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  1. Hey everyone I have the helix rack, and the floor controller I am currently looking for a rack drawer(hopefully shallow/half depth) to store the helix controller in most I've seen are only 15.5"ish wide but the helix is 17" wide. As I'm hoping to go half depth drawer I was wondering what other people were using
  2. Hello All, Helix Rack noob here. For whatever reason, the Helix rack will not connect to my PC via USB (Windows 7/Core i7/Cubase 8/32GB RAM) or be recognized by the Line Updater. I have tried plugging the USB cable into the rear USB port as has been suggested in previous posts. This was (and continues to be) met with extreme futility. Any wise suggestions that would remedy this most unfortunate situation would be enthusiastically read and eagerly anticipated. Closing salutations, MolchMon molchmon.bandcamp.com
  3. Hey guys, I'm using the Helix Rack with the Fractal Audio MFC-101 as a midi controller. Would it be worth it to purchase the Helix Control to use instead? I've used and love the MFC but I've seen a number of posts about the ease of editing on the Control. Thoughts? Pros? Cons?
  4. Is it possible to set the Guitar Thru Out in the back of the Helix Rack to send the tone from the Variax? I've got an external tuner that I like and can't figure out how send the Variax tone to it when I use the digital cable. It works like normal when I use a ¼ inch cable but then I don't get the automatic variax switching. How can I send the tone? Also, all of my effects loops are full...
  5. Hi, I'm very impressed with the quality and performance of the Relay G70/G75 and the new TB516G transmitter. Will there be a "G80" 19" rack version in near future? I'm looking to replace my old X2 XDR95 - preferably with your relay system. Thanks in advance. Best regards Henrik Denmark
  6. Can i export a bundle, setlist, or individual tones from Pod HD Pro Edit and import it into the Helix Editor? I realize that the sounds will probably change somewhat. I've done quite a bit of custom midi settings and would like to keep my presets if possible.
  7. I'm thinking of getting a Helix Rack when it comes out, and would like to use it with a Shure GLXD4 wireless receiver, placed on top of the Helix rack, as I already have the Shure transmitter. Would I be able to use the aux in on the back of the Helix rack as an instrument input, or would I have to have a short guitar cable coming out of the receiver to the front of the Helix. Being able to plug in behind the Helix would be a neater option. Any info would be gratefully received.
  8. Q: Are the effects mono or stereo? A: The dry audio path and several effects are stereo, but many effects are mono - just like the original effects they were modeled after. Q: In which order should I connect multiple Studio Modelers? A: This is a matter of personal preference, but the general consensus is the Filter Pro first, then Mod Pro, with Echo Pro last. This configuration will allow you to use different Filter and Mod effects on different layers of a loop in the Echo Pro. Q: Can the Studio modelers perform spillover? A: To a certain extent you will be able to shift between programmed presets and maintain your signal. However there is a bit of time warp that is going to happen when switching between delays. It's kind of like changing the speeds on a multi-head delay unit. If you select a program from the delay select knob your signal will be interrupted. Q: Will the Studio Modelers respond to note division? A: Yes, all of the effects modelers have the ability to perform dotted and triplet quarter, eight and sixteenth notes. Q: Can I connect headphones to the studio modelers? A: It is possible to connect your headphones to the Studio Modelers 1/4 inch L/Stereo output. However, because this is a line level output intended for connection to an unbalanced input, there may not be enough volume level for a satisfying experience. We recommend using a mixer with a headphone amp for this type of application. Q: Can the studio modeler synch to a MIDI clock? A: Whether you are sync'd to MIDI clock or simply tapping in beats with the TAP button, a single press of the TAP button will set the running effect's "downbeat" (the time at which it starts moving). In other words, if you are using a tremolo effect and want to hear audio on the first beat, and nothing on the second beat, press the TAP button on the downbeat. Now, if you're locked to MIDI clock and want the computer to do it for you, simply send a single MIDI Continuous Controller #64 (Sustain Pedal) message to the Mod or Filter Pro on the downbeat and the units will start on their downbeat as well. Although the Studio Modelers will sync to external MIDI clock from your sequencer, drum machine, or what have you, as well as pass it along to other devices (providing the MIDI port is set to 'Thru'), they do not generate or transmit their own MIDI clock. Q: How can I control the Studio modelers? A: The Studio Modeler series are fully MIDI mappable and will accepts program change and continuous controller messages from any MIDI device. It is possible to connect and control a single or multiple Studio Modelers via MIDI. You can connect the MIDI Out of a POD, Flextone or other MIDI device to the MIDI In of the first Studio Modeler in the MIDI chain and control one or multiple units from the other MIDI device. The Line 6 EX-1 pedal will work with all of the Studio Modelers. allowing you to control your effects in real time. You can use this to morph from one set of parameters (toe-down) to another set (toe-up) within a given model.The expression pedal function can also be controlled on the Pro Modeler series by using a third party MIDI foot controller. You will need to program your expression pedal to send MIDI CC #4. Q: How do I synch to the bit rate in a recording program such as Protools? A: Bit depth and sample rate choice has to do with what your final media will be, i.e. CD, DVD, etc. Also, if you're working on a project with other people, it's good to have a game plan, for instance recording a project at 24 bit, 44.1khz, then dithering down to 16 bit for the final mix. Typically, this is a good way to go for CD projects (recording at 24 bit, 44.1khz) as you have a greater dynamic range for mixing with the 24 bits, and you don't have to do a sample rate conversion, as you already at 44.1 khz. If you choose a higher sample rate, try to choose a multiple of your final product, i.e. 88.2 khz for a 44.1 khz final product. Q: How can I go into bypass mode using MIDI? A: If you have setup a foot controller to send a bypass CC# or program change to the Studio Modeler, you will need to first engage the bypass by pressing on the footswitch once, and then dis-engage bypass by pressing the footswitch a second time. If you select a different program by using another footswitch, the Studio Modeler will also come out of bypass mode. You can also program and save a preset with your mix level set to 0%. Use this program as your bypass and then you will be able to access bypass and then proceed to another program without having to do a little dance on your foot controller. Q: Can I use a Line 6 FBV or floorboard to control the Studio Modelers? A: The Line 6 FBV or Floorboard will not work with the Echo Pro. However you can take advantage of the numerous MIDI mapping capabilities of the Studio Modelers used in conjunction with a third party MIDI foot controller. This would allow you to control program change, continuous controller parameter functions, tap tempo, and loop / sampler functions from your foot controller. Q: What are the dimensions of the Studio Modeler unit? A: Width: 19", Depth: 5.75", Height: 1.75", Weight: 6.2lb.
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