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  1. Greetings, I used a POD XT Live with a Variax 300 for a few years and I remember using my PC to create my own tones, including a custom metal tone, 12 string acoustic tone, and a sitar tone. The Pod came with a physical manual that was easy to flip through, and I had no problem editing things with the PC for both the POD and the Variax. The Helix Floor and the Shuriken are different beasts, and I am experimenting with the software and trying to compare it to the Pod/old Variax stuff. There are many new options and features that I need to learn about, and I find it easy to get lost in the options, or add something that mucks up the tone. I was in a motorcycle accident which messed with my memory a little bit, and I can't recall exactly how I used the old software as far as combining my Variax edits with the POD edits. Other than reading through the PDF multiple times, what are some good sources to learn about each feature of the Helix? I will be looking to create a unique metal tone, a couple of good acoustic tones, and will make a sitar tone, to start with. I am also looking to experiment with alternate tunings. I will be looking to record with the Helix, and I want to learn about using the MIDI capabilities. I am going to be getting MIDI software which will allow me to play different instrument sounds with the guitar, and I am wondering if I can somehow implement such software with the footswitches on the Helix. I am also wondering if it is possible to record what I play on the Shuriken/Helix into a *.mid file for further editing, or to import them into Powertab or some other tablature software. I have a Roland UM-One USB/Midi cable, with the in and out connected to the Helix. Any resources to help a newbie would be greatly appreciated. Many thanks! Quietus
  2. Netherlands sept 6th 2020 Hi all, Issue: Guitar signal audible BUT none of the helix effects is audible anymore. Relevant gear: Helix Floor 2.90 + Marshall JVM410JHS, 4 cable method + Midi cable. Last 3 years I used Helix Floor with multiple amps. Initialy through line in, then via FX loop return, only using the amp not its pre amp and then, to include the pre amp, with 4CM. All of that always worked fine. To illiminate needing Marshall controller for selecting channels etc, I updated presets, using Instant Command from command centre, selecting Midi CC. By selecting Midi CC 16-19 (resp channel 1 to 4) + associated value (0-2) to select green/orange/red setting of that channel. Still worked fine, even after reboot of both Helix and amp. Then updated each preset with 1 to 3 snapshots (typically: rythm, crunch, lead) and did full bown test. All worked fine, it allowed me to use all presets and their snapshots and controll the Marshall. Using Mode, I could even swap the helix display, to see and toggle on/off any of the effects used in each snapshot. All in all, it did exactly as I wanted. But then I rebooted both Helix and Marshall. All snapshots still worked, I could still control the Marshall as intended, but NONE of the defined effects (Mod, Delay, Dist … etc) was audible anymore, were as the Helix (and Edit App) did show them as active! I tested (in between Helix was rebooted): Created a new preset with only Send/Return block for 4CM and 1 effect block => result: guitar audible, effect not. I tried many. Repeated previous without the Midi cable => result: guitar audible, effect not. I tried many. Restored Helix backup from before the snapshot settings but with the midi controlled presets. => result: guitar audible, effect not. I tried many. Restored Helix backup from before the Midi setup. => result: no sound at all Reset Helix to facory settings + created preset with Send/Return block for 4CM + effect block => result: guitar audible, effect not. I tried many. Is it something I overlooked, or is my Helix broken? regards Eric NB I did raise a ticket, but i can not wait 3 days to get a reply, I totaly depend on the Helix for my sound.
  3. Hi, I have a HX Stomp and a Specular Tempus, and I want to control it through MIDI from the HX Stomp, but even after reading the HX Stomp manual I didn’t find the way to configure HX Stomp to send some commands on snapshots or by Presets.. Need some help here :)
  4. Hello, I have recently started using HELIX Floor as the interface between my laptop and Reaper via USB and been well impressed with the results. However, I do have a little issue. When hooked-up as described, switching presets on the HELIX (using foot-switches or the presets knob) Reaper receives a "Play" command. Not too much of an issue if the presets are next to each other, but a real pain if scrolling thru a set-list when they are spaced a number of places apart. There is only one preset on the device which has some of the foot-switches configured to "talk" to Reaper i.e. "Play" "Stop" "Record", but it is not being used in this instance. Can anyone throw any light on what might be causing this behaviour? Firmware 2.92 Reaper v6.13 Windows 10 Steve
  5. Hello, at the moment i use the helix floor in combination with a midicontroller. The Controller gets the powersupply from the variax-input of the helix and sends the midisignal to the midi-in from the helix. Is it possible to send the midi-signal over the variax-input so i dont need the second cable (midi-in). If yes, which pins i have to connect? thanks for your help
  6. Hello all, This is my first post in the community, and I'm wondering where I can learn how to automate my Helix Rack to properly and effectively change presets as well as manipulate the values of individual chain loaded effects. Here is what I'm looking to accomplish with Helix (for live use) and as of right now I know nothing of where to start: I'm running my show with Ableton live 9 lite. I want to use MIDI tracks (envelope automation) in Ableton to change my patches throughout the songs and set, as well as automate the toggling the on/off of stompboxes and delay/reverb swells & ramp-ups of the mix percentage within each patch. All I know is that I need to assign the parameters in which I want to control to the open MIDI CC channels in Helix, but I do not know how to technically achieve this the most effective and proper way. Any input or direction to reading materials on this subject is greatly appreciated. Like i said, I know nothing about this process. Thanks! Nino Lucarelli nlucarelli93@gmail.com ninolucarelli.com/heartsoul
  7. In the Hx Stomp Manual it states that Midi cc commands can control up to 5 foot switches and it has midi cc reserved for future use, will we be able to control up to 8 when/after the 3.0 update comes out? And will we be able to have more than three snapshots like up to 5? I'd like to use the morningstar MC8 one day to control up to 8 effects that will fit under the DSP limit of the stomp.
