Jump to content

Search the Community

Showing results for tags 'tutorial'.



More search options

  • Search By Tags

    Type tags separated by commas.
  • Search By Author

Content Type


Forums

  • Community Support
    • Multi-Effects Units
    • Variax Instruments
    • Amplifiers
    • Computer Based Recording
    • Live Sound
    • Pedals/Controllers
    • Dream Rig - Line 6 Product Integration
  • General Discussion
    • Share your Settings
    • Line 6 Lounge

Categories

  • General FAQ
  • Tutorial Videos
  • Effects/Controllers
    • HELIX/HX
    • Firehawk
    • FBV Controllers (MKI / MKII/ 3)
    • M5 / M9 / M13
    • JM4 Looper
    • Stompbox Modelers / ToneCore
    • ToneCore Development Kit
  • Recording
    • Helix Native
    • Echo Farm/Amp Farm
    • POD Farm / POD Studio / TonePort
    • Computer Audio Set Up and Troubleshooting
    • Riffworks Line 6 / Standard Edition
  • POD
    • POD HD Family
    • POD HD500/HD500X
    • POD HD300/400
    • POD X3 Family
    • POD 2.0 / PODxt Family / Pocket POD / FloorPODs
  • AMPLIFi Series Products
    • AMPLIFi 30/75/150/TT
    • AMPLIFi FX100
    • Videos
    • Tone Creation
  • Amplifiers
    • Spider V
    • Powercab
    • Firehawk 1500
    • DT50/DT25
    • Spider IV/Spider Online
    • Spider Valve
    • Spider Jam
    • Vetta
  • Live Sound
    • Relay/XD-V Digital Wireless
    • StageScape M20d Mixer
    • StageSource Speaker
  • Guitars
    • JTV / Shuriken / Variax Standard / Workbench HD
    • 1st Gen Variax Guitars / Bass / Workbench
  • Mobile Products
    • Sonic Port devices / Mobile In
    • Mobile Keys
    • MIDI Mobilizer
    • Mobile POD app
  • Dream Rig
  • Legacy Products
    • Amps
    • POD
    • Effects and Controllers
    • GearBox
    • Line 6 X2 Digital Wireless

Find results in...

Find results that contain...


Date Created

  • Start

    End


Last Updated

  • Start

    End


Filter by number of...

