerical solution seems to be really hard to emulate the same tone of podfarm :(. I hope someone has an answer... Sorry for my poor English, Thanks in advance :), Lucas
  5. Deutsch Français Mono/Stereo Table for the POD HD Series Effects. Special Thanks to JimRyanLine6 who originally researched and created this list. True Stereo - Left input goes to the Left output, Right goes to the Right output, effect is added to each channel separately. Mono - Left input and Right input are summed to mono, effect is added to the mono signal which goes to both the Left and Right outputs. Stereo Thru/Mono Effect - Left input goes to the Left output, Right input goes to the Right output, Left input and Right input are summed to mono, effect is added to the mono signal which goes to both the Left and Right outputs. Stereo Thru/Stereo Effect - Left input goes to the Left output, Right input goes to the Right output, Left input is processed to create a stereo effect and mixed with the Left and Right outputs, Right input is processed to create a stereo effect and mixed with the Left and Right outputs. The difference between the last two is a mono effect will sound like it is in the center of the stereo field, a stereo effect will lay across the stereo field. mono_stereo.doc Mono / Stereo-Tabelle für die Effekte de POD HD-Serie. Vielen Dank an JimRyanLine6 der diese Liste ursprünglich recherchiert und erstellt hat. True Stereo - Der Linke Eingang geht an den linken Ausgang, der rechte an den rechten Ausgang. Effekte werden auf jeden Kanal separat angewandt. Mono - Der rechte und linke Eingang werden in ein Mono Signal gebunden, Effekte werden auf das Mono Signal angewandt, welches sowohl an den linken als auch an den rechten Ausgang angeschlossen wird. Stereo Thru / Mono Effect - Der Linke Eingang geht an den linken Ausgang, der rechte an den rechten Ausgang. Rechter und linker Eingang werden als einzelnes Mono Signal gebunden und Effekte werden auf das Monosignal angewandt, welches an den rechten sowie an den linken Ausgang angeschlossen ist. Stereo Thru / Stereo Effect - Der Linke Eingang geht an den linken Ausgang, der rechte an den rechten Ausgang. Der linke Eingang wird dann bearbeitet um einen stereo Effekt zu erzeugen und mit den linken und rechten Ausgängen vermischt. Der rechte Eingang wird auch bearbeitet um ein stereo Signal zu erzeugen und dieser wird auch dann mit beiden Ausgängen vermischt. Der Unterschied zwischen den beiden letzten ist ein Mono-Effekt klingt, als sei es in der Mitte des Stereofeldes während ein Stereo-Effekt sich über das gesamte Stereofeld ausbreitet. mono_stereo.doc Mono / Stereo tableau pour les effets des POD HD. Merci à JimRyanLine6 qui a initialement créé cette liste. True Stereo - L'entrée gauche est branchée à la sortie gauche, l'entrée droite est branchée à la sortie droite, l'effet est ajouté à chaque canal séparément. Mono - L'entrées gauche et droit sont mélangés en un signal mono, l'effet est ajouté à ce signal mono qui va aux sorties gauche et droite. Stereo Thru / Mono Effect -L'entrée gauche est branchée à la sortie gauche, l'entrée droite est branchée à la sortie droite. Les entrées gauche et droit sont mélangés en un signal mono, l'effet est ajouté à ce signal mono qui va aux sorties gauche et droite. Stereo Thru / Stereo Effect - L'entrée gauche est branchée à la sortie gauche, l'entrée droite est branchée à la sortie droite. L'entrée gauche est traité pour créer un effet stéréo et est mélangé avec les sorties gauche et droite, l'entrée droite est traitée pour créer un effet stéréo et mélangé avec les sorties gauche et droite. La différence entre les deux derniers est un effet mono sonnera comme si elle se trouve dans le centre et un effet stéréo se diffuse sur tous l'image stéréo. mono_stereo.doc
  6. Hey guys, I have a Floorpod plus and I want to make a series of my own effects. My question is: When editing a bank that already has an effect on it, how can I turn the effect off? (Like when choosing a pre amp I can choose "off", but I can't turn the effect off by just adjusting the effects teak knob to zero). Thanks
  7. The GearBox Plug-In (AU, RTAS, VST) Effect license and software support has been discontinued since the release of POD Farm Plug-In Version 1.00 on October 29, 2008. Line 6 has not tested the GearBox Plug-In functionality with any newer DAW version releases since October of 2008. If you are experiencing issues trying to get the Plug-In Effect to work properly in current recording software programs, please use the latest version of POD Farm Plug-In software instead. For new users with no previous Line 6 USB hardware or license purchase history, the option in 2011 for a Line 6 amp modelling Plug-In Effect is to purchase the POD Farm 2.5 license and run that software version. NOTE: GearBox "Standalone" software usage is still currently supported for GuitarPort Online subscribers.