  8. Hello: I have built a MIDI controller to have some extra buttons on my HX Stomp. I have assigned a button to change the settings of a Pitch Wham effect to simulate tunning change in the guitar, to avoid changing the real tunning on the guitar. The change works perfect, but I have a problem when I change Snapshot: I have Snapshot 1 configured as a clean tone, snapshot 2 as rhythm and snapshot as soloi. If I change the "tunning" of the Pitch Wham in the rhythm snapshot, when I change to the solo snapshot, the Pitch Wham configuration is the original one, not the one i've made with the MIDI controller. Obviously, I have the parameters of the Pitch Wham configured so that they change with the MIDI command, I hope I have explained myself well. Is there anything I can do to make the changes on the Pitch Wham parameters I modify via MIDI persistent? Thank you
  9. I'm migrating from hardware to software due to the all the great possibilities but there are some irritating issues. As an example I'd like to access the display directly from Ableton Live or a Max for Live plug in. I've been using an old FBV, as well as the FBV Mk2, connected to a Pod XT bean as translator. I've converted the incoming pgm chg to CC and let it control the chain selector in an audio rack. I'v got my audio rack set up pretty much as the Pod with Pod Farm amps controlled by A, B, C, D and the stomp, mod, delay etc by corresponding buttons. This works quite well and I can Send midi back to the Pod, by dummy clips, and it will display a name on the FBV corresponding to whatever name is entered to the patch number in the Pod. I can also use the tuner display on the FBV by using the tuner output on the Relay receiver to the Pod. However I'd rather use the FBV Mk2 through USB. Does anyone know how to access the FBV through USB (fake-midi)? I'm talking about sending to the FBV, not from. Could sysex commands be used? Obviously it's possible but how?
  10. Hi everybody, not sure if this is the right forum, but anyway: I have been trying to remote my Helix with Cubase (Pro, 9.5) an ran into different problems. My setup is like that: We are a band with guitar (me), keyboards, and bass. Drums are programmed in Cubase with Addictive Drums and the like (on an iMac in the studio, on a MacBook Pro when playing live). Everything is nearly complete »virtual«, guitar via Helix, bass via POD X3, and keyboards all into the mixer into an 6x headphone amp. So we can practice nearly silent alltogether except the vocals anyway. In Cubase I have not only the drum tracks but also some playbacks for vocals, guitars, fx etc. For live playing, I have set up »long« Cubase tracks which contain up to 9 songs each, one after the other. I can navigate between those different segments by using »cycle markers«, which are mapped to keyboard numbers 1-9. So if I press »4« on the keyboard, Cubase jumps to the beginning of song 4, pressing »space« starts the playback. This is very, very handy. See picture. Now I had been thinking of remote controlling my Helix (connected via USB) by setting up an extra MIDI-part for every »song-segment« going out to the Helix. In this part I have (momentarily) only two controllers: one »Program Change« that sends a PC message to switch between Helix presets, and one controller »cc57« that toggles footswitch 10 in stomp mode on the Helix. Footswitch 10 is always assigned to a kind of distortion/boost fx on the Helix, used for guitar solos etc. So, when I jump to a »song« via keyboard, the Helix should the select the correct preset at first, and when it comes to my solo part and »cc57« jumps from somewhere below 64 to somewhere over 64, footswitch 10 should be activated … and when my solo part is over (and »cc57« jumps under 64) it should be de-activated. So all I send to the Helix is a Program Change and a controller message. AND IT WORKS! BUT the following problems occur: 1. When I press the space bar (start/stop) inbetween a song segment, footswitch 10 toggles as well, regardless of the »cc57« value. So it inverts the state of the footswitch, making it »de-activated« when it should be activated. 2. When I press the space bar inbetween two songs, the Helix becomes completely MUTED (no sound). When I jump to the next (or another) song start, Helix gets unmuted and live again. This might by useful for live situations but is not wanted here. What am I doing wrong? Footswitch 10 is set to »toggle« … »latching« does not work anyway. Cubase is set up to use continuous controlling and event following. Thanks in advance, best regards Opti/Alex
  11. I have a POD HD500X and I am trying to work out how to link it to an iPad for use with the OnSong app. So ultimately the plan would be to have commands written into OnSong via the metadata that would change the bank/patch on the POD for each song as required. I am understanding there may also be an opportunity to use the POD to send commands back to OnSong such as scrolling up/down etc. (at the moment I use an AirTurn pedal via Bluetooth so I could get rid of this). For anyone kind enough to respond, I have only very basic understanding of MIDI and use an iPad 4 running iOS 10.3.2. I am guessing I need something that converts both MIDI in (patch change) and MIDI out (scrolling in OnSong) to Apple lightning? I am in Australia where the cost of some things can be a little high so I don't want to waste money (and time - things take a while to ship here...) and would like some advice on what accessories would be needed to make it work now and into the future. I understand only the Helix works via USB so this leaves me stuck with MIDI ports on the HD500X for now. Thanks for any advice/links etc.