Joined

  • Start

    End


Group


AIM


MSN


Website URL


ICQ


Yahoo


Jabber


Skype


Location


Interests


Registered Products

Found 49 results

  1. Line6Tony

    Helix Tutorials by Jason Sadites

    How To Create a Great Tone - Pt. 1 How To Create A Great Tone - Pt. 2 - Internal Cabs How To Create A Great Tone - Pt. 3 - Using A Split Block For Dual Cabs How To Create A Great Tone - Pt. 4 - Using Sag, Hum, Ripple, Bias etc. How To Create A Great Tone - Pt. 5 - How To Use A Compressor How To Create A Great Tone - Pt. 6 - Understanding And Using EQ's How To Create A Great Tone - Pt. 7 - Understanding And Using Delays How To Create A Great Tone - Pt. 8 - Understanding And Using STEREO Delays How To Create A Great Tone - Pt. 9 - Understanding And Using SNAPSHOTS How To Create A Great Tone - Pt. 10 - Modulation FX 1: Chorus & Vibrato How To Create A Great Tone - Pt. 11 - Stock Cabs vs. IR's How To Create A Great Tone - Pt. 12 - Using Split & Merge Blocks How To Create A Great Tone - Pt. 13 - Stock Cabs REVISITED How To Create A Great Tone - Pt. 14 - Dialing In Tones For Live Playing How To Create A Great Tone - Pt. 15 - Reamping & Audio Interface Use How To Create A Great Tone - Pt. 16 - Understanding And Using REVERB How To Create A Great Tone - Pt. 17 - Creative Use of EXPRESSION PEDALS How To Create A Great Tone - Pt. 18 - Great Acoustic Tone With Piezo Pickups How To Create A Great Tone - Pt. 19 - FX Placement Within The Signal Chain How To Create A Great Tone - Pt. 20 - Working With Harmonizers How To Create A Great Tone - Pt. 21 - Creative Use of DUAL EXPRESSION PEDAL How To Create A Great Tone - Pt. 22 - DI FOH Output While Feeding Real Guitar Cab...HOW? How To Create A Great Tone - Pt. 23 - Setting Up A Wet-Dry-Wet Tone How To Create A Great Tone - Pt. 24 - Alternate Use of SEND Outputs (W-D-W & FOH/Guitar Cab) How To Create A Great Tone - Pt. 25 - Overdrive Pedals (Comparison and Discussion) How To Create A Great Tone - Pt. 26 - Helix Microphone Models (Comparison and Discussion) How To Create A Great Tone - Pt. 27 - Tap Tempo & Setting Delay Time To Musical Note Values How To Create A Great Tone - Pt. 28 - Using High & Low Cut EQ - Comparison & Discussion How To Create A Great Tone - Pt. 29 - Global EQ - When Should I Use it? How To Create A Great Tone - Pt. 30 - How To Incorporate External FX Pedals How To Create A Great Tone - Pt. 31 - Volume Level Matching: Why It Is Crucial? How To Create A Great Tone - Pt. 32 - High Cut Filters 'In The Mix' vs. 'In The Room'
  2. Line6Will

