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POD Go 1.21 (released March 25, 2021) includes new amps, new cabs, new effects, and bug fixes and is recommended for all POD Go and POD Go Wireless users. POD Go 1.22 (released June 1, 2021) includes G10T and G10T II wireless transmitter updating from POD Go Wireless and additional important bug fixes: Full support for macOS 11 Big Sur Global Settings > Ins/Outs > Guitar In Pad would not be remembered across power cycles—FIXED Clicking tap tempo from within POD Go Edit for an extended period of time could sometimes cause POD Go to freeze—FIXED In POD Go Edit, the EQ > Acoustic Sim block did not display an X icon to delete the block—FIXED How do I update to 1.22? STEP 1—Install POD Go Edit 1.22 FIRST! Log onto line6.com, download, and install POD Go Edit 1.22: macOS: https://line6.com/software/readeula.html?rid=10571 Windows 7/8/10: https://line6.com/software/readeula.html?rid=10572 STEP 2—Update POD Go/POD Go Wireless AFTER Installing POD Go Edit 1.22 Shut down any programs that use audio or connect to your POD Go device, like DAWs, iTunes, Spotify, video games, etc. Disable the sleep timer on your computer. The update will fail if your computer goes to sleep during the process. If you are using a laptop, plug it in, or ensure it has enough battery life to complete the update without shutting down. Connect POD Go or POD Go Wireless to your Mac or PC via USB and turn it on. Launch POD Go Edit 1.22. Click the gear at the bottom of the window, then click "Check for Updates". Log into your Line 6 account. A dialog panel appears, reading "An update is available for your POD Go. Would you like to update now?" Click "Update now." POD Go Edit asks if you want to create a backup of your existing user presets. Click "OK" and then "Create Backup." Once the backup is completed, click "OK." Carefully read the End User License Agreement (haaa hahaha!) and click "OK." Click "Update." Please keep POD GO Edit in focus throughout the entire update. Once the update is complete, POD Go restarts automatically. Click "Back to POD Go Edit". New Amps in 1.21 US Princess, based on* the Fender® Princeton Reverb Das Benzin Mega, based on* the Mega channel of the Diezel VH4 Das Benzin Lead, based on* the Lead channel of the Diezel VH4 New Cabs in 1.21 1x10 US Princess, based on* the Fender® Princeton Reverb cab 1x12 US Princess, based on* the Fender® Princeton Reverb with a 12" Alnico Blue driver New Effects in 1.21 Distortion > Horizon Drive, based on* the Horizon Devices Precision Drive. Includes an extra Gate Range parameter that, when set to "Extended," drops the gate's threshold down to -90dB Distortion > Swedish Chainsaw, based on* the BOSS® HM-2 Heavy Metal Distortion (Made in Japan black label) Distortion > Pocket Fuzz, inspired by* the Jordan Boss Tone fuzz Distortion > Bighorn Fuzz, based on* the 1973 Electro-Harmonix® Ram's Head Big Muff Pi Distortion > Ballistic Fuzz, based on* the Euthymia ICBM fuzz Dynamics > Horizon Gate, based on* the Horizon Devices Precision Drive's gate circuit. Includes an extra Gate Range parameter that, when set to "Extended," drops the gate's threshold down to -90dB. Works best before an amp EQ > Acoustic Sim, based on* the BOSS® AC-2 Acoustic Simulator. Includes an extra Shimmer parameter that imparts some motion to the harmonics, reminiscent of how a string's vibration tends to affect the other strings. Just like the original, works best with single-coil pickups. Can be used alone or in conjunction with an acoustic IR Delay > Glitch Delay, Line 6 Original performance delay that lets you freely manipulate the repeats' behavior in real-time Time—Sets the delay time; press the knob to toggle between ms/sec and note values Delay Div—Divides the delay time into smaller increments Mix—Controls the wet/dry mix of the delay. When set to 0%, no delay is heard; when set to 100%, no dry signal is heard Feedback—Controls the overall number of repeats heard for the entire sequence SliceFdbk—Controls the number of repeats heard for individual slices. At higher values, you could call this "Super Chaotic Feedback" Shuffle—Determines the likelihood of repeats shuffling/reordering Octaves—Determines the likelihood of repeats playing back an octave higher or lower Reverse—Determines the likelihood of repeats playing backward Seq Drift—Determines the likelihood of the entire sequence changing every time it