  8. Q: Can I go direct from the Vetta to a recording console or PA system? A: Yes,the Vetta II can be used with or without speakers in a studio or live performance application directly through the board. Page 4.32 of the Vetta II Pilot's Handbook it describes how to turn the outside speaker cabs off in order to use the head to run direct. The second page that comes up from the Output Setups button lets you turn both the internal and any external speaker cabs off. When you have turned the speakers off, the Master Volume Control sets the level for the direct outs. Q: How do I hook up an external effects processor to my Vetta? A: While we've tried to anticipate all of your effects needs, you may still want to use other effects with Vetta. That's okay, we won't be upset. Obviously, if you've got actual physical world stompboxes you want to use, run them in front of Vetta as you would do with any other amp. If you've got rack mount effects or other devices that work at line level, these can be hooked up in Vetta's effects loop. This loop is switchable (from the front panel or from the FBX foot controller), the on/off state is remembered with each channel that you save, and you can even route the loop either series or parallel. To hook something up to Vetta's loop, you'll need a pair of what are commonly referred to as 'Y' or 'insert' cables. These cables have a 1/4-inch TRS (Tip, Ring, Sleeve) plug on one end, and that splits out to a pair of 1/4-inch TS (Tip, Sleeve) plugs at the other end. You'll need one of these for Vetta's loop send, and one for the return. An effect insert uses these cables to allow input and output signals to both be connected at the one jack. If Vetta had an effect insert (like many mixing boards do), you'd jack the TRS end of a single one of these cables in this insert, then one of the split ends of the cable would go to the effect's input and the other would go to the effect's output. But as the picture shows, we're not doing that. Once you've got your external effects hooked up, press the LOOP button as needed to get the loop turned on. The next step is to set up the send and return levels for the loop. Press the Edit button. If the Loop page isn't showing already, press the Loop Button and it will be. You'll see something along these lines: The left most knobs, labeled Amp1/L Send and Amp 2/R Send control your signals differently depending on how your loop is routed. You'll want to check out Effect Routing on page 4.17 of your manual in order to get your loop properly set for the particular sonic madness you have in mind. When the loop is first in the chain of post effects or in any parallel routing, the loop sends are getting signals from the discrete outputs of Amp 1 and Amp 2, regardless of how the amps are panned. When it's not first in the post effects signal path, routed in series or chain, the sends are from the left/right outputs of the previous effect. When the loop is routed parallel or chain, set the mix control on the effect in the loop to 100% wet. Use the Return Mix knob on the display shown above to determine how much of the effect you want to hear. If you instead try to run your external effect at something other than 100%, you'll get a bad sonic experience known as 'comb filtering' to audio engineers if the external effect unit is digital, and you'll get your stereo signals collapsing to mono if your external effect unit sums its left/right inputs to mono (as many effects processors do). When the loop is routed series, use the mix control on the effect in the loop to set the mix. No worries about comb filtering here, but if your effect unit sums its left/right inputs to mono (often, the 'direct' signal is summed, even when the 'effect' part of the signal is stereo) then the fancy panning you set up on Vetta may be lost when you hit a chord. Q: What will happen if I connect a mono effect pedal to effect loop of the Vetta Combo? A: The effect from the mono pedal will only effect the "left" side of the signal when panning the signals hard left/right. We reccomend panning the center for both channels if you plan to use a mono effect in the stereo effect loop. Q: How can I get my Heilsound Talkbox plugged with a Vetta Combo? A: In order to use Heil Talkbox with the Vetta, connect a speaker cable from the Vetta's Left Speaker Outputs to the input on the Talkbox. Next, you'll need to customize the speaker leads connected to Vetta's left speaker. Basically, you'll need a cable that has a 1/4" speaker jack on one end (tip +, sleeve -) and two, crimp terminal clips on the other. Connect the 1/4" speaker jack to the Talkbox output and the two, crimp terminals to Vetta's left speaker. Make sure you keep track of which clip is positive and which clip is negative and make sure they are connected to the speaker correctly. If the sound coming from the speaker seems to be strange, you may need to reverse the clips. Connect the Talkbox tube and your microphone to your P.A. (or second amp) as instructed in the Talkbox manual. When connected in this manner you will hear the Talkbox coming out of the P.A. speakers (or second amp) and the amp's normal tone coming from Vetta's right speaker. If you want to mute the amp's normal tone and just hear the Talkbox, you will need to pan the Vetta's amp models all the way to the left, in the Vetta presets that you will be using with the Talkbox. This can be done via the Amp/Cab Details menu, Page 2, Amp Only knobs.
