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Showing results for tags 'wireless'.
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I play bass 2-3 weekends a month in my band and have owned this unit for approx 2 years. The sound quality is very impressive and it reproduces bass very well with no noticeable frequency loss. The construction of the beltpack/transmitter lacks quality and ruins what otherwise would be a fantastic wireless system for the money. Heck, Line 6 could probably corner the market if they would just pay some extra attention to a few things. After dealing with a broken belt clip, battery door and now internal jack, I'm afraid I'm done with it. If you guys think people are just going to go spend $250+ on another Line 6 product every time the one they have breaks, think again. My advice to musicians: If you absolutely need to go wireless, save your money a little bit longer and invest in a higher quality Shure or Sennheiser. -
Using G70/75 with other Line 6 wireless (RF Co-habitability)
Guest posted a article in Relay G70/G75
Even with RF2/ RF3 co-habitability - that does not necessarily mean that every channel will work in the same environment. Check out this chart as to what channels are available when using our other Relay products. Note: The G70/75 will ONLY work in the same environment as current RF2 wireless systems. Those Relay systems with older firmware (v1.0) will not work in the same environment unless the G50 is updated to firmware 2.0 or better. -
I'm thinking of getting a Helix Rack when it comes out, and would like to use it with a Shure GLXD4 wireless receiver, placed on top of the Helix rack, as I already have the Shure transmitter. Would I be able to use the aux in on the back of the Helix rack as an instrument input, or would I have to have a short guitar cable coming out of the receiver to the front of the Helix. Being able to plug in behind the Helix would be a neater option. Any info would be gratefully received.
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Powering the XD-V55 when using antenna splitter kit
Line6Tony posted a article in Relay/XD-V Digital Wireless
If two XD-V55 receivers are connected via the antenna splitter kit and the receivers are powered on individually, the receiver that is powered on second will not initiate. The receivers must be powered on simultaneously to work. The antenna splitter kit requires the two SMA MALE to BNC MALE cables that the XD-V55 rackmount kit provides. As such, it is assumed that the receivers are rackmounted AND powered by a power strip. -
Do any of the relay systems fit underneath of a pedaltrain 3 pedalboard? I want to get either the g50 or g70 system but definitely don't have space on top of my board. If it could mount underneath somehow, that would be great. I don't want it to make contact with the ground is the only thing.
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Hi - am after some reasonably priced mic options for wireless Sax sound with Line 6 XD-V35L Cheers Zig -
I am a bass player with active and passive basses. I use multiple instruments per show. I need to replace my wireless units and I am wondering what the differences are between the G75 and the G90. I know multiple bass players with the G90 and they are very happy. I am currently using Shure ULX gear and I calibrate body packs for every show based on the basses output level. I don't want to pull the trigger on a G90 system if I should really be looking at the G75. Any feedback would be appreciated.
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I wonder if I could trouble you for a bit of advice? I’ve got a Line 6 XD-V30 wireless mic, which I wouldn’t mind taking out busking with me. Though the mic is wireless, the receiver needs a power supply 9v – 200ma. Could I get 4x 9v batteries, wire 2 pairs in series, making them collectivly 18v, then join them together in parallel, bringing the voltage back to 9v. Is my logic correct here, can I damage the receiver and how does this effect the 200ma side of things? Cheers! -
Hi, i'm considering buy a G90 with active pair antennas and would like to know the difference between them. What's the range improvement? I play guitar in very crowded places and most of cases i have a lot of people surrounding me and they are usually between receiver and transmitter.
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Hey guys, as many of us use a digital amp like a Pod, AxeFx or Kemper in combination with some wireless system (e.g. a relay...as you read this post ;) ), our signal path is quite full of AD and DA conversions. Therefore I'm thinking of a wireless unit that has digital outputs as well as the good old analog jack. Most of those digital amps have spdif (coax) in- and outputs, hence a spdif-out in the wireless receiver would be nice to have. Are there already plans for such a wireless systems? (Haven't found any topics regarding this with the board search :rolleyes: ) I hope there are some of you, who would like that kind of wireless system as well - if so, raise your voice :) ...the Sennheiser Digital 9000 with its AES-outputs is pricey for a "normal" user :D Greetings Stefan
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Line 6 Digital Wireless System Comparison Documents
line6jonb posted a article in Relay/XD-V Digital Wireless
Below are all the 2nd and 3rd generation wireless products in one document: Wireless Comparison Sheet.xlsx -
I have a simple question about the Amplifi Remote iOS App. I realize the application will need Wifi to communicate with the web to download sound presets and do all that sort of thing. But when I'm just using my iPasd to control the FX100 unit at home or on the road, how does the iOS Remote App talk to the FX100? Is it through bluetooth or a wifi connection? What I'm really getting at is, can I control the FX100 unit without a wifi network? Like if I were to go busking at the market for example. Thanks!
