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  1. I have the Spider IV 30 -- the old model, with just four presets. When I change from one preset channel to another, on some channels I get hum/buzz/static, which disappears when I fiddle with the channel volume/drive knobs. Is this just one of those things that everyone experiences or can I adjust something to eliminate/minimize that? I also noticed that the volume differs from preset channel to channel -- goes way up or down as I switch. Any way to standardize the volume so that it remains the same as I change channels?
  2. OK, I'm pretty much fed up with the POD 500 I have here. I'm using this thru a Mesa Mark V head for effects only, via the 4 cable method. When the POD500 was setup, it was working great, no problems, except the occaisional distortion that I've posted about before in here. Now the problem is that when I engage the effects loop, via my mesa foot switch, my chorus started sounding warbly, like some weird sonar-radar effect.... Then later I've gotten some nasty loud squeals. Please keep in mind,sometimes it works properly, then it does this... It works just fine again, then does it again..... I'm pretty much fed up with this. Has anyone here had anything like this happen to them? Is there something I'm missing. I love having the 4 cable method... but will the wah sound any different thru the loop? Perhaps I should ditch the 4 cm?
  3. Français Deutsch To switch Feedback suppression modes: Press and hold the FBS button and you will see the colors cycle through, green to yellow to red and back to green. Release the FBS button when you are on the desired setting. RED is for speech. An example is an individual doing a Power Point presentation. This could apply to a couple of people speaking at the same time, but the key is that human speech and human speech ONLY, is coming through the system. YELLOW is for vocal singing. An example would be acapella singing. This could be a group or a solo singer/performer, but it is meant for human singing voice only, with no other instrumentation. You may be able to use this for a singer/songwriter solo guitar and vocal. Yellow can work in this case because guitar and voice are in very similar frequency ranges, but, depending on the material, GREEN may be a better option in that case. GREEN is intended for universal application and should be used as a default feedback suppression setting. Only switch to the YELLOW or RED setting when the GREEN setting is not properly addressing your feedback concerns, or where feedback reduction is more important than audio quality. Using more aggressive feedback suppression settings may cause sonic artifacts in some cases. If you are experiencing undesirable artifacts when using Feedback Suppression: If you are experiencing undesirable artifacts when using Feedback Suppression it may be that a less aggressive setting should be used. Results are typically most pleasing when using the least aggressive setting that is appropriate for the given situation. It is good practice to start with the GREEN mode and only to move on to YELLOW and then RED if feedback is not being properly addressed. Green is for good and green is for go. In the majority of cases, customers should use green and they will be good to go. Pour changer les Suppression Modes: Maintenez enfoncé le bouton FBS et les couleurs parcourent. Vert, rouge et jaune. Relâchez le bouton si le couleur est sur le réglage désiré. ROUGE est pour le discours comme une présentation PowerPoint. Ça fonctionne aussi pour plusieurs personnes en même temps mais attention, seulement la voix est transmet dans ce mode. JAUNE est pour le chant comme a cappella. Ceci fonctionne pour un groupe mais aussi pour un seul chanteur. Cette fonction est seulement pour le chant sans instruments. C’est possible d’utiliser ceci pour un seul artiste avec guitare parce que la voix et la guitare sont des fréquences très similaires mais ça dépend au instrument, VERT est la possibilité meilleure généralement. VERT est pour une application universelle, cette fonction devrait être utilisée comme mode suppression par défaut. Utilisez ROUGE et JAUNE uniquement ci VERT ne répond pas correctement à vos inquiétudes de rétroaction ou si la réduction de la rétroaction est plus importante que la qualité audio. Si vous avez des artéfacts dans le son si vous utilisez la suppression de rétroaction c’est possible que vous deviez utiliser un réglage moins agressif. Éssayez VERT après JAUNE et ROUGE comme réglage dernier. Pour la plupart des applications, VERT fonctionnera mais les autres sont plus agressifs si nécessaire. Wechseln der Rückkopplungsunterdrückung : Halten Sie den FBS Knopf gedrückt und Sie sollten die Farben abwechselnd leuchten sehen. Von grün nach gelb und dann rot. Lassen Sie den Kopf be ider gewünschten Einstellung einfach los. ROT ist für Ansprachen wie PowerPoint Präsentationen. Dieser Modus lässt ausschließlich die menschliche Stimme durch. Der Modus funktioniert auch mit mehreren sprechenden Personen. GELB ist für Gesang wie z.B. Acapella. Eine Grupe sowie ein einzelner Sänger können diesen Modus verwenden. Ohne Instrumente. Manchmal kann dieser Modus auch mit Gitarre benutzt werden da Gitarren Tonfrequenzen denen des menschlichen Stimme sehr ähnlich sind. Generell soltle mit instrumenten jedoch der grüne Modus benutzt werden: GRÜN ist für eine universelle Anwendung und sollte als standard Rückkopplungsnterdrückung benutzt werden. Schalten Sie nur dann auf GELB oder ROT, wenn es Rückkopplungsprobleme gibt oder wenn Rückkopplungsverringerung wichtiger ist als Tonqualität. Aggressivere Unterdrückungen können zudem Artefakte im Sound hervorrufen. Wenn Sie Probleme mit zuvielen Artefakten haben: Versuchen Sie am besten andere Modi aus. Starten Sie dabei beim GRÜNEN Modus, dieser funktioneirt in den meisten Fällen am besten. Testen Sie dann GELB und später ROT falls es noch zuviel Rückkopplung gibt.
  4. Q: How can I reduce hum/noise/feedback when playing? -Single coils pickups used with higher gain settings will often cause noise. Try combining two pickups via the pick-up selector or trying a different guitar to see if the situation is the same. Make sure all the input and output jacks are tight. Check the instrument with different pickup settings to make sure it is not a bad pickup connection. -Higher gain settings tend to be the cause of many noise and feedback issues, try to dial the gain back on your amp a bit. Remember that heavy-rock bands often triple track (or more) when recording to create a thicker sound. -Turn your volume knob off when you are not playing (even during stops in a song when possible). -Turn off other volume controls not being used (i.e. volume trim pots) -Use the highest quality cables you can afford, and the shortest distance you can live with. RF can create many noises that can be eliminated with well shielded cables. -Experiment with distance and position between your guitar and amplifier/recording rig. - Avoid florescent lighting when possible. - Make sure that your instrument/rig is plugged into the same power source as the rest of your gear/band/PA system (to avoid ground loops). - User a power conditioner/regulator to filter RF and keep the voltage constant. - Experiment with the noise gate feature on your Line 6 unit or use an external noise gate. Q: I hear a "popping" sound when I turn my amp on, is this normal? How do I reduce the popping sound I hear when I turn my amp on? A: The popping sound is normal as it is a ramp of up the switch mode power supply. You can lessen the effect by: i) not having the input plugged in (disengaging the preamp section). ii) having the master volume turned all the way down (lowering the power amp output).
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