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Found 35 results

  1. ge31

    Helix routing

    Hi All, How will be the routing management ? the same as on POD HD ? Two stereo path ? Thanks
  2. Using Pod Farm as a plugin, can I insert a hardware send and return in my signal path? I want to add physical pedals at various points of the signal flow. Thanks, Dennis
  3. So while I had my 500 apart to fix some solder points, I modded it to have regular pickups as well. I routed out space for an HSS configuration, customized a strat pickguard and installed a balance/blend pot to go between the two. Took me a while but it works great.
  4. Okay, so I've been using the pod for guitar effects for some time now. I use it for all modulation, delay, verb and then go straight into my head. I don't use models live. Because of this, I have plenty of DSP left (especially on the 500x) and I want to put it to use by adding effects to my vocals. The inputs are very straight forward, and I understand the internal signal routing aspect totally, so I know how to keep these two signals separate. Problem is, I need an unbalanced output to go to the amp and a balanced out to go to FOH for the vocals. The unbalanced outputs automatically sum to mono so I can't use one of each without sending vocals to my amp! I could use both unbalanced outs and use a DI for the vocals (seems like a TOTAL waste of a good DI and I'd rather use it elsewhere) OR I use both balanced and "unbalance" the signal going to the amp. I'm pretty handy with a soldering iron so I can make the cable, but I need to know whether to short the cold pin to ground or leave it open. I definitely don't want to fry anything. Can someone help me figure this out?
  5. Hello, fellow M20d users :) I was just thinking on how I can achieve a short "effect shot" on the M20d without having a sound guy turning the effect on and off or switching Scenes during a song. I´m trying to do the following: For one song I need a long reverb on my percussion kit, just for 3-4 strokes on the intro, then I want to return to "normal operations" or better said my normal global settings for the groove of the song. I don´t have anybody who could turn the reverb on during the gig with the IPad, nor do I want to Switch Scens during the running song. My thought was that I maybe can "route" the reverb to an empty Encoder/channel and then just unmute this channel for the intro and mute it afterwards. Is there a way I can achive this with the M20d somehow? Yeah, I know I can turn on and off the effect on the channel myself, but I don´t want to switch away from the perform screen. So, I need to find a way to push just a button or encoder on the perform screen to turn on or off the reverb for the percussion kit.
  6. Hey Guys, I'm considering buying a PODHD for live purposes. Im a Bassist (playing a BassPOD XT atm) but i have a Laptop on stage too, so i have to bring an Audio Interface with me too. So i ask my self if it's possible to have the POD HD output my bass signal through one output to my bass amp and the "dry" laptop signal connected via usb to the PA. signal 1: bass guitar -> podhd -> bass amp signal 2: laptop -> usb -> podhd -> PA I looked it up in the manual and the forums but couldn't find a definitive answer. If somone could help me I'd really appreciate it because it would save me from carrying lots of cables and equipment to the stage. thx!
  7. hi guys, • first of all I must say that my intent here is NOT to tread on anyone's toes I just don't like when an idea, not founded on reality, begins to spread and everyone thinks it's the truth, while the facts say something else • the background: many users in this and other forums reported the same "feeling" that something is wrong when using the default Input Settings which means selecting the same signal for input 1 and 2 (I'll refer to this as "guitar/same" o "both inputs active"): according to them, this setting introduces some artifact which I'll call for simplicity "the input settings phase issue" as a consequence they say that by choosing guitar/variax (therefore "disabling" input 2) you get a better tone (of course if you use a variax you must "translate" what you read, the point is: if you are using only one instrument, should you choose its input for Input-1 and "same" for Input-2 or not?) • I never read more than personal opinions on this matter and no "scientific" tests and of course simply switching between one or two inputs in the same patch is not even to take into consideration due to gain differences so I decided to run those tests by myself • even before testing I must say that, if the phase issue between input-1 and 2 was true, then it should be ascribed to a serious bug in the POD HD signal routing "both inputs active" is even the default setting so it should work as expected • if you're interested in the POD HD signal routing and to take full advantage of the possibilities of this machine, please take a look at these routing schematics I built months ago based on many tests: http://line6.com/support/topic/2033-pod-hd-500-500x-routing-schematics/ • and finally the real point of this post: I tested the difference by ear with a guitar and a looper before the pod and did not hear any difference, then I tested it in a professional way and confirmed that THE ONLY DIFFERENCE between guitar/same and guitar/variax Input Settings is the level that the first effect/amp in the pre-path will receive. So choosing guitar/variax is not "better" than guitar/same, it's just a good way to lower the input level and so reduce the distortion/saturation of your first effect/amp in the pre-path. The POD HD500 routing, as explained in my schematics, simply says that the "normal" level to send to the first effect is with both inputs active (guitar/same), this is proved by the fact that putting the same distortion/amp in the pre-path or in one of the dual paths gives the same distortion ONLY if the inputs are on guitar/same (see the last