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Hi Folks, Before I begin with this, apologies for the long post. Cutting to the chase, I'm looking for some help... I expect there to be lots of schoolboy errors below and don’t really expect too many responses. I’m conscious this is really old tech and probably a lot of work, but I started this as a bit of fun to see what would happen with no expectations… Anyone who had been around the old forums for a while will probably have seen some mention of legacy Variax users wishing to make their variax fully wireless with POD X3/HD (I.e. wireless audio and patch changing). The functionality was introduced as an unofficial patch for the old Vettas but this was never released on the pods. Threads asking about the Wireless Variax/POD combination resulted in the confirmation that it would not be possible. In order to send patch changes, the POD required a physical connection to a Variax (There were suggestions that this was by design from the AES audio connection). Anyway, I started thinking about this and thought that if I connected my HD500 to an old set of 300 Variax guts that I had lying around, then split the RX+ wire (Patch change sent to Variax), it might work. So as as test, I created a cable to connect my guitar as per the following: I found the following information on the old forums regarding the Pinouts on the Variax cable on the old forums. 1 - GND 2 - PWR (7V) 3 - TX+ 4 - AES- 5 - AES+ 6 - TX- 7 - RX+ 8 - RX- Then used the above to connect as follows: The result was a success. When the guts were connected to the POD, the display shows a Variax connection (The guts). Then, when I changed patches on the POD, both the guts and the variax settings changed. So in some level of practice at least, the POD could indeed change patches on a remote variax. Using a second set of guts works around the AES limitation. Looking at the pages on Vettaville regarding the Wireless Vetta/Variax update, it suggested that the patch changes were controlled via MIDI and that a wireless midi system could be used: http://www.vettaville.net/Vetta%202.5%20Wireless.pdf So I wanted to find a relatively cheap wireless midi system that was low powered. Ideally, The POD would power the sender and the Variax battery would power the receiver. I ended up finding this page about configuring an XBee to send and receive Wireless MIDI data: http://www.ladyada.net/make/xbee/midibee.html Once built, the receiver would be small enough to embed in a guitar (And possibly powered alongside the Variax), or modular so it could be connected to any other Variax... So I bought and built the XBee transceivers and then configured them to transmit at MIDI baud. Testing them confirmed that they were sending wireless data successfully to each other, and for the sender at least, it was powered successfully by the POD, so now I have the following: Note: If this were successful, I’d then simply replace the guitar cable with a wireless guitar system. You’ll see at this point that my transmitter wiring doesn’t match Vettaville’s PDF document. The reason for this is that when I wired as per the PDF, the Xbee didn’t transmit anything at all. However when I powered the XBee from Pins 1 and 2, the used PIN’s 7 and 8 (Rx+ and -) as MIDI data PINs, the XBee was at least sending data when I changed patches. It's at this point that my project and knowledge both break down. When I change a patch on the POD, I DO see wireless activity on the XBees, so I know that the POD is sending some kind of data through PIN 7. Unfortunately though, the Variax doesn't change it's patch... Something in the XBee MIDI circuit is modifying the signal in such a way that by the time it reaches the Variax, it's no longer valid. As soon as the signal enters the Optocoupler in the transmitter, any outputs from this, or the inverter or the XBee are not recognised by Pin 7 of the Variax, so no patch changes occur. I honestly think I could get this working if I had a better understanding of what the Midi circuit was doing to the signal on PIN 7 (Remember this single wire when connected to the guitar changes the patch no problem). If I could ensure that the signal received by the Variax from the receiver matched the signal send by the POD, I’m sure this would work. Here’s what I know: The voltage of PIN 7 from the POD sits between 2-3V. A direct connection to PIN 7 only on the guitar changes patches no problem. After the signal exits the Optocoupler in the transmitter, it’s around 0.2V and then it gets sent to the XBee. The signal from the receiver is also low, but after it hits the inverter, it jumps up to over 7V From what I gather, MIDI isn’t that voltage sensitive so I’m not sure if this is an issue, but I don’t know enough about it. So…. Questions… Is there anyone still on the forums who has successfully used the Vetta Wireless mod? Did you have to alter the wiring from Vettaville’s diagram or did it just work out of the box??? Otherwise, is there anyone here who knows a bit about electronics who could advise on where things may be falling down? Do you know what the Variax is expecting to receive from a current and voltage perspective? If so, could you advise on how I can alter the Transmitter/receiver circuits to suit? If anyone has built midi circuits, I’d love to see someone sanity check the above, especially the wiring of the Pin outs and ins. Thanks all, Mike