  12. Greetings Fellow POD 2.0 Users, In an attempt to get my POD 2.0 to communicate with my iPad Pro via midi, I have created a layout interface for the iPad app TouchOSC. The design is based off of Matt Connor’s user submitted public design for the Midi Designer Pro iPad app. I initially wanted to buy the Midi Designer Pro app and use Matt’s layout but I couldn’t justify the cost when I figured out I could create something similar for TouchOSC which was more cost effective. You’ll need the TouchOSC app and an iPad Pro and you would also need to download and install the layout for it. See attached screenshot photos for a preview. Here is the download link with zipped layout file: https://www.dropbox.com/s/1kioocdvnxog7rs/POD2_midi.touchosc.zip?dl=0 Peruse the TouchOSC app documentation for instructions on how to get the layout onto your iPad. You can download the TouchOSC free editor to accomplish this (see their website for more info). I am using an MAudio Uno midi interface cable with the POD and the usb end is plugged into the iPad Pro via the camera connection adapter (the one with a port for the charging cable). The buttons can be a bit finicky as you need to select a button when you want to use it but you also need to unselect it before moving on to another button. Some of the functions are limited by their midi assignments and mostly operate as you would expect. I’m a rookie with TouchOSC so keep this in mind. Feel free to modify the layout as needed. Best Regards, Gabriel Garcia
  13. I use my Ipad with the App OnSong for Note-sheets and also to change the Presets from the Helix Floor. When connected with the usb-cable and the camera-adapter from the ipad it works perfectly. The Helix receives the bpm from the App and the delay works. Then I wanted to get rid of the cable and found the wireless adapter from yamaha MD-BT01. Connection works and the presets also change - BUT the tap tempo is very irregular. Some information comes, but not nearly in time. And so the delay always skews the tone so i can't use this. Does anyone have an idea? thanks for your help!
  14. How to connect JTV to a Yamaha Tyros 5 keyboard and use the onboard guitar amps. Without using a PC!
  15. Zur deutschen Version. La version française. Please read through the DT50/DT25 Terminology FAQ first, to familiarize yourself with the terms that will be referenced here. Application Q: Are there any presets on the DT50/DT25 amplifier in the manner of previous Line 6 amps? A: No. The DT50/DT25 behaves like a traditional amp where the user simply dials in a tone to the WYSIWYG (what you see is what you get) functionality. Q: Are the DT50/DT25 amplifiers Mono(phonic)? A: As with most tube amplifiers, yes. Q: Which type of amp modeling is using with the DT50/DT25? A: Line 6's newest HD amp models (same as our new POD HD). Q: How does the power amp tubes contribute to the DT50/DT25's sound? A: The EL34's (DT50) or EL84's (DT25) are the main source of distortion in the amp. The guitar signal is actually being amplified at every progressive stage in the circuit, but the power tubes are the first to truly "clip" and provide the distortion that most tube amp devotees desire. Q: How does the modeling of the DT50/DT25 contribute to the overall tone? A: In the DT50/DT25's "normal mode", the modeling performs the function of the preamp: mating the digital preamp with the analog power amp so the whole system creates the sound of the amp modeled. This is different than our previous Spider Valve amps, where we modelled the entire amp model (pre-amp and power amp) and then fed that signal through the output tube power section. In "low power mode" (pulling the master volume switch out on the DT50 or on the DT25 flipping the switch on the back panel), the digital modeling section will assume duties for the power amp section and the Master Volume has been scaled so that you can have the sound of a driven power amp at lower monitoring volume levels. If you turn the master volume knob all the way up in this mode, you will have Spider Valve-like tones behavior (where the pre and power amp software modeling signal is pushing the EL34 or EL84 tubes). In both Normal and Low Power modes, cabinet modeling is applied to the output signal fed to the power tubes. When using a POD HD device connected via L6 Link, you must use the default cabinet model that is recalled on the POD HD 'pre' amp model when using the L6 Link connection with the DT amp to get the same type of sound as using the DT amplifier by itself with the same amp model. Lastly, when using Low Volume Mode on the DT amp with a POD HD connected via L6 Link, the sound of a 'Pre' amp model selected on the POD preset will sound slightly different if an identical amp model is selected on the DT amplifier (on Channel B ). This is because when using the Low Volume Mode on the DT amp with L6 Link, Channel A on the DT amp with the POD modeling is still using the just the PRE amp model with the scaled Master Volume knob, whereas Channel B on the DT amp uses the preamp AND power amp modeling with the scaled Master Volume. The inclusion of the power modeling is what makes it sound differently. Q: What is the difference between the DT25 and the DT50 amplifier? A: The DT25 operates at 25 watts maximum output using two (2) EL84 power tubes vs. the EL34's found in our DT50's. Otherwise, it is essentially the same as its big-brother, the DT50. For more info, please