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Absorption - The attenuation of sound level that occurs when a sound wave passes through a medium or strikes a surface, which result in the conversion of sound energy into energy such as heat. Acoustics - The science and study of sound, or the effect a given environment has on sound. Amplifier - A device that increases the amplitude of a signal. Attack - The time taken for the compressor or limiter to respond to the transient that has exceeded the threshold and attenuate the gain accordingly. Attenuate - To reduce in amplitude or sound level; make quieter. Bi-Amplified Systems - A loudspeaker system with a crossover and two independent power amplifiers, each handling their own half of the frequency spectrum and feeding a separate speaker system. Balanced Connections - Impedance matched audio connections that use three-conductor connectors such a XLR or TRS connectors. Balanced lines are less susceptible to hum and can carry audio signals over longer distances. Boomy - Listening term, refers to an excessive amount of additional bass response that has a less focused attack. Bus - A mixing console term that refers to a internal pathway used to route audio signals between channels, inputs, and outputs of a mixing console or digital audio workstation. Bright - Listening term, refers to treble sound that has a lot of high frequency response. Clipping - Distortion as a result of the top of a digital waveform being cut off caused by a signal overloading a gain stage of a digital device. Coloration - Listening term. The emphasis or reduction in a characteristic of the original sound. Compression - The process of attenuating the volume of loud sounds and amplifying the volume of quieter sounds to reduce the overall dynamic range of the audio signal. Compression Driver - A mid or high-frequency speaker comprising a small diaphragm and voice coil coupled to a large magnet structure, which is usually then mounted into a horn. Coverage Pattern - The angle of a loudspeakers beamwidth averaged over the high frequency responses enclosed within the specified range of -6dB on a frequency response polar plot. For example using the center of the high-frequency component as the 0 axis, the StageSource L3t can project 25 above and below the 0 axis, and 50 left and right of the 0 axis while maintaining an ideal frequency response and amplitude level. Crossover - DSP controller filter that splits audio signal into separate frequency bands that are routed separately to loudspeaker drivers that are optimized for the specific frequency band. Crossover Frequencies - The specific frequency bandwidths the DSP controlled crossover will split between separated loudspeaker drivers so that each driver can handle portions of the audio range it is optimized for. DC Fault Protection - A type of power amp protection that prevents the loudspeaker from receiving DC current as a result of a power amp failure. Decibel - A unit used to measure the intensity of a sound or the power level of an electrical signal by comparing it with a given level on a logarithmic scale. It is defined as dB = 10 x log(P1/P2), where P1 and P2 are the relative powers of the sound. Direct box - Device used to connect a high-impedance, line level, or unbalanced signal to a low-impedance microphone level balanced input. Commonly used to connect a electric guitar or bass directly to a microphone preamplifier input. Directivity - The angle of coverage for a loudspeaker's projection vertically and horizontally, often expressed on specifications as "Directivity Index" in decibels or as "Directivity Factor" which is represented by Q. These specifications can help you to gauge how directional the loudspeaker is. Directivity Factor (Q) - The mathematical expression of how directive a loudspeaker's output is.This ratio is represented by the Q factor, a measurement of the on axis response compared to the average of the off-axis response over a specified frequency range. A spherical output source with equal output levels at all angles will have a Q factor of 1. Directivity Index (DI) - The average increase in a loudspeaker?s sensitivity as a result of the directivity factor of a loudspeaker's output. Represented by the value of dB, the on-axis level will have a increase in amplitude in relation to the level that would be radiated by a spherical output source of the same power, over the average of frequency range specified. Dynamic Range - The amplitude range between the quietest level and loudest level that a audio device can capture, produce, or reproduce without distortion. Equalizer - An adjustable audio filter that divides an audio signal's frequency response into separated bandwidths, yielding the ability to increase or attenuate the amplitude of each bandwidth individually, in order to control the overall response of the audio signal. Excursion Limiting - Regulatory protection against a loudspeaker's voice coil from being forced to move forward or backward in an amount that exceeds what it is capable of. Feedback - A constant ringing tone caused by the amplified sound of a loudspeaker system being captured by a microphone that is simultaneously being amplified by the same loudspeaker system, this causes the formation of a continuous feedback loop. Free Field - A environment where sound produced can travel in all directions without reflections or exterior interference. This type of environment is used to simulate and measure the response of an audio source in open space. Frequency - The measure of the rate of variations of a repetitive waveform, expressed in cycles per second or Hertz. In audio terms, frequency often refers to a specific tone within a range of a audio signal. Frequency Range - The operational frequency response the loudspeaker reproduced at the specified output power. Frequency Response - The bandwidth of frequencies that an audio device can capture, produce, or reproduce. Frequency response is measured from a low of 20Hz to a high of 20kHz with a +/- dB value indication of the amplitude variation existing across the frequency response when a test tone or sample is