Please ensure Javascript is enabled for purposes of website accessibility Jump to content

Search the Community

Showing results for tags 'help'.

  • Search By Tags

    Type tags separated by commas.
  • Search By Author

Content Type


Forums

  • Community Support
    • Multi-Effects Units
    • Variax Instruments
    • Amplifiers
    • Computer Based Recording
    • Live Sound
    • Pedals/Controllers
    • Dream Rig - Line 6 Product Integration
  • General Discussion
    • Tone Discussion
    • Line 6 Lounge

Categories

  • General FAQ
    • Operating System-specific Information
  • Tutorial Videos
  • Effects/Controllers
    • HELIX/HX
    • DL4 MkII Stompbox Modeler
    • FBV Controllers (MKII / 3)
    • M5
  • Amplifiers
    • Powercab
    • Catalyst
    • Spider V
  • POD
    • POD Go
    • Pocket POD
    • POD Express
  • Guitars
    • JTV / Shuriken / Variax Standard / Workbench HD
  • Relay/XD-V Digital Wireless
  • Recording
    • Helix Native
    • Metallurgy
    • Echo Farm/Amp Farm
    • POD Farm 1/2.0/2.5
    • Computer Audio Set Up and Troubleshooting
  • Legacy Products
    • POD
    • Amps
    • 1st Gen Variax Guitars / Bass / Workbench
    • Effects and Controllers
    • AMPLIFi Series
    • Live Sound
    • Digital Wireless
    • Mobile Products
    • POD Studio / Tone Port / GuitarPort
    • Software
    • Dream Rig

Find results in...

Find results that contain...


Date Created

  • Start

    End


Last Updated

  • Start

    End


Filter by number of...

Joined

  • Start

    End


Group


AIM


MSN


Website URL


ICQ


Yahoo


Jabber


Skype


Location


Interests


Registered Products

  1. hello everybody i purchase a Line 6 POD Studio UX2 and it work fine with cubase 7 element. when i run POD Farm 2 only it sound perfect but when i open it as a plugin on cubase it sound deffirent and less stronger effects... can anyone help me with that problem plz?? thanks
  2. Well, i have 2 years with my unit, and it works perfect, but this week turned crazy, when i switch the fx2 button, pop up to fx3 or fx4. when i switch the mode button it works like i had pushed the preset button. I have factory restored the unit but still the same problem.
  3. Hey guys. So I've been having some serious problems with my UX1 and Pod Farm. When I play into headphones, no problem. When I plug into an amp (UX1 Phones out>>Amp return input) or a DI running into a board and then a loudspeaker, my sound will cut in half and make this fluttery warbly sound. I have a friend that does the same thing but has no problem. Any ideas? My Pod Farm and Macbook Pro are both updated to the newest operating system and everything. Let me know if you can help. Thanks!
  4. I bought an FBV shortboard MKII and I want to change the settings. I have a Spider IV 75 and it has user A, B, C, D, list of presets. I want to change the effect within the letter list, but when i change it and move on to the next preset, depending on what i choose for the second one, the first preset is changed to something different. Please help.
  5. I had a IMac, digidesign protools mbox, and KB37 with toneport gearbox for several years now. My IMac crashed, lost all my songs, and info is un-retrievable. So.. I bought a Presonus audio box with studio one and a new PC with windows7 32 bit I want to continue using my KB37 but it's several years old, it has the old version of gearbox before pod farm came out. Is there anyway to get this thing compatible with windows 7 and upgrade to podfarm? I loved the sound I got with the toneport and how easy it was to get a nice sound. I'm pretty tec dumb so any help would be greatly appreciated. So in short, I have an old KB37 circa 2008 or 2009, I would love to update to work with studio one on windows 7. Or am I out of luck? Thank you for any responses
  6. hello people, im new to the line 6 family so please be nice to me.it's just i'm not sure what patches are? can someone please help explain?
  7. Ok, so here's my dilemma. As of now I live in a tiny apartment with my Line 6 Spider 3, my guitar, and my laptop. Now, for the past year I've been playing through my amp through headphones, like through the headphone jack, because I cant play my amp slightly loud enough, before my neighbors come banging at my door. Anyways, I'm thinking about buying a Pod Pro HD X, but there's a few things I want to know about it before I pick it up. 1. Can I plug headphones and my guitar into it and play directly through it? 2. I'm pretty sure this is true, but can I plug my guitar and headphones into it, and plug it into my laptop via USB, for recording purposes? 3. Can I use a L6 FBV Express MKII on it? For like Wah effects and stuff? 4. Does the Pod Pro HD X sound better than the Line 6 Spider 4? Those are pretty much my only questions. I really want the HDX because I want to start recording, and I've tried with my Line 6 Spider 3 using a Aux audio to aux audio and plugging it into my mic port in my laptop, and it sounds like utter sh*t. I really don't want another actual amp either, because I hardly play live, or go out to play. So is the Pro HD X right for me?
  8. rockerkupr