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Deutsche Version. Version française. Preparing the Room: Remote Antennas This guide outlines the steps involved in preparing the room so that you and your customers get the full performance benefits of Line 6 digital wireless systems. In order to maintain optimal antenna coverage and the best possible line of sight, it is sometimes necessary to mount the antennas remotely from the receiver chassis. Line 6 offers two remote antenna options, P180 directional and P360 omni-directional. Both the P180 and P360 have built-in amplifiers and are switchable for +3dB, +12dB or +23dB of gain, which correspond to approximately 16', 65' and 124' makeup gains for LM-195 cable. Greater cable distances can also be achieved with low loss cable such as LMR-400 (6.8dB per 100 feet) or 9913 (7.7dB per 100 feet). Directional antennas are recommended for precision reception of one or more transmitters on a stage. Omni antennas are recommended for general reception of transmitters in a wider space such as audience mics. ANTENNA ORIENTATION During setup, it is best to P180 directional antennas on boom mic stands angle the paddles down toward the performer and the area that the performer tends to move around in. Try to keep the antennas reasonably close together and overlap their coverage patterns as much as possible for redundancy and also to take advantage of the system’s time and space diversity, but they must be at least 5 inches apart. The following sections outline typical deployment examples. INSTRUMENT TRANSMITTER COVERAGE To cover a single transmitter used by a guitar player, the two remote antennas should be located at the edge of the stage as close to the performer as possible, pointed downward toward the guitar player’s bodypack, and angled slightly outward from each other in order to cover other parts of the stage that the performer may use. Above is a side view of the mounted remote antennas pointed toward the guitar player. Below is a stage view that shows the orientation of the remote antennas to the performer. MICROPHONE TRANSMITTER COVERAGE To cover a single microphone transmitter used by the lead vocalist, the two remote antennas could be located on either side of the drum set, pointed downward toward the singer’s microphone, and angled slightly inward in order to cover the main singer position as well as the other parts of the stage that the performer may use. MULTIPLE PERFORMER COVERAGE Use remote antennas together with the XD-AD8 antenna distribution system to cover multiple performers. The two remote antennas could be located on either side of the stage pointed toward the performers. The above illustrations are simply to offer general recommendations. In all cases it is recommended to walk your intended coverage area and check performance. Small adjustments can yield big improvements. Remember, antenna patterns should be selected with the thought of including or rejecting pickup of a selected area. Antenna Height and Angle Your remote antennas should be placed at least three feet above the floor in order to minimize RF reflections, and ideally the antennas should be raised just over the heads of your audience, but not too high overhead or up near the ceiling. Antennas placed too high up tend to pick up more undesired signals while increasing the distance from the performers you are trying to cover. Proper antenna height will maximize the range of your wireless system. The overall goal is to place the antennas as close to the performers as possible while also being as far away from any interference sources as you can. For example: if there is a WiFi router mounted to a wall or ceiling in the same room as the performance space, point the directional antenna away from the WiFi router and toward the performer. Antenna Distribution System Line 6 also offers the XD-AD8 antenna distribution system. The system allows multiple wireless receivers to share the same pair of antennas, giving greater flexibility in the configuration of multi-wireless installations. With rack-mounted wireless systems, setup is easier and the wiring connections are uncluttered, with the added convenience of powering the receivers from the AD8. L’installation des antennes Que vous organisiez une installation permanente, un événement ou une tournée. Vous devez installer vos antennes correctement pour assurer que systèmes sans fil performent parfaitement. Ce manuel décrit les étapes nécessaires pour recevoir le meilleur résultat des appareils Line 6 possible pour vous et votre client. Antennes à distance Pour avoir une couverture antenne optimale et une meilleure ligne de mire, parfois, c’est nécessaire d’utiliser des antennes à distance. On place des antennes à distance du récepteur. Line 6 offre deux options ici : L’antenne P180 directionnelle et P360 omnidirectionnelle. L’un et l’autre on des amplificateurs intégré qui sont changeable de +3dB, +12dB ou +23dB que correspond à 5m, 20m et 38m de câble LM-195. Si vous avez besoin des plus grandes distances, vous avez besoin du câble faible perte comme LMR-400 (6.8dB par 30m) ou 9913 (7.7dB par 30m). Nous recommandons les antennes directionnelles pour une réception précise d’un seul ou plusieurs émetteurs sur scène. Nous recommandons les antennes omnidirectionnelles pour une réception générale des émetteurs dans un espace plus large. Orientation de l’antenne Pendant la configuration, il est préférable de visser une P180 sur un pied de micro. Oriente l’antenne vers le bas vers l’interprète et la région dans laquelle l’interprète se bouge. Essayez de garder les antennes rapprochés et essayez de chevaucher la couverture des antennes pour assurer la redondance. Les systèmes doivent avoir d'au moins 13cm de distance. Les exemples suivants montrent des déploiements typiques. Couverture d’émetteur Pour un joueur de guitare placez deux antennes à distance au niveau du bord de la scène le plus près de l'artiste possible. Orienté vers le bas et vers le body pack de l’artiste aussi un peut vers l’extérieur pour couvre autres parties de la scène que l'artiste pourrait utiliser. Antennes à distance fixés et orienté vers l’interprète. Et le vue de la scène : Couverture de l’émetteur de microphone : Pour couvre un seul émetteur microphone utilisé par le chanteur, vous pouvez mettre les deux antennes à distance en position par exemple de chaque côté de l’ensemble de batterie. Orienté vers le bas vers le microphone du chanteur et incliné vers