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Showing results for tags 'helix'.
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I am interested in learning how snapshots that I did not create are affecting the overall patch. For example, when hitting snapshot one it will increase gain on amp, reduce mix level of chorus, turn off wah pedal, etc.. IS there a way to see this? Kind of like reverse engineering. Thanks!
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I'm HX STOMP Owner I can't understand B polarity This is phase shift？ I want to know B polarity I'm Japanese . So I can use little English sorry
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Hello, I apologize if this has been covered before but I'm struggling with this topic. I have an old 12 button Digital Music Corp Ground Control unit that I previously used with my HD500X and I would like to see if it would be useful for integration into my Helix set up. I would like to be able to use the midi controller as additional foot switches. First thing. I just tried the Ground with my HD500X and it still works like it used to so I'm sure there's no really issue with it or the cable. How ever I think I'm might have stumbled on to my problem. I'm currently Using a 5 pin midi cable because the HD500X midi is only 5 pins. The Ground control midi only has out and it's 7 pin. I noticed this after banging my head for about an hour. The ground control doesn't even change presets on the current setlist of the helix but it does change presets on the HD500x. Could this be because of the 5 pin cable instead of the 8 pin cable. Is it possible they channels aren't assigned correctly? I'm somewhat familiar with the ground control and the set up. I know I can talk to 8 different devices and assign the channels on the ground control. My question is this, Does the helix communicate on only one dedicated channel or can I set both the helix and ground control to say channel 5. Is it possible that ground control is just too old to communicate with the helix? Thanks Bob
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I play bass guitar through a Helix Stomp and recently added a Sennheiser Evolution Wireless Digital instrument set to my live setup (LINK to what that is: https://www.guitarcenter.com/Sennheiser/EW-D-Evolution-Wireless-Digital-System-with-CI1-Instrument-Cable-Q1-6-1500000339492.gc?storeCode=&source=4WWMWXGL&gclid=Cj0KCQjwlK-WBhDjARIsAO2sErR4iue2DwqVQKA5DhR-8bNieH1Kb-4tiLocBO63nI5-QMQ1MVM4N4YaApluEALw_wcB). The Sennheiser plugs into the mono input of the Stomp, and the Stomp has an output that goes into our power amp. When we rehearsed and played a show with our own setup, everything worked perfectly. But when we played a venue that had their own setup, I had an issue where sound was coming through when I was tuning even though I have it on mute. This didn't happen with our own setup so I was wondering why at the venue the mute was being bypassed. Does anyone have any ideas on what would be causing this and how I can fix it?
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Hi, I've been a purely acoustic guitarist for about 20 years now and am now inspired to put together some tasty sonic experiments back in thew world of electric guitar with effects. I'd like to create something of a full sound without requiring other musicians. My style is folky kind of finger style. Think Nick Drake, Damien Rice etc. I love the tones of guitar in Sigur Ros with their elegant reverbs. I'd like to create something that can lean toward that sound but also where the bass can come through separately and not get lost and blended with the higher frequencies and all their reverb. I'm wondering if the best way to do this would be a dual amp setup? From my research it seems this would be possible with any of the helix pedals? So I would imagine running the bass line out with a sharp low-pass filter, relatively clean signal other than that, to one amp. And then the other amp would be available for higher frequencies and an assortment of colourful effects I could put on top. Would this work and is there anything I'm missing? Or would I be better off with a different setup? Are the Helix pedals well-suited to this plan or are they overkill? As an extra bonus question I'm wondering if there is such. thing as a cumulative distortion effect where I could have a relatively clean signal at lower dynamic playing levels, but where distortion gets racked up once I start really strumming hard? Really appreciate any help on this, I've been out of the game a long time! (if you want an example of the style I'm playing: https://open.spotify.com/artist/0LJsb0xwkDer6dZ2SKtFh1?si=ZXrDPbYTSjOO-0iIqBgmNA )
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Hey all, Bit of a newb here but I have a Helix Floor arriving soon and for the function band I'm in, I'm planning to run straight to the PA but I'd like extra on stage sound for me. Nothing too expensive or flash. I have already bought a power amp (Hartley Benton GPA 100w and 8ohm capability) and would like advice on whether the SubZero C10M or C12M passive FR monitor would be a suitable match? Impedance on these things looks to be 8ohm but output is way more than the 100w of the power amp I have so wanting to make sure this won't cause me an issue other than not being able to push the volume etc. Also, are the inputs on these things capable of connes3via a 1/4 jack? Thanks in advance. Scott SubZero C10M Passive Stage Monitor Previous Next
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I think that title says it all, but I have some specific ideas on how and why it might currently benefit Line6 to do this. My brother works in a similar hardware/software environment and said it would be super easy. Users just have to be willing to make it worth their while. Please, for your first post, vote “YES” or “NO.” Then, post again, so it will be easy to tally the vote. -
Does anyone know if this is possible? I bought an HX stomp to use with physical pedals. I already have great sounding patches on my PodGO, but would love to find a way to convert PodGO patches (,pgp) to the HX format (.hlx) without having to manually recreate them. Is there a JSON hack to achieve this? Thanks!