    In Flames

    Hey everyone, just bought myself a POD HD PRO today and have been looking to make my own in flames tone. I am unfamiliar with the different amp names in POD HD Pro EDIT. So help would be much appreciated. Also if anyone has some that are already created i would love to hear a few and or trade info to get the details behind the sound. Cheers
  9. HI EVERYBODY!! I've just watched on youtube a very nice patch to make "dubtep music". this is the link: Can anyone help me to get a sound like this?? If you have this patch link it!! thank you :D
  10. Im rewriting this post because im still having problems with my tone. I've gone through all the suggestions and nothings changed. The outputs is Studio/Direct and im using a low gain yet im still getting horrible fuzz over the top, ruining any clarity that was there. Here's a raw clip of the tone im getting: This particular clip was recorded with a cheap guitar but i have the same problem with any guitar i use! https://soundcloud.com/dan-kav/lollipop-tone If anyone can tell me why my tone is coming out at such bad quality i'd be extremely grateful!
  11. This is my first time on any forum so i have no idea what im doing so dont be patronising... I have the Pod HD Pro in my studio but it sounds terrible? I can make a nice tone that im happy with but it has a horrible fuzz, clipping/distorted sound on top of it, which is completely ruining the tone! Imagine listen to a song that would sound great as WAV or 320kbs... but is coming out sounding like 128kbs. (that horrid, weak quailty) The tone has lost all depth and clarity and its really starting to annoy me as my band are mid way through recording our EP but the more we focus on the guitar the more the bad quality stands out! Nothing is actually clipping though, like the gain on the amp is pretty low, low master volume, its not clipping in the compressor or the DAW? Seriously need help to find out whats wrong. Its been like this since i got it and im losing faith in line 6. If anyone has experienced this and overcome it please tell me how? x
  12. So yesterday I updated line6 monkey, and now it won't find my Pod X3. ESN unkown... Here's the error Error: (Code 80007103) Failed read to firmware. My license manager is now unauthorized with an error of 80000002 or something. I've tried turning things on and off, plugging them in and out to different usb ports and so on. Also, when I am running Logic or any other of my DAWS and I open line 6 monkey, it now will crash whatever DAW I have open. What is going on?!
  13. Hello ya'll, I recently purchased a POD Pro on ebay and when it arrived it wouldn't power on(it still hasn't). The seller is a store with 100% positive feedback on ebay, so when they described the POD as "working perfectly" I believe them. I know for a fact that it had a rough journey here because the box was pretty darn bruised and beaten. Can any one of you tell me what might be wrong with it?
  14. Hi, I need some advice to match my Spider III 4x12 cab with a Krank Rev Jr Pro. The spider cab has two 8ohms inputs running in stereo and the left side input running 4 ohms in mono, my amp has a 16/8 ohms switch, i would like to know if it will be rigth to connect my amp with the swiitch in 8 ohms, to the right side of the spider cab, will this deactivated the left side of the spider cab, letting me use the 8 ohms side of the cab? thanks for your help!
  15. Hello guys! My brother's birthday is coming and I really want to surprise him, but I'm not sure whether to get him the M13 or the Pod HD500X, I need to confess that I never tried either of those two He has a really bad 80's amp and a mixing console where keyboards and vocals go to the PA Which one is better and why? He is an FX experimental guitaris t, knowing that which one is better for him? I'm a complete noob when it comes to digital proccesors and I just want him to have the best Thats why I need your help Thanks in advance. :)
  16. For the longest time I have had huge problems with my Pod HD 500. I am constantly hearing excess and un-needed noise whenever I am playing on a clean patch (and I can only assume it is happening on distorted patches although you can't hear it). No matter what amp model I'm using, the noise is persistent. I always thought maybe the pickups on my guitar are too hot, but as a raise or lower the pickups, the problem still occurs, even if I enable the PAD switch. I do not believe the pod is clipping for I have the volume knob at about 60% and the mixer volumes (VOLUME A & VOLUME B) set at -5 db. I have all the latest updates and I honestly do not know what to do. I have recorded an example the sounds I am hearing so it can give a clearer indication of what I mean. I will post the link. I recorded a direct signal with a clean patch from the Pod to my interface.Then I recorded the same riff, but with everything on the signal chain disabled. Lastly I recorded my guitar directly into my interface. When it is the completely dry signal from my guitar, i do not hear any additional noise so I can only assume its my Pod. Please help. I am getting awfully fed up with this issue. Thanks Here is the recording: http://puu.sh/3rr3I Clean problems.mp3
