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Found 45 results

  1. sozeg

    Best way to set up stereo?

    I’ve been going out stereo with xlr’s for a good while but never felt I had the sound and spread I wanted. Im now using two amps with two separate outs with one amp panned 24 left and the other 24 right, using stereo reverbs and delays. It now sounds great through headphones and my daw. What’s the best way to treat this in rehearsals and a gig in terms of the pa mixer? Should i pan an each channel hard left and right at the mixer or both in the centre and the helix panning will sort it? Any help or tips with stereo out to pa with two different amps would be great, thanks.
  2. awrigh10

    Praise and Worship Patches

    So, I play in a Praise and Worship band each Wednesday and Sunday. I send directly to the board via mono XLR. Problem 1: I use a MiM Strat with stock pickups fairly often. The volume cuts in HALF when I use it. The "gain" also cuts out a ton. My clean sounds great, my dirty sounds clean and my big boisterous solo sounds like a hint of overdrive with some delay.... Never had this issue with my Mustang 4 and "real pedals." Problem 2: Guitar 2 has an Invader in the Bridge...which I love...But that thing is TOO HOT for the Helix, in my opinion. Cleans are dirty, and dirty is just raw. Yes, I roll back the volume, but never had to with my Mustang IV, OCD, MojoMojo Holy Grail and Flashback delay. Problem 3: Guitar 3 has active EMGs. Sounds beautiful on everything I do, but It is a baritone that I have tuned up to D standard. E standard is too tight and makes it feel like an acoustic.....Leads on an acoustic? Tuning inaccuracies? Damage to the guitar? nah..... and No I don't want to capo or play everything on this guitar "transposed" and stuff (I majored in music...it isn't hard. I know what you're thinking) So, since I'm a newbie at this thing (one week/performance), What can I do to help level the dynamics (volumes) of each guitar? Should I just put up the guitar with the Invader? I'm clueless about EQ'ing these things btw. I understand frequencies, but not how to get the sound I want. Does anyone have some awesome patches. I've already gotten the ones from the Worship Tutorials website. Anyone have any Super clean..no grit, then Chunky, then solo/lead tones? I plan on setting snapshot 4 as an ambient swell. Thanks so much for all you guys do! PS: I've tried the Pad, and a few other little things.
  3. Possibly answered, but I couldn't find it. Just got a Helix...So Excited! SOOO, I'm going to go straight to the board at church. Going to take all my pedals and Mustang IV home (SO EXCITING)! Currently, I have a small Mackey mixer on stage. I have a 1/4 in. cable that brings the piano, bass, drums and vocalist to my mixer and an XLR from my amp to the mixer. That, old fashioned, way...I can mix my sound in my in-ear monitors however I want. Guitar vs house sound. Is there a way I can send the house (1/4 input) straight to the Helix and balance that sound into the headphones with the guitar? But, I don't want the house sound to go back to the board again... So, is this possible or do I have to continue to use my mixer? Thanks!
  4. localhero

    Newbie Needs Advice Please

    Hi everyone.I am using a A&H firewire mixer and I wish to be able to control my helix seperately from other media in my PC. 0) When i switch the helix on everything that I play on my pc(backing tracks/you/tube etc etc) comes back through my channel on mixer assigned for helix.I totally understand the logic that the helix is acting as a soundcard etc. I have playback for all other stuff on PC(Sonar included)coming through and back through different channels. My question is can I just have the helix coming through 2 channels and not taking over the pc sounds also? Many Thanks
  5. vvilela13

