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Found 62 results

  1. I have two marshall 4x12 cabinets would like to run them in stereo to Vetta II head, hooking up the mono 16 ohm side of each of the cabinets. Can someone tell me if the Vetta II speaker outputs are in parallel? Do I set the ouput switch to 8 ohms if running two 16 ohm cabinets etc etc like a normal amp speaker ouputs are? thanks
  2. Hello fellow forum members, I just bought a Spider III HD150 head (on its own) and now am looking for a 212 cab to buy. A 412 is not an option now, it may be too big for my car to carry around (we're gigging a lot). So after reading many entries, my (very n00b) questions are: - can this head be run in mono mode? I mean I just did (on a gig), I hooked it to a H&K 212 and fortunately I didn't blow the amp. But may this happen at all? - do you know any not-too-expensive 2*12 cabs that may fit with this amp (technically speaking)? It's not easy to fin 212's with two 8 ohm inputs stereo. Thanks a lot!
  3. I've got a small diaphragm matched pair condenser mic set and I've been trying to figure out how to get the M20d mixer to let me convert two XLR inputs (from these mics) into a stereo input. I'm wanting to do this so I don't have to switch back and forth on the Tweak page between the mics. I want to set them up identically essentially with one panned to the right and one panned to the left. Any ideas on the best way to do this?
  4. If you connect only the Left input, the signal is split to L+R stereo out (since L is the standard mono input). But shouldn't the Right in/out path be separate from the Left in/out path if both ins and both outs are connected? What I am trying to accomplish is this: a dual amp rig using an ABY to feed the M5 inputs, then the L & R outputs to 2 amps. GTR---->ABY---->M5----> 2 Amps [A --> Left in; B -->Right in / L out---> Amp 1, R out---> Amp 2] With both inputs connected, I expected the stereo outs to be 2 independent paths so I can toggle between amps, or blend both via the ABY. The Problem: I only see that behavior if the patch is turned off, defeating the purpose. It doesn't seem to matter if I send A, B, or A+B to the M5, both outputs active sending signal to both amps. Is this normal behavior, or a bug? Is there an update perhaps where this is possible? I am using the M5 primarily as a Tube Comp with the EX1 sweep set to playing level (heel) and lead boost (toe), so I could put the ABY after the M5 and run it in mono, but I'd really like to take advantage of the occasional Stereo FX when running dual Amps. If I can only get the L out to be independent of the R out...I'd be in Tone Heaven. Any Suggestions?
  5. i'm running my hd500 into my boogie dc5 combo. i'd like to use the dc5's tone and use the stereo effects of the hd500 in stereo. right now, i primarily run the hd500 effects only, no modeling - i'm in love with the boogie tone and haven't found an equal in the models. how do i set up the loop from the hd500 to 2 amps? do i run the single hd500 send into a TRS with 2 1/4" cables out of the single TRS to the 2 amp's loops? thanks...
  6. I bought Amplifi75. And I connected the guitar and tried many things. Even if it applies intelligible stereo effects, such as ping-pong delay, I hear only at a monophonic. Has Amplifi75 of me broken?
  7. It's possibile? I mean, sending one preset to the left channel and another for the right one? i'd like to get a stereo effect, but not just with chorus, delay etc. A kind of "sound folder" which contains different sounds (like different amp etc...) for the two different channels. ....Could i achieve this, or something like...:) ? thanks! ciao Marco
  8. Deutsch Français Mono/Stereo Table for the POD HD Series Effects. Special Thanks to JimRyanLine6 who originally researched and created this list. True Stereo - Left input goes to the Left output, Right goes to the Right output, effect is added to each channel separately. Mono - Left input and Right input are summed to mono, effect is added to the mono signal which goes to both the Left and Right outputs. Stereo Thru/Mono Effect - Left input goes to the Left output, Right input goes to the Right output, Left input and Right input are summed to mono, effect is added to the mono signal which goes to both the Left and Right outputs. Stereo Thru/Stereo Effect - Left input goes to the Left output, Right input goes to the Right output, Left input is processed to create a stereo effect and mixed with the Left and Right outputs, Right input is processed to create a stereo effect and mixed with the Left and Right outputs. The difference between the last two is a mono effect will sound like it is in the center of the stereo field, a stereo effect will lay across the stereo field. mono_stereo.doc Mono / Stereo-Tabelle für die Effekte de POD HD-Serie. Vielen Dank an JimRyanLine6 der diese Liste ursprünglich recherchiert und erstellt hat. True Stereo - Der Linke Eingang geht an den linken Ausgang, der rechte an den rechten Ausgang. Effekte werden auf jeden Kanal separat angewandt. Mono - Der rechte und linke Eingang werden in ein Mono Signal gebunden, Effekte werden auf das Mono Signal angewandt, welches sowohl an den linken als auch an den rechten Ausgang angeschlossen wird. Stereo Thru / Mono Effect - Der Linke Eingang geht an den linken Ausgang, der rechte an den rechten Ausgang. Rechter und linker Eingang werden als einzelnes Mono Signal gebunden und Effekte werden auf das Monosignal angewandt, welches an den rechten sowie an den linken Ausgang angeschlossen ist. Stereo Thru / Stereo Effect - Der Linke Eingang geht an den linken Ausgang, der rechte