loops around. When set to 0%, the same sequence loops forever. TIP: Assign this parameter to a footswitch set to toggle between a higher number and 0%. If you hear a random sequence you want to maintain, press the switch to set Seq Drift to 0%, and it'll repeat that way indefinitely Smoothing—Higher values apply smoothing between slices and can give a synth-pad type quality, lower values maintain transients. Or set it just high enough to avoid pops and clicks Trails—When on, delay repeats continue to ring out after the block is bypassed *NOTE: All product names used in this document are trademarks of their respective owners and neither Yamaha Guitar Group nor Line 6 are associated or affiliated with them. These trademarks appear solely to identify products whose tones and sounds were studied by Line 6 during sound model development. Changes and Improvements in 1.21 Support for macOS 11 Big Sur Audio communication is now more stable when using the class-compliant driver in macOS EQ > Low/High Shelf's High Freq parameter now goes down to 400Hz Bug Fixes in 1.21/1.22 With an external expression pedal connected, EXP 1 and EXP 2 could become swapped under certain conditions—FIXED If Global Settings > Switches/Pedals > Snapshot Mode is set to "Auto Return" and Up/Down Switches is set to "Presets," pressing Up or Down would not correctly exit Snapshot mode In rare cases, attempting to swap footswitches (by holding two stomps) while the model list or preset list was open could result in a freeze–FIXED In rare cases, audio could be lost after updating via Line 6 Updater. Updating via POD Go Edit would not exhibit this behavior—FIXED In some cases, after exiting 6 Switch Looper mode, stomp switch LEDs could fail to light properly until pressed—FIXED In rare cases, snapshot selection could not properly recall a block's bypass/enable state—FIXED Dynamics > LA Studio Comp's level could drop if placed after an input boost, which is then toggled on and off—FIXED In some cases, None and Looper categories in the model list could fail to update the display—FIXED In some cases, pressing the expression pedal toe switch could not properly bypass/enable assigned blocks—FIXED With very low Delay settings, Pitch/Synth > Simple Pitch and Dual Pitch could exhibit metallic artifacts—FIXED A minor pop could be heard when selecting different IRs while signal was present—FIXED In rare cases, restoring from a backup could sometimes cause the unit to freeze—FIXED In some cases, selecting a preset would not properly recall the active expression pedal (EXP 1 or EXP 2)—FIXED Importing IRs immediately after launching POD Go Edit could sometimes result in an error message—FIXED Transmitting MIDI CC60 or CC61 to control POD Go's looper could sometimes cause POD Go to freeze—FIXED When Global Settings > Switches/Pedals > FS Auto Assign was set to "Off," selecting a different effect category could sometimes cause the footswitch to display the previous category's color—FIXED Various graphical glitches—FIXED Many other minor fixes and improvements New in 1.22 POD Go Wireless can now update a connected G10T and G10T II wireless transmitter from POD Go Edit New in 1.22 Full support for macOS 11 Big Sur New in 1.22 Global Settings > Ins/Outs > Guitar In Pad would not be remembered across power cycles—FIXED New in 1.22 Clicking tap tempo from within POD Go Edit for an extended period of time could sometimes cause POD Go to freeze—FIXED New in 1.22 In POD Go Edit, the EQ > Acoustic Sim block did not display an X icon to delete the block—FIXED Known Issues in 1.22 Importing a .WAV file into the current empty slot of an Impulse Response block can cause POD Go to stop passing audio. WORKAROUND: Select a different IR and then reselect the new one; audio should resume