    Can't change between 2 amps

    In few words: I want to start a song with a clean sound of a fender tweed and then change it to a distorted sound of a Mesa Boogie. Let's say that I want to play Fade to Black from metallica, how can I change between these two amps using just one footswitch? I have pod hd500X for over a year and I just can't do that, its so frustrating. Thank you!
  6. Hi Guys, I use my M20d mixer at gigs that go from just me and an acoustic guitar (so just 2 input channels), right up to a 6-piece band that utilizes all 18 input channels. I always just use the same scene that is all our 18 channels for the main band eq'd etc the way I like it, and I just plug my 2 solo channels in to my usual gt & vox channels. But when I record even just a solo gig using 2 channels only, all 18 channels are recorded by default, as that's what that scene uses. Is there a way I can switch off the other 16 channels from being recorded? My 32gb card fills up fast when 16 silent channels get recorded too for every song! I even tried muting the 16 channels individually, which of course made no difference. I'd rather not set up multiple scenes etc just for a few different gig sizes, as often I do solo songs during the full band gigs, but I presume that's the only way? Any suggs appreciated. Thanks very much.
  7. Hi Guys, Just wondering.. Does anyone have any advanced settings advice on what deep tweaks have worked for them with the deep effects parameters on the M20d regarding the reverbs and delays, and have made their effects sparkle a lot more in a live situation? The standard fx sound ok, not great though to my ears. Just wondered. We're a 3-piece live cover/pub band with 3 vocalists. Thanks very much.
  8. Hi Guys, Our band plays at a lot of venues with interesting sound control requirements. We run an M20d as our mixer into my Nexo sound system - we run that as per normal, but the venue is trying to cover a large area with many rooms, so they order us to plug a stereo feed into their in-house ceiling system, so that our main mix I pull from stage gets piped throughout various rooms in the venue.. So I run straight out of the M20d stereo main outs into my PA and mix that for audience directly where we're playing, but how do I patch that same mix into to the house system. They usually have two XLR inputs (left and right stereo ins) on the wall side of stage we need to plug into.. On my old desk I had a summed stereo out with separate gain knob I could use. How should I do it on the M20d - it doesn't have such a thing.. Thanks, Stu
  9. Hi Guys, I've got a few of our band's songs recorded on my M20d ('inputs and main mix' on my SD card), and when I'm sitting at home using them to soundcheck our Nexo gig PA, I notice that, whenever a channel has audio recorded, if there's signal present, there's a realtime spectrum analyser wave jumping around on the screen in behind the settings, when I'm in the deep tweak section of the 6 band EQ setting. This is on my vocal mic channel, as I'm trying to tweak the sound of it. Is this just for display purposes of what realtime frequencies are firing, or is there some tangible/operational way it can be utilised to improve sound?
  10. Hi Guys, I apologise if this has been covered in depth. I can't seem to find any clarity on this stick model yet though. I just bought a Linksys Cisco AE2500 USB wireless dongle for my M20d. Yes, I know it's got an "A" in the model name, and the compatible dongle stated was just an E2500 - but I took a punt on buying this one, as the E2500 is almost non-existent in my country (Australia). Anyway, I plug it in to the M20d, and wait for it to initialise/be recognised, but nothing happens - the M20d just says "Status: No network adapter present". So is that it then.. give it a bin burial? I had hoped both models would be virtually identical. Any advice greatly appreciated. Thanks.
  11. It's been 3 years now... Is anything at all happening with the M20D? Any firmware updates planned.. any new patches being developed.. anything that resembles development, evolution, or even interest of any type? Could one of you Line 6 Techs, just one time, throw us one scrap of information on it?
  12. Hi Guys, I'm fully sick as a sound guy, and I mean that in a BAD way. I'm totally useless - never have I had the knack of pulling great sound. I'm a very experienced live gig muso, but I really can't pull live sound to save myself. As much as I have tried, I can't seem to make our 3-piece band sound clean/good quality at our live pub gigs with my beloved M20D - maybe because I'm busy playing? Might any kind souls out there be interested in getting my trio band's M20D soundcheck file emailed to them, and having a crack at engineering it properly for me on their M20D, then email it back to me so I can upload the settings etc back into my M20D for a presumably WAY more pro-quality sound? Is this possible with the M20D? I'd be happy to pay for your effort, particularly if you're a professional live engineer, or just a monster with the M20D? Hoping someone might get in touch to help out. I love this thing, but I'm sinking rather than swimming, and the pub bosses aren't happy..! Cheers, Stu.
  13. JohnSteerMusic

