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Found 54 results

  1. Hi, all. I just got word that my own Helix has shipped and is on its way. Any suggestions as to what I should do first?
  2. Hello guys, I just bought the POD HD Pro X and I have a problem. The patches I downloaded from youtube people (Ola Englund, Fluff) and the patches I bought from a guy that sound awesome in their demos sound very harsh, thin and have no punch at all on my device. (They all used the HD Pro, does that matter? but USB aswell and no post processing) I use a Schecter Hellraise C-1 with active EMGs (and have the PAD button pressed), USB connection, headphones (monitors already ordered) and a PC with WIndows 10 and all Line 6 drivers installed. My settings look like this: 1/12 Utilities (Flash FW: V2.62, USB FW V1.04) 1 FS Mode: ABCD 2 AMP Knobs Display: Momentary ON 3 Looper FS Display: All Views 4 Trails: ON 2/12 Utilities 1 LCD Contrast: 45 2 Tap Temp LED: off 3 AC Frequency: 60 Hz 4 FBV Express: off 3/12 Inputs 1 Input 1 source: Guitar 2 Input 2 source: Variay 3 Guitar in-z: 1M 4 Inputs Setup: Preset 4/12 Outputs 1 Mode: Studio/Direct 5/12 Digital Output 1 Digital Output: Match Outputs 2 Sample Rate: 44,1 kHz 3 Digital Level 0 dB 4 Digital Format: S/PDIF 6/12 Midi/Tempo 1 Midi Channel: 1 2 Midi out/thru: out 3 Tempo Sync: Preset 4 Tempo: 120 BPM 7/12 Variax 1 Variax Control: Preset 8/12 Variax 1 Variax Tuning: N/A 9/12 L6 Link: Audio 1 AMP: left/right 2 AMP left/right 3 AMP left 4 AMP right 10/12 L6 Link: Control 1 AMP 1: AMP A (CH 1) 2 AMP 2: AMP B (CH 2) 3 AMP 3: Midi CH 3 4 AMP 4: Midi CH 3 11/12 Global EQ: on 1 Band Select: Low Cut 2 Frequency: 20 HZ 12/12 Model Packs Standard Model Set please help me :( greetings Paul
  3. I am very new to the FX100 and still trying to figure out how best to set it up so that I can use it to play my set list. I see how to load the tones into the banks so that each tone is on foot switch A, B, C or D. I also see I have 25 banks to play with and can move up and down the banks by pressing either A & B or C & D. I have a few questions about making it work for me. I noticed that bank 25 had USER1 through USER4 so I have replaced those with "my tones" however, the other 24 banks are prepopulated with what look like good tones but not what I need in any one bank. Can I a) move the tones around in the banks (and if so how?) and b) If I replace a prepopulated tone with one of "my tones" how do I get it back again? Are all the tones in the first 24 banks already saved in "my tones"? Forgive my ignorance but I have searched but can't find any decent documentation and no one seems to have asked this question in these forums.
  4. Hello fellow audio engineering junkies!! I just recently downloaded Line6's POD HD500X software along with a patch that has opened right to 'Setlist 1'. I do not have an external Line6 device, however, I do have an Akai Professional MPK25 USB/Midi Performance Keyboard and just recently bought my Tascam US 2x2 Audio Interface to record with and I was having Issues with setting up my POD HD500X with my MPK25 midi keyboard. Is there a way to arm devices through Line6 or arm the pod through any other programs like my Mixcraft 6 recording software? I have a midi patch set up on a setlist, yet It Is not registering through my midi. If anybody has any suggestions on how to run and arm Line6 through various devices then I would love to know ASAP. If there are any drivers that would make this possible, please feel free to link It In your reply. I would like to start creating and downloading patches to use for my devices, but I need It to come through on them first!! Here's Hoping, Brendan
  5. Anyone know what the string heights are suppose to be on the Standard Variax? I never really setup a guitar other than adjust strings here and there, but mine came from zZounds just yesterday and I am getting fret Buzz on my EAD strings, so I did want to check them first before i do anything or take it in for a setup? Neck seems to have good relief, but then again I'm not an expert.. any help would be appreciated as I am a little disappointed out of the box, I'm not a good guitar player by any means still learning..I'm trying to learn at 55 and it's a little slow lol, but I hate to have to take a new guitar in...
  6. I'm new to this forum, and just got a new POD HD500X. I would like to assign the SAME effect to multiple footswitches. Is this possible? Here's what I am trying to do... For one specific preset (that will be song specific), I have a "Solo" FS1 that turns on an Overdrive, Compressor, and Reverb. No problem. But at other times in the song, I only want to use Reverb without the Overdrive or Compressor. FS1: Turn ON / Off Overdrive, Compressor, Reverb FS4: Turn On / Off Reverb only Can I do this WITHOUT adding two separate Reverb effects to my chain?
  7. I have a JTV59 that had some serious fret rattling in the low E & A strings above the 2nd fret and through the 13th fret. Went over to a friends house to jam, and brought it along with me because this friend has lots of luthier tools/supplies, including fret leveling tools. We found my 12th fret to be pretty significantly high. So, we destrung it, filed it down, recrowned it and polished it up again and Viola! The guitar now plays like a dream with zero fret buzz. So good in fact, I never even broke out my MIA Telecaster which I had brought to play, nor did I even turn on the modeling on the Variax. I just played played it straight through the mags into a Princeton Reverb and loved it. The guitar now has a new lease on life again, all because of a very simple procedure. So if you have a similar problem, find a luthier with the right tools and it can likely be fixed too. Made a HUGE difference in how bad I want to play my Variax, no doubt. Gotta just break down and buy some tools myself....