an den rechten Ausgang. Der linke Eingang wird dann bearbeitet um einen stereo Effekt zu erzeugen und mit den linken und rechten Ausgängen vermischt. Der rechte Eingang wird auch bearbeitet um ein stereo Signal zu erzeugen und dieser wird auch dann mit beiden Ausgängen vermischt. Der Unterschied zwischen den beiden letzten ist ein Mono-Effekt klingt, als sei es in der Mitte des Stereofeldes während ein Stereo-Effekt sich über das gesamte Stereofeld ausbreitet. mono_stereo.doc Mono / Stereo tableau pour les effets des POD HD. Merci à JimRyanLine6 qui a initialement créé cette liste. True Stereo - L'entrée gauche est branchée à la sortie gauche, l'entrée droite est branchée à la sortie droite, l'effet est ajouté à chaque canal séparément. Mono - L'entrées gauche et droit sont mélangés en un signal mono, l'effet est ajouté à ce signal mono qui va aux sorties gauche et droite. Stereo Thru / Mono Effect -L'entrée gauche est branchée à la sortie gauche, l'entrée droite est branchée à la sortie droite. Les entrées gauche et droit sont mélangés en un signal mono, l'effet est ajouté à ce signal mono qui va aux sorties gauche et droite. Stereo Thru / Stereo Effect - L'entrée gauche est branchée à la sortie gauche, l'entrée droite est branchée à la sortie droite. L'entrée gauche est traité pour créer un effet stéréo et est mélangé avec les sorties gauche et droite, l'entrée droite est traitée pour créer un effet stéréo et mélangé avec les sorties gauche et droite. La différence entre les deux derniers est un effet mono sonnera comme si elle se trouve dans le centre et un effet stéréo se diffuse sur tous l'image stéréo. mono_stereo.doc
  9. Hi all, I have a mono reverb > stereo delay in the HD500 fx loop. Mono cable on the POD send to the mono effect; mono cable from that to the mono in on the stereo delay; stereo out from the delay with both L & R cables back to the stereo input on the POD fx return. The fx loop block is in the last position after the mixer, yet I do not hear the stereo returns from the stereo delay. It comes back as mono. I would think that even though it's a mono send, the delay should still come back as stereo, as there are no mono fx after the fx loop in the chain. Does anyone have any pointers? I'm at a loss. I've tried taking the mono reverb out of the chain but the stereo delay still comes back as mono.
  10. Lately I've been using my main patch (attached) for my HD500 using the L6 link to a DT-25 head and then to a Blackheart 1x12 cabinet with an Eminance speaker mic'd with an SM-57 off-axis. Our sound man wants to make more of a spatial "Wall of Guitar" sound and wants me to try the XLR outs to create a more stereo effect with the guitar sound. So I know I know I'm lucky to have a sound guy that wants "more guitar", now I just want to make sure I'm happy with the overall sound. Please take a look at the patch and offer suggestions on what I can do. The first thing I see is going from a digital delay to a stereo delay but I'm concerned that as the patch sits now I won't be able to use one delay for both signal paths. I want to preserve that Bonamassa/EJ clean/wet amp sound I have now. I know also for me to use my FX loop for a clean boost I'm going to have to use a TRS to mono L/R split cable which I have. As I'm using it now, when I use my L6 link going to the cabinet is it only using signal path A with the P-75 and nothing from the Blackface DBL? I was never sure about this. Finally if I get my patch tweaked for stereo with your suggestions and go XLR L and R direct out should I pan the mixer hard L and R? I know the FOH guy is going to blend them some in his mix. Also, can I still use the L6 link to the DT-25/1x12 for a 3rd guitar signal? Will it sound good? Just be Path A? Will it conflict with the Direct Out output setting of the HD unit? Sorry for the barrage of questions in a somewhat disorganized fashion. I swear I haven't been drinking, just tired and trying to remember all the points I was needing to know to prepare for the gig Thursday. Thanks, Dave
  11. I am running the pod HD500 in dual amp mode panned hard left and hard right. Since the dsp is limiting I have an external delay and reverb which I run through the FX loop. How do I set it up to put the fx loop after the amp? It only gives me one FX loop position to use so I can't put one on the left amp and one on the right amp. If I use it on one of the amps it only goes to one side, if I place it after the pre amp it makes it mono sounding. How do I get a stereo FX loop?
  12. Mono/Stereo Table for the M-Series. Special Thanks to JimRyanLine6 who originally researched and created this list. True Stereo - Left input goes to the Left output, Right goes to the Right output, effect is added to each channel separately. Mono - Left input and Right input are summed to mono, effect is added to the mono signal which goes to both the Left and Right outputs. Stereo Thru/Mono Effect - Left input goes to the Left output, Right input goes to the Right output, Left input and Right input are summed to mono, effect is added to the mono signal which goes to both the Left and Right outputs. Stereo Thru/Stereo Effect - Left input goes to the Left output, Right input goes to the Right output, Left input is processed to create a stereo effect and mixed with the Left and Right outputs, Right input is processed to create a stereo effect and mixed with the Left and Right outputs. The difference between the last two is a mono effect will sound like it is in the center of the stereo field, a stereo effect will lay across the stereo field. mono_stereo.doc
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