check the new product page for the DT25 here. DT50/DT25 Voicings Switch I Negative Feedback Loop (NFL) setting is high; channel control behavior much like that of a West Coast American amp of the 1960s. Recommended settings: Class AB & Pentode. II NFL is medium; channel control behavior much like that of a classic British amp of the 1960s known for it's "glassy" yet warm tones. Recommended settings: Class AB & Pentode. III Zero Negative Feedback Loop operation (a very open/dynamic feeling amp); channel control behavior much like that of a 'chime-like tone' British amp of the 1960s. Recommended settings: Class A & Pentode (clean) or switch to Triode (for rounder, more vintage feel). IV NFL is low in value, with an added low frequency resonance ideally suited for modern high-gain voicing; channel control behavior much like that of a more recent West Coast American amp of the 1990s. Recommended settings: Class AB & Pentode. Class A & Class AB Switch Class A: Cathode biased. Provides the player with more dynamic with touch sensitivity. DT50 operates at 25 watts. DT25 operates at 10 watts. Class AB: Fixed biased. Provides greater headroom and power than Class A. DT50 operates at 50 watts. DT25 operates at 25 watts. Pentode & Triode Switch Pentode: Clearer tone and more headroom. Triode: Rounder tone, less output and more vintage feel. L6 Link L6 LINK is a proprietary Digital Audio connection developed for exclusive connection between the POD HD series modeling processors and the DT50/DT25 amplifier(s). Do NOT connect any other sort of analog audio device that appears to have a standard 3-pin (XLR) connector to the L6 LINK, as damage will occur. Connect a digital XLR cable (AES/EBU cable) from the POD HD L6 LINK jack directly to the DT amp's L6 LINK IN jack. Most XLR cables should provide sufficient performance, but use a digital XLR (AES/EBU) cable for best performance and signal to noise ratio. When linking two DT amps, all controls including master volume work independently on both amps. The only thing that syncs is the channel switch, i.e. switching the channel on amp A switches it on amp B as well. Specifications DT50 Specifications DT25 Specifications Q: Is there a chart for the amp models of the DT series amps and the POD HD series? A: Yes, there is a .pdf document with this information here. *Please note, most of the amp models on the DT series are only accessible via MIDI. Please reference the following document for information on accessing these models: Using MIDI to Change Amp Settings on the DT50/DT25 Amplifiers Q: What speakers are used the DT50/DT25 amps? A: DT50/DT25 112 Combo has the Celestion custom G12H90 12" speaker. DT50 212 Combo has a Celestion custom G12H90 12" and a Celestion Vintage 30 12" speaker. Q: What tubes ship in the DT50/DT25 amps? A: DT50: Electro-Harmonix 12AX7 preamps tubes (2) and Electro-Harmonix EL34 power tubes (2). DT25: Chinese-branded 12AX7 preamp tube (1) and Electro-Harmonix EL84 power tubes (2). Q: What is the Bias Spec on the DT50's EL34 power tubes? A: 36 mV +/- 1 mV. Q: What is the Bias Spec on the DT25's EL84 power tubes? A: 22 mV +/- 3 mV. Q: What Line 6 controllers work with the DT50/DT25? A: Any of the POD HD series units. They utilize the new proprietary L6 Link (3-pin) digital connection to control amp topology settings in Channel A to whatever parameters are set in the active POD HD patch. There is a jack labelled for "Footswitch" on the back of the amp to allow for switching between Channel A and B. Please use a "tip-sleeve" (mono 1/4") latching-type footswitch to use this feature. Setup/Connection Q: Is there a headphone output on the DT50/DT25 series? A: No. Q: Is there a bias switch to change the power tubes to 6L6's or other tube types? A: No, the DT50/DT25 series do not offer bias-switchable options and were designed to operate with the EL34 (DT50) or EL84 (DT25) power output tubes. Q: Can I run my DT50/DT25 without a speaker load? A: No! You should always run a tube amplifier with a speaker load present. Please follow the properly load connection requirements as silkscreened on the back of the amplifier chassis. Q: Will installing casters on a DT50/DT25 112 or 212 combo chassis void my warranty? A: No, correctly installed casters will not void the warranty. However, if you are not 100% sure on how to correctly install casters, please take your amp to a qualified amp/service technician and have them install the hardware. We do NOT cover damage caused to the amplifier from an incorrect installation! *** Here is a link to one of our Forum Members (MDinice) who was kind enough to share a template for Ernie Ball type casters: http://line6.com/community/thread/57744?tstart=0 (the template is also available at the bottom of this document). Known-Issues 12AX7 Preamp Tube Swapping: If you decide to swap out different 12AX7 preamp tubes, do NOT use anything labeled 'LP' (Long Plate) for the first preamp tube stage (labeled as V3), as 'LP' labeled tubes are extremely microphonic. Q: How do I control the v2.0 update features of the DT25/DT50 amplifier using MIDI? A: We have created a document to help with sending MIDI to your DT amplifier to control the various additional features of the v2.0 update. Please see the following document for these instructions: Using MIDI to Change Amp Settings on the DT50/DT25 Amplifiers Also, here is a link with information on troubleshooting tube amplifiers: Troubleshooting Your Tube