part of my post here: http://line6.com/support/topic/2033-pod-hd-500-500x-routing-schematics/ ); as I already wrote, this does NOT mean that using only one input (Guitar/Variax) is wrong, on the contrary, it is perfectly reasonable if you want cleaner tones: it gives exactly the same result as adding a fixed volume pedal at -6dB, but it's better, because you don't waste an fx block! in the same way simply no one can say that using both inputs is wrong or that it's causing problems on its own (unless he/she proves it); on the contrary, if you want to use a dual amp setup and you choose only one input (Guitar/Variax) then you have to waste an fx block (e.g. noise gate 100%-0%) to send the signal to both paths! This doesn't make sense to me at all. • I did the tests with a BC Rich Mockinbird with a DiMarzio Super Distortion on the bridge position, mounting GHS Boomers 11-50: not exactly a quiet signal... and I didn't even have to insert the input pad of the pod; so for me no clipping is caused by the use of both inputs alone at least for the effects I used in the tests of course, for example, the studio eq and the tube comp have a relatively low clipping threshold with respect to the POD internal routing BUT it is a simulation of an analog clipping so it's an intended effect! and again I've got nothing against the usage of the single input if you want to put one of those effects as the first and want it to be cleaner but please then do not crank the output of the effect or you'll be back to the start! • last but not least, please if you are confused by the routing do not think that you have to use the "path A only" solution (putting everything in path A, center its pan and mute path B ), you will get exactly the same tone and simplicity by using the defaults to be more detailed: - start from the default new tone (maybe switch the inputs to guitar/same jut to avoid any possible noise from other inputs) - use the amp in the default position (pre split) - if you don't need the parallel A/B paths simply do not touch them or the mixer - put the pre effects like distortion in the pre path - put the post effects like reverb in the post path and you'll be perfectly ok this should be written in the manuals, and in part is is, I needed to clarify it • for those of you who are interested, I created a setlist with the patches I used for testing, so that you can hear for yourself; in a note inside the zip file, there are the descriptions of the patches and of the tests I did http://bit.ly/K2xOcC EDIT: • some amplifiers/fx models can have a slightly different sound thanks to an attenuation to the signal sent to them independently from their drive pot position (maybe because there is some pre-drive-pot circuit ?!? thanks to gckelloch for the idea) this attenuation can be obtained with the "single input" setting only if your amp/fx is in the pre path, otherwise you need a workaround read here for more details: http://line6.com/support/topic/4586-pod-hd500-hd500x-input-settings-phase-issue-myth-and-facts-single-input-vs-both-inputs/?do=findComment&comment=30409 good reading/testing and merry christmas!! Lorenzo
  8. hi! i guess it´s not possible to do this with an m9, right? that would be a really great feature for the future! any tips if i could reach that? actually i want not to return to the main amp, but in a second amps´ return... thanks!
  9. the HD500 Looper could attenuate the recorded signal by 6dB ... ...depending on your routing and settings. (all of this should be valid also for the POD HD Pro and bean, but NOT for the POD HD500X since its looper routing is different) The point can be summarized saying that the Looper is a "mono wet / stereo dry" fx block; you only need to be aware of this if you use the looper in "pre" position and you are one of those who think it's better to disable input-2 (for example by assigning it to variax) also, please, understand that what I'm trying to explain here is complicated so start reading only if interested, thanks to understand what I'm talking about, you need to read this post of mine and follow the signal on my graphs here: ...so, getting to the point: "the looper is a mono wet / stereo dry fx block" means that if for example you have a situation like this: - guitar connected to guitar input - Input-1: Guitar / Input-2: Variax - Looper in "pre" position - no fx - Amp Block in Path-A (path-A at unity and pan centered, Path-B muted) and you record a riff in the looper, the looped level will be 6dB less than the original signal! explanation: as a "mono wet / stereo dry fx block" the looper attenuates his inputs and sums them, then it records the result and, when playng back, sends the recorded signal to both his outputs so if you have disabled input-2, your recorded loop will have 6dB less than the original signal and will be splitted to outputs 1 & 2 of the looper, WHILE your dry signal will be present only at the output-1 of the looper now, if the first mono effect you have is in path-A, the mixed dry and -6dB looped signals from output-1 of the looper will be splitted to Left and Right channels of path-A and that mono effect will receive them at both its inputs otherwise, if the first mono effect you have is in the pre path you will hear no difference between dry and looped signals: indeed the looped signal will re-gain its lost 6dB because it will be present at both inputs of the effect (while the dry is present only on one input). so, to summarize: if you have Input-1: Guitar / Input-2: Variax and the Looper in "pre" position: 1- if the first mono effect is in path-A, it receives the dry signal at unity and the looped one at minus 6dB 2- if the first mono effect is in pre-path, it receives the dry and the looped signals both at minus 6dB consequences: This meas that, if your purpose was to have the ability to tweak your amp settings while listening to the results on the looped riff, and your amp is in path-A, you're going to get the wrong gain setting! (because you will be pushed to turn up your amp drive pot more than needed) Now, in the same situation (even while your riff is still looping), if you move your amp in "pre" position the loop will play at the same level but the dry guitar will play less distorted! solution? set both inputs to guitar (before recording the loop), and none of this problems will occur