  8. I'v bought a new interface (Focusrite Scarlett 18i8) and i'm using this along side my HD Pro X. With my old interface i was able to reamp DI signals by sending via an line out output, however the 18i8 only has 2 of these outputs, which are used by my monitors. I now have to send the signals via SPDIF between the Focusrite and HD Pro X but i can't figure it out. How do i use the SPDIF input and output on the HD Pro X?
  9. I have a question about saving scenes inside a setup. My main point is does it save the individual channel EQ. I set an EQ and for a song saved the scene and did a second, however when I recalled the first song the EQ on the backing track channel was not what I'd saved but what I'd set for the current song. I thought it should be able to keep individual EQ and I just watched the setup and scene video again and Sean definately said it did. The reason I need it is backing tracks change from song to song and need different EQ settings. Anyone saving all settings with scenes
  10. Hello Line 6 brothers and sisters My name is JohnnyQ I've had a hd500 for a bit now and i love it But i just bought a jtv89f a l3t and a l3m and im interested in setting it up for stage. now i would like to run a line or two to the mixer so i don't have to mess with a mic's do i run my line's out from the hd500 or the l3t/l3m im looking for the best sound i can get but i don't want to smoke the board + im putting a lot of faith in this gear for i haven't heard it as of yet i pick up the new gear Friday but i always like to no things upfront thank you for your time your line 6 Brother JohnnyQ
  11. M20d band setups.pdf
  12. hello, I'm pretty new to MIDI, but since I recently bought a KORG Volca Keys unit, I was wondering if I could use my Toneport KB37 as the MIDI controller for this device without first going through a computer? I'm asking because in all the forums and manuals it always mentions going through a computer, and of course the kb37 does not have the MIDI DIN connector. if I get a USB-MIDI converter cable (or SPDIF-MIDI??), can I just plug the kb37 into the Volca and have it work? what kind of cable do I need, in case it needs a special cable? and, you know: just all the other silly noob questions about (this) midi setup that you can think of... ;) thanks, Eric. PS: this is a video of the KORG Volca Keys with a midi keyboard setup, I'm looking for something similar, but with the KB37 https://www.youtube.com/watch?v=XVTm0mT53fU
  13. Deutsche Version. Version française. AMPLIFi FX100 Setup Options Practice and jam through headphones Route AMPLIFi FX100 through your guitar amp Play through your home stereo Split the guitar and jam tracks between your amp and stereo AMPLIFi FX100 Users Manual Q: Is there a forum where I can discuss AMPLIFi FX100 setup options with other AMPLIFi FX100 users? A:We have a forum dedicated specifically to AMPLIFi FX100 available HERE. AMPLIFi FX100 Users Manual Aufstellungsbeispiele für das FX100: Üben mit einem einfachen Kopfhörer Aufbau: Mit einem Gitarrenverstärker: Angeschlossen an Lautsprecher: Teilen Sie die Songs auf in Verstärker und Lautsprecher: AMPLIFi FX100 Benutzerhandbuch Gibt es ein Forum in dem ich mich mit anderen AMPLIFi FX100 Nutzern unterhalten kann? Wir haben ein spezielles Forum nur für das FX100. HIER. Exemples de configurations FX100: Exercice et jam avec les écouteurs. AMPLIFi avec un baffle guitare. Écoute le son avec des haut-parleurs. Divise les chansons entre amplificateur et haut-parleurs. Mode d’emploi AMPLIFi FX100 Y’a t-il un forum où je peux discuter AMPLIFi FX100 ? Nous avons un seulement pour l’AMPLIFi FX100. ICI.
  14. Hello everyone. I have problems with sample rate and bit depth setup. When I open Line 6 Audio-MIDI devices - 3.6, It says, that I can change my sample rate and bit depth in sound control panel, but there are no settings! I searched everywhere, but didn't find anything. I'm using Win 8.1 x64 and all drivers are up to date. PS: Attaching screenshot if it can help
  15. Reference material: L6 Link Connectivity Guide for POD HD & DT Amplifiers v2.10 POD HD500X Advanced Guide
  16. Hi Folks, I want to use the HD500 as Soundcard/Interface for Cubase editing and monitoring but can't get any sound from the connected studio monitors. Hope you got an idea what I'm doing wrong! My POD inputs Cubase to POD via USB Variax to POD via Digital Cabel Keyboard Line out to POD AUX in My POD Outputs XLR out L&R to Adam F5 Studio Monitors Headphones on Phones out I ran the obove setup without the monitors up untill now and had no issues. Editing, playback, recording all works fine. Now to get rid of the headphone only setup I took one of the new studio monitors out of the box and connected it to one XLR balanced out but have no sound at all! I tried POD sound through Headphones => works Connecting the monitor to the Latops headphone out via 3,5" Klinke to RCA => works, so the monitor is ok. Changing XLR cabels didn't change anything => cable should be fine too Flipped through all POD setup options I could but found no mute/balance/setup options for XLR out => No clue if I missed something. If anybody has an idea what I'm missing I'd be very happy! THX
  17. Hi there, A friend gave me an used FloorPOD and I can't figure out how to connect it to the amp / guitar (I'm new to all this, I'm starting to learn to play guitar), I read the manual but it was of little help, I read that the product is discontinued from Line6 and I can't seem to find any help for this. This is how I have it set up right now. -I restored it to default settings. -I plugged the amp to Left Output. -Guitar to Input. -Voltage 9V. I've tried different voltage levels, or switching out the cables, but I can't get it to work. Any help will be appreciated!