played back. All frequencies above and below a unit's Frequency Response are attenuated by a value greater than the +/- dB level indicated by the specification. Gain - Adjustable volume control for a audio device?s input that increases the amplitude of a signal from the input to the output of the device. Also represented as the output voltage of a device divided by its input voltage, most commonly measured in decibels. Graphic Equalizer - A equalizer that typically has a number of fixed-frequency bands, each with a slider that allows you to boost or cut the designated frequency. Ground loop - A condition occurring when several ground pathways exist between two devices, resulting in hum and increased noise. Half Space - A variation of the free field environment in which the audio source is placed or mounted against a solid barrier or baffle without reflections or exterior interference. This type of environment is used to simulate and measure the response of an audio source in half space. Compared to a free field environment response, a half-space environment will yield an increased response in low frequencies by an average of +6dB. Headroom - The difference between the nominal operating level of a audio device and the level at which clipping occurs, usually measured in dB. Hertz - The measure of the frequency of a vibrating object equivalent to cycles per second, it is often abbreviated as "Hz." Highpass Filter - An audio filter that attenuates all frequencies below a user specified cutoff frequency by particular amount of db per octave. Loudspeaker Horn - A horn shaped passive component of a loudspeaker that increases efficiency by improving the directionality and frequency response of the driver it is coupled with. I/O - Abbreviation for "Input/Output." kHz - 1000 Hertz. Limiting - The process by which the amplitude of an audio device?s input or output is prevented from exceeding a user specified dB level. Line-Level - The level of a audio device?s input or output operating level, typically a line level signal is +4dBm, while some audio devices will use -10 dBV instead. Line-level audio signals usually include keyboard/synth outputs, mixer outputs and signal processor outputs. Loudspeaker - An electro-acoustical transducer that converts electrical energy to sound energy. Lowpass Filter - An audio filter that attenuates all frequencies above a user specified cutoff frequency by particular amount of db per octave. Main Speaker(Mains) - The primary loudspeakers used to broadcast the output of a mixing console to the audience. Maximum SPL Output - The maximum output volume achievable before clipping or a specified level of distortion occurs. Millisecond - One one-thousandth of a second, often abbreviated as "ms". Mixing Board - An audio device used for combining, routing, and adjusting the level, tone, and dynamics of audio signals, in turn summing the signals down to a monophonic or stereo signal that can be output to a recorder or loudspeaker. Monitor - A loudspeaker used live or in the studio to help a performer hear playback of their performance or backing tracks. Monophonic - A single-channel sound. Mute - A function that decreases the volume of an audio signal or device to a level that is inaudible, which allows the volume to be cut on a device without having to adjust the volume control. On-Axis - A response that is directly in front of a loudspeaker or microphone. Off-Axis - A response that is not directly in front of a loudspeaker or microphone. Off-Axis Response - A plot used to illustrate the response of a loudspeaker over a specified range of off-axis angles, with the measurement of the on-axis response used as the zero degree reference point. Overcurrent Protection - A type of power amp protection that disables the output stage of the amplifier when a voltage greater than or equal to a specified value is detected. Overtemprature Protection - A type of power amp protection that prevents the power amp from overheating by limiting the output power once a specified temperature has been reached. Pan - A rotary control on a audio device used to position the audio signal between the left and right channels of a stereo sound field. The counter-clockwise position routes the signal to the left-channel output, the clockwise position routes the signal to the right channel output, and the center position routes the signal equally to both the right and left channels. Phantom Power - A method of powering a condenser microphone by sending 48 volts of DC current over the same XLR cable used to carry the microphone?s audio signal. Parametric Equalizer - A equalizer that typically has three primary parameters: selectable center frequency for the frequency band, bandwidth control for how wide or narrow the frequency band is, and a gain control for how much of the frequency is boosted and cut. Peak Output Power - The measurement of the maximum amount of watts a power amp can handle for an instant without distortion. Power Amplifier - An audio device that amplifies a line level signal to a speaker level signal. Power Amp Protection - Reference DC Fault Protection, Overcurrent Protection, and Overtemprature Protection. Release - The time it takes for the compressor or limiter to return the level of the output signal to the level of the original input signal once it has passed below the threshold. Speaker Driver - A transducer that converts electrical energy into sound waves. Common names for the different types of speaker drivers are: woofer, mid-range, and tweeter. Thermal Limiting - Regulatory protection over the temperature of a loudspeaker's voice coil to prevent the loudspeaker's magnet from being overheated. Threshold - The audio level set by user at which the compressor or limiter will be activated when the audio signal exceeds it. Transducer Protection - Reference Excursion Limiting and Thermal Limiting. Transient - A temporary, short-lived signal with a higher amplitude than the rest of the signal - a peak in the signal. Triamplified system - A loudspeaker system with a crossover and three power amplifiers, each handling their own third of the frequency spectrum.