  10. I posted this in the old forum months ago, since many peole found it useful I thought I could re-post it here: ___ I really think these are important things not stated (or in some cases not clearly stated) in the manual, that you need to know to start seriously programming your POD HD I ran some serious tests on my Pod HD 500 and here is what I found out (I made my tests on a POD HD500 but this is valid for HD500X and HD Pro and is very similar for the "bean" version too), I'll try to be as synthetic (but complete and clear) as possible, but this is going to be a long reading so sit down and take your time or just go surfing somewhere else §§§ In short: the "famous" [input-1: guitar / input-2: variax] setting gives you different levels of signal depending on the position of the first *mono* effect block you use (amplifiers included), in particular you LOSE 6dB in the "pre" path in comparison to the path A/B or post path (note that this is not the same as saying that you gain 6dB with input-2 to "same", read on). [ if you don't know what I'm talking about just go and read this thread: http://line6.com/support/thread/74045?start=0&tstart=0 then come back here to hear a different opinion on the matter] first of all, try it out: - connect a guitar to the guitar input and the Left output to a full-range linear amp (or use your headphones) - recall a "new tone" default blank patch - set input-1 to Guitar and input-2 to Variax - set mixer channel A fader to unity (0.0dB) and pan to center - set mixer channel B fader to mute - setup a noise gate* with the threshold set to 0% in "pre" position (with this setting this IS a unity gain mono fx block) - play thru it - now if you bypass it, you'll hear that it looses 6dB of level when it's active (I initially thought this was noise gate's fault, but it's NOT) - now re-activate the noise gate and move it in A or "post" path - now if you try to bypass it you'll hear that it does NOT loose any dB - try moving the block back and forth between pre and A or post paths and you'll hear more level in path A or post than in pre this was already found out at least by hurghanico here: http://line6.com/support/message/403287#403287 but it's so important that needs a dedicated and more detailed thread. [* you can repeat the experiment with other mono effects instead of a noise gate but keep in mind that, if you want to clearly hear a level difference, you need a mono unity gain (www.music-dictionary.org/unity_gain) effect, for example: - a tube comp with thresh 100% & level 2% settings will work just as the noise gate above - an fx loop block with a mono cable connected between send and return will work just the same (but also read point 2 below) - do it with an amp with medium-low gain and, moving it between pre and A or post paths, you'll hear a significant difference in gain/ovedrive/distortion, not only level difference] §§§ OK now that you heard it, let's see it in detail; these are the REAL schemes of the pod and fx blocks routing, yes it's done by hand and I love it ;-) As you can see the pre path is a "dual-path" while A, B and post are all stereo paths; at the splitting point, where the path A and B are born, the signal coming from input-1 is splittted to the Left and Right channels of the path A and the signal coming from input-2 is splittted to the Left and Right channels of the path B; furthermore all fx blocks have TWO inputs and two outputs and the mono blocks do attenuate by 6dB and sum their inputs, then process the result and then split their mono output to both outputs of the block; for those who don't know, notice that: - "splitting" means duplicating one mono signal to two "routes" - and summing those two identical signals means doubling the level of the original signal (which equals to 6dB more) [and some side-notes: - the "stereo dry & mono wet" effects are for example the pitch effects and the "dry" type delays, I'm not considering this type of effects in this post, but they work as expected from the scheme you see above; - you can find a list of all the fx blocks divided by type here: http://line6.com/support/page/kb/_/pod/pod-hd/stereomono-fx-list-for-pod-hd-r567 where "stereo dry & mono wet" blocks are called "Stereo Thru/Mono Effect" which I personally find less clear - the mixer control named as "pan" is actually a "balance" control because if you move it to one side (e.g.: left) it acts on the stereo or dual mono signal by doing NOTHING on that side (left) and ATTENUATING the opposite side (right)] §§§ So, summarizing, if you only activate input-1, in the pre path, the first mono effect is attenuating the input 1 and 2 and summing them, but, since input-2 is actually silence, you loose 6dB; in A, B and post paths the effects are receiving a doubled signal on L/R, so the mono blocks, attenuating and summing the two signals, receive the right signal level to process so using "same" or "guitar" for input-2 does not mean to gain anything, but having a constant doubled signal wich is compensated by a 6dB attenuation in each mono summing it encounters in his flow please note that I am NOT saying that using only input-1 is wrong, you just need to know that this can give you different gain results depending on the position of the first mono effect with only input-1 active (Guitar/Variax) and the same parameter values, this: is giving you more distortion than that: now, if you use those two setups with "Input-1: Guitar / Input-2: Same", you get EXACTLY the same sound with both and this is something that can not be ignored ...don't know how to be more clear than that
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