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I just discovered the polycapo functionality in my Helix and I read that it can take up quite a bit of processing power. I have created two snapshots with my normal tone settings and a polycapo block in the chain. One snapshot lowers my pitch by 1/2 step, while the other lowers it by 1 whole step. This seems like a great solution for quickly drop tuning my guitar when necessary between songs. I am curious if this setup consumes processing power at all times even when not using these snapshots, or only when the polycapo snapshots are engaged? Any color on this issue or related topics about the polycapo function is appreciated!
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I'm just getting into my Helix... been in a box since since 2015 due to my on the road work schedule. I've updated all the firmware, etc., and I connected the Helix to my Katana via MIDI and also connected it via the four cable method. I went to Preset>Templates>02A 4-Cable Method to begin experimenting with it. I am using HX Edit also, and I see that the Katana is already responding to MIDI communications from the Helix as it is changing the settings on the Katana when I select the different first bank footswitches (01A thru 02D). I've been moving around in HX Edit looking for the MIDI commands that are causing the changes in the Katana, but I can't seem to find where these settings are located. I looked in the Command Center, but nothing is assigned to anything here except footswitch 5 has "This footswitch cannot be assigned"... I'm guessing due to the looper. Anyone able to point me in the right direction here? I know how to assign MIDI from the Helix to the Katana using the PC and CC values provided in the Boss manual, but the Helix seems to be changing selections on the Katana that aren't listed in the list of commands available in the Katana manual, and I want to know how the Helix is doing this with its straight out of the box settings. Thanks for any assistance.
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I'm a Helix Stomp newb. Coming from the Kemper (which I still have). My use case with the Stomp is primarily as a second amp to play through in my music room and as a backup to the Kemper for FRFR work, as needed. I'm noticing that the Helix models have some advanced parameters that I'm not 100% sure in terms of how they complement (or don't) a real tube power amp. I've also read that the Helix models do better as preamp only into power amps, but I read varying opinions on keeping the power amp sims on for the Power Station (mostly people saying to use them). Just looking for quick hitting tips to optimize the Helix models for a Power Station into a cab. -
Good evening group. I have a DT25 head that I've been using with my Helix for about a year now and love it. I typically run the DT on Channel A so it's just acting as a power amp to send the Helix out to my cab and it sounds terrific. I started looking into some other set-up options and came across the following in the forum (which I already knew): When set to Channel A, the DT switches to Channel A and its preamp is bypassed for when using a preamp model in Helix. When set to Channel B, the DT switches to Channel B and its preamp is activated TIP: Assign a stomp footswitch (or snapshots) to simultaneously bypass a Helix preamp block AND switch a connected DT amp to Channel B. This gives you a wider variety of tones in the same preset, without the DSP overhead required to run two simultaneous Preamp blocks. The problem I'm having is this: If I'm sitting at my PC using HX Edit, when the DT is set to Channel A and I click through Topology settings I-IV, I see it changing on the DT as I'm doing it. When I switch to Channel B, it doesn't. I would have expected the opposite to happen, since on Channel A the preamp is bypassed, but on Channel B it's not. So it seems like if I'm running the Helix into the DT via L6 Link on Channel B, I cannot switch between Topology settings/options. Am I doing something wrong? Thanks!
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Hi peeps! Today I notice that the expression pedal was not aligned properly, and was actually scraping the left side of the gap in the metal. The whole pedal was slightly off kilter off center. I took the included hex key and loosened the bolt a little. Then I moved the pedal with my foot. Nothing helped. Until I pressed the pedal in (as in to switch between Exp 1 and Exp 2) and it re-aligned itself. I then tightened the bolt and it seems to be back to normal. So did I break it or is this normal? I barely use this particular Helix, only when I play gigs. thanks!