  9. Deutsch Français Q: How do I access the tuner? Spider Tuner FAQs Q: How do I save the Artist/Song presets from the Spider III/IV into the user banks so I can access those presets from my FBV series controller? A: Hold the desired Channel button (A B C D) for two seconds, then use the four-way arrow selector to choose the bank (number) and location (A, B, C or D) where you want to save the preset to. Select the channel button again, and you will see a rapid flash on the channel light to show the preset has been saved. Q: How do I operate the "boost" on the Spider series amplifier? Spider I, II, and III: The Spider Distortion Boost is activated by holding down the “tap tempo” button while rotating the “drive” control above the 12 o'clock position. The B light will illuminate to indicate that the boost is active. Spider IV: The boost feature can be edited by pressing the presets encoder, then using the right/left function on the four-way arrow selector to select “boost”. You can then activate the feature, increase or decrease the amount of boost (up to 8 db), and select “pre” and/or “post”. This can be activated from the FBV Shortboard MK II by the “fucntion 1” button, and the Effect Loop button the FBV Shortboard (Mk I). Q: How do I operate the Noise Gate on the Spider series amplifier? Spider III: Press and hold Tap as you turn the Reverb knob up past twelve o’clock, and you turn on a built-in Noise Gate, which helps to cut down on hiss and noise. When you do this, the Channel D LED comes on to indicate that the Gate is on. Spider IV: The Noise Gate feature can be edited by pressing the “presets” encoder, then using the right/left function on the four-way arrow selector to select “gate”. You can then choose from “Off”, “Gate”, “Noise Reduction”, or “Gate + Noise Reduction”. Use the up/down arrows to select Threshold and Decay, which are adjustable with the Presets encoder. Q: Is there a way to control the amount of effect mix repeats the delay effect makes? Spider I, II, and III: we decided to remove some of the editing capabilities and make it as simple as possible. In addition, we wanted to make it as affordable as possible, and removing some of the edit features was one of the ways that we were able to keep the cost lower. This being the case, you cannot change the delay feedback rate on the Spider. Spider IV: The delay repeats (feedback) can be edited by pressing the presets encoder, turning to “FX3”, the using the up/down arrows to “FdBk”. You can then increase or decrease the amount of feedback by turning the preset encoder, as well as the delay time and mix. Q: Every time I switch to a certain amp model the delay comes on - how can I stop this? Spider I, II, and III: When you select an Amp Model, the Spider automatically sets its tone controls and effects to match that Amp Model. You can disable the auto-FX selection (but not tone control auto-selection), by powering up Spider with the Channel D/Insane button held. Be aware that the auto-selection is re-enabled next time you power up. If you absolutely never want to hear a particular effect (such as delay), you can turn the SmartFX knob to 'Off', then press and hold a channel button until it blinks, and you've saved a new version of the sound, without any effects. Spider IV: The Auto effect feature can be enabled by pressing the presets encoder, then using the right/left function on the four-way arrow selector to select “autoFX”. You can then activate the feature, as well as turn the tap light on/off and set the timer for the display backlight. Q: Why does the tap tempo light always blink? Can I turn the tap tempo light off? Spider I, II, and III 75-150: The tap tempo light shows the tempo of the delay, even if the delay is not active. There is no way to disable the tap