Click here to see the original POD Go FAQ. This FAQ will only focus on the wireless aspects of POD Go Wireless. Q: POD Go? POD Go Wireless? What’s the difference? A: POD Go Wireless has a built-in Relay® wireless receiver, ships with a Line 6 Relay G10TII wireless transmitter, charges the transmitter from its GUITAR IN jack, and includes a convenient storage well in the back panel for transport.* Other than that, they’re pretty much identical. So when you see “POD Go” in our materials, assume we also mean POD Go Wireless. In the manual, any POD Go Wireless-specific content will appear in blue text with a wireless icon. *NOTE: POD Go Wireless also supports the earlier Line 6 Relay G10T transmitter. A G10T transmitter should be updated to the latest firmware. Q: Where are the antennas? A: The diversity antennas positioned internally above the toe portion of the pedal receive the RF signal from the G10T transmitter. Avoid covering the antenna with cables, stickers, or other pedals. Q: Where should I store the transmitter when not in use? A: When not using or charging the included G10TII wireless transmitter, insert it into the storage well on the back of the unit below the toe portion of the pedal. Q: How do I charge the transmitter? A: Connect the included G10TII wireless transmitter to the GUITAR IN jack to charge its battery. IMPORTANT! If you turn off POD Go Wireless while a G10T or G10TII is in the Guitar/Charge port, it will remain in sleep mode and slowly lose charge over a week or so. Not a problem if you play POD Go every day, but a huge bummer when you come back from vacation. While in the storage well, the G10T/G10TII may retain its charge for a month or more, so it’s ready to go when you are. Q: How do I set up the wireless connection? A: POD Go Wireless has a built-in Relay® wireless receiver and includes a Relay G10TII wireless transmitter, so you can play untethered. 1. Anytime you bring POD Go Wireless into a new room or building, always connect the G10T transmitter to POD Go’s GUITAR IN jack. POD Go Wireless scans the environment to choose the optimal wireless channel and frequency. 2. Wait 10 to 15 seconds. 3. Remove the transmitter from POD Go Wireless and connect it to your guitar’s output. The G10TII’s battery lasts for 7 hours of playing time or about a month when inserted into the rear panel storage well. 4. Select the Input block on your POD Go Wireless device, press the lower knob, and choose either the “Guitar+Wireless” or “Wireless” as your input source. TIPS For best wireless performance, try to maintain line-of-sight between the G10T wireless transmitter and the antenna above the expression pedal. POD Go wireless has a line-of-sight range of up to 100 feet (30 meters). Facing away from POD Go Wireless can sometimes affect wireless performance, as your body can interfere with wireless signals. Also avoid covering the antenna with cables, other pedals, or small woodland creatures. Maintain a safe distance (at least 10 feet/3 meters, but preferably more) from 2.4GHz WiFi routers. If a WiFi router must be in your performance environment, switch it to operate at 5GHz, if possible. Q: How do I read the Transmitter Battery and Signal Indicators? A: At the top left of the LCD screen, POD Go Wireless always displays two icons: the Battery Life indicator and either the RF Quality indicator, or the Charging or Syncing icon, as pictured and described below. The first time POD Go Wireless is powered on, the battery outline is empty and the RF bars display as dimmed, indicating no transmitter can be found (see No Tx Found below). 1. Connect G10T to POD Go Wireless’ GUITAR IN jack. While the transmitter is syncing, a sync icon (circular arrows) is displayed. Once syncing is complete, while the transmitter is connected to the GUITAR IN jack, a blue charging icon (lightning bolt) is displayed. When fully charged, the battery icon is displayed with all three battery bars bright green. NOTE: Any time you move POD Go Wireless into a new environment, connect the G10T to its GUITAR IN jack to perform a sync. Sync scans the frequency spectrum and automatically chooses the optimal wireless channel. You may also manually select the wireless channel from the Global Settings > Wireless menu. 2. Once sufficiently charged, remove the transmitter from the GUITAR IN jack and connect to your guitar’s output. POD Go Wireless continues to show the transmitter battery life indicator as well as a 3-bar RF signal strength indicator to its right. When no active transmitter is detected, an “empty” battery and dim RF bars are shown (see No Tx Found below). The remaining battery time and RF signal strength values are indicated as described below: Battery Life Indicator > 4.5 hours - Full green battery 3 hours-4.5 hours - 2/3 full green battery 1.5 hours-3 hours - 1/3 full green battery 30 mins-1.5 hours - 1/3 full red battery < 30 mins. - 1/3 full flashing red battery No Tx Found - Empty battery RF Indicator RF High - Three bars RF Medium - Two bars RF Low - One bar No Tx Found - Zero bars IMPORTANT! The