  18. Is there a way to set up the wah pedal on the pod HD500 to "switch" like a morley wah? i.e. toe up equals off, slight toe down movement turns it on then full sweep from the "on" point. Thanks!
  19. La version française. Zur deutschen Version. With the latest v2.0 update for the DT25/DT50 amplifiers, you must send MIDI parameters to the amp to change the settings such as the preamp models. Here are the links to the MIDI documentation to reference when programming your MIDI gear to send the proper parameters to control the settings of the DT series amplifiers: http://line6.com/media/dt50/DT50_MIDI_CC_Reference_v2_0_RevA_English.pdf http://line6.com/media/dt50/DT25_MIDI_CC_Reference_v2_0_RevA_English.pdf http://line6.com/media/dt50/DT_MIDIGuide_v2_0_RevA_English.pdf Using the POD HD500/HD500x to Send MIDI Parameters to the DT amplifiers You can use the POD HD500 as a MIDI controller to send MIDI CC parameters to change. Just connect the MIDI OUT from the POD HD500/HD500x to the MIDI IN on the DT amplifier with a MIDI cable. Then, go in the POD HD500/HD500x's MIDI assign screen (by holding the MOVE button for a few seconds) to assign a footswitch to send the desired MIDI parameters to change the settings on the DT amplifier. From here, you need to reference the DT amplifier's MIDI CC reference charts above to assign the proper MIDI CC to a footswitch on the POD HD500/HD500x. For example, on the DT50 amplifiers, sending MIDI CC# 11 with a value of 0-30 will change the assigned HD amp model set to any one of the voicings on Channel A of the DT50. So, if you want to change Voicing I of Channel A on the DT50 amp from the original Fender Blackface to be a Hiway 100 amp model instead, do the following: On any preset (blank or not) on the POD, go to the POD's MIDI Assign screen by holding the MOVE button for a few seconds. We suggest doing this on a blank new preset so that you can use this preset to send these MIDI messages to your DT amplifier. Let's assign Footswitch 1 (FS1) to send MIDI CC# 11 with a value of 003. Press on FS1 so that the arrow is pointing to it in the POD's screen. Turn Knob 1 to select MIDI CH: Base. Turn Knob 2 to select Message: CC. Turn Knob 3 to select CC# 011. Turn Knob 4 to select Value: 003. You can exit the MIDI Assign screen by pressing the View button once. Now, by simply pressing the FS1 footswitch, you will be sending MIDI CC# 11 value 003 to the DT50 amp which will change the Voicing I of Channel A on the DT50 amp from the original Fender Blackface to be a Hiway 100 amp model. Press the Save button once, rename the preset with the knobs below the screen, then press the Save button once again to store these settings to the POD's preset. MIDI CC#11 value 0-30 will change the HD amp model on Channel A of the selected voicing on the DT25/DT50 amp. MIDI CC#12 value 0-30 will change the HD amp model on Channel B of the selected voicing on the DT25/DT50 amp. Here are reference charts for both the DT25 and the DT50 from the MIDI Reference guide to help you set your values when programming MIDI to the switches of the POD HD500/HD500x. MIDI can be assigned to any of the footswitches of the POD HD500/HD500x EXCEPT for the Bank Up and Bank Down switches. Using MIDI OX to send MIDI parameters to the DT amplifiers You can also use MIDI OX software to send the desired MIDI messages to your DT amplifier when using a dedicated MIDI interface connected between your computer set to work with MIDI OX and the DT amplifier's MIDI IN port. In MIDI OX, click on the Send MIDI Controller Messages button to see the following window: You’ll want to use the drop down window to select the desired controller event (as referenced in the documentation above such as MIDI CC# 11 or CC#12, etc.) and then select the value on the right (as in the previous example above, value of 0-30, etc.) then, hit the Send button to send that MIDI message to the DT amplifier. Notice the text by the numbers which are simply part of the standard MIDI spec. These descriptors are irrelevant for the DT amps – again, just look for the number that correlates to the DT parameter you want to send. It also may be confusing that the numbers are not listed sequentially. If you wanted to change the preamp for the current Voicing of channel A you would select number 11 (labeled expression in the MIDI OX drop down) and number 3 (if you wanted to load the Hiway 100 model for example) using the up/down buttons in the field labeled Value. Hit send and the current Voicing on Channel A should be the Hiway 100. Avec la dernière mise à jour 2.0 pour le DT25 et DT50, vous devez transférer des paramètres MIDI pour changer des configurations comme les modèles préamplis. Documentation MIDI : http://line6.com/med...evA_English.pdf http://line6.com/med...evA_English.pdf http://line6.com/med...evA_English.pdf L’utilisation du POD HD500 ou HD500x pour la transmission des paramètres MIDI : Vous pouvez utiliser POD