tempo light on the Spider I, II, or III Series amplifiers. Spider IV 75-150: The tap tempo light is assignable to the modulation and delay effects, and shows the tempo of the assigned effect. The tap feature can be enabled by pressing the presets encoder, then using the right/left function on the four-way arrow selector to select your effect, then using the up/down arrow to locate “tap”. The tap feature can be enabled or disabled by turning the “presets” encoder, then using the right/left function on the four-way arrow selector to select”setup”. You can then use the up/down arrows to locate “Taplite”, and de-activate the tap light feature by turning the preset encoder. Q: Can I connect my Spider series combo amp (i.e. 15, 30, 75, 120) to an external speaker cabinet? A: No, as there is no external speaker jack to power an external cabinet. The Spider series 150 combo amplifier does have two 8 ohm external speaker outputs that will mute the internal speakers when engaged. See the following link for more cabinet connection information: Line 6 Head and Cabinet Connections Q: How can I record direct the Spider series amp signal directly into a computer? A: You can use the headphone jack as a direct line out to record your Spider series amplifier into any line input on your computer's sound card or audio interface. For sound card connection, you will need a cable with one male stereo 1/4" jack on one end-to plug into the headphone jack of the Spider, and a male 1/8" stereo mini jack-like (the kind on Ipod type headphones) to plug into the sound card. This will work for most computer sound cards, as they often have 1/8" stereo mini inputs and outputs. If you have an audio interface or a professional sound card that have multiple 1/4" inputs, you will need a cable with one male 1/4" TRS (stereo) jack on one end, and two male 1/4" mono jacks on the other end (commonly known as an “insert cable”) to create a stereo image. Take care in setting the output level on your amp: adjust the master volume to get the cleanest and most noise-free sound when the volume control on the toolbar of your computer is on full, with the volume control on your computer speakers set to normal, reasonable listening levels. If you set the output level on your amp too high, the sound will be undesirably distorted. Set it too low and the sound will be noisy. All you need then is some sort of recording software, of which there are many options available. Q: Is there a way to use the POD-Style Out (headphone) jack without disabling the speakers? A: There is no supported way to run both the speakers and the headphone jack at the same time. Q: Can I use an external effects pedal or processor with a Spider series amplifier? A: Effects pedals will almost always work well in front of the Spider series amplifiers. Just be certain that the output level of the external effect is not set too high as it could overload the input of the Spider. Most rack-mount processors are designed for line level use and often don't sound quite right when connected to the front of an amplifier. Q: Can I use a MIDI controller with a Spider amp? A: The Spider series amplifiers do not have MIDI In or Out connections, but the Spider Valve Mark II does have MIDI jacks. We recommend that you use the correct Line 6 controller with your Spider series amplifier. Q: Do any of the Spider Series amplifiers have an effects loop? A: The Spider series (I, II, III, IV) amplifiers are not equipped with an effects loop, but the Spider Valve (I or II) series does have an effect loop. Q: Can I edit/backup my Spider sounds on my computer? A: The Spider IV series amplifier can be edited with the Spider IV Edit Software. The previous Spider series (I, II, III) tone editing must be done on the face of the unit, as there