The goal of Line 6's Technical Support System is for all Line 6 users to be able to get the most out of their Line 6 gear. Over the past few years, we have developed our online support system to include not only specific tools to find answers with, but also the opportunity to enjoy the collective experience and expertise of the enormous family of users keen on offering their expertise, as well as offering up tips and tricks for using your Line 6 gear. So how does this system work? When you have a technical support question, and you can't find the answer in your product's manual (found at http://line6.com/support/manuals/), our system gives you four options: Search our Knowledge Base for Line 6-authored information and video tutorials. Review previously answered threads using our keyword search tool. Ask a question within your Line 6 products' community forum. Posting your question tells our online community that someone is looking for help. Contact our support staff directly at http://line6.com/support/ with a support ticket or a phone call. For registered product owners, Line 6 is pleased to provide technical support free of charge. If your product is not registered, you still have access to our other resources that can assist you 24/7. Please CLICK HERE to register your Line 6 products. German Für registrierte Besitzer eines Line 6 Produktes freuen wir uns Ihnen gratis Telefon und Email Unterstützung zur Verfügung stellen zu können.. Sollte Ihr Produkt nicht registriert sein so haben Sie immer noch die Möglichkeit unsere online Resourcen 24/7 zu Rate zu ziehen. Wissens Datenbank Video-Tutorials Forum Gemeinschaft Produkt Mandbuch Bitte CLICKEN SIE HERE um Ihr Produkt zu registrieren. French Pour les propriétaires de produits enregistrés, Line 6 est heureux d'offrir un soutien téléphonique et e-mail gratuitement. Si votre produit n'est pas enregistré, vous avez toujours accès à des ressources qui peuvent vous aider 24/7: Base de connaissances Tutoriels vidéo Forum Communautés Manuels du produitct S'il vous plaît CLIQUEZ ICI pour inscrire vos 6 produits Ligne.

*Please use Google Translate to read this information in your language. How do I get technical support for my Line 6 gear? When you have a technical support question, and you can't find the answer in your product's manual (found at http://line6.com/support/manuals/), our system gives you these options: Search our Knowledge Base for Line 6-authored information and video tutorials. Review previously answered threads using our keyword search tool. Ask a question within your Line 6 products' community forum. Posting your question tells our community (which is 160,000 strong) that someone is looking for help. Contact our support staff directly at http://line6.com/support/ with a support ticket. For registered product owners, Line 6 is pleased to provide phone and email (ticket) support free of charge. If your product is not registered, you still have access to our other resources that can assist you 24/7.Please CLICK HERE to register your Line 6 products. German Für registrierte Besitzer eines Line 6 Produktes freuen wir uns Ihnen gratis Telefon und Email Unterstützung zur Verfügung stellen zu können.. Sollte Ihr Produkt nicht registriert sein so haben Sie immer noch die Möglichkeit unsere online Resourcen 24/7 zu Rate zu ziehen. Wissens Datenbank Video-Tutorials Forum Gemeinschaft Produkt Mandbuch Bitte CLICKEN SIE HERE um Ihr Produkt zu registrieren. French Pour les propriétaires de produits enregistrés, Line 6 est heureux d'offrir un soutien téléphonique et e-mail gratuitement. Si votre produit n'est pas enregistré, vous avez toujours accès à des ressources qui peuvent vous aider 24/7: Base de connaissances Tutoriels vidéo Forum Communautés Manuels du produitct S'il vous plaît CLIQUEZ ICI pour inscrire vos 6 produits Ligne. What is the warranty on my Line 6 product? It varies by product, so please see our Warranty F.A.Q. for more details. Also, please be aware that your warranty is only good in the region of purchase. So for example, if you buy your unit in Australia, you will have to get it serviced in Australia. Going outside of your region of purchase for repair work will be treated as a non-warranty repair and you will be charged accordingly by the repair center you take it to. How do I get my Line 6 gear serviced outside of the U.S.? Line 6 has established a worldwide chain of independent Service Centers. You can find Service