HD 500 ou HD 500x comme contrôleur MIDI pour transmettre des informations MIDI CC. Connectez le MIDI OUT du POD HD500/500x au MIDI IN de l’ampli DT avec un câble MIDI. Dans le menu MIDI Assign (maintenez le bouton MOVE pour quelques secondes) et assignez la fonction MIDI désirée a un des commutateurs au pied pour changer les configurations sur le DT. D’ici, utilisez la référence MIDI CC des amplis DT au-dessus pour assigner des commandes MIDI CC propres à un commutateur au pied POD HD500/HD500x. Exemple : Sur l’ampli DT50, envoyer une commande MIDI CC# 11 avec une valeur de 0 à 30 changera le modèle ampli HD à un des tons sur le canal A du DT50. Donc, si vous voulez changer le ton 1 du canal A sur le DT50 d’un Fender Blackface à un modèle Hiway 100 : Sur un des presets (vide ou pas) sur le POD naviguez dans l’écran MIDI Assign (en maintenant le bouton MOVE pour quelques secondes.) Nous suggérons de faire ca avec un preset vide, comme ca, vous pouvez l’utiliser pour transmettre des commandes MIDI à l’ampli DT. Assignez Footswitch 1 (FS1) la commande MIDI CC# 11 avec une valeur de 003. Cliquez FS1 (la flèche doit pointer au FS1 sur l’écran du POD). Tournez le bouton pour sélectionner MIDI CH : Base. Tournez-le pour sélectionner Message : CC. Tournez-le pour sélectionner CC# 011. Tournez-le pour sélectionner Value : 003. Quittez l’écran MIDI Assign avec le bouton View. Poussez FS1 pour envoyer la commande MIDI CC#11 avec valeur 003 à l’ampli DT. Cette action changera le ton 1 du canal A sur le DT de Fender Blackface à Hiway 100. Poussez le bouton Save, renommez le preset avec les boutons dessous l’écran et poussez Save encore une fois pour enregistrer les configurations. MIDI CC#11 avec une valeur de 0 à 30 changera le modèle ampli HD sur canal A du ton sélecté sur l’ampli DT25/DT50. MIDI CC#12 avec une valeur de 0 à 30 changera le modèle ampli HD sur canal B du ton sélecté sur l’ampli DT25/DT50. Tableaux de référence : Vous pouvez assigner MIDI à tous les commutateurs à pied sur le POD HD500/HD500x sauf les commutateurs Bank Up et Bank Down. L’utilisation de MIDI OX pour envoyer des paramètres MIDI aux amplis DT : Vous pouvez utiliser le logiciel MIDI OX pour transmettre des paramètres MIDI à votre ampli DT si vous utilisez une interface MIDI connecté à votre ordinateur et le MIDI IN du DT. En MIDI OX, cliquez « Send MIDI Controller Messages » pour voir cet écran : Utilisez le menu déroulant pour sélecter la commande, comme MIDI CC#11 ou CC#12. Après, vous pouvez sélecter la valeur sur le côté droit. (Une valeur de 0 à 30). Cliquez « Send » pour transmettre le paramètre à votre ampli DT. Ici vous pouvez voir les descriptions a côté des nombres, ignorez-les. Cherchez le nombre que vous voulez configurer sur le DT. Exemple : Si vous voulez changer le préampli du ton sélectez sur canal A, vous sélectez #11 (le texte dit que c’est « Expression » mais ignorez ca.) et 3 dans le menu « Value » si vous voulez le Hiway 100. Seit der neusten Aktualisierung 2.0 für die DT25 und DT50 Verstärker müssen Sie MIDI Parameter and den Verstärker senden um Eisntellungen wie Vorverstärkermodelle zu verändern. Quellen zur MIDI Programmierung: http://line6.com/med...evA_English.pdf http://line6.com/med...evA_English.pdf http://line6.com/med...evA_English.pdf MIDI Parameter per POD HD500/HD500x übertragen: Sie können das POD HD500 als MIDI Controller verwenden um MIDI CC Parameter zu übertragen. Schließen Sie dazu den MIDI OUT Ausgang des POD HD500/500x an den MIDI IN Eingang am DT Verstärker mit einem MIDI Kabel an. Öffnen Sie dann das MIDI Assign Menu auf dem POD indem Sie den MOVE Knopf gedrückt halten um hier nun einen Fußschalter zuzuweisen, der dann die MIDI Parameter and den DT Verstärker versendet. Von hier an sollten Sie das oben erwähnte Referenzmaterial verwenden um die korrekten MIDI Parameter auf den Fußschalter zuzuweisen. Zum Beispiel: Wenn Sie vom POD die MIDI Parameter MIDI CC#11 mit einm Wert von 0 bis 30 an den DT Verstärker verschicken, wird das ausgewählte HD Verstärkermodell auf einen der Töne des Kanals A vom DT50 umstellen. Was also bedeutet, dass wenn Sie Voicing 1 des Kanals A auf dem Verstärker vom original Fender Blackface auf einen Hiway 100 umstellen wollen, machen Sie folgendes: Von irgendeinem Preset aus, öffnen Sie das MIDI Assign Menu indem Sie den MOVE Knopf gedrückt halten. Wir empfehlen, dass Sie einen freien Preset Slot verwenden, sodass Sie weiterhin von diesem Slot aus die MIDI Parameter versenden können. Verwenden wir nun Fußschalter 1 (FS 1) um die Parameter MIDI CC#11 mit Wert 003 zu versenden. Drücken Sie dazu auf den FS1 sodass der Pfeil auf den POD Bildschirm zeigt. Drehen Sie dann Knopf 1 um MIDI CH: Base auszuwählen. Drehen Sie an Knopf 2 um Message: CC auszuwählen. Drehen Sie an Knopf 3 um CC#011 auszuwählen. Drehen Sie an Knopf 4 um Value: 003 auszuwählen. Jetzt können Sie das Fenster verlassen indem Sie den View Knopf drücken. Nun können