is no computer editor for the earlier Spider series. See the following link for more information on the Spider Edit software: Spider IV Edit (v1.02) FAQs Q: Which controller will work with my Spider series amp? Controller compatibility chart Q: Where can I get replacement knobs/speakers/logos for my Spider amplifier? Line 6 Store Wie kann ich auf den Tuner zugreifen? Spider Tuner FAQs Wie kann ich die Artist/Song Presets auf dem Spider II/IV in eine Bank abspichern, sodass ich es per FBV Controller ansteuern kann? Halten Sie dazu denn Knopf des gewünschten Kanals für 2 Sekunden gedrückt und benutzen Sie dann den 4-Weg Schalter um Bank und Position auszuwählen. Drücken Sie dann den Kanalknopf noch einmal. Das LED des Kanals soltle blinken, wenn dies passiert wurde das Preset gespeichert. Wie funktioniert der Boost auf meinem Spider Verstärker? Spider I, II und III: Halten Sie den Tap/Tempo Knopf gedrückt während Sie den Drive Knopf hinten gegen drehen. Das B Licht wird dann angehen um anzuzeigen, dass Boost eingeschaltet ist. Spider IV: Drücken Sie Presets und benutzen Sie dann die rechts und links Pfeile um Boost auszuwählen. Hier können Sie Boost dann aktivieren, Boost erhöhen oder verringern (bis zu 8db) sowie Pre oder Post auswählen. Diese Funktion kann aktiviert werden vom FBV Shortboard MkII aus. Drücken Sie dazu den Function 1 Knopf. Beim FBV Shortboard MkI müssen Sie den Effect Loop Knopf drücken. Wie bediene ich Noise Gate? Spider III: Halten Sie Tap gedrückt während Sie den Reverb Knopf hinten gegen drehen. Dies schaltet das Nosie Gate ein um Rauschen und Zischen zu unterdrücken. Außerdem schlatet sich das Kanal D Licht ein um Ihnen anzuzeigen, dass Noise Gate eingeschaltet ist. Spider IV: Noise Gate kann auf dem Spider IV bearbeitet werden. Drücken Sie den Presets Knopf und wählen Sie dann mit den rechts links Pfeilen Gate aus. Hier können Sie sich dann zwischen Off, Gate, Noise Reduction oder Gate + Noise Reduction entscheiden. Benutzen Sie dann die rauf runter Pfeile um Threshold oder Decay auszuwählen. Diese beiden Einstellungen können Sie dann auch bearbeiten anhand des Preset Knopfes. Gibt es einen Weg, die Menge des Repeats des Effect Mixes, der vom Delay Effekt erzeugt wird zu kontrollieren? Spider I, II und III: Um die Geräte so eifnach wie möglich zu halten, haben wir verschiedene Bearbeitungseinstellungen entfernt. Sie können leider die Delay Feedback Rate nicht einstellen. Spider IV: Drücken Sie den Preset Knopf. Drehen Sie dann aux FX3 und anhand der rauf runter Pfeile wählen Sie FdBk aus. Hier können Sie die Rate, Zeit des Delays und Mix dann selbst einstellen. Wiese blinkt das Tap Tempo Licht? Kann ich es abschalten? Spider I, II und III: Das Licht zeigt das Tempo des Delays an, auch wenn dieser nicht aktiv ist. Sie können dies leider nicht abschalten. Spider IV 75-150: Das Tap Tempo Licht können Sie manuell der Modulation und dem Delay Effekt zuweisen. Es zeigt dann das Tempo des zugewiesenen Effekts an. Drücken Sie dazu den Presets Knopf, benutzen Sie dann die rechts links Pfeile um Ihren Effekt auszuwählen und dann die rauf runter Pfeile um Tap zu finden. Tap kann hier mit dem Presets Knopf an oder ausgeschaltet werden und per rechts links Pfeile können Sie dann Setup auswählen. Benutzen Sie denn die rauf runter Pfeile um Taplite zu finden. Mit dem Preset Knopf können Sie jetzt das Licht an oder ausschalten. Kann ich mein Spider Combo an eine externe Box anschließen? Nein, es sind keine Ausgangsjacks vorhanden, um Boxen anzuschließen. Das Spider 150 Combo hat zwei 8 Ohm Ausgänge, die die internen Lautsprecher stumm stellen, wenn angeschlossen. Line 6 Head and Cabinet Connections Wie kann ich das Ausgangssignal meines Verstärkers direkt in den Computer spielen? Sie können den Kopfhörerausgang als Line