Amp Bitte lesen Sie sich zuerst DT50/DT25 Terminology FAQ durch um sich mit den Begriffen bekannt zu machen, die im folgenden Dokument Verwendung finden. Gibt es Presets auf dem DT25/DT50, so wie auf anderen Line 6 Verstärkern? Nein, die DT25/DT50 Verstärker verhalten sich genau wie traditionelle Verstärker. Sind die DT25/DT50 Verstärker Mono? Ja, so wie die meisten Röhrenverstärker. Welche Art Verstärkermodelierung wird bei den DT25/DT50 angewandt? Wir verwenden sie neusten Line 6 HD Verstärkermodelle. (wie im POD HD) Wie tragen die Röhren zum Sound der DT25/DT50 bei? Die EL34 (DT50) und EL84 (DT25) sind die Hauptquelle für die Verzerrung des Verstärkers. Das Signal wird nach und nach im Verstärker verstärkt, aber die Röhren haben hier den größten Einfluss. Sie liefern den ersehnten Verzerrungston, den die meisten Röhrenverstärker haben. Wie trägt das Modelling der DT25/DT50 zum Sound bei? Im „Normal“ Modus übernimmt das Modelling die Funktion des Vorverstärkers. Es führt die digitale Vorverstärkung mit der analogen Endstufe zusammen um den modellierten Sound zu erreichen. Bei unseren alten Spider Verstärkern, im Gegensatz, haben wir den gesamten Verstärker modelliert und dieses Signal durch die Röhren geschickt. Im „Low“ Modus übernimmt das digitale Modelling die Arbeit der Endstufe und der Master Volume Knopf ist so skaliert, dass Sie den Ton einer aufgedrehten Endstufe auch bei niedrigen Abhörlautstärken erreichen. Wenn Sie den Master Volume Knopf hinten gegen drehen erhalten Sie einen Sound der ähnlich klingt wie die Spider Valve Verstärker. In beiden Modi wird das Cab Modelling in den Ausgang gespeist, direkt in die Röhren. Wenn Sie ein POD HD Gerät verwenden, welches via L6 Link verbunden ist, müssen Sie das standard Cab Modell benutzen, welches auf dem POD HD Vorverstärker Modell ist wenn Sie es mit L6 Link an den DT Verstärker anschließen. So erhalten sie den gleichen Ton, den Sie erhalten würden, wenn Sie den DT Verstärker allein mit diesem Modell verwenden würden. Außerdem wird der Ton im „Low“ Modus auf dem DT, wenn dieser per L6 Link an einen POD HD angeschlossen ist und Sie ein Vorverstärkermodell auswählen auf dem POD, etwas unterschiedlich klingen als wenn Sie das Modell sofort auf dem DT auf Kanal A auswählen. Das kommt daher, dass wenn Sie den „Low“ Modus auf dem DT mit L6 Link verwenden der Kanal A auf dem DT mit POD Modelling immer noch nur das Voverstärker Modell mit skaliertem Master Volume verwendet während Kanal B auf dem DT Voverstärker UND Endstufe modelliert. Was ist der Unterschied zwischen DT25 und DT50? Der DT25 hat maximal 25 Watt mit seinen zwei EL84 im Gegensatz zu den EL34 im DT50 mit maximal 50 Watt. DT 50 und DT 25 Stimmungen: I – Negative Feedback Loop (NFL) eingestellt auf High. Die Kanalkontrolle verhält sich wie bei einem West Coast American Verstärker aus den 60er Jahren. Empfohlene Eisntellungen: Class AB & Pentode. II – NFL ist auf Medium eingestellt. Die Kanalkontrolle verhält sich wie ein klassischer britischer Verstärker der 60er Jahre. Empfohlene Eisntellungen: Class AB & Pentode. III – Zero Negative Feedback führt zu einem sehr dynamischen und offenen Verstärkersound. Die Kanalkontrolle wirkt wie bei einem britischen Verstärker der 60er Jahre. Empfohlene Einstellungen: Class A & Pentode oder Triode. IV – NFL auf niedriger Einstellung: Zusätzliche Tieffrequenzresonanz für den modernen High-Gain. Die Kanalkontrolle wirkt wie bei einem neueren West Coast American Verstärker der 90er Jahre. Empfohlene Einstellungen: Class AB & Pentode. Class A & Class AB Schalter: Class A: Gittervorspannung (Cathode Bias). Dynamischerer und empfindlicher. DT 50 läuft hier mit 25 Watt und DT 25 mit 10. Class AB: Fixed Bias: Mehr Headroom als in Class A. (DT50 läuft auf 50 Watt und DT25 auf 25). Pentode & Triode Schalter: Pentode: Klarerer Ton und mehr Headroom. Triode: Runderer Ton mit weniger Ausgangssignalstärke und Vintage Gefühl. L6 Link: L6 Link ist eine Digitale Audio Verbindung von Line 6. Entwickelt exklusiv für den Verbindungsaufbau zwischen POD HD und DT25 sowie DT50 Verstärkern. Verbinden Sie KEIN anderes Gerät mit XLR Anschluss mit L6 Link. Dies kann Schäden hervorrufen. Stecken Sie ein XLR Kabel (AES/EBU) in den POD HD L6 LINK Ausgang und das andere Ende in den Jack Eingang des DT Verstärkers. Die meisten XLR Kabel sollten ausreichend Performance liefern. Sie können aber auch ein digitales XLR Kabel verwenden um die beste Performance zu erreichen. Spezifikationen: DT50 Specifications DT25 Specifications Gibt es seine List der Verstärkermodelle für die Verstärker der DT Serie? Ja. Es gibt ein pdf Dokument hier. Achtung, die meisten Vorverstärkermodelle für die DT Serie können nur via MIDI erreicht werden. Nutzen Sie dazu folgendes Dokument: Using MIDI to Change Amp Settings on the DT50/DT25 Amplifiers Welche Lautsprecher warden im Verstärker verwendet? Im DT50 und DT25 112 Combo sind Celestion Custom G12H90 12“ Lautsprecher installiert. Die DT50 212 Combo hat auch einen 12“ Celestion Custom und zusätzlich einen Celestion Vintage 30 12“. Welche Röhren Sind in den Verstärkern eingebaut? DT50: Electro-Harmonix 12AX7 Voverstärker Röhren. (2 Stück) Sowie Electro-Harmonix EL34 Röhren. (2 Stück) DT25: Eine 12AX7 Voverstärker Röhre aus chinesicher Herstellung sowie zwei Sovtek EL84 Röhren. Was ist die Voreinstellung der DT50 EL34 Röhren? 36mV +/- 1mV. Was ist die Voreinstellung der DT25 EL84 Röhren? 