Sie, indem Sie FS1 drücken, die zugewählten MIDI Parameter an den Verstärker senden, was in unserem Fall dazu führt, dass Voicing 1 auf Kanal A auf das Hiway 100 Modell umgestellt wird. Drücken Sie den Save Knopf. Bennen Sie das Preset mit den Knöpfen unter dem Bildschirm um und drücken Sie dann wiederum Save um alle Einstellungen auf dem Preset abzuspeichern. MIDI CC#11 Wert 0-30 verändert das HD Verstärker Modell auf dem gewählten Voicing des Kanals A des DT Verstärkers. MIDI CC#12 Wert 0-30 verändert das HD Verstärker Modell auf dem gewählten Voicing des Kanals B des DT Verstärkers. Hier noch Listen der MIDI Parameter als Referenz: MIDI Parameter mit MIDI OX versenden: Sie können auch die MIDI OX Software verwenden um MIDI Parameter an den DT Verstärker zu schicken. Dazu benötigen Sie eine MIDI Schnittstelle für Ihren Computer, den Sie dann an den MIDI IN des Verstärkers anschließen, sowie an Ihren Computer. Klicken Sie im MIDI OX Fenster auf Send MIDI „Controller Messages“. Folgendes Fenster öffnet sich: Verwenden Sie dann das Dropdown Menu um den gewünschten MIDI CC# auszuwählen. Wählen Sie dann einen Wert aus auf der rechten Seite und klicken Sie den „Send“ Knopf. Achtung, im Dropdown Menu werden den Zahlen verschiedene Texte zugewiesen. Ignorieren Sie diese einfach. Die Beschreibungen sind hier irrelevant. Suchen Sie nach der Nummer und wählen Sie diese aus. Die Zahlen Sind außerdem nicht immer geordnet. Wenn Sie also das Voicing des Kanals A einstellen wollen, wählen Sie Nummer 11. Nummer 11 hat bei uns zum Beispiel die Beschreibung „Expression“, die uns aber nicht weiter interessiert. Außerdem wählen Sie die Nummer 3 im „Value“ Feld. Klicken Sie dann „Send“. Das derzeitige Voicing des A Kanals sollte nun auf Hiway 100 gestellt sein.
  20. Deutsch Français All L6 Link Connections require AES/EBU cables with a maximum 50 foot length. StageScape M20d Small PA : Connect the L6 LINK out from a StageScape M20d mixer to the rear panel L6 LINK In on any speaker in the network. Any L3t/L3m towers and L3s subs on an L6 LINK network are numbered independently. In the illustration above, the two L3s subs (labeled SUB 1 and 2) will, by default, play left and right, respectively. The two upright L3t/L3m towers (numbered 1 and 3) will, by default, play left and right, respectively. L3t/L3m number 2, because it?s laid on its side, will automatically play discrete monitor feed A. Any speaker on the network can have its channel assignment changed from the M20d's touch screen interface. StageScape M20d Large PA : In the illustration above, four L3s subs (labeled SUB 1-4) and seven L3t/L3m speakers (independently numbered 1-7) are daisy-chained from an M20d mixer. The subs and upright towers automatically configure themselves to be a powerful stereo mains system. L3t/L3m speakers on their side (numbers 3, 4, and 5) automatically configure themselves as stage monitors, and play monitor feed A, B, and C respectively. You can also reassign any speaker from the M20d touchscreen. Toutes les connexions L6 Link ont besoin d’un câble AES/EBU avec une longueur maximale de 15 mètres. StageScape M20d : Système de sonorisation petit : Branchez la sortie L6 LINK du M20d à l’entrée L6 LINK d’un haut-parleur. Tous les L3t, M3m et L3s ont des nombres différents. Pour l’illustration, les L3s (SUB 1 et 2) jouent gauche et droite respectivement. Les L3t/L3m (1 et 3) jouent gauche et droite respectivement automatiquement. Le L3t/L3m 2 est en mode Moniteur parce qu’il est mis sur sa côté. Vous pouvez assigner les canaux pour tous les haut-parleurs séparément sur le M20d. StageScape M20d : Système de sonorisation petit : Pour cette illustration, on a chaîné 4 L3s et 7 L3t/L3m avec un M20d. Les L3s et L3t/L3m verticaux se configurent automatiquement en mode Stereo Main System et les autres, qui sont sur la côté se configurent en mode Moniteur. Vous pouvez réassigner tous les haut-parleurs avec le M20d. Alle L6 LINK Verbindungen benötigen AES/EBU Kabel mit einem Maximum von 15 Metern. StageScape M20d: Kleine Beschallungsanlage: Verbinden Sie den StageScape L6 LINK Ausgang mit dem L6 LINK Eingang eines Lautsprechers im System. Jeder L3t, L3m und L3s hat eine bestimte Nummer. Für die obige Darstellung werden die 2 L3s automatisch jeweils rechts und einer links abspielen, die beiden augestellten L3t/L3m werden sauch automatisch rechts une einer links abspielen. L3t/L3m Nummer 2 wird sich als Monitor konfigurieren, da er auf der Seite liegt. Jeder Lautsprecher im System kann anhand des M20d einen neuen Kanal zugewiesen bekommen. StageScape M20d: Große Beschallungsanlage: Oben werden 4 L3s und 7 L3t/L3m dargestellt, die in Reihe geschaltet und an einen M20d angeschlossen sind. Die Subwoofer sowie aufrechten L3t/L3m werden sich selbst als Stereo Main System einstellen und die L3t und L3m die auf der Seite liegen als Monitore. Alle Laustsprecher können andere Kanäle zugewiesen bekommen, falls gewünscht.