Out benutzen und an einen Stereo In Ihres Computers anschliessen, wie z.B. eine Soundkarte oder eine Audio Schnittstelle. Für die meisten Soundkarten brauchen Sie ein Kabel mit ¼“ männlich für an den Verstärker zu 1/8“ männlichen für an den Computer. Dies wird für die meisten Computer funktionieren, da der größte Teil der Soundkarten einen 1/8“ Eingang haben. Wenn Sie eine Audio Schnittstelle oder eine professionelle Soudkarte haben, die mehrere ¼“ Eingänge haben, dann brauchen Sie ein 1/4“ x2 mono zu ¼“ x1 stereo um Stereo Audio zu erhalten. Achten Sieaber bitte auf das Ausgangslevel des Verstärkers, Sie können so den Master Volume einstellen denn wenn dieser zu hoch eingestellt ist, dann wird der Sound verzerrt und wenn er zu niedrig ist, dann wird der Sound rauschen. Zu guter Letzt brauchen Sie dann noch eine Aufnahmesoftware. Kann ich den Kopfhörerausgang auch benutzen ohne die Lautsprecher abzuschalten? Nein, beides kann nicht gleichzeitig laufen. Kann ich ein externes Effekt Pedal oder einen Przessor benutzen? Effekt Pedale werden fast immer funktionieren, achten Sie einfach auf den Ausgang des Pedals, da dieser den Verstärker überladen kann. Die meisten Rack Prozessoren sind für Line Level entworfen und hören sich daher nicht richtig an, wenn man sie an den Verstärker anschließt. Kann ich einen MIDI Controller mit dem Spider Verstärker benutzen? Die Spider Verstärker haben weder MIDI Ein- noch Ausgang. Der Spider Valve Mark II jedoch hat einen. Wir empfehlen die Nutzung eines Line 6 Pedals. Haben die Spider Verstärker einen Effects Loop? Nein, nur die Spide Valve MkI sowie MkII haben einen. Kann ich Sounds, die auf meinem Spider sind auf meinem Computer abspeichern oder bearbeiten? Den Spider IV Verstärker können Sie anhand der Spider IV Edit Software bearbeitet werden. Bei allen anderen Spider wird die Tonbearbeitung direkt vorne am Verstärker durchgeführt, da diese keine Edit Software haben. Weitere Informationen: Spider IV Edit (v1.02) FAQs Welcher Controller funktioniert mit dem Spider Verstärker? Controller Kompatibilität Wo kann ich Ersatzteile für den Verstärker kaufen? Line 6 Store Comment puis-je accéder le Tuner? Spider Tuner FAQs Comment est-ce qu’on enregistre les presets Artist/Song sur le Spider II et IV dans une banque pour l’accéder avec un contrôleur FBV? Maintenez enfoncé le bouton du canal désiré pour deux secondes. Sélectez banque et position avec le contrôleur à quatre voies. Tapez le bouton du canal encore une fois et si la lumière du canal clignote, le preset a été enregistré. Comment fonctionne Boost sur mon ampli Spider ? Spider I, II et III : Maintenez enfoncé le bouton Top/Tempo et tournez Drive au maximum, si la lumière B s’allume, Boost est active. Spider IV : Poussez l’encodeur Presets et utilisez les flèches gauche et droite pour sélecter Boost. Maintenant vous pouvez activer Boost, augmenter et diminuer la quantité du Boost (jusqu’à 8db) et sélecter Pre et Post. Boost peut être activé avec le bouton Function 1 sur le FBV Shortboard MkII et avec le bouton Effects Loop pour le FBV Shortboard MkI. Comment est-ce que Noise Gate fonctionne ? Spider III : Maintenez enfoncé Tap et tournez Reverb au maximum. Cet allumera le Noise Gate. Si vous faites ça, le LED du canal D s’allume. Spider IV : Tapez l’encodeur Presets et utilisez les flèches gauche et droite pour sélecter Gate. Maintenant, vous pouvez choisir Off, Gate, Noise Reduction ou Gate + Noise Reduction. Utilisez les flèches haut et bas pour sélecter Threshold et Decay que vous pouvez ajuster avec l’encodeur Presets. Y a-t-il la possibilité de contrôler des répétitions de l’Effect Mix qui sont produits par l’effet Delay ? Spider I, II et III : Nous avons essayé de garder ces modèles aussi simple que possible. Ce n’est pas possible de changer