22mV +/- 3,V Welche Line 6 Steuerungen funktionieren mit den DT25 und DT50? Alle POD HD Geräte. Diese Geräte verwenden die neue, digitale L6 Link Verbindung um Kanal A auf die Einstellungen im derzeitigen POD HD Patch zu setzen. Auf der Rückseite ist ein „Footswitch“ Jack, um zwischen Kanal A und B zu wechseln. Wenn Sie dieses Feature verwenden wollen, schließen Sie bitte einen TS Mono (1/4“) Fußschalter hier an. Gibt es einen Kopfhörerausgang am DT25/DT50? Nein. Gibt es einen Vorspannungsschalter um die Röhren auf 6L6 oder andere Röhrenarten aumzuschalten? Nein, die DT25/DT50 Verstärker sind für den EL34/EL84 Gebrauch entworfen. Kann ich die DT25/DT50 ohne Lautsprecherlast verwenden? Nein! Sie sollten Röhrenverstärker niemals ohne angeschlossenen Lautsprecher verwenden. Bitte folgen Sie den Belastungsvorschriften auf der Rückseite des Gerätes. Erlischt meine Garantie, wenn ich Rollen an meine DT50/DT25 112 oder 212 Combo installiere? Nein, bei korrekt installierten Rollen bleibt die Garantie bestehen. Sollten Sie jedoch nicht 100% sicher sein wie Sie die Rollen installieren sollen, sollten Sie die Installation von einem qualifizierten Techniker durchführen lassen. Line 6 deckt keine Schäden, die durch falsche Installation von Rollen entstehen. Eines unserer Forenmitglieder MDinice hat netterweise eine Vorlage hochgeladen für die Installation von Ernie Ball Rollen: http://line6.com/support/thread/57744?tstart=0 Bekannte Probleme: Austausch der 12AX7 Vorverstärker Röhren: Verwenden Sie keine Long Plate „LP“ Röhren, da diese extrem mikrofonisch sind. Wie kann ich die neuen Funktionen des 2.0 Updates auf dem DT25/DT50 Verstärker per MIDI kontrollieren? Wir haben ein Dokument erstellt um Ihnen dabei zu helfen: Using MIDI to Change Amp Settings on the DT50/DT25 Amplifiers Und hier noch ein Link mit Informationen zur Fehlerbehebung bei Röhrenverstärkern: Troubleshooting Your Tube Amp Avant de lire ce document familiarisez-vous avec les termes utilisés: DT50/DT25 Terminology FAQ Est-ce qu’il y en a des presets sur les amplis DT25 et DT50 comme pour les autres amplis Line6 ? Non. Le DT25/DT50 se comporte comme un ampli traditionnel. Est-ce que les amplis DT25/DT50 sont monophoniques ? Oui, comme la plupart des amplis a lampes. Quelle modélisation d’ampli est-ce que le DT25/DT50 utilise ? Las modélisation HD la plus nouvelle de Line 6. (Comme notre nouveau POD HD) Comment est-ce que les lampes contribuent au ton de l’ampli ? Les EL34 (DT50) et EL84 (DT25) sont la source primaire pour la distorsion de l’ampli. Le signal de la guitare est amplifié à chaque étape progressive dans le circuit mais les lampes sont les premiers de distordre que la plupart des fidèles d'amplis à tubes désirent. Comment est-ce que la modélisation du DT25/DT50 contribue au ton de l’ampli ? En mode normal du DT25/DT50, la modélisation fonctionne comme le préampli. Il connecte le préampli digital avec l’ampli de puissance analogue pour créer le son d’ampli désiré. C’est différent de nos amplis Spider Valve. Pour ces amplis, nous avons modélisé tout le ampli (préampli et ampli de puissance) et dérivent ce signal à la sortie de l’ampli de puissance à lampes. En mode « low power », la modélisation digitale assumera les fonctions de l’ampli de puissance et le bouton Master Volume est modifié : Un son qui ressemble un ampli de puissance avec une haute entrée qui peut être écouté avec un volume faible du moniteur. Si vous tournez le bouton Master Volume au maximum, vous recevez des tons Spider Valve (le logiciel de modélisation du ampli et préampli utilise les lampes EL34 et EL84). En modes « Low Power » et « Normal » la modélisation est appliquée au signal de sortie envoyé à l’ampli de puissance à lampes. Si vous utilisés un POD HD connecté avec L6 Link vous devez utiliser le modèle de baffle par défaut de du modèle préampli sur le POD HD si vous utilisez une connexion L6 Link avec l’ampli DT pour recevoir le même son si vous utilisez l’ampli DT par lui-même. Finalement, l’ampli a un mode « Low Volume » s’il est connecté à un POD HD via câble L6 Link. Le ton d’un modèle préampli sélecté sur le preset POD sonnera légèrement différente si un modèle identique est sélecté sur l’ampli DT sur canal A parce que en mode Low Volume, canal A sur le DT utilise seulement le modèle préampli avec le bouton Master Volume modifié et canal B sur le DT utilise la modélisation préampli ET ampli de puissance avec le bouton Master Volume modifié. L’inclusion de la modélisation du ampli de puissance est la différence ici. Quelle est la différence entre le DT25 et le DT50 ? Le DT25 a 25 watt maximum et 2 lampes EL84 et le DT50 e 50 watts maximum avec des lampes EL34. Trouvez le DT25 ICI et le DT50 ICI. DT50/DT25 Voicings Switch : I – La configuration de la boucle de rétroaction négative est sur HIGH. Le contrôle du canal fonctionne un peut comme un ampli West Coast American des années 1960. Configurations recommandés : Class AB et Pentode. II - La configuration de la boucle de rétroaction négative est sur MEDIUM. Le contrôle du canal fonctionne comme un ampli anglais classique des années 1960. Configurations recommandés : Class AB et Pentode. III – Aucune boucle de rétroaction négative. Un ampli dynamique Configurations recommandés : Class A Pentode ou Triode IV - La configuration de la boucle de rétroaction négative est sur LOW avec une résonance de fréquence basse pour les tons modernes à haut gain. Le contrôle canal fonctionne comme un des plus nouveaux