l’intérieur pour couvre la position du chanteur mais aussi les autres parties de la scène que l'artiste pourra utiliser. Couverture pour plusieurs artistes : Utilisez des antennes à distance avec le système distribution XD-AD8 pour couvre plusieurs artistes. Les deux antennes peuvent se trouver de chaque côté sur scène orienté vers les artistes. Les illustrations ci-dessus sont des recommandations générales. Dans tous les cas, c’est recommandé de testé tous la région de couverture pour assurer que vous avez un signal partout. Des ajustements mineurs peuvent produire des résultats grands. Sélectez un modèle de couverture des antennes pour les artistes d’être capable de bouger librement. Hauteur et angle de l’antenne : Placez vos antennes à distance au moins 1 mètre au-dessus du sol afin de réduire les réflexions RF. Les antennes doivent être soulevées un peu au-dessus des têtes de l’auditoire mais pas trop élevé près du plafond. Antennes placés trop élevés sont trop loin de l’artiste et ramassent des signaux non désirés. Une hauteur propre maximise la gamme de votre système sans fil. Essayez de placer les antennes aussi proche à l’artiste que possible mais aussi loin que possible des interférences. Par exemple, s'il existe un routeur WiFi monté sur un mur ou au plafond dans la même chambre que l'espace de représentation. Orientez l’antenne directionnelle à partir du routeur WiFi et vers l’artiste. Système de distribution d’antenne: Line 6 offre le système de distribution d’antenne XD-AD8. Le système permet à plusieurs récepteurs sans fil pour partager la même paire d'antennes que vous offre une grande flexibilité pour configurer des installations sans fils multiples. Avec un système sans fil monté en rack, l’installation est facile et les connections de câblages sont épurés. En outre, vous pouvez faire fonctionner les récepteurs à partir de l’AD8. Vorbereitung des Raums: Remote-Antennen Diese Anleitung wird Ihnen Schritt für Schritt zeigen wie Sie den Raum so vorbereiten können, dass Sie eine best-mögliche Leistung aus Ihren digitalen und kabellosen Line 6 Geräten bekommen können. Um den Raum optmal abzudecken und eine Sichtlinie zwischen Antenne und Transmitter zu haben müssen oftmals Antennen an anderen Position aufgestellt werden als die des Empfängers. Line 6 bietet hier zwei verschiedene Antennen, die P180 gerichtete Antenne und die P360 Rundstrahlantenne. Sowohl die P180 als auch die P360 haben eingebaute Signalverstärker welche auf +3dB, +12dB und +23dB eingestellt werden können. Diese entsprechen einer zusätzlichen Kabellänge von 5m, 20m und 38m LM-195 Kabel. Für größere Kabeldistanzen brauchen Sie Spezialkabel mit geringem Verlust wie das LMR-400 (6.8dB auf 30m) oder das 9913 (7.7dB auf 30m). Ausgerichtete Antennen empfehlen wir für einen präzisen Empfang für einen oder mehr Transmitter. Rundstrahlantennen empfehlen wir für allegemeinen Empfang auf größerem Raum wie z.B. Publikumsmikrofone. Die Antennenausrichtung: Während der Aufstellung ist es oft am Besten die P180 ausgerichteten Antennen auf Mikrofonstative mit Galgen aufzusetzen und die Antennen dann nach unten in Richtung Künstler zu winkeln. Versuchen Sie außerdem die Antennen relativ nah nebeneinander stehen zu haben damit die Abdeckungen sch überschneiden. Die Antennen sollten jedoch mindestens 13cm voneinander entfernt sein. Die folgenden Kapitel schildern typische Einsatzbeispiele: Instrument Transmitter Abdeckung: Um einen eizelnen Transmitter, der von einem Gitarrenspieler verwendet wird abzudecken sollten beide Remote-Antennen an der Kante der Bühne aufgestellt werden, so nah wie möglich am Gitarrenspieler. Die Antennen sollten in Richtung des Bodypacks gerichtet und leicht nach außen gedreht sein damit die Antennen auch Teile der Bühne abdecken, in den der Spieler bewegen könnte. Oberhalb befindet sich eine Seitenansicht der Remote-Antennen und unterhalb eine Bühne auf der man die Orientierung der Remote-Antennen erkennen kann. Mikrofon Transmitter Abdeckung: Um einen einzelnen Mikrofon-Transmitter eines Sängers abzudecken können sich die beiden Antennen auf einer Seite des Schlagzeuges befinden. Die Antennen müssen dann nach unten in Richtung des Mikrofons und leicht nach innen gerichtet werden um so den Bereich abzudecken in dem sich der Sänger bewegt. Antennenabdeckung für mehrere Künstler: Nutzen Sie dazu die Remote-Antennen sowie das XD-AD8 System. Beiden Antennen könnten sich in diesem Falle jeweils links und rechts an der Kante der Bühne befinden und in Richtung Künstler gedreht sein. Die obrigen Illustrationen sind Vorschläge. In allen Fällen ist es wichtig die Bühne abzulaufen und zu überprüfen ob die Künstler überall Empfang haben. Kleine Änderungen können hier großes bewirken. Die Abdeckung der Antennen können Sie hier anhand der Ausrichtung selbst bestimmen. Antennenhöhe und –Winkel Ihre Remote-Antennen sollten Sie mindestens einen Meter über dem Boden positionieren um RF Reflektionen zu minmieren und idealerweise sollten die Antennen über den Köpfen des Publikums plaziert werden jedoch nicht zu hoch oder nah an der Decke. Antennen, die zu hoch plaziert sind nehmen oftmals mehr unerwünschte Signale auf. Die korrekto Höhe der Antenne wird die Reichweite Ihres kabellosen Systems maximieren. Das Hauptziel ist es die Antennen so nah wie möglich beim Künstler und gleichzeitig weit weg von Interferenzen aufzustellen. So kann zum Beispiel ein WLAN Router, der an der Decke des Raumes installiert ist das Signal stören. Richten Sie in diesem Fall die Antenne auf den Künstler und nicht in die Richtung des Routers. Antennenverteilersystem Line 6 bietet außerdem das XD-AD8 Antennenverteilersystem an. Das System es mehreren Empfängern das selbe Paar Antennen zu benutzen, welches Ihnen mehr Flexibilität für Ihre Aufstellungen mit mehreren Empfängern bietet. Mit Rack-Wireless Systemen ist die Einrichtung einfach und nicht überladen. Zusätzlich können Sie die Empfänger vom AD8 aus betreiben.