  21. Deutsch Français The POD Farm 2.5 software license, when purchased from our website online store, is a license that is placed on your Line 6 account. Nothing will be sent by mail. You can download the latest POD Farm 2.5x software free from our Downloads link on our website. You use the Line 6 License Manager software to authorize that license to your computer or Line 6 hardware to begin using the POD Farm 2.5 software. 1. Download and install POD Farm 2.5x from our downloads page for free here. This will install: POD Farm 2.5x application Drivers for Line 6 hardware Line 6 Monkey update utility Line 6 License Manager 2. After installing the software above, connect your Line 6 hardware (if applicable) and run the Line 6 Monkey to ensure that the POD Farm 2.5x application and your Line 6 hardware drivers* are updated (*Line 6 hardware only). 3. Close Line 6 Monkey and run Line 6 License Manager: If you are using Line 6 hardware (POD Studio/Toneport), select the hardware from the left side of License Manager and hit the 'Authorize' button for that device. Afterward, you may need to click on an 'Install' button to install the assets to the Line 6 hardware. Do NOT authorize your computer if you are using Line 6 Hardware with POD Farm 2.5x. If you are NOT using Line 6 hardware with POD Farm, just select your computer within License Manager and just click the 'Authorize' button to authorize the license to the computer. *For a Video outline of how License Manager works click Here. 4. Close License Manager and start POD Farm 2.5x. You can now begin using the program. If you are using Line 6 hardware, make sure to connect your speakers or headphones to the Audio OUTPUTS of the Line 6 hardware. POD Farm 2.5 Setup Die POD Farm 2.5 Software Lizenz, sofern aus unserem Webshop gekauft, ist eine auf Ihrem Line 6 Konto abgelegte Lizenz. Sie werden keine Email mit der Lizenz erhalten. Sie können die neuste Version von POD Farm 2.5x umsonst in der Downloadliste auf unserer Webseite finden. Sie müssen die Line 6 License Manager Software benutzen um Ihren Computer oder Ihr Line 6 Gerät für die Nutzung der POD Farm 2.5 Software zu autorisieren. 1. Laden Sie sich POD Farm 2.5x von unserer Downloadseite umsonst herunter und installieren Sie es. Dies wird die folgende Software installieren: POD Farm 2.5x Treiber für Ihre Line 6 Hardware Line 6 Monkey zur Aktualisierung Ihrer Line 6 Produkte Line 6 License Manager 2. Nachdem Sie die oben genannte Software installiert haben schließen Sie Ihre Line 6 Hardware (falls zutreffend) an Ihren Computer an und starten Sie Line 6 Monkey um zu überprüfen ob Ihre Line 6 Hardware Treiber* sowie Ihre POD Farm 2.5x auf dem neuesten Stand sind. (*Line 6 Hardware ausschließlich.) 3. Schließen Sie Line 6 Monkey und starten Sie den Line 6 License Manager: Sollten Sie Line 6 Hardware benutzen (POD Studio/Toneport), wählen Sie die Hardware an der linken Seite des License Managers aus und drücken Sie den "Authorize" Knopf. Danach müssen Sie möglicherweise einmal auf "Installieren" drücken um Erweiterungen auf Ihrem Gerät zu installieren. Achtung, autorisieren Sie Ihren Computer nicht wenn Sie Line 6 Hardware mit POD Farm 2.5x benutzen. Wenn Sie die Line 6 Hardware nicht mit POD Farm benutzen, können Sie einfach Ihren Computer im License Manager auswählen und auf "Authorize" klicken um eine Lizenz auf Ihrem Computer zu autorisieren. *Hier können Sie sich ein Video zur Benutzung des License Managers ansehen. (in Englisch) 4. Schließen Sie den License Manager und starten Sie POD Farm 2.5x. Sie können das Programm nun benutzen. Sollten Sie Line 6 Hardware benutzen, stecken Sie Ihre Lautsprecher oder Kopfhörer in die Audio Ausgänge des Line 6 Gerätes. Setup POD Farm 2.5 La licence du logiciel POD Farm 2.5, si vous l'avez acheté dans notre boutique en ligne, est une licence attachée à votre compte Line 6. Vous n'obtiendrez aucun email de nous avec la licence. Vous pouvez télécharger la version, la plus nouvelle de POD Farm sur notre site web. Vous devez utiliser le Line 6 License Manager pour autoriser votre ordinateur ou appareil Line 6 pour l'utilisation du logiciel POD Farm 2.5. 1. Téléchargez POD Farm 2.5x gratuitement de notre site des téléchargements. Installez-le. Ce logiciel installera les programmes ci-après: POD Farm 2.5x Les pilotes pour votre appareil Line 6 Line 6 Monkey pour les mises à jour de vos produits Line 6 Line 6 License Manager 2. Après vous avez installé ces logiciels, connectez votre appareil Line 6 (si besoin) avec votre ordinateur et démarrez Line 6 Monkey pour mettre à jour vos pilotes des appareils Line 6 et POD Farm 2.5x. 3. Fermez Line 6 Monkey et démarrez le Line 6 License Manager: Si vous utilisez du hardware Line 6 (POD Studio/Toneport), choisissez l'appareil à gauche du License Manager et cliquez "Authorize". Après vous devez éventuellement cliquer "Installer" pour installer les extensions sur votre appareil. Attention, n'autorisez pas votre ordinateur si vous utilisez des appareils Line 6 avec POD Farm 2.5x. Si vous n'utilisez pas des appareils Line 6 avec POD Farm, vous pouvez cliquer sur votre ordinateur dans le License Manager et cliquer "Authorize" pour autoriser l'ordinateur. *Ici vous pouvez regarder une vidéo concernant l'utilisation du License Manager. (en anglais) 4. Fermez le License Manager et démarrez POD Farm 2.5x. Vous pouvez utiliser ce programme maintenant. Si vous utilisez des appareils Line 6, insérez vos haut-parleurs ou écouteurs dans les sorties audio du appareil Line 6.