    Relay G10/G10s FAQ

    LED States: Transmitter Green when in guitar: On Red flashing when in guitar: Less than 30 minutes battery life left Green when docked: Fully charged Green flashing when docked: Charging Red flashing when docked: Less than 30 minutes battery life left Receiver White solid: On and connected to G10 transmitter OR charging docked G10 transmitter White flashing: No signal from G10 transmitter Red flashing: Less than 30 minutes battery life left on a transmitter that is in use and transmitting, and not for a transmitter that is docked/charging. It is possible that the receiver's LED halo will flash red under other conditions, such as if the transmitter is not properly docked. Q: I inserted the transmitter into the receiver and let it charge for many hours, but the transmitter never fully charged. The transmitter and the receiver is constantly blinking red. Why? A: In some cases, the transmitter could stand to be updated using the Line 6 Updater program found at www.Line6.com/software. Otherwise, there's a chance that the transmitter was not seated completely into the receiver to start the charging process. Once the transmitter is correctly seated in the receiver, the receiver's LED halo will be a solid white, and the transmitter LED will flash green until fully charged, at which point the transmitter LED will be solid green. Please see the images below for examples. Here is a video that illustrates LED statuses: Q: How long does it take to charge the battery? A: On average, a transmitter with its battery in a discharged state has given the following results when tested: 15 minutes of charging gives at least 1 hour of run time 30 minutes of charging gives at least 2 ½ hours of run time 3 ½ hours of charging (full charge) gives at least 8 hours of run time Q: Should I leave my fully-charged G10 transmitter in the receiver? A: The unit is designed for the transmitter to be plugged into the receiver to stay charged. Think of this much like you would a cordless phone. Always keep it docked if you can for good battery life. Not being docked will not damage the battery nor accelerate drainage. Q: What is the lifespan of the battery? A: According to the battery vendor, the G10 transmitter battery specs at or better than 80% of its capacity after 300 full charging cycles. 300 full charging cycles equates to 2,400 total hours of playing, so if your gig is only one hour long, that means 2,400 gigs and 2,400 charges. What happens after 2,400 total hours of playing? Probably nothing, other than the battery might max out at 6-1/2 hours (80%) instead of 8. This is on par with Apple laptop batteries and better than many smartphones, both of which likely see much more usage than a wireless guitar transmitter. Please keep in mind that there are many factors can affect these numbers, such as temperature, humidity, etc. but not enough to significantly shorten the life span of the battery. Q: Does the G10 transmitter fit all guitars? A: We have designed the G10 transmitter to fit into almost any guitar. However, we anticipate that there will be some rare cases where the transmitter does not fit into a given guitar. If the G10 transmitter is inserted into your guitar and the transmitter's actuator pin is not engaged, the transmitter will not turn on, the LED on the transmitter will not light up, and no signal is processed. We have found that a workaround to this issue is to use a mono-to-mono (TS-TS) Male to Female adaptor or cable. See this article for more details: Relay G10 Guitar Compatibility (Fit/Electronics) Q: Does the G10 transmitter work with older Variax guitars? A: It will, but the fit is not exact. Please see this article for more details: Relay G10 compatibility with older Variax models Q: Does the G10 transmitter work with guitars that use active electronics? A: In some rare cases, the guitar's active electronics are wired with inverse polarity. In this scenario, the transmitter's electronics can go into a protection mode that keeps the system from being functional. This is evidenced by no output from the G10, even though the transmitter's light is on. We have found that in most cases, a workaround to this issue is to use a mono-to-mono (TS-TS) Male to Female adaptor or cable. See this article for more details: Relay G10 Guitar Compatibility (Fit/Electronics) Q: Does the G10 system work with instruments other than guitar? A: We developed and tested G10 for guitar and bass, but in theory, it will work with any instrument-level source. This is not to say that it will work with any instrument you try it with, based on the above guitar-compatibility answers, but we expect that most will find success, so you are welcome to try. Q: If you leave the transmitter plugged into a guitar, does it still use up battery life even it's not being used? A: After 4 minutes of silence, the transmitter will go into sleep mode, and will come back on when audio is passed through it again. Q: I have a guitar with active pick-ups. Can I leave the transmitter plugged in without the guitar battery dying? A: The experience should not be any different than leaving a guitar cable plugged into