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VIDEO: Line 6 Wireless Transmitter RF mode Switching
line6jonb posted a article in Relay/XD-V Digital Wireless
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Please tell me if there's wireless Variax cable transceiver to connect my JTV-59 and HD500X. If that's not happening, how far can I go with a ethercon Cat5E or 6 ? Thx, Mik -
Before anyone judges my post by the subject alone, I would like to note that I am not attempting to use VDI, simply 1/4" setup. I am toying with the idea of using the 4-cable method and buying 4 separate wireless systems to make it cable-free. I am wondering (from experienced wireless users and/or audio engineering experience people) if this is a bad idea. I would love nothing more than than to have to never mess with cables again, but I am wondering how much signal loss and/or hum I will get from this. I would like to hear some advice, warnings and educated coaching on this matter. Is it plausible?
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Hey there, Before i bought a pod hd, i literally crawled through the web to see whether someone has experience in using the pod with a wireless and/or h&k switchblade combo and control everything with an mk2 shortboard. I didn’t find anything usefull so for anyone out there looking for this setup this is for you. First, my signal chain goes like this: >> XLR-Out >> Mic-In POD HD Pro Guitar >> Wireless Shure SLX14 >>FX Return H&K Switchblade Combo 50 (without -10db) >> Unbalanced Out >> LineL/Mono in POD HD Pro The Wireless is at -10db Mic-Input is at 100% (just to make the setup easier) Bass-Reduction is active -20db is active For the standard patches i use mainly only one pre-amp per patch. Several amps have very...i mean very low output (e.g. the VOX AC 30 TB) i try to figure out if this is my error or by design. Any tip is appreciated. The sound? it’s absolutely fantastic. Much more than i was hoping for. It was actually so good, that i put all my effect pedals aside and don't use a 4CM method. I didn't sell them yet, because the pod has to prove itself road-able. It’s in a SKB-Rack with short cables to the wireless, but it has to take some smashing and staking etc. so, we'll see. For high gains i use sometimes up to 2 noise gates (threshold lower than 40% to avoid weird sounds). The Switchblade is just set to the clean channel, with everything turned off, and the B/M/T/G are in middle position. Maybe you add a tick more presence, since this will give some more punch to the tone. And our technician showed me a glorious trick: If you would like to just add gain, but not volume, assign the drive to the exp. Pedal with your desired value in max. and min. then assign the output of the same distortion effect to the same exp. Pedal, but set the max.-value to e.g. 30% and the min. value to e.g. 100%. You need to twiddle a bit so you get the amount right. With that setup, you add gain and lower output and vice versa. Hope this helped. Cheers exile -
Get the New V75-40V Microphone with Earthworks Capsule for Your XD-V75 Digital Wireless System What is it? The V75-40V combines industry-leading Line 6® digital wireless technology with the renowned Earthworks® WL40V premium hyper-cardioid capsule, delivering stunning performance and unmatched sound quality. Premium Sound Quality The Line 6 XD-V system is the only wireless platform that can transmit the stunning sound of the celebrated Earthworks WL40V capsule. The result is the world's most inspiring vocal wireless microphone, providing exceptional clarity, precise response and unmatched sound quality. Earthworks WL40V Capsule Designed to deliver studio-quality performance to the wireless world, the premium hand-tuned and tested capsule from Earthworks deliver features lightning-fast impulse response, high SPL handling and a wide frequency range. The textbook-perfect hyper-cardioid polar pattern provides exceptional clarity and detail. Your vocals have never sounded this amazing. Does the V75-40V have microphone modeling like other Line 6 microphones? No, the V75-40V does not have any microphone modeling on it. When using a Line 6 handheld microphone with the Earthworks WL40V capsule attached, the mic modeling will display "OFF" on the modeling page of the microphone's user interface. Can I use a V75-40V Earthworks capsule on other Line 6 handheld microphones? Yes, the Earthworks WL40V capsule is interchangeable to use on other Line 6 handheld microphones, provided the handheld microphone being used has been updated to firmware version 2.10. Firmware version 2.10 is required for Line 6 handheld microphones to utilize the Earthworks WL40V capsule. Is the V75-40V part of a Line 6 wireless system? The V75-40V with Earthworks WL40V capsule is sold as a separate component from other Line 6 wireless systems. The V75-40V does NOT come with a receiver or power supply to power the receiver. Any customer without a Line 6 wireless system will need these components when purchasing a V75-40V. 24-bit Performance Featuring 24-bit precision, 10Hz–20kHz full frequency