  17. I would like help regarding an issue with my setup. I bought a Pod UX2 because I thought it was a great investment. I love the guitar recordings I can get out of pod farm and even bought metal shop because I love it so much. Ive become more professional lately and have wanted to get a better mic, which is where my issue is. I would like to get a Shure SM7B mic, however it requires more gain (I believe around 55 or 60 from what ive heard). and the UX2 doesn't appear to have that much. I think the ux2 has 20 and then 25 more with the phantom power? I might be wrong, id love someone to correct me on this. anyway my questions are. 1. Is there a way to get a shure sm7b mic to get preamped enough to record solid vocals with the ux2? 2. If I cant get the gain. I will need a new interface. But I would still like to use pod farm. can I buy a licence so I can use my pod farm and metal shop? or do I really have to buy them all over again. I would love help on this as I very much love line 6 products. but I need the required gain to record more than just guitar. Thanks!
  18. Absorption - The attenuation of sound level that occurs when a sound wave passes through a medium or strikes a surface, which result in the conversion of sound energy into energy such as heat. Acoustics - The science and study of sound, or the effect a given environment has on sound. Amplifier - A device that increases the amplitude of a signal. Attack - The time taken for the compressor or limiter to respond to the transient that has exceeded the threshold and attenuate the gain accordingly. Attenuate - To reduce in amplitude or sound level; make quieter. Bi-Amplified Systems - A loudspeaker system with a crossover and two independent power amplifiers, each handling their own half of the frequency spectrum and feeding a separate speaker system. Balanced Connections - Impedance matched audio connections that use three-conductor connectors such a XLR or TRS connectors. Balanced lines are less susceptible to hum and can carry audio signals over longer distances. Boomy - Listening term, refers to an excessive amount of additional bass response that has a less focused attack. Bus - A mixing console term that refers to a internal pathway used to route audio signals between channels, inputs, and outputs of a mixing console or digital audio workstation. Bright - Listening term, refers to treble sound that has a lot of high frequency response. Clipping - Distortion as a result of the top of a digital waveform being cut off caused by a signal overloading a gain stage of a digital device. Coloration - Listening term. The emphasis or reduction in a characteristic of the original sound. Compression - The process of attenuating the volume of loud sounds and amplifying the volume of quieter sounds to reduce the overall dynamic range of the audio signal. Compression Driver - A mid or high-frequency speaker comprising a small diaphragm and voice coil coupled to a large magnet structure, which is usually then mounted into a horn. Coverage Pattern - The angle of a loudspeakers beamwidth averaged over the high frequency responses enclosed within the specified range of -6dB on a frequency response polar plot. For example using the center of the high-frequency component as the 0 axis, the StageSource L3t can project 25 above and below the 0 axis, and 50 left and right of the 0 axis while maintaining an ideal frequency response and amplitude level. Crossover - DSP controller filter that splits audio signal into separate frequency bands that are routed separately to loudspeaker drivers that are optimized for the specific frequency band. Crossover Frequencies - The specific frequency bandwidths the DSP controlled crossover will split between separated loudspeaker drivers so that each driver can handle portions of the audio range it is optimized for. DC Fault Protection - A type of power amp protection that prevents the loudspeaker from receiving DC current as a result of a power amp failure. Decibel - A unit used to measure the intensity of a sound or the power level of an electrical signal by comparing it with a given level on a logarithmic scale. It is defined as dB = 10 x log(P1/P2), where P1 and P2 are the relative powers of the sound. Direct box - Device used to connect a high-impedance, line level, or unbalanced signal to a low-impedance microphone level balanced input. Commonly used to connect a electric guitar or bass directly to a microphone preamplifier input. Directivity - The angle of coverage for a loudspeaker's projection vertically and horizontally, often expressed on specifications as "Directivity Index" in decibels or as "Directivity Factor" which is