Centers and Distributors that can assist you with your repair. If you cannot find one in your country, you will need to find one outside of your country and contact them to see if you can ship them your malfunctioning unit. Because of our agreements with these distributors and service centers, you cannot send your unit directly to Line 6 U.S. for repair. ***Only units purchased in the U.S. can be repaired in the U.S. I’m having a problem with a repair center, who can I contact? Please contact your area's distributor to resolve repair center issues. How do I get parts and accessories for my Line 6 gear? We sell a number of parts on our Online Store. You may place an order with a valid Visa, American Express or MasterCard. For our return policies, please refer to our returns page. Certain parts not found on the store may be special ordered through an Authorized Service Center or Distributor. Some parts such as circuit boards and PCBA assemblies are not sold to the public. Also, Line 6 does not provide circuit diagrams, blueprints or schematics to consumers. Please keep in mind that parts sales are at the service center's or distributor's discretion. Line 6 does not sell parts directly to the public. Where can I buy Line 6 gear outside of the U.S.? Line 6 has distributors all over the world. You can search by city/region and country for a distributor in your country. If you cannot find a distributor in your country, you can find an Online Retailer that may ship to your country. English is not my first language. How can I get help in my native language? Please click here to create a support ticket. Our multi-lingual EU support team will do their best to address your issue.

Q: How do I perform a Factory Reset ("reflash") on my Variax 300/500/600/700/705? A: See the following link for the reflash procedure: Variax Reflash and Software Update F.A.Q. Q: The strings on my Variax Steel string are breaking consistently at the saddle piece. How can this be resolved? A: There may be a "burr in the saddle", meaning that there is an edge cutting into the string and causing it to break. Depending on where the string is breaking you may need to replace the piezo, the saddle piece, or both pieces. Please contact an authorized Service Center for more information. Q: I am getting a high-pitched 'squeal' when I have both the ¼" TRS cable and the Variax cable plugged into my PODxt/X3 or Vetta. How do I eliminate this? A: The high-pitched squeal is indicative of an overload of the power input buffers, as the unit is receiving power from both the TRS and the Variax Digital Cable. You will need to unplug one of the cables to remove the high-pitch noise. Q: What happens if I leave my Variax plugged into an amp while using batteries (not using the power supply)? A: If you leave your Variax plugged into your amp and are not using the power supply you will drain your batteries. If you remember to turn the volume knob on your Variax all the way down, the guitar will go into a low power 'standby' mode, but the batteries will still be draining (although at a substantially slower rate). Remember to unplug your Variax if you have finished a soundcheck and are heading off to dinner somewhere before your gig. Q: I have a dead string on my 300/500/600/700 (electric or acoustic) guitar - where can I get a replacement piezo? A: Replacement Piezo pickup/bridge saddle pieces can be purchased directly from the Line 6 webstore: Variax Piezo Element Replacements Q: When I first plug it in the sound goes on and off like the power is being turned off and on and I hear a constant click...click...click...through the amp? A: The problem sounds like it's a battery issue. If the battery's power drops below a current point, even though the batteries may seem good, the guitar will cut in and out. Even if you connect the power A/B box the guitar will still cut in and out. When this occurs, you must disconnect or change the batteries. Q: Where can I get a replacement neck and/or body for my Variax guitar? A: You can order your Variax replacement neck or body from Warmoth Instruments. Q: Can the Model Select knob on the Variax 300/600 be calibrated? A: No, the Model Select knob on the Variax 300/600 cannot be calibrated. If the model knob is "out of sync", try reflashing your instrument. If you are still having problems with the model select knob not selecting the correct model, you will need to have the unit serviced at your local Line 6 service center. Q: How do I calibrate the Model Select knob on the Variax 500/700? A: Here are the instructions on how to calibrate the Model Select knob on the Variax 500/700: *Please make sure that the output from the Variax 500/700 is plugged into an amplifier or monitoring source to hear the audio beeps from the guitar. 1. Unplug RJ45 cable from guitar. 2. Turn off Power (disconnect ¼" TRS cable from guitar). 3. Turn the volume up. 4. Pull model selector knob "up" and away from the guitar body and set it to position Custom 1. 5. Set pickup selector to 4th (neck-middle) position. 6. Set tone knob to middle position. 7. Turn on power (connect "¼" TRS cable to guitar). ONCE INITIALIZED, YOU WILL HAVE APPROX. 13 SECONDS TO COMPLETE THE FOLLOWING PROCEDURE: 8. Turn tone control to min and then max. 9. You will now hear a beep sequence come from the amp or monitor source the Variax is plugged into. (The beeps will NOT come from inside the guitar itself.) 10. Turn model selector from "Custom 1" through all positions up to "Custom 2" this should be timed to approximately 1 second per physical step. (Counting: "one, one thousand", making sure to turn the pot on the one). 11. You will hear a low-high-low beep when completed. 12. Model selector will now be calibrated. 13. Press the Model Select knob back in to the guitar body to the "down" position. If you hear the low-high-low beep prior to completing the entire rotation of the model select knob, unplug the "¼" TRS cable from guitar and start over again until the timing is correct. Q: How do I calibrate the strings on a Variax Bass 700/705? A: To Activate String Calibration Mode: 1.Press down and hold the VOLUME knob, then power up the bass as follows: a.plug in a TRS cable connected to a powered XPS power supply, or b.plug in a VDI cable which is connected to a powered Bass PODxt Live. 2.The LED on the bass will appear to be orange or red (not green - if the LED is green, try again). Release the VOLUME knob after confirming that the light turned on orange/red.*** *** Note: If the light does not light up orange/red, make sure that you are able to press down on the Volume knob like a button. If it does not feel like a button, or if the knob does not travel down enough because it is to close to the pickguard, you should try removing the knob and pressing down on the Volume stem. In String Calibration Mode, all modeling is bypassed and the level of each string can be adjusted individually. To confirm you're in String Calibration Mode, listen to several Models, including a Synth Model; they should all sound the same: direct piezo. Important Note: As per the instructions below, the BLEND knob is used to adjust the volume of each string. The BLEND knob has a center detent, and that detent equals the Factory level volume for each selected string. You should adjust string levels from the center detent as a reference. Boosting levels too much may result in distortion, which is not good. For best results, listen to all strings and determine which ones may be too loud or too soft, then adjust accordingly, leaving the other strings at their detent levels. To Calibrate Individual Strings: (steps 5a & 5b for 5-string only) *After successfully powering up in String Calibration Mode, monitor the Variax Bass in the usual way, with the Volume knob at max, plugged into a bass amp, PODxt Live, etc. 1a.Rotate MODEL SELECT knob to the 1st Model, VinJ, to select the 1st string (G). 1b.Turn BLEND knob up or down to balance the G string level with the other strings. 2a.Rotate MODEL SELECT knob to the 2nd Model, ModJ, to select the 2nd string (D). 2b.Turn BLEND knob up or down to balance the D string level with the other strings. 3a.Rotate MODEL SELECT knob to the 3rd Model, PreBass, to select the 3rd string (A). 3b.Turn BLEND knob up or down to balance the A string level with the other strings. 4a.Rotate MODEL SELECT knob to the 4th Model, Manta, to select the 4th string (E). 4b.Turn BLEND knob up or down to balance the E string level with the other strings. 5a.Rotate MODEL SELECT knob to the 5th Model, Clang, to select the 5th string ( B). 5b.Turn BLEND knob up or down to balance the B string level with the other strings. When all strings sound in balance, press down on the MODEL SELECT knob to exit String Calibration Mode. The LED will turn green and your level changes will be saved. * Rotate the MODEL SELECT knob to load a Model and return to normal operation