G10T transmitter’s LED lights green when powered on and the battery has more than 30 minutes left. If the battery has less than 30 minutes left, the LED flashes red. To extend battery life, sleep mode is activated after a period of 4 minutes where no audio input is detected. The transmitter “wakes up” when the instrument is played. Q: How do I use multiple POD Go Wireless systems? A: Up to four POD Go Wireless and/or standalone Line 6 Relay wireless systems can be used on the same stage. However, care should be taken to ensure all systems are set up properly: 1. For the first system, connect the G10T transmitter to the POD Go Wireless GUITAR IN jack and wait 10 to 15 seconds. Make sure the transmitter’s LED lights green. 2. Connect the transmitter to your guitar’s output. 3. Before the first transmitter goes to sleep (after 4 minutes of no audio input), repeat the above steps 1 and 2 for any additional POD Go Wireless systems. Each system’s scanning procedure works around other active wireless channels to help ensure high quality performance for all systems. Q: How do I set up the Input and Output blocks? A: The Input and Output blocks appear at the far left and right of your signal flow. The Input and Output block settings are saved per preset. From Edit view, turn the Upper Knob to select the Input block and then turn the Lower Knob to change the input. Guitar+Wireless: POD Go Wireless users should choose Guitar+Wireless so both the GUITAR IN and G10T wireless transmitter are active Guitar: Choose this option to receive input only from the 1/4" GUITAR IN Wireless: (POD Go Wireless) Choose this Wireless option to receive input only from the G10T wireless transmitter USB 3/4: USB inputs 3/4 can be used for re-amping, or processing tracks from your Mac or Windows DAW software. NOTE: POD Go also receives input from USB 1/2, but it’s dedicated for monitoring audio from your computer (or iPad) and bypasses all processing blocks. As such, USB 1/2 is not available as an input block source. TIP: POD Go Wireless users can choose Guitar for some presets and Wireless for others, effectively turning the Input block into an input switcher. Q: How do I set the Wireless Global Settings? A: Knob 1 controls the "RF Channel" parameter. This sets the radio frequency channel for the POD Go Wireless RELAY system. Normally, this should be set to “Auto,” where POD Go Wireless automatically picks the RF channel for the most reliable performance. Knob 2 controls the "Cable Tone" parameter. Players who traditionally use long guitar cables may find the POD Go Wireless RELAY system to sound too pristine. Cable Tone lets you replicate the unique treble roll-off that guitar cables naturally create. Choose “Off” for the widest possible frequency response, 10 feet (3 meters), or 30 feet (9 meters). Knob 3 controls the "Wireless Gain" parameter. This sets the overall gain of the wireless guitar signal. Normally, this should be left at 0.0dB, but if your wireless signal appears notably louder or softer than your other guitars, adjust to taste. Q: Will POD Go Wireless work with other Relay transmitters? A: It was not designed to, and we do not condone doing so. Even if it does work, it may perform unreliably. Q: I have presets from the original POD Go. Will I have any issues with using them with POD Go Wireless? A: The files are compatible. One thing to note is that POD Go Wireless converts "Guitar" input blocks from presets saved on the original POD Go to "Guitar+Wireless" Input blocks automatically when they are imported to the wireless SKU. So that shouldn't be an issue.

If loading a third-party IR (impulse response) into HX Edit or POD Go Edit results in an out of memory condition, it is likely the source file is too large or contains too many samples. Open a DAW (digital audio workstation) e.g. Cubase, Logic, Reaper, Ableton, etc., or other capable audio recording/editing software, such as Audacity, and import the IR file into a new session/project. Trim the IR so that it is no more than 2,048 samples in length. Most DAWs have a ruler that you can set to beats, minutes/seconds, or samples. Set it to 'samples' in order to make the most accurate time selection. After the file has been trimmed, you're ready to export/bounce the new IR file. Use the item render/export in your DAW and follow these guidelines to ensure compatibility: 24-bit / 48k Mono (1 channel) Must be WAV file format