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Hi everybody ! I am using currently HX Stomp and I really love how simple and dual pitch blocks sound ( which may be strange to some people ). The reason is that they have no noticable latency or pre-delay. I recently compared it to Micro Pog and the Pog had a noticable lag ( compareable to Dual Pitch set with delay option to 20ms). I know that polyphonic pitch shifters is all about latency vs preciseness and I love that not really precise ( when playing chords ) but very fast sound of HX Stomp pitch shifters. I use them only for octaves and only in monophonic way. To the point - I look for a pedal for one of my pedalboards which would be very close to what HX Stomp Dual/Simple pitch sound like. Unfortunaetly I cannot put HX Stomp on my pedalboard due to the space limitations. Do you maybe know what pedal was those pitch shifters based on ? What pedal would be the closest ? I will be really grateful for help because I would die to get that tone on my pedalboard in one single pedal.
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Hello everyone. I am new to the Line 6 products. I've mainly use orange tube products. I've recently decided to get the Helix after my friends consistently talking about how great it is. I bought a few pieces to go along with it but I'm lost. Everything on YouTube doesn't help. This is what I'm working with Gator 6u shallow case Helix rack Gemini XGA-4000 PowerAmplifier Livewire 9-Outlet Power Conditioner Sure guitar wireless system non rack version 2 speaker cables 2 speakon to 1/4 cable 2 guitar cables 2x12 cab. Like I said I'm very green when it comes to modeling systems. Any guidance on how to hook everything up would be greatly appreciated.
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Hello All, I think I'm about lose my mind. When I try and set up my channel volume a foot-switch I set a min and max value. Simple. I press it on, my volume goes up. I press it off, it goes down. Except, when I change my snapshot, the setting seems to be getting confused and leaving itself on a higher volume when off and turning down when it's on. This wouldn't be a problem, except for the fact that I have other functions assigned to that switch to help boost it, so this is really, really frustrating. Anyone have any ideas how to help? Thanks
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I have a JTV 69S and just got a Helix. I used to have a Variax 600 and POD XT and I could use the VDI for variax control and to output the sound. Now I have found that I can use the special workbench cable with Workbench HD only if I plug in the 1/4 inch jack too, but while both lights turn green I can't connect to the Variax from Workbench HD. If I plug into the Helix I have to plug in the VDI cable and the 1/4 inch to both the Variax and the Helix to be able to select the Variax as the input. I can take out the battery and it powers the Variax. Workbench HD can see and connect to the Variax through the Helix. I thought maybe if I flashed it from 2,21 to 2.23 it might work but the closest I can get is with the Helix and it throws an error. I'm wondering if I have a wiring problem but that doesn't seem to make sense. something is wrong though. -
I have some presets I typically use in Stomp Mode, and some presets that I typically use in Snapshot Mode. Is there a way to assign, on a preset-to-preset basis, which mode will come up by default when I select a preset?
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Has anyone found any creative ways (other than using USB) to have a Helix (Rack) connect to a PowerCab 212+ via L6 Link and still allow for some sort of digital output (into a soundcard, for instance)? I use a Helix Rack + PC 212+ alongside a Clarett 8Pre and am bummed that switching on my PowerCab (connected to the Helix via L6) disables the S/PDIF output - I use the latter to intake the Helix signal, keeping some analog channels open and staying in the digital realm. I quickly perused the forum, but didn’t find any ideas that’d specifically address that scenario. Self-deprecatingly, -LesSand
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Thanks in advance for any suggestions. I am able to get Looper to work on other presets, however I have a particular preset (attached below Acoustic 6str.hlx) in which it doesn't work properly. I am able to add Looper to this preset, and the buttons respond as expected (e.g. for "1 Switch Looper" I can see RED for record and GREEN for playback....and similar visuals for the "6 Switch Looper" I can see the IN/OUT OVERDUB labels and solid/blinking white knob toggles) however nothing is played back (I can't tell if it was recorded and playback volume is 0, or if just not recorded). I've tried removing that effect from the path (remove>>save>>restart>>add back) but same issue. I'm still learning my Helix Floor (running v3.15) so I could be missing the obvious. I believe this issue occurred with 3.11 (what my unit was shipped with in Dec 2021) so don't think it's 3.15 issue. Below is image of "Acoustic 6str.hlx" preset has quite a bit going on. Originally Looper was the very last effect (after last Volume) so I tried moving it around to trigger a positive result. Forgive my experimentations. Acoustic 6str.hlx
