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I'm getting another head anyways, but I wanted to plug the cab in the the "headphone out" are in my amp, I tried it for 10 mins and the Celestion speaker in it sounds a wee bit better than the one in my Spider. My only concern is that it's a 40watt speaker and my amp is 75watts. Am I correct in assuming it will hurt my amp?
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Hey there, Before i bought a pod hd, i literally crawled through the web to see whether someone has experience in using the pod with a wireless and/or h&k switchblade combo and control everything with an mk2 shortboard. I didn’t find anything usefull so for anyone out there looking for this setup this is for you. First, my signal chain goes like this: >> XLR-Out >> Mic-In POD HD Pro Guitar >> Wireless Shure SLX14 >>FX Return H&K Switchblade Combo 50 (without -10db) >> Unbalanced Out >> LineL/Mono in POD HD Pro The Wireless is at -10db Mic-Input is at 100% (just to make the setup easier) Bass-Reduction is active -20db is active For the standard patches i use mainly only one pre-amp per patch. Several amps have very...i mean very low output (e.g. the VOX AC 30 TB) i try to figure out if this is my error or by design. Any tip is appreciated. The sound? it’s absolutely fantastic. Much more than i was hoping for. It was actually so good, that i put all my effect pedals aside and don't use a 4CM method. I didn't sell them yet, because the pod has to prove itself road-able. It’s in a SKB-Rack with short cables to the wireless, but it has to take some smashing and staking etc. so, we'll see. For high gains i use sometimes up to 2 noise gates (threshold lower than 40% to avoid weird sounds). The Switchblade is just set to the clean channel, with everything turned off, and the B/M/T/G are in middle position. Maybe you add a tick more presence, since this will give some more punch to the tone. And our technician showed me a glorious trick: If you would like to just add gain, but not volume, assign the drive to the exp. Pedal with your desired value in max. and min. then assign the output of the same distortion effect to the same exp. Pedal, but set the max.-value to e.g. 30% and the min. value to e.g. 100%. You need to twiddle a bit so you get the amount right. With that setup, you add gain and lower output and vice versa. Hope this helped. Cheers exile -
In the morning i just turned on the POD to play with my guitar for a bit and there was no heavy sound.I usually use my own and saved presets and it wasnt distorted.Sounded more like low volume overdrive.Really lollipopy sound.First i thought i was my guitar's active pickup battery.It wasnt.I changed cables i flashed the pod's memory and put it back on and nothing happend.Is there any explanation about what happened with it or what might cause the problem? Thank you in advance! -
Where is the demo of this amp? I know it's brand new, but I couldn't even find it on the Line 6 products page. Look under the Amps section (http://line6.com/products/# and http://line6.com/products/#category-amps): DT Series? Check; Spider Series? Check; Spidervalve MkII? Check; Amplifi? Ampifi??? Um...no. It's simply not there. But if you go to Products/Amps, you can find it. Looks like it's on the homepage as well. Good for me...or so I thought. The demo video which I was quite anxious to see and hear, will not play. Every time I hit the play button, I get an "error #2035" message. Next, I went to Youtube. After a protracted search, I finally found a small snippet of "demoing" on a NAMM video. Not enough to really give you a good snapshot of just what this amp sounds like and its capabilities. All told about 20 secs of a couple of guys jamming and that was it. After that I tried a Google search using the words "Line 6 Amplifi Demo," which yielded precisely nothing in terms of a demo of the amp. I'm like WTH? Where in God's name is it? You'd think if this new line is so great, there'd be demos out the wazzu of this thing prior to rolling it out. I want to hear the damn thing. Where are the cool demos of Line 6 legends, Joost Vergoosen and Sean Halley showing us what these amps can do? I'm amazed at the apparent gaping marketing hole left by Line 6 in its own product launch. If it's as amazing as Line 6 is telling me it is, then why can't I hear it? Geez c'mon guys; help me out here. I can't be the only one who's feeling the angst on this. The price is right; I just want to hear the amp....period. Please help a bruthuh out. This should be easy, right? Thanks.