the guitar, meaning the G10 will shut off in five minutes if it doesn't detect a signal. We suggest turning your guitar down to 0 when not in use, as some guitars, even those without active pick-ups, can produce enough hum or noise to trick the G10 into staying turned on. Note that with certain guitars that have active electronics, leaving a cable plugged in might drain the guitar's battery, so the same may happen with a G10 left in the guitar. Q: What is the maximum input / output level for the Relay G10? A: The G10 transmitter's maximum input level is 6.5 Vpp (= 9.5 dBu). The outputs on the receiver are at unity, so they are the same. Q: What are the specs on the provided Relay G10 Series power supply? A: 5V 1.0A output, input of 100-240v Q: Will phantom power harm the G10 receiver? A: No, the G10 receiver will not be harmed by phantom power. Q: Where can I purchase a Relay G10 Series Wireless System or replacement/extra Relay G10 transmitters (G10T)? A: You can order them from any authorized dealer. Q: What type of cable do I need between my guitar & Relay G10 (G10T) transmitter? A: None; it plugs directly into your guitar. Q: Can I use both the 1/4" output and the XLR output at the same time? A: Yes, they can both be used simultaneously. Q: What Cable Tone length is the G10/G10S set to? A: G10's Cable Tone is set to 10 feet on the 1/4" output only. The XLR output is full frequency range. These settings are not configurable. For the G10S, Cable Tone is switchable between Off (full frequency), 10 feet, and 30 feet. Q: What is the range of the G10/G10S? A: The G10 is 50 feet, line of sight, as local conditions allow. The G10S is 130 feet. Line of sight: As with our other wireless gear, be sure to have a visible line of sight with the receiver. To get the best performance out of the G10, do not obstruct the receiver with other gear or electronics. Q: How does G10 interact with other wireless devices? A: If you are using G10 in a setup with other 2.4 GHz wireless devices, please make sure to switch on all other wireless devices first, allow them to initialize and set channels, then dock the G10 transmitter into the receiver for at least 15 seconds so the system can select a free channel. When using several G10 units, please start by docking the first unit in the receiver, wait 15 seconds, undock it and plug it into your instrument. Please make sure that it is on (green LED on the transmitter). Repeat this process with the subsequent units. Many Line 6 wireless devices can be set to different RF modes. All Line 6 wireless units in a setup need to utilize the same RF mode to avoid problems. Your G10 unit is always set to RF2, so make sure that any other Line 6 wireless devices in your setup are set to RF 2 mode. G70/75 units use RF3, which can coexist with the G10's RF2, so long as you avoid using the same channel between them. Here's an article that shows how to switch RF modes: http://line6.com/support/page/kb/_/live-sound/relay-digital-wireless/rf1rf2-mode-switching-frequencies-r130 Q: Is the Relay G10 transmitter compatible with the X2 receiver (or vice versa)? A: Both systems run in completely different frequency ranges so they are not compatible with each other. However, X2 and Relay units can be used on the same stage (along with any other analog wireless systems) with no problems. Q: Does USB 3.0 create interference in the 2.4GHz frequency range? A : USB 3.0 computer cables and peripherals, including hard drives, are known to emit radio frequency interference throughout the 2.4GHz band, which results in reduced range and/or performance for any 2.4GHz device in its proximity (including wireless keyboard or mouse, WiFi, etc.). We recommend placing any digital wireless receivers at least two meters away from the USB 3.0 device and its cabling. Below is a link to a study by Intel regarding this interference. http://www.intel.com/content/www/us/en/io/universal-serial-bus/usb3-frequency-interference-paper.html Q: How do I register my Relay G10 System? A: You can register on your account: Gear Registration Dimensions - G10 Receiver: H 3.5"; W 4"; L 4" Transmitter: 2" long after inserted into instrument Total boxed weight: 3 lbs. Dimensions - G10s Receiver: H 2"; W 3.5"; L 5" Transmitter: 2" long after inserted into instrument Total boxed weight: 4 lbs.
  3. Is anyone aware of and can point me to a tutorial on configuring my Helix Rack to be controlled with my DAW? I know the information is available in the manual(s) if you know what you're doing and how to use it, but I don't. I'm using Presonus Studio one pro for my DAW (win7), a Presonus sutdio 18/24 for my interface. I've also downloaded and installed HX edit. Hooking up cables, establishing midi channels is easy enough, but getting things to talk to each other, not so much. I'm a reasonably tech savy kind of guy and can probably figure it out eventually but finding a tutorial and some tips and tricks to speed that along would be nice. In hindsight, I probably should've gone with the helix native plugin, and will probably go ahead and get it, but, I've got the rack so here we are. :)