amplis West Coast American des années 90. Configurations recommandés : Class AB et Pentode. Class A & Class AB Switch: Class A: Cathode bias. Fournit le joueur avec plus de dynamique et de la sensibilité de toucher. Le DT50 fonctionne à 25 watts et le DT25 à 10 watts. Class AB : Fixed biased. Fournit plus d’hauteur de niveau maximum de l’entrée et plus de puissance que Class A. Le DT50 fonctionne à 50 watts et le DT25 à 25 watts. Pentode & Triode Switch : Pentode : Du son clair et beaucoup d’hauteur de niveau d’entrée. Triode : Son ronde avec une sensation vintage. Moins de niveau. L6 Link L6 Link est une connexion Digital Audio propriétaire de Line 6 développé pour une connexion exclusive des produits de Line 6 avec Line 6 Link. Ne connectez pas un autre appareil analogue avec un connecteur XLR standard au Line 6 Link. Dommage se produira. Connectez un câble XLR digital (AES/EBU) du POD HD jack L6 LINK directement dans le L6 LINK IN de l’ampli DT. La plupart des câbles XLR offrent des performances suffisantes mais vous pouvez utiliser un câble XLR digital pour une performance meilleure. Spécifications : Spécifications du DT50 Spécifications du DT25 Est-ce qu’il y en a une table pour les modèles des amplis DT et des POD HD ? Oui, Il y en a un document pdf. ICI. Attention, une plupart des modèles sont uniquement accessibles via MIDI. Consultez ce document pour plus d’informations sur l’accès de ces modèles: Using MIDI to Change Amp Settings on the DT50/DT25 Amplifiers Quels haut-parleurs est-ce que vous utilisez avec les amplis DT25/DT50? Nous installons des Celestion Custom G12H90 12’’ dans la DT50/DT25 112 Combo et Un Celestion Custom G12H90 12’’ avec un Celestion Vintage 12’’ dans la combo DT50 212. Quels tubes est-ce que vous utilisez ? DT50 : Deux tubes Electro-Harmonix 12AX7 préampli et deux tubes Electro-Harmonix de puissances EL34. DT25 : Un tube 12AX7 préampli chinois et deux tubes de puissances Sovtel EL84. Quel est la polarisation sur les EL34 dans le DT50 ? 36mV +/- 1mV Quel est la polarisation sur les EL84 dans le DT25 ? 22mV +/- 3mV Quels contrôleurs Line 6 fonctionnent avec le DT50/DT25 ? Tous les appareils POD HD. Ils utilisent la nouvelle connexion digitale L6 Link pour contrôler les configurations an canal A. Il y en a un jack « Footswitch » à l’arrière de l’ampli pour changer entre canal A et B. Utilisez un commutateur au pied contact 2 points (mono 1/4") de type verrouillage. Est-ce qu’il y en a une sortie casque sur les DT25/DT50 ? Non. Est-ce qu’il y en a un commutateur pour changer les tubes en 6L6 ou autres types ? Non les DT25/DT50 n’ont pas une fonction pour changer le type du tube. Le DT25/DT50 a été conçu pour les tubes EL34 et EL84. Est-ce que je peux utiliser l’ampli sans impédance sur la sortie (c'est-à -dire un haut-parleur) ? Non! Vous devriez toujours utiliser un amplificateur à tube avec un haut-parleur présent. Suivez les instructions de raccordement indiqué sur l'arrière du châssis de l'amplificateur. Seront l’installation de roulettes sur mon DT50/DT25 annuler ma garantie? Non, roulettes correctement installés ne seront pas annuler la garantie. Mais si vous n'êtes pas certain à 100% de comment installer les roulettes correctement, prenez votre ampli à un technicien ampli / service qualifié pour faire installer le matériel. Nous ne couvrons pas les dommages causés à l'amplificateur à cause d’un montage incorrect! MDinice, un membre de notre forum a eu la gentillesse de partager un modèle de roulettes de type Ernie Ball : http://line6.com/support/thread/57744?tstart=0 Problèmes connus : Si vous voulez échanger les 12AX7 tubes du préampli, n’utilisez pas les tubes LP (Long Plate) pour la première partie du préampli (V3). Les tubes LP sont très microphoniques. Comment est-ce que je peux contrôler nouveaux fonctions de la mise à jour V2.0 de l’ampli DT25 et DT50 via MIDI ? Nous avons crées un document pour vous aider avec la communication MIDI avec l’ampli DT pour contrôler les fonctions de la mise à jour 2.0 : Using MIDI to Change Amp Settings on the DT50/DT25 Amplifiers Informations sur le dépannage des amplis à tubes: Troubleshooting Your Tube Amp
  16. Hey guys! I'm new to the hx stomp and the whole midi controlling world and was wondering if anyone here has used or is using the the DMC-4 gen 3 by Disaster Area with the HX Stomp. I haven't found anyone using that particular model with the hx stomp, I've seen the midi baby and the dmc3 but not that one. The reason why I'm checking that one out is because a friend of mine is selling it for a great price but I honestly don't know if it'll work for what I want it to. Thanks in advance and cheers!
  17. Hi, I'm pretty new to music hardware. I got an e guitar and I want to record on my MacBook in GarageBoard. I'm interested in buying the Pod HD 500, because it has an audio interface and pedal controls, but I don't know if I can use those to toggle effects on the virtual pedal board in GarageBand itself. I know the Pod HD 500 offers own effects, but I would prefer to use software effects to bypass any limitations like limited RAM on the device itself and I'm not interested in live performances anyways. I know that the foot switches can send MIDI signals and I found some indication that this should be possible in the manual, but I seek confirmation by any experts before I buy it. It would be very helpful to get fairly simple explanation how this can be done. Thank you so much!
  18. Hi Guys I was wondering if anyone can help me please? I recently picked up a Marshall JMP-1 MIDI preamp and will be running it through one of the loops on my helix floor. The issue I’m having is regarding the helix controlling the preset/patch changes on the JMP via midi. At present when I change an preset on the Helix it will change the patch on the JMP, ie preset 000 on the helix calls up patch 00 on the JMP. My problem is that I use snapshots within a preset and want my snapshot to change the patches on the JMP (ie footswitch 8/snapshot 1 to call patch 1 on the JMP. footswitch 9/snapshot 2 to call patch 2 on the JMP and so on) and not the presets. I have gone into the command Center and tried to assign each footswitch with a midi prog/bank setting but to no avail. Any advice or help would be much appreciated
  19. Hello everyone, I'm a new HX Stomp user but with many years using Kemper, POD's and many other ones through time... I had to sold my Kemper and I get the Stomp so I had to redone all my MIDI stuff on my band's Live Cubase Project. With Kemper, we had everything programmed on MIDI (Preset changes and Tunner On/Off) so we can´t have to touch anything during the show. But these days programming the Stomp MIDI line, I have so many problems with the Tunner. I know there is a CC to activate/deactivate it, but I have this problem: I write that CC on the MIDI track during the time I have to tune my bass, and when the CC ends it turns off by itself (Well), the problem is that if I stop the project in some moment, the Tunner turns on magically without any CC writed in that point. I tried so many ways : Writing the CC on the MIDI track, Writing a note and using the Cubase MIDI plugin "Note to CC", searching some MIDI option which sends some extrange msg on project stops... But I cant control it, its lollipoping crazy haha... Anybody could help me? BTW, it could be so nice, to implement some kind of improvement in this fact on future firmwares (I liked so much the Kemper's way to activate tunner, just sending Vol value to 0, for example), or giving a certain note value to Tunner, or whatever... But please, I don't want to be running on stage to activate/deactivate it hahaha... Thanks everybody!
  20. Hi All,trol I was wondering how MIDI in Helix can be used to control things like youtube as shown below - IF you see this vide (from 25.00 minutes to 27:00 minutes), you will realise what i am talking about. My ask is - if this is possible, then just using Helix footswitches (and without having to take hands off the guitar) I can play some videos in youtube in the LAPTOP (not talking about iPad/phone etc) and can replay again and again or slow down a specific area in the video while working out some guitar pieces/solos. Dont you guys feel this would be so amazing??? I am not sure in the video, if any special device (midi device) was connected between helix and laptop, but if helix can be directly connected to a laptop using usb and this thing can be achieved, then i feel it would be tremendously helpful. Any suggestion/thought/comment would be appreciated. Thanks.
  21. Do you or someone you know successfully use the Korg NanoKontrol2 with the HX Stomp over USB? If so, what is the hookup and user experience like? I have scoured the internet and not found anything specifically about this. Please share information about cables and, if needed, intermediate hardware that has been used to get the two devices working together. I am interested in a fairly direct USB cabled connection between the two with few or no additional power supplies. I am not interested in anything having to do with DAWs or computers or software, except the Windows software that Korg provides for configuring NanoKontrol2. (Please do not reply anything like "No", "I don't know, but you could try ...", "I've done something similar, but not with the products you mentioned", or something hardly related, as those type of responses do not help.) Thanks!
  22. Morning all! Recently I saw a video of Rhett Shull where he is using the HX stomp to send MIDI signals to control tap tempo for the Specular Tempus delay. I hope to do the same with my Strymon Volante. I read the manual but I cannot seem to find this info. Anyone know how to do this?
  23. Hi, I just bought Peak FCB4N2 to use with my HX Stomp. I thought that I would be able to assign pedals to Peak's footswitches but I still can't find a way to do it. Right now I can only change presets. I've tried the learning function in bypass assign but it still doesn't registered to the FS. Is it Possible at all since Peak labeled it as midi switching product? I'm quite new to MIDI control stuff. Please excuse my english, it's not my native language.
  24. I have the Helix set up to send midi program changes to my Bias Amp to switch amps per snapshot. Problem is, when I switch presets on the HX EFX, I still have to go in and hit a snapshot to send the program change. I would like to change the amp when I change presets. Is there any way to send a PC message on preset change?
  25. Hi! I'm sending this message regarding the Variax setup of a friend. First he bought a Line 6 Variax JTV 69S (sunburst strat) and played it through his HD500 pod into a 2x12 clean amp. But he read, heard and saw so many good things about the new Variax equipment that he decided to give it a spin. Over the last year he picked up a DT25 (1x12 combo) and a DT50 (2x12 combo). About a month ago he completed the setup with buying the main processor, the Helix Floorboard. Everything seems to be working fine. We followed the manual while setting up and it's all registrered in his Line 6 account. It's up and running in Monkey 6, line 6 updater and the Helix firmware is updated to the latest version. But we can't get the amplifiers to work from the floorboard. The 69S is connected to the floorboard through Variax Digital Interface cable. Then we hooked up the L6 line from the board to DT25 and then DT50. No result. Then we added the Midi cables (brand Roland black series) from Floorboard out/thru -> DT25 in & DT25 thru -> floorboard in. Just to see if it would work on 1 amp. No result. Plus when changing the pentode/triode switch on the amp it started to make loud burning, crackling, buzzing noises. (I think that was caused by the connection of the L6 AND midi.) We disconnected the L6 link. Also without result. Tried the same with the DT50. After not getting any result we tried to update the amplifier's firmware through midi, but it didn't get recognized. This guide: Everytime we get the same 'undefined error'. Midi device is the Helix Floorboard of course. We have absolutely no idea how to fix this and get the amps to respond to Helix floorboard adjustments. Already tried A/B'ing some settings in the floorboard menu. Hopefully somebody has any idea what can be wrong and how this can be solved. With kind regards! J.
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