represented by Q. These specifications can help you to gauge how directional the loudspeaker is. Directivity Factor (Q) - The mathematical expression of how directive a loudspeaker's output is.This ratio is represented by the Q factor, a measurement of the on axis response compared to the average of the off-axis response over a specified frequency range. A spherical output source with equal output levels at all angles will have a Q factor of 1. Directivity Index (DI) - The average increase in a loudspeaker?s sensitivity as a result of the directivity factor of a loudspeaker's output. Represented by the value of dB, the on-axis level will have a increase in amplitude in relation to the level that would be radiated by a spherical output source of the same power, over the average of frequency range specified. Dynamic Range - The amplitude range between the quietest level and loudest level that a audio device can capture, produce, or reproduce without distortion. Equalizer - An adjustable audio filter that divides an audio signal's frequency response into separated bandwidths, yielding the ability to increase or attenuate the amplitude of each bandwidth individually, in order to control the overall response of the audio signal. Excursion Limiting - Regulatory protection against a loudspeaker's voice coil from being forced to move forward or backward in an amount that exceeds what it is capable of. Feedback - A constant ringing tone caused by the amplified sound of a loudspeaker system being captured by a microphone that is simultaneously being amplified by the same loudspeaker system, this causes the formation of a continuous feedback loop. Free Field - A environment where sound produced can travel in all directions without reflections or exterior interference. This type of environment is used to simulate and measure the response of an audio source in open space. Frequency - The measure of the rate of variations of a repetitive waveform, expressed in cycles per second or Hertz. In audio terms, frequency often refers to a specific tone within a range of a audio signal. Frequency Range - The operational frequency response the loudspeaker reproduced at the specified output power. Frequency Response - The bandwidth of frequencies that an audio device can capture, produce, or reproduce. Frequency response is measured from a low of 20Hz to a high of 20kHz with a +/- dB value indication of the amplitude variation existing across the frequency response when a test tone or sample is played back. All frequencies above and below a unit's Frequency Response are attenuated by a value greater than the +/- dB level indicated by the specification. Gain - Adjustable volume control for a audio device?s input that increases the amplitude of a signal from the input to the output of the device. Also represented as the output voltage of a device divided by its input voltage, most commonly measured in decibels. Graphic Equalizer - A equalizer that typically has a number of fixed-frequency bands, each with a slider that allows you to boost or cut the designated frequency. Ground loop - A condition occurring when several ground pathways exist between two devices, resulting in hum and increased noise. Half Space - A variation of the free field environment in which the audio source is placed or mounted against a solid barrier or baffle without reflections or exterior interference. This type of environment is used to simulate and measure the response of an audio source in half space. Compared to a free field environment response, a half-space environment will yield an increased response in low frequencies by an average of +6dB. Headroom - The difference between the nominal operating level of a audio device and the level at which clipping occurs, usually measured in dB. Hertz - The measure of the frequency of a vibrating object equivalent to cycles per second, it is often abbreviated as "Hz." Highpass Filter - An audio filter that attenuates all frequencies below a user specified cutoff frequency by particular amount of db per octave. Loudspeaker Horn - A horn shaped passive component of a loudspeaker that increases efficiency by improving the directionality and frequency response of the driver it is coupled with. I/O - Abbreviation for "Input/Output." kHz - 1000 Hertz. Limiting - The process by which the amplitude of an audio device?s input or output is prevented from exceeding a user specified dB level. Line-Level - The level of a audio device?s input or output operating level, typically a line level signal is +4dBm, while some audio devices will use -10 dBV instead. Line-level audio signals usually include keyboard/synth outputs, mixer outputs and signal processor outputs. Loudspeaker - An electro-acoustical transducer that converts electrical energy to sound energy. Lowpass Filter - An audio filter that attenuates all frequencies above a user specified cutoff frequency by particular amount of db per