  4. Managing Accounts and Licenses Registering and Activating POD UX2 Getting Started with License Manager FBV MKII Foot Controller Helix Jason Sadites' "How To Create a Great Tone" Series Snapshots Helix 4 Cable Method Helix Customizable Scribble Strips Helix Shortcuts Helix Footswitch Modes Understanding & Loading an Impulse Response Reamping with the Helix Brian May (Queen) Tone Tutorial Van Halen Tone Tutorial Jimi Hendrix Tone Tutorial HX Effects HX Effects Overview HX Effects - Assigning Controllers HX Effects 3-Minute Overview HX Effects Pedal Edit mode HX Effects Signal Flow View HX Effects Updating Firmware HX Effects - 4 Cable Method - Getting Started HX Effects - Controlling External Gear Looping with HX Effects HX Stomp HX Stomp Out Of the Box Tutorial Updating HX Stomp Firmware HX Stomp Controllers & Snapshots Amplifi Series Welcome to Amplifi Amplifi 75/150 Features Overview Amplifi Series Bluetooth Pairing Amplifi Series Firmware Update via Bluetooth Amplifi Series - Creating Tones Amplifi App - Preset Locations Amplifi FX100 - Factory Reset Amplifi FX100 Outputs Amplifi FX100 Pedal Calibration Firehawk Series Firehawk FX looper Firehawk FX Pedal Edit Mode Spider Series Spider V User Interface Getting Started With Spider Jam Spider IV and FBV Express Spider III and Spider Valve Factory Reset Line 6 Amp and Cab Connections Line 6 Amp and Cab Connection Part 2 Spider IV Firmware Update Spider IV Pitch Effects Spider IV/FBV Quick Loop DT Series DT 50 Amp In Depth Variax JTV Virtual Capo Intro To Workbench HD Dream Rig: Line 6 Dream Rig: Basic Setup and Connections Dream Rig Tip #1: Layering Wet and Dry Tones Dream Rig Tip #2: Layering Electric Guitar and Sitar Sounds The Line 6 Dream Rig: In The Studio, Part I The Line 6 Dream Rig: In The Studio, Part II POD HD: POD HD Dual Tone (Mutliple Amps) POD HD Edit Assigning the Volume and Wah Pedal on the POD HDX and POD HD POD HD Edit and Custom Tone POD HD 500/500x Connections POD HD Output Modes POD HD and L6 Link Building a Preset POD HD500/500x POD HD 500/500X Footswitch Assignment POD HD Series Firmware Update Installing POD HD drivers with Monkey POD HD300/400 Factory Reset POD HD 300/400 Pedal Calibration POD HD 500/500x 4 Cable Method POD HD 500/500x Midi Program Changes POD HD 400 Edit Basics POD HD Computer Recording POD HD 300 In Depth Variax and POD HD Connectivity POD HD and DT Series Connectivity POD HD and DT Series Connectivity Part 2 POD X3 Downloading and Syncing Tones With Gearbox POD X3 Dual Tone POD X3 Quick Loops POD XT Series Syncing Tones with Line 6 Edit and Pod XT M-Series M9 Basics Getting Started with M5 Stagescape M20d Setting Up an SD Card Reconnecting Your Network on an iPad Using an iPad with the M20d Getting Started with the M20d M20d Scenes and Setups Auto Trim Behavior Monitor Setup M20d Recording Basics M20d and L6 Link M20d Channel Strip Part 1 M20d Channel Strip Part 2 Custom Presets StageSource Speakers Getting Started With L3m and L3t StageSource Series and L6 Link Digital Wireless G10 Basics G70 Basics How Line 6 Wireless Works in WiFi Space Wireless Transmitter RF Mode Switch TBP06 RF Mode Switching Getting Started With XD-V30 XD-V70 Receiver Setup Updating Wireless Gear with XD-V75 Reciever Updating TBP12 Transmitter Updating TBP06 Transmitter Updating THH12 Transmitter Updating THH06 Transmitter POD Farm/POD Studio: POD Studio Setup POD Studio Connectivity Part 1 POD Studio Connectivity Part 2 POD Farm Installation POD Farm As A Standalone Application Part 1 POD Farm As A Standalone Application Part 2 POD Farm As A Standalone Application Part 3 POD Farm As A Plug In FBV Express and POD Farm 2 Midi Control Recording With POD Farm 2 and POD Studio UX Reamp Your Guitar With POD Studio UX 2 FBV MKII Pedals and POD Farm 2 Computer Setup POD Studio As An External Sound Card Line 6 Device As A Sound Card On A Mac Line 6 Monkey Overview Sonic Port Recording Guitar With Sonic Port VX Recording Vocals with Sonic Port VX Sonic Port And Inter App Audio
  5. Hello folks, I just received my Helix Floorboard and I'm really excited to get started. I auditioned the presets with my JBL LSR305 and... oh boy they sound like crap. There's obviously something wrong I'm doing because I heard many videos made with the Helix and they all sound better through the same speakers so it's matter of setting things up properly. Where can I go to get a solid primer on how to create sounds for the Helix? I would like some help working with high gain sounds (think The Muse but also Corroded, Five Finger Death Punch) and some more spacey sounds a la Pink Floyd, Tycho etc... Any tip is welcome!
  6. While searching the internet for Variax related information I came across this tutorial on advanced editing in Workbench relating to tone. I am not sure if it has been shared here before, but I didn't find it doing a quick search of the forums. The information may be useful to other Variax users so I thought I would share it. If you are interested in resonant frequencies etc. and how to set the capacitor value and pot values this is a good resource. Thanks to the original creator. The only reference to go on is Vettaville.nl WB Tutorial 6 290107.pdf
  7. Line6Will