response, and wide dynamic range, our digital wireless system transmits the stunning sound of the WL40V with total transparency and accuracy. Clear Visual Status The clear LCD screen provides essential system info at a glance. Select channels and check your battery level—instantly. Tour-Tough Construction With a durable metal body and custom hard-shell touring case, V75-40V is ready for the rigors of the road. How do I get it? Visit your local Line 6 retailer today to check out V75-40V. V75-40V combines industry-leading Line 6® digital wireless technology with the renowned Earthworks® WL40V premium hyper-cardioid capsule—delivering performance previously found only in the highest quality wired studio mics. Features include: Premium Earthworks WL40V capsule Textbook-perfect hyper-cardioid polar pattern for exceptional clarity and detail Crystal-clear, compander-free, 24-bit precision The widest dynamic range of any digital wireless transmitter—118dB Rugged, tour-tough metal body Includes custom hard-shell touring case with soft inner padding Up to 14 channels for maximum flexibility 10Hz–20kHz frequency response Backlit LCD display for fast and easy operation 8 hours battery life with 2 AA batteries Lockout switch to prevent changes during performance Transmitter Naming for identifying transmitters in a multi-system application Compatible with XD-V75, XD-V55, and XD-V35 receivers running v2.0 firmware or later Part number: 98-033-0057
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USB 3.0 computer cables and peripherals, including hard drives, are known to emit radio frequency interference throughout the 2.4GHz band, which results in reduced range and/or performance for any 2.4GHz device in its proximity (including wireless keyboard or mouse, WiFi, etc.). We recommend placing any digital wireless receivers at least two meters away from the USB 3.0 device and its cabling. Below is a link to an study by Intel regarding this interference. http://www.intel.com/content/www/us/en/io/universal-serial-bus/usb3-frequency-interference-paper.html Interferenzen zwischen USB 3.0 und 2.4GHz-Geräten USB 3.0 Computerkabel und –geräte sind dafür bekannt Interferenzen bei Radio Frequenzen im 2,4GHz Bereich zu erzeugen was zu verringerter Reichweite und Performance für alle 2.4GHz Geräte (inklusive kabellose Tastatur oder Maus sowie WiFi und viele andere) in der Nähe führen kann. Wir empfehlen alle digitalen Kabellosempfänger mindestens 2m von den USB 3.0 Geräten und deren Verkablung weit weg zu plazieren. Nachstehend können Sie einen Link zur Untersuchung von Intel über Interferenzen mit USB 3.0 finden: http://www.intel.com/content/www/us/en/io/universal-serial-bus/usb3-frequency-interference-paper.html Interférences entre USB 3.0 et appareils 2.4GHz Les câbles et périphériques USB 3.0 sont connus pour émettre des interférences de fréquence radio dans la bande 2,4 GHz, que cause une gamme et/ou performance des appareils 2.4 GHz réduite dans la proximité. (Y inclus sont les claviers ou souris sans fil, WiFi, etc.) Nous recommandons de placer le récepteur sans fil numérique au moins 2 mètres loin des appareils USB 3.0 et ses câbles. Voici un lien vers une étude réalisée par Intel au sujet de cette interférence: http://www.intel.com/content/www/us/en/io/universal-serial-bus/usb3-frequency-interference-paper.html
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I received an email today to take a survey about their wireless systems, one of which I own, and I'd get a free Pod Farm 2.5? I took the survey, clicked the link, logged in and was told Error - free pod farm no longer available. What gives? -
I just bought a JTV-89 to use with my Pod HD500 - I updated all the software on the Pod and Guitar and It is a great rig. I use the VDI cable because I want the guitar setting to be controlled by the Pod HD500. I send a MIDI Program change from my sequencer and it sets up not only the Pod HD500 but the guitar also. I just hate the cord. I know I can use a guitar wireless rig thru the 1/4" analog output and get the sounds from the guitar but I do not get the control of the settings like you do with the VDI cable. It is soooo easy to save a new Pod HD500 Program with all the Variax settings and when you start your new song on the sequencer, you don't have to touch any controls on the guitar. Any plans on wireless VDI???? Also, a while back I wrote to see if you could use the MIDI CC 7 (volume control) on the Pod HD500 and that was not implemented yet. Does anybody know if that has now been implemented? I would like to control the master volume of the Pod HD500 from the sequencer sending MIDI control signals. Thanks, Joebar23 -