  22. Deutsch Français Please go through the following list before updating your James Tyler Variax guitar to flash memory v1.81 and newer from an earlier version of the flash memory to ensure the update completes successfully: Ensure that the interface you are using to update the JTV guitar with (Workbench Interface, PODxt Live/Pro, POD X3 Live/Pro, POD HD500/HD Pro, Vetta II) is NOTconnected to the computer through a USB hub. Make sure to connect the interface into a USB port directly into the computer, especially into the back of a desktop. If problems persist, make sure to test all of the USB ports on the computer. Avoid plugging into USB ports found on keyboards, monitors, or laptop docks. [*]When using the Workbench Interface to update or edit the JTV guitar, ensure that a charged battery is in the guitar and a 1/4" TS mono cable is inserted into the guitar's output jack to power on the guitar. [*]Ensure that the Volume knob on the guitar is NOT set to the '0' position as it will put the guitar into Power Save Mode. Make sure that the Volume knob is set higher than 0 when updating or editing the JTV guitar. [*]Please use the VDI Cable that comes with the JTV guitar when updating the flash memory. Avoid using VDI or CAT5 cables longer than 10 ft. in length when updating the James Tyler Variax. [*]During the update, select 'NO' when asked if you would like to keep the presets on the guitar. Use the Workbench software to back up your guitar presets before updating if you would like to keep them. [*]Close out any other applications running on your computer before updating the JTV guitar. Please use the following link for the flash memory update instructions: Variax Reflash and Software Update Instructions Checkliste für James Tyler Variax Updates: Stellen Sie sicher, dass die Schnittstelle, welche Sie zum aktualisieren Ihrer JTV benutzen (Workbench Interface, PODxt Live/Pro, POD X3 Live/Pro, POD HD500/HD Pro, Vetta II) nicht per USB Hub an Ihren Computer angeschlossen ist. Stecken Sie die Schnittstelle hinten direkt in einen der USB Ports Ihres Computers. Wenn weiterhin Probleme bestehen sollten Sie alle USB Ports ausprobieren. Achtung, vermeiden Sie es, die Schnittstelle in einen USB Port einer Tastatur, eines Monitors oder eines Laptop-Docks zu stecken. [*]Wenn Sie das Workbench Interface benutzen, um Ihre JTV zu bearbeiten oder aktualisieren, stellen Sie sicher, dass die Batterie vollgeladen und ein 6.35mm TS Mono Kabel im Gitarren Ausgangs-Jack eingesteckt ist, um die Gitarre anzuschalten. [*]Der "Volume" Knopf darf nicht auf der "0" Position sein, da die Gitarre ansonsten in den Energiesparmodus geht. Der "Volume" Knopf muss also auf einer anderen Position sein als "0" um die Aktualisierung durchzuführen. [*]Bitte benutzen Sie das VDI Kabel, welches bei der Gitarre mitgeliefert wurde wenn Sie Flash Memory aktualisieren möchten. Benutzen Sie möglichste keine CAT 5 oder VDI Kabel, die länger als 3 Meter sind wenn Sie die James Tyler Variax aktualisieren. [*]Während der Aktualisierung klicken Sie "NO" wenn Sie gefragt werden ob Sie die Presets behalten ("keep presets o nthe guitar") möchten. Sie sollten die Presets, die Sie behalten wollen vor dem Update per Workbench Software sichern. [*]Schließen Sie alle unnötigen Programme bevor Sie die JTV Gitarre aktualisieren. Bitte folgen Sie diesem Link, um Anweisungen zur Aktualisierung des Flash Memory zu erhalten: Variax Reflash and Software Update Instructions Liste de contrôle des mises à jour James Tyler Variax: Assurez-vous que l'interface pour connecter la guitare JTV à l'ordinateur (Workbench Interface, PODxt Live/Pro, POD X3 Live/Pro, POD HD500/HD Pro, Vetta II) n'est pas connectée à l'ordinateur via un hub USB. Connectez l'interface directement sur un port USB en arrière de l'ordinateur. Si vous avez des problèmes, essayez tous les ports USB de l'ordinateur. Évitez de brancher sur les ports USB sur les claviers, moniteurs ou stations d'accueil pour ordinateur portable. [*]Si vous utilisez l'interface Workbench pour mettre à jour la guitare, assurez-vous qu'une batterie chargée est dans la guitare et un câble TS mono 6.35m m est branché dans le jack de sortie de la guitare pour l'a llumer. [*]Le