octave. Main Speaker(Mains) - The primary loudspeakers used to broadcast the output of a mixing console to the audience. Maximum SPL Output - The maximum output volume achievable before clipping or a specified level of distortion occurs. Millisecond - One one-thousandth of a second, often abbreviated as "ms". Mixing Board - An audio device used for combining, routing, and adjusting the level, tone, and dynamics of audio signals, in turn summing the signals down to a monophonic or stereo signal that can be output to a recorder or loudspeaker. Monitor - A loudspeaker used live or in the studio to help a performer hear playback of their performance or backing tracks. Monophonic - A single-channel sound. Mute - A function that decreases the volume of an audio signal or device to a level that is inaudible, which allows the volume to be cut on a device without having to adjust the volume control. On-Axis - A response that is directly in front of a loudspeaker or microphone. Off-Axis - A response that is not directly in front of a loudspeaker or microphone. Off-Axis Response - A plot used to illustrate the response of a loudspeaker over a specified range of off-axis angles, with the measurement of the on-axis response used as the zero degree reference point. Overcurrent Protection - A type of power amp protection that disables the output stage of the amplifier when a voltage greater than or equal to a specified value is detected. Overtemprature Protection - A type of power amp protection that prevents the power amp from overheating by limiting the output power once a specified temperature has been reached. Pan - A rotary control on a audio device used to position the audio signal between the left and right channels of a stereo sound field. The counter-clockwise position routes the signal to the left-channel output, the clockwise position routes the signal to the right channel output, and the center position routes the signal equally to both the right and left channels. Phantom Power - A method of powering a condenser microphone by sending 48 volts of DC current over the same XLR cable used to carry the microphone?s audio signal. Parametric Equalizer - A equalizer that typically has three primary parameters: selectable center frequency for the frequency band, bandwidth control for how wide or narrow the frequency band is, and a gain control for how much of the frequency is boosted and cut. Peak Output Power - The measurement of the maximum amount of watts a power amp can handle for an instant without distortion. Power Amplifier - An audio device that amplifies a line level signal to a speaker level signal. Power Amp Protection - Reference DC Fault Protection, Overcurrent Protection, and Overtemprature Protection. Release - The time it takes for the compressor or limiter to return the level of the output signal to the level of the original input signal once it has passed below the threshold. Speaker Driver - A transducer that converts electrical energy into sound waves. Common names for the different types of speaker drivers are: woofer, mid-range, and tweeter. Thermal Limiting - Regulatory protection over the temperature of a loudspeaker's voice coil to prevent the loudspeaker's magnet from being overheated. Threshold - The audio level set by user at which the compressor or limiter will be activated when the audio signal exceeds it. Transducer Protection - Reference Excursion Limiting and Thermal Limiting. Transient - A temporary, short-lived signal with a higher amplitude than the rest of the signal - a peak in the signal. Triamplified system - A loudspeaker system with a crossover and three power amplifiers, each handling their own third of the frequency spectrum.
  19. The goal of Line 6's Technical Support System is for all Line 6 users to be able to get the most out of their Line 6 gear. Over the past few years, we have developed our online support system to include not only specific tools to find answers with, but also the opportunity to enjoy the collective experience and expertise of the enormous family of users keen on offering their expertise, as well as offering up tips and tricks for using your Line 6 gear. So how does this system work? When you have a technical support question, and you can't find the answer in your product's manual (found at http://line6.com/support/manuals/), our system gives you four options: Search our Knowledge Base for Line 6-authored information and video tutorials. Review previously answered threads using our keyword search tool. Ask a question within your Line 6 products' community forum. Posting your question tells our online community that someone is looking for help. Contact our support staff directly at http://line6.com/support/ with a support ticket or a phone call. For registered product owners, Line 6 is pleased to provide technical support free of charge. If your product is not registered, you still have access to our other resources