cette fréquence. Spider IV : Poussez l’encodeur Presets, choisissez FX3 et utilisez les flèches pour choisir FdBk. Ici vous pouvez augmenter et diminuer cette fréquence en tournant le bouton Preset. Le delay se lance automatiquement si j’utilise un preset spécifique, comme puis-je arrêter ca ? Spider I, II et III : Vous pouvez désactiver auto-FX en allumant le Spider et maintenant enfoncé canal D/Insane en même temps. Si vous rallumez l’appareil, auto-FX ce lance aussi. Si vous voulez désactiver cette fonction en permanence, vous pouvez éteindre le bouton SmartFX et maintenir le bouton d’un canal jusqu’à ce qu’il clignote. Spider IV : Poussez Presets et utilisez les flèches gauche/droite pour choisir autoFX. Pourquoi est-ce que la lumière Tap Tempo clignote toujours ? Spider I, II et III 75-150 : Cette lumière vous montre la vitesse du delay même s’il n’est pas active. Vous ne pouvez pas le désactiver. Spider IV 75-150 : Vous pouvez assigner cette lumière aux effets. Elle montre la vitesse de l’effet. Poussez Presets et choisissez votre effet. Et trouvez Tap. Vous pouvez désactiver et activer Top ici avec l’encodeur Preset. Utilisez les flèches gauche/droite pour choisir Setup. Maintenant vous pouvez aussi chercher pour Taplite et désactiver la lumière en tournant l’encodeur Preset. Puis-je connecter mon ampli Spider combo (15, 30, 75, 120) à un baffle externe ? Non, parce qu’il y en a aucun jack pour un baffle externe. La combo Spider 150 a deux sorties pour un haut-parleur externe avec 8 ohms. Cette option assourdie les haut-parleurs intégrés. Line 6 Head and Cabinet Connections Comment puis-je enregistrer le signal de l’ampli Spider directement dans mon ordinateur? Vous pouvez utiliser le jack de casques comme Line Out pour enregistrer votre ampli Spider dans n’importe quelle entrée Line de votre ordinateur pour une connexion, vous avez besoin d’un câble 1/4’’ mâle stéréo à jack 1/8’’ mâle stéréo pour connecter à la carte son du ordinateur. Ça fonctionne avec la plupart des cartes sons parce qu’une plupart de ces cartes ont une entrée 1/8’’. Si vous avez une interface audio ou carte son professionnelle avec plusieurs entrée 1/4", vous avez besoin d’un câble 1/4" stéréo à 2x 1/4’’ mono pour recevoir du audio stéréo. Faites attention au niveau de sortie de l’ampli pour recevoir du audio propre et sans bruit. Si vous mettez le niveau de sortie de l’ampli trop fort, le son sera déformé. Mettez le niveau trop faible et le son sera bruyant. La dernière chose que vous avez besoin est un logiciel d’enregistrement audio pour l’ordinateur. Y a-t-il la possibilité d’utiliser une sortie jack sans désactiver les haut-parleurs ? Malheureusement pas. Puis-je utiliser un pédale effet ou processeur externe avec l’ampli Spider ? Les pédales effets fonctionneront presque toujours bien avec les amplis Spider mais ne mettez le niveau de pédale trop fort pour ne pas surcharger l’entrée de l’ampli. Les processeurs en rack souvent ne sonnent pas bien dans un ampli. Puis-je utiliser un contrôleur MIDI avec un ampli Spider ? Les amplis Spider n’ont aucune connexion MIDI. Seulement le Spider Valve Mark II a des connecteurs MIDI. Nous recommandons d’utiliser le contrôleur correct de Line 6 avec les amplis Spider. Ont-ils on Effects Loop ? Non, les amplis Spider I, II, III et IV n’ont pas de Effects Loop mais les amplis Spider Valve ont un Loop. Puis-je éditer ou sauvegarder mes sons sur mon ordinateur ? Vous pouvez faire tous ca sur le Spider IV avec le logiciel Spider IV Edit. Vous devez éditer les sons des autres amplis directement sur l’ampli. Spider IV Edit (v1.02) FAQs Quels contrôleurs fonctionnent avec mon Spider? Compatibilité avec des contrôleurs Ou puis-je acheter des remplacements ? Line 6 Store
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