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Recently, I upgraded to a L6 Helix, two M-Audio speaker monitors, and the Clarett+ 4pre audio interface. My issue is how to connect what I have to get the most out of it. This setup isn't for gigs, it's for home recording. 1.-- I have a spdif cable connected from the output of the helix to the "optical in" of the clarett+. It's a "cinnamon" toslink optical cable. I have two more "digital" livewire spdif cables. I see there is an extra spdif "in" and "out" on the back of the Clarett audio interface, besides the optical in. On the Helix, the spdif output is connected to the clarett optical in, but the input is available. How many spdif cables should I connect? How should they be connected? Also, I have xlr to 1/4 cables--the music store said I would still need these even with Spdif input and output. Do I need to use two xlr - 1/4 cables in addition to spdif (Helix xlr outputs to Clarett audio interface 1/4 line inputs)? Should I not use both spdif and xlr together? 2.-- Both the Clarett+ audio interface and the Helix use usb interfaces to connect to a computer. Clarett uses a mini usb, and Helix uses a more traditional (looking) usb. I was told to either use the Helix usb or both, and they leaned toward both being preferable. Which is the best configuration? 3.-- I feel novice as hell asking this, but should I plug my instrument (guitar, in this case) into the Clarett AI or the Helix? If I want distortion, do I have to plug it into the Helix? Appreciate the help ~Ven
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Hey people, got a problem with setting up the wah pedal on my Helix. My target is to set it up like Jonny in this video: Line 6 Helix Wah settings TIPS and TRICKS. - YouTube So for everybody who doesn't want to watch the video: I want to work like my old Bad Horsie 2. Selecting my wah pedal and chosing the Expression Pedal as the bypass switch on 0% (have tried with a little more % but it doesn't work either). Min Position on about 15%. With that setup it should automatically be activatet when I use the pedal and when it comes down to zero again or below the certain value that I choose for the position parameter it should be off. And here's the problem when I set it up like that: The wah is off in the beginning. When I use the expression pedal nothing happens. When I reach my bypass value the wah is turned on. Then I can use it until I hit the bypass value again. Then to activate it again I have to use the pedal and come down to the bypass value and so on and on. Sometimes when I set my wah pedal up again the exact same way it works as it should until I change something. But most of the time it only works as discribed above. Has anybody any tipps for me?
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Hi all! About a year ago, I was using an MXR 10-band EQ in the FX loop of my amplifier and it sounded amazingly good. I noticed it was giving me some bad hiss though, so I switched it out for a Source Audio EQ2 about 6 months ago, which also sounded good. I wanted to add delay, reverb, and an amp modeler into the amp's FX loop along with the EQ, so I ultimately decided to sell the EQ2 and put an HX Stomp in the amp's FX loop to do all of this. Currently, this is how my HX Stomp functions and here is my signal chain: Guitar > front of amp effects > preamp > FX loop send > HX Stomp 10 band EQ > HX Stomp digital delay > FX loop return > power amp The problem is that upon switching out the EQ2 for the HX Stomp, when I set the Stomp's 10-band EQ parameters to what the previous EQ's were set at, I realized there was an extremely noticeable jump in some of the frequencies. The signal immediately sounded very nasally. Through messing with the frequencies, I realized there was a boost in frequency right around 1K Hz. To give an idea of how different the frequency hike is, 1K Hz on the old EQ was set at +2 dB (I run a little hotter for more gain in the FX loop). On the HX Stomp, I have to run this same frequency at -2.0 dB to achieve a comparable sound. However, running this frequency this low on the Stomp's EQ is causing some fidelity issues; coming out of speaker, anything around 1K Hz sounds like it coming out of an AM radio. You can imagine this is frustrating. Has anyone had this issue and/or does anyone have any thoughts, suggestions, or advice on how to fix this? Thanks in advance.
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Good afternoon I would like to control global volume (like turning manually the big weel on top of Helix) using a CC# managed by a pedal. I haven't found the correct CC# Anyone Could help me ? Many thanks in advance Marco -
Hello I whant to restore one of my presets from the latest backup, is that possible? Thanks! BR, Micke