    best ouput option for the podhd500x

    I use the Podhd500x for vocals and guitar live, i have the spider hd150 and im wondering the best output option, atm im going xlr L to mixer for vocals and xlr R to the amp using a XLR to jack, but is it best for me to go 1/4 inch jack to desk and 1/4 jack to amp? XLR is best for Vocals but im wondering if its best for guitar or not? On top of that what would be the best output setting? Direct out is good for vocals yet to a stack for guitar.
  14. Hi all! This is Andre, I speak from Brazil and I need some guidance on how to get the best out of my recordings with Pocket Pod. Hope this catch your attention. I currently use Pocket Pod’s AMP OUT plugged into a guitar link USB interface, which goes straight to my laptop. I set it to DIRECT MODE. To listen to what I’m playing while recording, I use POD DIRECT OUT into my peavey 15w amplifier. It’s working as a monitor. And to listen to what was recorded, I use an Edifier speaker, plugged in my laptop. Obviously, neither the amp nor the speaker are good references to the REAL sound. What I need is make sure that when I tweak the knobs on my pocket pod, I’ll listen to the real changes through my monitor, and listen to the same tone through my speaker after recording. Do I need a pair of proper monitors? I hope you can tell me what I need to do. Thanks in advance Andre
  15. hursley11

    Helix output

    Can someone tell me how to connect the helix straight to the mixer . A pictorial representation would be great because i'm a newbie. i want to use helix straight through a mixer .
  16. I cant get my head round this: I believe i have the amp outputs (via the mixer) panned both centre (see image) but the chorus effect is ONLY audible on the LEFT XLR out, unless i engage the "dynamics" effect which follows (which i understand sums to mono) then i can hear it on the right-XLR. I have input 2 disabled (set to variax) but changing it to "same as input1" makes no difference. Also inserting a mono-summing effect before the amp does not reveal the chorus effect on the right XLR out. I thought the summing and panning on the mixer (after the amp) would effectively run everything L+R equally. can anyone explain please. thanks
  17. Hey all, Does anyone have any tips on mixing a Pod X3 Live that is plugged directly to the mixer of a PA? (EQ, etc) Thanks!
  18. I just got off the phone with Line6 support who confirmed my dilemma. Here’s my situation: Solo acoustic artist Want to record every show Have an M20d, L3t, & L3m Love the L3t acoustic modeling Haven’t been able to recreate the same tone/body with M20d DSP effects/presets If I plug guitar into L3t and take its Mix Out back to the M20d, it competes with L6 Link (feedback loop) Bottom line, if I want to use M20d (which I do for recording, vocals FX, setup/scene recalls, etc), I can’t use L3t's acoustic modeling So… Has anyone found the right M20d DSP chain and dialed in the best combo of FX presets to emulate L3t’s acoustic modeling? If so, can you please share the chain & each block’s settings? I will also post this feature request as an idea for their next firmware update here -> http://line6.ideascale.com/
  19. can you use a 64gig thumb drive or is 32 the limit. thanx
  20. MacShock

    HD500 direct into Mixer

    Hi, Recently I changed completely my setup. instead of a mic'ed amp and then into the mixer, what I do is HD500 directly in the m20d mixer. The m20d has a specific dsp preset that is optimized for the hd500. That works extremely fine for me. Especially because I can now use stereo effects. That's really cool when you do say "Where the streets have no name" from U2 with plenty of delay. But, now the following question arises. My band has got an invitation to do a gig in a bit bigger venue. They have their own infrastructure (mixer, sound man). So we will not use the m20d. And I am asking myself, what will be the tone? Does anyone has experience. Perhaps I can ask Line6 for the details of the hd500 optimized dsp preset so that I could forward this info to the sound man. Does anyone has experience with the hd500 going into a normal mixer? Thks for the help Markus
  21. So I am in a quandary about whether to purchase a second m20d vs an analog mixer. I know the obvious benefits of the dsp, etc., per channel of having 2 m20ds, but am concerned about the potential delay of having too many A/D conversions going on in the recommended setup in the FAQs (the main outs of the first into 2 channels of the other)... What are your thoughts? Would it be a better option to purchase a 16 ch. analog board or another m20d? I'm looking to mix 16 ch. of vocalists and drama mics (lavs and headsets) in addition to a full band. Thanks!
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