that can assist you 24/7. Please CLICK HERE to register your Line 6 products. German Für registrierte Besitzer eines Line 6 Produktes freuen wir uns Ihnen gratis Telefon und Email Unterstützung zur Verfügung stellen zu können.. Sollte Ihr Produkt nicht registriert sein so haben Sie immer noch die Möglichkeit unsere online Resourcen 24/7 zu Rate zu ziehen. Wissens Datenbank Video-Tutorials Forum Gemeinschaft Produkt Mandbuch Bitte CLICKEN SIE HERE um Ihr Produkt zu registrieren. French Pour les propriétaires de produits enregistrés, Line 6 est heureux d'offrir un soutien téléphonique et e-mail gratuitement. Si votre produit n'est pas enregistré, vous avez toujours accès à des ressources qui peuvent vous aider 24/7: Base de connaissances Tutoriels vidéo Forum Communautés Manuels du produitct S'il vous plaît CLIQUEZ ICI pour inscrire vos 6 produits Ligne.
  20. *Please use Google Translate to read this information in your language. How do I get technical support for my Line 6 gear? When you have a technical support question, and you can't find the answer in your product's manual (found at http://line6.com/support/manuals/), our system gives you these options: Search our Knowledge Base for Line 6-authored information and video tutorials. Review previously answered threads using our keyword search tool. Ask a question within your Line 6 products' community forum. Posting your question tells our community (which is 160,000 strong) that someone is looking for help. Contact our support staff directly at http://line6.com/support/ with a support ticket. For registered product owners, Line 6 is pleased to provide phone and email (ticket) support free of charge. If your product is not registered, you still have access to our other resources that can assist you 24/7.Please CLICK HERE to register your Line 6 products. German Für registrierte Besitzer eines Line 6 Produktes freuen wir uns Ihnen gratis Telefon und Email Unterstützung zur Verfügung stellen zu können.. Sollte Ihr Produkt nicht registriert sein so haben Sie immer noch die Möglichkeit unsere online Resourcen 24/7 zu Rate zu ziehen. Wissens Datenbank Video-Tutorials Forum Gemeinschaft Produkt Mandbuch Bitte CLICKEN SIE HERE um Ihr Produkt zu registrieren. French Pour les propriétaires de produits enregistrés, Line 6 est heureux d'offrir un soutien téléphonique et e-mail gratuitement. Si votre produit n'est pas enregistré, vous avez toujours accès à des ressources qui peuvent vous aider 24/7: Base de connaissances Tutoriels vidéo Forum Communautés Manuels du produitct S'il vous plaît CLIQUEZ ICI pour inscrire vos 6 produits Ligne. What is the warranty on my Line 6 product? It varies by product, so please see our Warranty F.A.Q. for more details. Also, please be aware that your warranty is only good in the region of purchase. So for example, if you buy your unit in Australia, you will have to get it serviced in Australia. Going outside of your region of purchase for repair work will be treated as a non-warranty repair and you will be charged accordingly by the repair center you take it to. How do I get my Line 6 gear serviced outside of the U.S.? Line 6 has established a worldwide chain of independent Service Centers. You can find Service Centers and Distributors that can assist you with your repair. If you cannot find one in your country, you will need to find one outside of your country and contact them to see if you can ship them your malfunctioning unit. Because of our agreements with these distributors and service centers, you cannot send your unit directly to Line 6 U.S. for repair. ***Only units purchased in the U.S. can be repaired in the U.S. I’m having a problem with a repair center, who can I contact? Please contact your area's distributor to resolve repair center issues. How do I get parts and accessories for my Line 6 gear? We sell a number of parts on our Online Store. You may place an order with a valid Visa, American Express or MasterCard. For our return policies, please refer to our returns page. Certain parts not found on the store may be special ordered through an Authorized Service Center or Distributor. Some parts such as circuit boards and PCBA assemblies are not sold to the public. Also, Line 6 does not provide circuit diagrams, blueprints or schematics to consumers. Please keep in mind that parts sales are at the service center's or distributor's discretion. Line 6 does not sell parts directly to the public. Where can I buy Line 6 gear outside of the U.S.? Line 6 has distributors all over the world. You can search by city/region and country for a distributor in your country. If you cannot find a distributor in your country, you can find an Online Retailer that may ship to your country. English is not my first language. How can I get help in my native language? Please click here to create a support ticket. Our multi-lingual EU support team will do their best to address your issue.
×
×
  • Create New...