Français Deutsch Q: What is the cable tone on my Relay G55 and what does it do? A: The cable tone button simulates the slight change in tone that happens when using cables of varying length. The cable tone length that the Relay 55 uses is a 25 foot length guitar cable. At shorter lengths this change in tone is hard to recognize, but as length gets up to 100 feet and beyond, the extreme high end of your tone "rolls off" and loses volume. A cable length of 25 feet will not affect your audio below aproximately 15kHz. Q: Does USB 3.0 create interference in the 2.4GHz frequency range? A: USB 3.0 computer cables and peripherals, including hard drives, are known to emit radio frequency interference throughout the 2.4GHz band, which results in reduced range and/or performance for any 2.4GHz device in its proximity (including wireless keyboard or mouse, WiFi, etc.). We recommend placing any digital wireless receivers at least two meters away from the USB 3.0 device and its cabling. Below is a link to a study by Intel regarding this interference. http://www.intel.com/content/www/us/en/io/universal-serial-bus/usb3-frequency-interference-paper.html Q: Can I use my Relay G55 transmitter or receiver with other Line 6 wireless? A: Yes, all Line 6 wireless devices are compatible to work with one another. So, if you have a Line 6 XDV receiver, any transmitter from a Relay system will work with it, and vice versa. However, it is important to realize that Line 6 wireless systems in RF2 mode will not work with coresponding units in RF1 mode - regardless of the system they are from. You cannot use RF2 mode in the presence of any older Line 6 2.4G wireless (including Relay) in the same venue. If you try you will likely get failures in both the old and new units. So it is important to know if you are using RF1 or RF2 mode. You must either flash older models to the newer V2.0 firmware (and you must have access to a V75 receiver and do this via Monkey) or you can shift the newer models (or any that have been flashed with V2.0) into RF 1 mode. If an XD-V75 unit is being added to a setup that already includes any devices running in RF1 mode, the XD-V75 can be used to update the older devices to run RF2 mode by using an internet-connected computer attached to the XD-V75’s USB port. See the Firmware Updating Procedure section for more information. Alternatively, the XD-V75 transmitters can be setup to operate in RF1 mode if it is necessary to use the transmitters with older Line 6 receivers. Q: How do I switch between RF2 mode and RF1 mode? A: Relay G55 systems can be used in RF1 or RF2 mode. To Set TBP12 Transmitters (Relay G50/55/90): Enter Setup mode by holding the select button, and you will know you are in setup mode when the current channel is displayed flashing. Continue holding the select button. Then press the value button. RF2 will display showing that you are now in RF2 mode. Press and hold select to exit setup mode. Repeat this process to switch between RF1 and RF2 mode. Note: It is IMPORTANT to note that once you shift (in either direction) the transmitters will only remember the change if you power cycle the transmitter. Just turn it off with the power switch and then back on. If you were to pop a battery before doing this then it will revert back to the last "saved" mode. Q: How can I avoid wi-fi interference? A: Page 11 of the Pilot's Guide provides more details, but here are suggested channels settings to avoid interfering with wi-fi: Relay G55 F.A.Q.: Qu'est-ce que le bouton Cable Tone sur mon Relay G55? Le bouton "Cable Tone" simule le change de tonalité si on utilise un câble de longueur variable. Le Relay 55 utilise une tonalité d'un câble guitare de 7,5m. Aux longueurs plus courtes, ce changement en tonalité est difficile à reconnaitre mais si la longueur devient jusqu'à 30 mètres, l'extrémité haute de votre ton perd volume. Une longueur du câble de 7,5m ou moins n'affectera pas votre son au-dessous d'environ 15kHz. Est-ce que USB 3.0 produit d'interférence dans la gamme de fréquences 2.4 GHz? Les câbles et périphériques USB 3.0 sont connus pour émettre des interférences de fréquence radio dans la bande 2,4 GHz, que cause une gamme et/ou performance des appareils 2.4 GHz réduite dans la proximité. (Y inclus sont les claviers ou souris sans fil, WiFi, etc.) Nous recommandons de placer le récepteur sans fil numérique au moins 2 mètres loin des appareils USB 3.0 et ses câbles. Voici un lien vers une étude réalisée par Intel au sujet de cette interférence: http://www.intel.com/content/www/us/en/io/universal-serial-bus/usb3-frequency-interference-paper.html Est-ce que je peux utiliser mon émetteur ou récepteur Relay G55 avec autres appareils sans fil Line 6? Oui, tous les appareils sans fil Line 6 sont mutuellement compatibles. Donc, si vous avez un récepteur Line 6 XDV et n'importe quel transmetteur Relay travaillera et inversement. Mais attention, les appareils Line 6 sans fil en mode RF1 ne fonctionnent pas avec les appareils un mode RF2 indépendamment du système. Vous ne pouvez pas utiliser le mode RF2 en présence de Line 6 2.4GHz Wireless dans le même lieu. Si vous essayez, vous aurez probablement des échecs dans les anciens et les nouvelles unités. Donc, c'est important de savoir si vous utilisez RF1 ou RF2. Vous devez soit installer les anciens modèles sur le firmware V2.0 (ou plus récent) ou vous pouvez mettre les nouveaux modèles en mode RF 1. Si vous mettez l'unité XD-V75 dans un setup avec des appareils en RF1, vous pouvez utiliser