    Helix Tutorial Videos

    Here's some of the most popular Helix tutorial video we have. For more check out our YouTube page https://www.youtube.com/user/Line6Support Helix Snapshots Helix Shortcuts 4 Cable Method Footswitch Modes Customizable Scribble Strips
  8. Line6Will

    HX Effects Tutorial Videos

    Here's some of the most popular HX Effects tutorial video we have. For more and other products, check out our YouTube page https://www.youtube.com/user/Line6Support 3 Minute Overview Updating Firmware Assigning Controllers Pedal Edit Mode Signal Flow
  9. Hey guys, I've made a short and simple IR loading tutorial for the Helix. It's mainly geared towards beginners but I also explain how I choose my OwnHammer IR's. I hope this helps some of the guys who are new to the platform and/or OwnHammer.
  10. Hi everyone! I'm new here but definitely not new to Line 6 as I have used their gear extensively for the past 15 years or so. I got my brand new Helix a few days ago and I am very happy with it! I made a video for my YouTube channel in which I give my initial impressions, show off some sounds (in a full mix, bass included) and I also talk a bit about using IR's with the Helix. I hope you enjoy this video, I sure had a blast making it. I'll be doing way more Helix videos in the future so if you are interested in seeing more please hit subscribe. If you have any questions I'd be happy to answer them all. Cheers! https://www.youtube.com/watch?v=AYv_oCBCQ2M
  11. I've made two tutorials on controlling basic parameters of the SourceAudio Nemesis delay with the Helix. Controling Common Nemesis Delay Parameters With The Line 6 Helix https://www.youtube.com/watch?v=FX77-1Tbtbk Changing to specific Nemesis Delay preset numbers with the Line 6 Helix. https://www.youtube.com/watch?v=4qlCk6lXMF8 Enjoy.
  12. I originally created this for use with the "EPSi: Convolution Powered Reverb in a Small Stomp Box" with:Version C for EPSi, a firmware version for Cabinet Speaker and Room simulation.http://www.logidy.com/ that I used with my Eleven Rack that had no way to load ir cabs. see my tutorial here: http://www.elevenrackpresets.com/forum/ubbthreads.php?ubb=showflat&Number=42292&Searchpage=1&Main=5446&Words=tutorial&Search=true#Post42292 But now I won't need it any more because of the Helix. If you don't know why you would need a multi cab ir I'll try to give you an example: did you ever think of running two different amps or speaker cabinets with one in the right channel and the other in the left? that is the beauty of "multi cab ir's" How to make multi Cab IR's from existing IR's for use with the Helix: with PT11: 1.Open a blank session and click on "setup" then "session" change the bit rate to 24 and make sure sample rate is at 96 khz 2.click "File" then "Import" then "Audio" navigate to the IR's in your comp and click"Add Files" then "Done" then "create new tracks from start position" then click "Track" then "New" select "Stereo" and "Master Fader" then click "Create" 3.you have an option to either change the output to "Main Out R" and "Main Out L" in "mix window" on each track or pan each track to your liking so some of each bleed over to the other. 4.Add any plugins to the master track you want as in screenshot. 5.Click "File" then "Bounce To" then "Disk" select as in screenshot 6.Put in folder (that you'll remember). and your done. 7. load it to a "ir block in your Helix and test it out. Maybe the Admin will see it important enough to make it a "sticky". Have fun with it and share some of your work!!!
  13. Line6Tony

    Firehawk usage videos

    Hey folks. Here are a couple of videos that may help you get a bit more out of your Firehawk. How to use the Firehawk FX Looper - https://youtu.be/1cHcI0XBrkw How to use the Firehawk FX Live Edit - https://youtu.be/p2qlEX4Fwks
×