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Hey, Just bought a POD X3 Live from a friend, he said his POD worked with the Monkey program. I have tried just about everything, but windows 7 doesn't recognize the pod, and Line6 monkey/gearbox say its not plugged in. Do I have to put the device in usb mode or something, what am I doing wrong. I really don't want to have to get my money back from this guy, this device is pretty cool... Thanks, godbless. Device: POD X3 LIVE OS: WIN7 64 BIT CPU: I5 3570 (3.8GHZ) GPU: HD 7750 RAM: 8GB 1600MHZ HD: 500GB, 250GB, 160GB
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Hi, I'm wondering what customtones works with my Pod HD? Can I i.e download and use podxt's and Pod 2.0's customtones to my Pod HD? Or are the only customtones I can download and use with my Pod HD the customtones uploaded under the section Pod HD on line6's webbsite?
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Hi, I'm just wondering if I can download and use Podxt's costumetones with my Pod 2.0? Thanks! -
Am a session musician and although I play lots of instruments I play bass most of the time, I have one of the new James Tyler variax guitars and I must say its a vast improvement and is one of my must have guitars I take it everywhere. I personally would love you to do a new version of the variax bass to have one in my arsenal would make my life a lot more easy, Would love to hear all of your thoughts on the idea and what it must have for example sounds and the desine of the bass ?
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Hi there I'm running on Mac pro (desktop), with Jammit. I was trying to make a setup on the Mac using Jammit to start knocking down a track. I usually use Guitar rig either as standalone for rehearsal or through logic x for recording. This setup didn't work properly within Jammit. I noticed then this Line 6 mobile in. So this is for Iphone/Ipad giving you the same rig sound as the track you choose to buy and learn with jammit. I do not have iphone/ipad. What options do i have? I suppose the USB audio interfaces line 6 offer is not functioning same way as Line 6 mobile in, right? there is no way i can setup Line6 Mobil in to work with my Mac pro`? thanx.
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Hi guys I have a Spider IV and I like to play the bass, I had to sell it and I'm using the FX Pitch Glide to become my guitar into a bass, so do you guys think that my amp can be decomposed by using it as bass guitar?
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As the title says, when I select an amp model and then begin to either change the drive or bass settings, the setting I put seems to be affecting the amp model selector - ie if I choose the 'metal' channel and start turning the gain to 9 o clock, 'Class A' is being selected on the amp models. This hasn't happened before, and it's incredibly annoying. Is there a way for this to be fixed? -
Hi. I always wanted to add some new effects to my loved spider valve, especially the octoverb and particle reverb, so, I buy a Line6 M5 and I want to show you how I use both together. Guitar -> Spider Valve -> preamp out -> M5 in -> M5 out -> power amp in MIDI = Spider valve midi out/thru -> M5 midi in. http://www.youtube.com/watch?v=i7RfXpNYWew Sorry my english, is not my native lenguage. Bye
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Hey guys, So i've had problems with my kb37 ever since I got it. First random shut downs then drop out of sounds with the guitar etc. To no avail i fixed them and so forth. This one i just cannot seem to make go away. Any time im playing recording or jamming or What ever! My Kb37 Kind of "Crashes" The sound of my guitar etc does not crash i can still hear my guitar if i play but it kind of freezes my computer and puts it in a state to where if i even try to play a video it will not play back the video or sound. I can open up Itunes and it will freeze my Itunes. I will thus try to shut down and will get Waiting for Windows to shut down Waiting for Log off sound to be played Making me have to hold down my power button to cut my pc off.
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Hello everyone. I recently bought a Line 6 PODxt from ebay and when I turned it on, it only shows a blank orange screen. The channel lights don't even light up. I was wondering whether the problem is the voltage because the plug is 230V and in Canada, the main voltage is 120V. I used an adapter that can handle up to 250V. The person I bought it from said that it worked fine when before he sent it to me. I really don't know what is wrong with it. Any help will be appreciated. -
So whenever I use two amps in a patch on the HD500, I am unable to pan them hard left and right for true stereo sound. I have the inputs setup like this: Input 1, Guitar; Input 2, Same. Both channels in the mixer are set at 0db, which is default. The left channel, or amp "a", will pan all the way left like it should, but the right channel, amp "b", will not pan hard right like it should. I remember when I first purchased the HD500 they would pan hard left and right just fine, but now they will not. Does anyone know what I'm doing wrong?
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So yesterday everything was working fine or rather this morning around 2am EST Now it is around 4pm est and i plugged up my guitar i usually ALWAYS keep my kb37 plugged into my laptop and never have had a problem I noticed my guitar was making a poping sound automaticly thinking it was the wires in the input where you connect the wire to your guitar i unscrewed it and checked it out. Unsure i put it all back together and tried another guitar and it did the same thing. So i thought it was the wires i have 3 wires and tried all 3 and the same thing happened for everything knowing it couldnt be the wires as 2 of the wires I Have never used with the Kb37 or never touched since i got them there could be nothing wrong with them as one of them was fairly new When playing i experience a popping or click noise every few seconds, then a drop out of sound like it had lost connection to my pc but it didn't. Clip lights never flashed or turned on. I assume its either the pod of my pc. my pc is going through some issues right now thinking that it could be the case but im not sure. *Issues with pc include ***stuck on "Waiting for page ()" sometimes having to shut down*** now also note that this does not happen when i use my kb37 as a sound card for my pc to say listen to music with speaker monitors i do not have drop outs. Only while using my guitar and PODfarm2 *Edit I've notice through songs i can hear the same pop sound but no drop outs.
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Using The Line6 M9 Looper As A Delay Pedal: With Demo Video
thesooze posted a topic in M5 / M9 / M13
Hey guys, been having a lot of fun lately setting short loops on my Line 6 M9 and having them trail out like a delay pedal. This is instant fun and can bring out some cool creativity. Wanted to share the process with anyone who would like to try it as well. Should work on the M13 as well. The key is setting up the Looper settings. I have my Looper settings as follows: LPR Post Play: about 3/4 lit Overdub: about 1/3 lit No hi/low cut used at all This allows you to set short samples of loop and treat those like a delay trail. As long as you stay in "record/overdub" mode, your loops will trail out and only the most recent recordings will play back, just like a delay pedal. --------------------------------------- Here is a breakdown of how you can use the Looper/Delay functions: (1) Delay Time: the distance in time between your first tap on record and your second tap (2) Feedback: you can get more audible repeats by raising the "Overdub" level in settings (3) Delay Mix: you can adjust more/less mix by adjusting the "Play" level in settings (4) If you want infinite repeats or "hold" on a certain section -- just move from record/overdub to "Play." This will capture the last phrase length and allow you to just play dry over it without any repeats. (5) Using the Half/Speed and Reverse switches will bring in some interesting effects. If you record Half speed and toggle the switch, it will double the "repeats" and vice versa. Same with the reverse-- just remember, it is only affecting the last phrase you played. You can tap these buttons in-time with your tempo you're playing at for some cool effects. (6) Hitting "Play Once" will stop the loop/trails completely. If you want to fade out, just stay on "record/overdub" and hold your last chord. This will trail out like a delay. --------------------------------------- Happy Looping/Delaying!! -
This defect happens, well regularly. I will be jamming or listening to some music cause I do like to use my line 6 to plug up to some speakers, and just jam to songs. Now, once in a while it will basicly "shut down" the led lights for the clip dont flash and the meters still glow but do not recognize input sound. So once i unplug it from my pc and plug it back in the clip lights flash back and forth. Once this happens any other usb device such as a mouse etc will shut down as well. so im wondering is it the drivers? because it says its all updated and im not sure its really annoying.
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I tried to log into my account until i finally gave up and made this one. every time i tried to access the forums I received a message saying. You're Almost There. Basically tell me i'm not even fully registered which I am. Can anyone tell me why this happens??
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Solo Artist L3t can provide portable amplification for singer-songwriters, complete with EQ, reverb and modulation for each channel. Connect your acoustic guitar to the side panel Channel 1, which features Acoustic Modeling. Connect your microphone to the side panel Channel 2. Connect a portable media player, CD player, or DJ mixer to the rear panel Aux L/R inputs for backing accompaniment or intermission music. Small Club Duet L6 LINK provides an easy way for two artists - each with an L3t- to blend their signals together without the need for an external mixer. Connect the guitars to each speaker’s Channel 1, which features Acoustic Modeling. Connect the microphones to Channel 2. When two L3t speakers are connected together as an L6 LINK loop, (L6 LINK In of each speaker connected to the L6 LINK Out of the other), this stereo system can take advantage of both side mixer panels combined. All of the left and mono signals from both speakers’ inputs will play from the speaker labeled ‘L’, and all of the right and mono signals will play from the speaker labeled ‘r’. In this configuration example, two guitars and two microphones, and even two MP3 players could be used simultaneously. Small PA with Subs When using a traditional mixer with one or more L3s subs and non-Line 6 full-range speakers, connect to the subs’ inputs first. Connect the same channel’s output from each sub to the rear panel line input of each full-range speaker. Small PA with Subs When using a traditional mixer with one or more L3t/L3m towers and one or more L3s subs connected via L6 LINK, connect both the Main Left and Main Right outputs of the mixer to one L3s’s Left and Right inputs. Connect the L3s’s L6 LINK Out/Thru to an L3t or L3m you wish to designate as left. Continue daisy-chaining speakers via L6 LINK. L3 subs and towers will automatically configure themselves as left, right, or mono (left + right), according to the table available at the link below: In the illustration above, the first sub and first tower are designated left. As there are only two subs and two towers, the other L3t/L3m and L3s are automatically designated right. The floor monitor is connected via traditional means from the mixer’s monitor output. Large PA with Subs When using a traditional mixer with one or more L3t/L3m towers and one or more L3s subs connected via L6 LINK, connect both the Main Left and Main Right outputs of the mixer to one L3s’s Left and Right inputs. Continue daisy-chaining speakers via L6 LINK. Any L3 subs and towers will automatically configure themselves as left, right, or mono (left + right), according to the table available at the link below: In the illustration above, the three floor monitors exist on a separate L6 LINK network, and as they’re turned on their sides, will automatically sum the left and right channels of any signals received (‘b’ for both). StageScape M20d - Small PA Connect the L6 LINK out from a StageScape M20d mixer to the rear panel L6 LINK In on any speaker in the network. Any L3t/L3m towers and L3s subs on an L6 LINK network are numbered independently. In the illustration above, the two L3s subs (labeled SUB 1 and 2) will, by default, play left and right, respectively. The two upright L3t/L3m towers (numbered 1 and 3) will, by default, play left and right, respectively. L3t/L3m number 2, because it’s laid on its side, will automatically play discrete monitor feed A. Any speaker on the network can have its channel assignment changed from the M20d’s touch screen interface. StageScape M20d - Large PA In the illustration above, four L3s subs (labeled SUB 1-4) and seven L3t/L3m speakers (independently numbered 1-7) are daisy-chained from an M20d mixer. The subs and upright towers automatically configure themselves to be a powerful stereo mains system. L3t/L3m speakers on their side (numbers 3, 4, and 5) automatically configure themselves as stage monitors, and play monitor feed A, B, and C respectively. You can also reassign any speaker from the M20d touchscreen.
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Deutsch Français See attached document for StageScape M20d specifications. Inputs/Outputs 12 high-performance, digitally controlled, auto-sensing mic/line inputs 4 additional auto-sensing line inputs 2 digital streaming inputs direct from computer, USB drive or SD card Stereo line input for integrating MP3 players or other sound sources 4 auto-sensing monitor outputs on balanced XLR connectors 2 auto-sensing main outputs on balanced XLR connectors L6 LINK multi-channel digital networking for integrating L6 LINK-enabled speaker systems Control and Recording Touchscreen visual mixing environment Remote control capability via one or more iPad 2 or better devices* Wi-Fi host capability via USB Wi-Fi adapter Multi-channel recording to computer, USB drive or SD card Quick-capture recording to internal memory for sound check Processing Internal 32-bit floating point audio processing0 Massive DSP power provides parametric EQs, dynamic EQs, compressors, multi-band compressors, gates, delays, limiters and more. Multi-band feedback suppression on every mic input. 4 stereo master effects engines including reverbs, delays and vocal doubler. Virtually unlimited I/O Setups, Scenes and Channel Preset memories. Back up Setups, Scenes, Presets and more directly to USB stick. *iPad and Mac are trademarks of Apple Inc. registered in the U.S. and other countries. Line6 M20d Specifications.pdf StageScape M20d: Eigenschaften: Angehangen befindet sich zusätzlich ein Dokument über die technischen Daten des M20d. (in Englisch) Eingänge/Ausgänge: 12 digital gesteuerte Hochleistungsmikrofon-, lineeingänge mit automatischer Erkennung. 4 zusätzliche symmetrische Line Eingänge mit automatischer Erkennung. 2 digitale Streaming-Eingänge für den Computer, USB Stick oder die SD Karte. 1 Stereo Line Eingang für integrierten MP3 Player oder andere Tonquellen. 4 Monitor Ausgänge auf symmetrischen XLR Anschlüssen mit automatischer Erkennung. 2 Main Outs auf symmetrischen XLR Anschlüssen mit automatischer Erkennung. L6 LINK digitales Mehrkanalnetzwerk für integrierte L6 LINK-fähige Lautsprechersysteme. Steuerung und Aufnahme: Visuelles Mischen per Touchscreen. Fernsteuerbar durch ein oder mehrere iPad2 (oder besser) WiFi über WiFi USB Adapter. Mehrkanalaufnahme auf den Computer, die USB Festplatte oder eine SD Karte. QuickCapture Aufnahme auf internen Speicher für Soundchecks. Verarbeitung: Internet 32bit Gleitkomma-Audiobearbeitung. Massive digitale Signalverarbeitung versorgt parametrische EQs, dynamische EQs, Kompressoren, Multiband-Kompressoren, Gates, Delays, Limiter und mehr. Multiband Rückkopplungsunterdrückung auf jedem Mikrofoneingang. 4 "Stereo Master Effect Engines" inklusive Reverbs, Delays und Vocal Doubler. Virtuell unbegrenzt viele I/O Setups, Szenen und Kanal Presets. Absicherung von Setups, Szenen, Presets und mehr direkt auf den USB Stick. *iPad und Mac sind Marken von Apple Inc., registriert in den Vereinigten Staaten und anderen Ländern. Line6 M20d Specifications.pdf Spécifications StageScape M20d Entrées/Sorties: 12 entrées mic/line d'haute performance, contrôlés digitalement avec détection automatique. 4 entrées line symétriques avec détection automatique. 2 entrées pour streaming digitalement du ordinateur, clé USB ou carte SD. 1 entrée stéréo line pour intégrer un lecteur MP3 ou une autre source audio. 4 sorties "Monitor" sur connecteurs symétriques XLR avec détection automatique. 2 sorties "Main Outs" sur connecteurs symétriques XLR avec détection automatique. L6 LINK réseau numérique multicanal pour intégration des haut-parleurs L6 LINK activé. Contrôle et enregistrement: Écran tactile: Environnement de mixage visuel. support pour controle à distance par un ou plusieurs iPad2 (ou mieux) Capacité WiFi via adaptateur WiFi USB. Enregistrement multicanal sur ordinateur, clé USB ou carte SD. Enregistrement de façon Quick-capture à la mémoire interne pour des tests de son. Traitement: Traitement audio interne de façon 32 bit virgule flottante. Puissance massive DSP fournie les égalisateurs paramétriques, les EQs dynamiques, les compresseurs, les compresseurs multibandes, les délais, les gates, les limiteurs et plus. Suppression feedback multibande sur chaque entrée de microphone. 4 "stereo master effects engines" y compris le Reverb, Delay et le Vocal Doubler. I/O Setups, Scenes et Channel Presets virtuellement illimités. Sauvegardez Setups, Scenes, Presets et plus directement sur une clé USB. *iPad et Mac sont des marques d'Apple Inc. Registrés dans les États-Unis et autres pays. Line6 M20d Specifications.pdf
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