le XD-V75 pour mettre à jour les appareils plus anciens d'être capable d'utiliser RF2 en utilisant un ordinateur avec internet connecté. Branchez le XD-V75 dans votre ordinateur via USB. Visitez la section de la mise à jour firmware pour plus d'informations. Alternativement, vous pouvez mettre les transmetteurs XD-V75 sur RF1 si c'est nécessaire de las connecter aux récepteurs Line 6 plus anciens. Comment est-ce que je peux commuter entre mode RF1 et RF2? Placez l’émetteur sous tension, et maintenez la touche "Select" enfoncée jusqu’à ce que le numéro du canal clignote. Maintenez la touche "On/Mute" (alimentation) enfoncée et appuyez rapidement sur "Select" et sur "Value"; appuyez dans la seconde qui suit — n’attendez pas plus, sinon l’émetteur se place hors tension. Notez que la ligne supérieure de l’écran LCD indique temporairement [RF-1] à la place de [CH], ce qui indique que l’émetteur est dans un mode de transmission compatible avec les récepteurs G90 et G30. Pour revenir au mode de transmission RF2, répétez les opérations précédentes en appuyant rapidement sur la touche de mise sous tension puis en appuyant rapidement sur "Select" dans l’écran [CH]. La ligne supérieure de l’écran LCD indique temporairement [RF-2], ce qui correspond au changement de mode. Notez que le mode de transmission est mémorisé ; même après la mise hors tension. Comment est-ce que je peux éviter des interférences WiFi? Ci-dessous sont réglages des canaux suggérés pour éviter les interférences avec WiFi: F.A.Q. zum Relay G55 Was ist der Cable Tone Knopf und was bewirkt er? Der die Cable Tone Einstellung simuliert die kleine Veränderung des Klangs bei Benutzung von Kabeln bestimmter Längen. Das Kabel, welches für diese Modifizierung benutzt wurde für das Relay 55 ist ein Gitarrenkabel der Lange 7,5m. Bei kürzeren Kabeln ist es schwer den Unterschied zu hören aber bei Längen über 30 Metern verliert das extrem hohe Ende des Klangs an Lautstärke. Ein Kabel von 7,5m beeinträchtigt den Klang unter ca. 15kHz nicht. Verursacht USB 3.0 Interferenzen im 2,4GHz Frequenzbereich? USB 3.0 Computerkabel und –geräte sind dafür bekannt Interferenzen bei Radio Frequenzen im 2,4GHz Bereich zu erzeugen was zu verringerter Reichweite und Performance für alle 2.4GHz Geräte (inklusive kabellose Tastatur oder Maus sowie WiFi und viele andere) in der Nähe führen kann. Wir empfehlen alle digitalen Kabellosempfänger mindestens 2m von den USB 3.0 Geräten und deren Verkablung weit weg zu plazieren. Nachstehend können Sie einen Link zur Untersuchung von Intel über Interferenzen mit USB 3.0 finden: http://www.intel.com/content/www/us/en/io/universal-serial-bus/usb3-frequency-interference-paper.html Kann ich meinen Relay G55 Transmitter oder Empfänger mit anderen Line 6 Wireless Geräten verwenden? Ja, alle kabellosen Line 6 Geräte sind kompatibel mit miteinander zu kommunizieren. Wenn Sie also einen Line 6 XDV Empfänger und irgend einen Transmitter mit Relay System wird dies funktionieren, sowie umgekehrt. Achtung, Line 6 Geräte im RF2 Modus werden nicht mit Geräten im RF1 Modus funktionieren, egal welches System benutzt wird. Sie sollten keinen RF2 Modus in der nähe alter Line 6 Geräte verwenden, wenn Sie dies versuchen werden es wahrscheinlich zu Fehlern auf beiden Geräten (alt und neu) führen. Also müssen Sie sich immer sicher sein welchen Modus Sie verwenden RF1 oder RF2. Sie müssen dann entwerden die alten Modelle auf die V2.0 Firmware aktualisieren (zusätzlich müssen Sie Zugriff auf einen V75 Empfänger und Monkey haben) oder auf den neuen Geräten (oder älteren auf Firmware Version 2.00) RF1 einstellen. Wenn ein XD-V75 in ein Setup; welches bereits Geräte beinhaltet, die auf RF1 laufen; kann das XD-V75 dazu verwendet werden, die älteren Geräte zu aktualisieren, damit diese RF2 benutzen können. Das XD-V75 muss an einen Computer via USB mit bestehender Internetverbindung angeschlossen sein. Schauen Sie sich dann die Firmware Update Sektion für weitere Informationen an. Alternativ können die XD-V75 Transmitter so eingestellt werden, dass diese im RF1 Modus laufen, wenn es nötig ist, dass die Transmitter mit alten Line 6 Empfängern kommunizieren können. Wie kann ich zwischen RF1 und RF2 wechseln? Schalten Sie den Sender ein und halten Sie seinen SELECT Knopf so lange gedrückt, bis die Kanalnummer blinkt. Halten Sie den ON/MUTE Knopf gedrückt, während Sie schnell SELECT und VALUE drücken. Sie müssen innerhalb einer Sekunde drücken. Wenn Sie nämlich länger warten, wird der Sender ausgeschaltet. In der oberen Display-Zeile wird [RF-1] (statt [CH]) angezeigt: Der Sender verwendet jetzt den für Relay G90 und Relay G30 Empfänger benötigten Modus. Um später wieder den RF2-Modus zu wählen, müssen Sie auf der “CHâ€-Seite zuerst den Netztaster und gleich danach SELECT drücken. In der oberen Display-Zeile wird kurz “RF-2†angezeigt, um die Moduswahl zu bestätigen. Der mit diesem Verfahren gewählte Modus bleibt auch nach dem Ausschalten erhalten. Wie kann ich WiFi Interferenzen vermeiden? Im Anschluss finden Sie verschiedene empfohlene Kanal-Einstellungen um Interferenzen zu vermeiden:
