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Found 2 results

  1. I am wondering about how to feed my Yamaha DBR12 active FRFR-Monitor the best way? Coming from the POD HD500X, at rehearsal I had an external volume-controller connected from my 1/4 output to the DBR12, so I could dial in my personal volume by foot. Now it seems to me, that with the Helix floorboard I could get rid of the external volume-controller, using the Phones-level dial and connect the Phones-out to the DBR12. But is this realy the way to go or should I use an 1/4 output anyways and assign the Phones-level dial somehow, so that it only controlls the 1/4 out? This seems possible but at home I like to use the Phones-level dial for my Headphones without switching the settings.
  2. I LOVE the Helix BUT, I have a wish. Not with the Helix unit itself though. I wish that users (or Line 6 themselves since they would be most knowledgeable/qualified to know where a potential sweet spot might be) would come up with some sort of a gold standard for creating/sharing presets where 'Helix output volume' is concerned. I know presets are always going to sound differently depending upon the many variables in music genre/guitars/amps/headphones/studio equip/etc. But the enormous difference in volume levels ,and their effect on distortion/tone, among various shared presets (and admittedly even the ones coming with the unit itself) is ridiculous. Contrary to my previous understanding, a preset does not sound the same regardless of Helix volume output knob setting being used anymore than an analog tube amp and pedal board will. I'm using a Stage-source L3t and you can't create a preset with a low Helix output volume level and expect it to sound the same when you turn the output volume up - or visa versa. 'In that particular aspect' I've found that the 4 cable method to back of an amp actually works a little better. But it seems to me that problems could be diminished greatly for everyone if everyone had a 'reasonable' standard Helix volume output knov setting for every setup "method" being used to create the setup. One for those using four cable method, one for those who go to the front of an amp, those using headphones, Stage-source/FRFR speakers or like, etc. Maybe one volume setting could work for all. I don't know but why not at least narrow it down. Maybe simply tell others, when posting, where your Helix and general external equipment volume level was when you created it. And yes, of course you would still need to tweak tone settings to suit your own desired overall volume level for any future given venue or purpose. But at least you would have a much better idea, to start with, of what the pre-set's creator actually "intended" for it to sound like. As it is now, downloading a decent preset seems like a crap shoot. And more than likely almost all of them sound really great from the perspective of the creator and his unpredictable equipment settings. LikeComment Share
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