bouton "Volume" ne doit pas être sur la position "0" parce que ca met la guitare dans le mode économie d'énergie. Mettez-le sur une autre position que "0". [*]Veuillez utiliser le câble VDI fourni avec la guitare JTV si vous mettez le Flash Memory (firmware de la guitare) à jour. Évitez d'utiliser des câbles CAT5/VDI plus long que 3 mètres pour la mise à jour. [*]Pendant la mise à jour, cliquez sur "NO" pour la question "keep presets on the guitar". Utilisez le logiciel Workbench pour sauvegarder vos presets avant que vous mettez la firmware à jour si vous les voulez garder. [*]Fermez tous les autres programmes inutiles avant que vous mettez la JTV à jour. Utilisez le lien suivant pour les instructions de la mise à jour Flash Memory: Variax Reflash and Software Update Instructions
  23. Solo Artist L3t can provide portable amplification for singer-songwriters, complete with EQ, reverb and modulation for each channel. Connect your acoustic guitar to the side panel Channel 1, which features Acoustic Modeling. Connect your microphone to the side panel Channel 2. Connect a portable media player, CD player, or DJ mixer to the rear panel Aux L/R inputs for backing accompaniment or intermission music. Small Club Duet L6 LINK provides an easy way for two artists - each with an L3t- to blend their signals together without the need for an external mixer. Connect the guitars to each speaker’s Channel 1, which features Acoustic Modeling. Connect the microphones to Channel 2. When two L3t speakers are connected together as an L6 LINK loop, (L6 LINK In of each speaker connected to the L6 LINK Out of the other), this stereo system can take advantage of both side mixer panels combined. All of the left and mono signals from both speakers’ inputs will play from the speaker labeled ‘L’, and all of the right and mono signals will play from the speaker labeled ‘r’. In this configuration example, two guitars and two microphones, and even two MP3 players could be used simultaneously. Small PA with Subs When using a traditional mixer with one or more L3s subs and non-Line 6 full-range speakers, connect to the subs’ inputs first. Connect the same channel’s output from each sub to the rear panel line input of each full-range speaker. Small PA with Subs When using a traditional mixer with one or more L3t/L3m towers and one or more L3s subs connected via L6 LINK, connect both the Main Left and Main Right outputs of the mixer to one L3s’s Left and Right inputs. Connect the L3s’s L6 LINK Out/Thru to an L3t or L3m you wish to designate as left. Continue daisy-chaining speakers via L6 LINK. L3 subs and towers will automatically configure themselves as left, right, or mono (left + right), according to the table available at the link below: In the illustration above, the first sub and first tower are designated left. As there are only two subs and two towers, the other L3t/L3m and L3s are automatically designated right. The floor monitor is connected via traditional means from the mixer’s monitor output. Large PA with Subs When using a traditional mixer with one or more L3t/L3m towers and one or more L3s subs connected via L6 LINK, connect both the Main Left and Main Right outputs of the mixer to one L3s’s Left and Right inputs. Continue daisy-chaining speakers via L6 LINK. Any L3 subs and towers will automatically configure themselves as left, right, or mono (left + right), according to the table available at the link below: In the illustration above, the three floor monitors exist on a separate L6 LINK network, and as they’re turned on their sides, will automatically sum the left and right channels of any signals received (‘b’ for both). StageScape M20d - Small PA Connect the L6 LINK out from a StageScape M20d mixer to the rear panel L6 LINK In on any speaker in the network. Any L3t/L3m towers and L3s subs on an L6 LINK network are numbered independently. In the illustration above, the two L3s subs (labeled SUB 1 and 2) will, by default, play left and right, respectively. The two upright L3t/L3m towers (numbered 1 and 3) will, by default, play left and right, respectively. L3t/L3m number 2, because it’s laid on its side, will automatically play discrete monitor feed A. Any speaker on the network can have its channel assignment changed from the M20d’s touch screen interface. StageScape M20d - Large PA In the illustration above, four L3s subs (labeled SUB 1-4) and seven L3t/L3m speakers (independently numbered 1-7) are daisy-chained from an M20d mixer. The subs and upright towers automatically configure themselves to be a powerful stereo mains system. L3t/L3m speakers on their side (numbers 3, 4, and 5) automatically configure themselves as stage monitors, and play monitor feed A, B, and C respectively. You can also reassign any speaker from the M20d touchscreen.
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